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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64E96A it is the complementary color #9B1695. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64E96A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64E96A shade: #69E965, #7AFB78, #8BFF8B, #9CFF9E and #ADFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64E96A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64E96A shade: #64E96A, #53D757, #42C544, #31B331 and #20A11E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64E96A shade: #62E868, #80E862, #A4E862, #C9E862 and #E8E462

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64E96A shade: #62E868, #62E88C, #62E8B1, #62E8D5 and #62D8E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64E96A shade matches the following richer shades: #62E868 and #54F75B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64E96A shade: #62E868, #71DA75, #7FCB83, #8EBD90 and #9CAE9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64E96A shade: #A5E862, #82E862, #62E867, #62E88A and #62E8AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64E96A shade: #1FD927, #3EE346, #62E868, #86ED8B and #ABF3AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64E96A shade: #64E96A, #62C9E8 and #E86293

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64E96A shade: #64E96A, #6762E8 and #E86762

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64E96A shade: #64E96A, #62C9E8, #E862E4 and #E88262

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64E96A shade: #64E96A, #62A1E8, #E862E4 and #E8AA62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 55 / 9

HEX #64E96A

RGB 100 233 106

HSL 122.71, 0.75%, 0.65%

LAB 82.93, -61.35, 50.33

 

Complementary color

CMYK 0 / 86 / 4 / 39

HEX #9B1695

RGB 155 22 149

HSL 302.71, 0.75%, 0.35%

LAB 37.32, 63.69, -37.18

 

CMYK 55 / 0 / 57 / 9

HEX #69E965

RGB 105 233 101

HSL 118.18, 0.75%, 0.65%

LAB 83.03, -60.75, 52.76

 

CMYK 51 / 0 / 52 / 2

HEX #7AFB78

RGB 122 251 120

HSL 119.08, 0.94%, 0.73%

LAB 89.15, -60.93, 51.55

 

CMYK 45 / 0 / 45 / 0

HEX #8BFF8B

RGB 139 255 139

HSL 120, 1%, 0.77%

LAB 91.18, -55.49, 45.27

 

CMYK 39 / 0 / 38 / 0

HEX #9CFF9E

RGB 156 255 158

HSL 121.21, 1%, 0.81%

LAB 92.16, -47.92, 37.44

 

CMYK 32 / 0 / 31 / 0

HEX #ADFFB1

RGB 173 255 177

HSL 122.93, 1%, 0.84%

LAB 93.27, -39.86, 29.58

 

CMYK 57 / 0 / 55 / 9

HEX #64E96A

RGB 100 233 106

HSL 122.71, 0.75%, 0.65%

LAB 82.93, -61.35, 50.33

 

CMYK 61 / 0 / 60 / 16

HEX #53D757

RGB 83 215 87

HSL 121.82, 0.62%, 0.58%

LAB 76.76, -60.95, 51.55

 

CMYK 66 / 0 / 65 / 23

HEX #42C544

RGB 66 197 68

HSL 120.92, 0.53%, 0.52%

LAB 70.53, -60.24, 52.63

 

CMYK 73 / 0 / 73 / 30

HEX #31B331

RGB 49 179 49

HSL 120, 0.57%, 0.45%

LAB 64.25, -59.1, 53.39

 

CMYK 80 / 0 / 81 / 37

HEX #20A11E

RGB 32 161 30

HSL 119.08, 0.69%, 0.37%

LAB 57.93, -57.32, 53.49

 

CMYK 58 / 0 / 55 / 9

HEX #62E868

RGB 98 232 104

HSL 122.69, 0.74%, 0.65%

LAB 82.54, -61.69, 50.77

 

CMYK 45 / 0 / 58 / 9

HEX #80E862

RGB 128 232 98

HSL 106.57, 0.74%, 0.65%

LAB 83.54, -54.47, 54.9

 

