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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64E756 it is the complementary color #9B18A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64E756. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64E756 shade: #69E751, #7AF964, #8BFF77, #9CFF8A and #ADFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64E756. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64E756 shade: #64E756, #53D543, #42C330, #31B11D and #209F0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64E756 shade: #63E655, #8AE655, #B1E655, #D9E655 and #E6CD55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64E756 shade: #63E655, #55E66E, #55E695, #55E6BC and #55E6E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64E756 shade matches the following richer shades: #63E655 and #56F645

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64E756 shade: #63E655, #70D765, #7CC774, #89B784 and #96A894

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64E756 shade: #B1E655, #8AE655, #63E655, #55E66D and #55E694

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64E756 shade: #2ECC1D, #42E131, #63E655, #84EB79 and #A5F19D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64E756 shade: #64E756, #55D8E6 and #E6559E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64E756 shade: #64E756, #5563E6 and #E65563

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64E756 shade: #64E756, #55D8E6, #D855E6 and #E66355

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64E756 shade: #64E756, #55ACE6, #D855E6 and #E68F55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 63 / 9

HEX #64E756

RGB 100 231 86

HSL 114.21, 0.75%, 0.62%

LAB 82.13, -62.84, 58.18

 

Complementary color

CMYK 8 / 86 / 0 / 34

HEX #9B18A9

RGB 155 24 169

HSL 294.21, 0.75%, 0.38%

LAB 38.7, 66.52, -47.06

 

CMYK 55 / 0 / 65 / 9

HEX #69E751

RGB 105 231 81

HSL 110.4, 0.76%, 0.61%

LAB 82.24, -62.08, 60.4

 

CMYK 51 / 0 / 60 / 2

HEX #7AF964

RGB 122 249 100

HSL 111.14, 0.93%, 0.68%

LAB 88.36, -62.43, 59.48

 

CMYK 45 / 0 / 53 / 0

HEX #8BFF77

RGB 139 255 119

HSL 111.18, 1%, 0.73%

LAB 90.94, -58.01, 54.3

 

CMYK 39 / 0 / 46 / 0

HEX #9CFF8A

RGB 156 255 138

HSL 110.77, 1%, 0.77%

LAB 91.87, -50.71, 46.78

 

CMYK 32 / 0 / 38 / 0

HEX #ADFF9D

RGB 173 255 157

HSL 110.2, 1%, 0.81%

LAB 92.94, -42.87, 39.11

 

CMYK 57 / 0 / 63 / 9

HEX #64E756

RGB 100 231 86

HSL 114.21, 0.75%, 0.62%

LAB 82.13, -62.84, 58.18

 

CMYK 61 / 0 / 69 / 16

HEX #53D543

RGB 83 213 67

HSL 113.42, 0.63%, 0.55%

LAB 75.97, -62.24, 59

 

CMYK 66 / 0 / 75 / 24

HEX #42C330

RGB 66 195 48

HSL 112.65, 0.6%, 0.48%

LAB 69.75, -61.27, 59.4

 

CMYK 72 / 0 / 84 / 31

HEX #31B11D

RGB 49 177 29

HSL 111.89, 0.72%, 0.4%

LAB 63.5, -59.79, 59.03

 

CMYK 80 / 0 / 94 / 38

HEX #209F0A

RGB 32 159 10

HSL 111.14, 0.88%, 0.33%

LAB 57.2, -57.57, 57.32

 

CMYK 57 / 0 / 63 / 10

HEX #63E655

RGB 99 230 85

HSL 114.21, 0.74%, 0.62%

LAB 81.78, -62.82, 58.21

 

CMYK 40 / 0 / 63 / 10

HEX #8AE655

RGB 138 230 85

HSL 98.07, 0.74%, 0.62%

LAB 83.26, -51.85, 60.25

 

CMYK 23 / 0 / 63 / 10

HEX #B1E655

RGB 177 230 85

HSL 81.93, 0.74%, 0.62%

LAB 85.3, -38.28, 63.06

 

CMYK 6 / 0 / 63 / 10

HEX #D9E655

RGB 217 230 85

HSL 65.38, 0.74%, 0.62%

LAB 87.97, -22.7, 66.7

 

CMYK 0 / 11 / 63 / 10

HEX #E6CD55

RGB 230 205 85

HSL 49.66, 0.74%, 0.62%

LAB 82.45, -4.95, 61.14

 

CMYK 57 / 0 / 63 / 10

HEX #63E655

RGB 99 230 85

HSL 114.21, 0.74%, 0.62%

LAB 81.78, -62.82, 58.21

 

CMYK 63 / 0 / 52 / 10

HEX #55E66E

RGB 85 230 110

HSL 130.34, 0.74%, 0.62%

LAB 81.65, -63, 46.83

 

CMYK 63 / 0 / 35 / 10

HEX #55E695

RGB 85 230 149

HSL 146.48, 0.74%, 0.62%

LAB 82.21, -56.72, 28.31

 

CMYK 63 / 0 / 18 / 10

HEX #55E6BC

RGB 85 230 188

HSL 162.62, 0.74%, 0.62%

LAB 83, -48.55, 9.11

 

CMYK 63 / 0 / 1 / 10

HEX #55E6E4

RGB 85 230 228

HSL 179.17, 0.74%, 0.62%

LAB 84.03, -38.47, -10.49

 

CMYK 57 / 0 / 63 / 10

HEX #63E655

RGB 99 230 85

HSL 114.21, 0.74%, 0.62%

LAB 81.78, -62.82, 58.21

 

CMYK 65 / 0 / 72 / 4

HEX #56F645

RGB 86 246 69

HSL 114.24, 0.91%, 0.62%

LAB 86.17, -72.46, 68.83

 