CMYK 29 / 0 / 58 / 9

HEX #A4E862

RGB 164 232 98

HSL 90.45, 0.74%, 0.65%

LAB 85.24, -42.78, 57.3

 

CMYK 13 / 0 / 58 / 9

HEX #C9E862

RGB 201 232 98

HSL 73.88, 0.74%, 0.65%

LAB 87.49, -29.05, 60.45

 

CMYK 0 / 2 / 58 / 9

HEX #E8E462

RGB 232 228 98

HSL 58.21, 0.74%, 0.65%

LAB 88.7, -14.81, 62.42

 

CMYK 58 / 0 / 55 / 9

HEX #62E868

RGB 98 232 104

HSL 122.69, 0.74%, 0.65%

LAB 82.54, -61.69, 50.77

 

CMYK 58 / 0 / 40 / 9

HEX #62E88C

RGB 98 232 140

HSL 138.81, 0.74%, 0.65%

LAB 83.02, -56.46, 34.01

 

CMYK 58 / 0 / 24 / 9

HEX #62E8B1

RGB 98 232 177

HSL 155.37, 0.74%, 0.65%

LAB 83.7, -49.4, 15.92

 

CMYK 58 / 0 / 8 / 9

HEX #62E8D5

RGB 98 232 213

HSL 171.49, 0.74%, 0.65%

LAB 84.54, -41.08, -1.78

 

CMYK 58 / 7 / 0 / 9

HEX #62D8E8

RGB 98 216 232

HSL 187.16, 0.74%, 0.65%

LAB 80.48, -28.61, -17.9

 

CMYK 58 / 0 / 55 / 9

HEX #62E868

RGB 98 232 104

HSL 122.69, 0.74%, 0.65%

LAB 82.54, -61.69, 50.77

 

CMYK 66 / 0 / 63 / 3

HEX #54F75B

RGB 84 247 91

HSL 122.58, 0.91%, 0.65%

LAB 86.58, -71.25, 60.95

 

CMYK 58 / 0 / 55 / 9

HEX #62E868

RGB 98 232 104

HSL 122.69, 0.74%, 0.65%

LAB 82.54, -61.69, 50.77

 

CMYK 48 / 0 / 46 / 15

HEX #71DA75

RGB 113 218 117

HSL 122.29, 0.59%, 0.65%

LAB 79.01, -50.81, 40.39

 

CMYK 37 / 0 / 35 / 20

HEX #7FCB83

RGB 127 203 131

HSL 123.16, 0.42%, 0.65%

LAB 75.37, -38.17, 28.7

 

CMYK 25 / 0 / 24 / 26

HEX #8EBD90

RGB 142 189 144

HSL 122.55, 0.26%, 0.65%

LAB 72.34, -24.48, 17.83

 

CMYK 10 / 0 / 10 / 32

HEX #9CAE9D

RGB 156 174 157

HSL 123.33, 0.1%, 0.65%

LAB 69.31, -9.56, 6.6

 

CMYK 29 / 0 / 58 / 9

HEX #A5E862

RGB 165 232 98

HSL 90, 0.74%, 0.65%

LAB 85.3, -42.43, 57.37

 

CMYK 44 / 0 / 58 / 9

HEX #82E862

RGB 130 232 98

HSL 105.67, 0.74%, 0.65%

LAB 83.62, -53.88, 55.01

 

CMYK 58 / 0 / 56 / 9

HEX #62E867

RGB 98 232 103

HSL 122.24, 0.74%, 0.65%

LAB 82.53, -61.81, 51.21

 

CMYK 58 / 0 / 41 / 9

HEX #62E88A

RGB 98 232 138

HSL 137.91, 0.74%, 0.65%

LAB 82.99, -56.79, 34.97

 

CMYK 58 / 0 / 25 / 9

HEX #62E8AE

RGB 98 232 174

HSL 154.03, 0.74%, 0.65%

LAB 83.63, -50.04, 17.39

 

CMYK 86 / 0 / 82 / 15

HEX #1FD927

RGB 31 217 39

HSL 122.58, 0.75%, 0.49%

LAB 76.11, -73.51, 67.9

 

CMYK 73 / 0 / 69 / 11

HEX #3EE346

RGB 62 227 70

HSL 122.91, 0.75%, 0.57%

LAB 79.84, -70.58, 61.79

 

CMYK 58 / 0 / 55 / 9

HEX #62E868

RGB 98 232 104

HSL 122.69, 0.74%, 0.65%

LAB 82.54, -61.69, 50.77

 

CMYK 43 / 0 / 41 / 7

HEX #86ED8B

RGB 134 237 139

HSL 122.91, 0.74%, 0.73%

LAB 85.76, -49.55, 38.31

 

CMYK 30 / 0 / 28 / 5

HEX #ABF3AE

RGB 171 243 174

HSL 122.5, 0.75%, 0.81%

LAB 89.77, -35.55, 26.34

 

CMYK 57 / 0 / 55 / 9

HEX #64E96A

RGB 100 233 106

HSL 122.71, 0.75%, 0.65%

LAB 82.93, -61.35, 50.33

 

CMYK 58 / 13 / 0 / 9

HEX #62C9E8

RGB 98 201 232

HSL 193.88, 0.74%, 0.65%

LAB 76.19, -21.15, -24.41

 

CMYK 0 / 58 / 37 / 9

HEX #E86293

RGB 232 98 147

HSL 338.06, 0.74%, 0.65%

LAB 59.89, 56.48, -0.37

 

CMYK 57 / 0 / 55 / 9

HEX #64E96A

RGB 100 233 106

HSL 122.71, 0.75%, 0.65%

LAB 82.93, -61.35, 50.33

 

CMYK 56 / 58 / 0 / 9

HEX #6762E8

RGB 103 98 232

HSL 242.24, 0.74%, 0.65%

LAB 48.82, 38.94, -67.52

 

CMYK 0 / 56 / 58 / 9

HEX #E86762

RGB 232 103 98

HSL 2.24, 0.74%, 0.65%

LAB 59.65, 49.65, 27.64

 

CMYK 57 / 0 / 55 / 9

HEX #64E96A

RGB 100 233 106

HSL 122.71, 0.75%, 0.65%

LAB 82.93, -61.35, 50.33

 

CMYK 58 / 13 / 0 / 9

HEX #62C9E8

RGB 98 201 232

HSL 193.88, 0.74%, 0.65%

LAB 76.19, -21.15, -24.41

 

CMYK 0 / 58 / 2 / 9

HEX #E862E4

RGB 232 98 228

HSL 301.79, 0.74%, 0.65%

LAB 62.92, 67.84, -41.93

 

CMYK 0 / 44 / 58 / 9

HEX #E88262

RGB 232 130 98

HSL 14.33, 0.74%, 0.65%

LAB 64.96, 36.23, 34.44

 

CMYK 57 / 0 / 55 / 9

HEX #64E96A

RGB 100 233 106

HSL 122.71, 0.75%, 0.65%

LAB 82.93, -61.35, 50.33

 

CMYK 58 / 31 / 0 / 9

HEX #62A1E8

RGB 98 161 232

HSL 211.79, 0.74%, 0.65%

LAB 64.89, 0.41, -41.89

 

CMYK 0 / 58 / 2 / 9

HEX #E862E4

RGB 232 98 228

HSL 301.79, 0.74%, 0.65%

LAB 62.92, 67.84, -41.93

 

CMYK 0 / 27 / 58 / 9

HEX #E8AA62

RGB 232 170 98

HSL 32.24, 0.74%, 0.65%

LAB 74.05, 15.08, 45.58

 

Description

Color code: HEX #64E96A | qconv.com Color code: HEX #64E96A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 233 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 233 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 55 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 55% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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