CMYK 57 / 0 / 63 / 10

HEX #63E655

RGB 99 230 85

HSL 114.21, 0.74%, 0.62%

LAB 81.78, -62.82, 58.21

 

CMYK 48 / 0 / 53 / 16

HEX #70D765

RGB 112 215 101

HSL 114.21, 0.59%, 0.62%

LAB 77.87, -52, 46.69

 

CMYK 38 / 0 / 42 / 22

HEX #7CC774

RGB 124 199 116

HSL 114.22, 0.43%, 0.62%

LAB 73.8, -39.64, 34.36

 

CMYK 25 / 0 / 28 / 28

HEX #89B784

RGB 137 183 132

HSL 114.12, 0.26%, 0.62%

LAB 70.07, -25.3, 21.13

 

CMYK 11 / 0 / 12 / 34

HEX #96A894

RGB 150 168 148

HSL 114, 0.1%, 0.62%

LAB 67, -10.18, 8.21

 

CMYK 23 / 0 / 63 / 10

HEX #B1E655

RGB 177 230 85

HSL 81.93, 0.74%, 0.62%

LAB 85.3, -38.28, 63.06

 

CMYK 40 / 0 / 63 / 10

HEX #8AE655

RGB 138 230 85

HSL 98.07, 0.74%, 0.62%

LAB 83.26, -51.85, 60.25

 

CMYK 57 / 0 / 63 / 10

HEX #63E655

RGB 99 230 85

HSL 114.21, 0.74%, 0.62%

LAB 81.78, -62.82, 58.21

 

CMYK 63 / 0 / 53 / 10

HEX #55E66D

RGB 85 230 109

HSL 129.93, 0.74%, 0.62%

LAB 81.64, -63.14, 47.29

 

CMYK 63 / 0 / 36 / 10

HEX #55E694

RGB 85 230 148

HSL 146.07, 0.74%, 0.62%

LAB 82.2, -56.91, 28.8

 

CMYK 77 / 0 / 86 / 20

HEX #2ECC1D

RGB 46 204 29

HSL 114.17, 0.75%, 0.46%

LAB 72.13, -68.57, 66.75

 

CMYK 71 / 0 / 78 / 12

HEX #42E131

RGB 66 225 49

HSL 114.2, 0.75%, 0.54%

LAB 79.17, -70.84, 68.2

 

CMYK 57 / 0 / 63 / 10

HEX #63E655

RGB 99 230 85

HSL 114.21, 0.74%, 0.62%

LAB 81.78, -62.82, 58.21

 

CMYK 44 / 0 / 49 / 8

HEX #84EB79

RGB 132 235 121

HSL 114.21, 0.74%, 0.7%

LAB 84.84, -51.81, 45.9

 

CMYK 32 / 0 / 35 / 5

HEX #A5F19D

RGB 165 241 157

HSL 114.29, 0.75%, 0.78%

LAB 88.61, -39.22, 33.34

 

CMYK 57 / 0 / 63 / 9

HEX #64E756

RGB 100 231 86

HSL 114.21, 0.75%, 0.62%

LAB 82.13, -62.84, 58.18

 

CMYK 63 / 6 / 0 / 10

HEX #55D8E6

RGB 85 216 230

HSL 185.79, 0.74%, 0.62%

LAB 80.04, -31.38, -17.53

 

CMYK 0 / 63 / 31 / 10

HEX #E6559E

RGB 230 85 158

HSL 329.79, 0.74%, 0.62%

LAB 57.84, 62.74, -9.84

 

CMYK 57 / 0 / 63 / 9

HEX #64E756

RGB 100 231 86

HSL 114.21, 0.75%, 0.62%

LAB 82.13, -62.84, 58.18

 

CMYK 63 / 57 / 0 / 10

HEX #5563E6

RGB 85 99 230

HSL 234.21, 0.74%, 0.62%

LAB 47.71, 34.65, -68.24

 

CMYK 0 / 63 / 57 / 10

HEX #E65563

RGB 230 85 99

HSL 354.21, 0.74%, 0.62%

LAB 56.31, 57.1, 22.61

 

CMYK 57 / 0 / 63 / 9

HEX #64E756

RGB 100 231 86

HSL 114.21, 0.75%, 0.62%

LAB 82.13, -62.84, 58.18

 

CMYK 63 / 6 / 0 / 10

HEX #55D8E6

RGB 85 216 230

HSL 185.79, 0.74%, 0.62%

LAB 80.04, -31.38, -17.53

 

CMYK 6 / 63 / 0 / 10

HEX #D855E6

RGB 216 85 230

HSL 294.21, 0.74%, 0.62%

LAB 58.8, 69.74, -49.7

 

CMYK 0 / 57 / 63 / 10

HEX #E66355

RGB 230 99 85

HSL 5.79, 0.74%, 0.62%

LAB 58.42, 49.94, 33.36

 

CMYK 57 / 0 / 63 / 9

HEX #64E756

RGB 100 231 86

HSL 114.21, 0.75%, 0.62%

LAB 82.13, -62.84, 58.18

 

CMYK 63 / 25 / 0 / 10

HEX #55ACE6

RGB 85 172 230

HSL 204, 0.74%, 0.62%

LAB 67.39, -8.79, -36.93

 

CMYK 6 / 63 / 0 / 10

HEX #D855E6

RGB 216 85 230

HSL 294.21, 0.74%, 0.62%

LAB 58.8, 69.74, -49.7

 

CMYK 0 / 38 / 63 / 10

HEX #E68F55

RGB 230 143 85

HSL 24, 0.74%, 0.62%

LAB 67.37, 27.72, 44.17

 

Description

Color code: HEX #64E756 | qconv.com Color code: HEX #64E756 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 231 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 231 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 63 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 63% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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