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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64F174 it is the complementary color #9B0E8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64F174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64F174 shade: #69F16F, #7AFF82, #8BFF95, #9CFFA8 and #ADFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64F174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64F174 shade: #64F174, #53DF61, #42CD4E, #31BB3B and #20A928

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64F174 shade: #65F074, #7AF065, #A0F065, #C6F065 and #EBF065

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64F174 shade: #65F074, #65F09A, #65F0C0, #65F0E5 and #65D5F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64F174 shade matches the following richer shades: #65F074 and #57FE6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64F174 shade: #65F074, #72E37F, #80D589, #8DC794 and #9BBA9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64F174 shade: #A1F065, #7CF065, #65F072, #65F098 and #65F0BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64F174 shade: #19E931, #3FED52, #65F074, #8AF496 and #B0F7B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64F174 shade: #64F174, #65C6F0 and #F0658E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64F174 shade: #64F174, #7265F0 and #F07265

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64F174 shade: #64F174, #65C6F0, #F065E2 and #F08E65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64F174 shade: #64F174, #659CF0, #F065E2 and #F0B865

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 52 / 5

HEX #64F174

RGB 100 241 116

HSL 126.81, 0.83%, 0.67%

LAB 85.44, -62.99, 48.74

 

Complementary color

CMYK 0 / 91 / 10 / 39

HEX #9B0E8B

RGB 155 14 139

HSL 306.81, 0.83%, 0.33%

LAB 36.27, 63.62, -32.72

 

CMYK 56 / 0 / 54 / 5

HEX #69F16F

RGB 105 241 111

HSL 122.65, 0.83%, 0.68%

LAB 85.54, -62.49, 51.19

 

CMYK 52 / 0 / 49 / 0

HEX #7AFF82

RGB 122 255 130

HSL 123.61, 1%, 0.74%

LAB 90.45, -61.16, 48.49

 

CMYK 45 / 0 / 42 / 0

HEX #8BFF95

RGB 139 255 149

HSL 125.17, 1%, 0.77%

LAB 91.32, -54.07, 40.62

 

CMYK 39 / 0 / 34 / 0

HEX #9CFFA8

RGB 156 255 168

HSL 127.27, 1%, 0.81%

LAB 92.32, -46.37, 32.68

 

CMYK 32 / 0 / 27 / 0

HEX #ADFFBB

RGB 173 255 187

HSL 130.24, 1%, 0.84%

LAB 93.45, -38.21, 24.77

 

CMYK 59 / 0 / 52 / 5

HEX #64F174

RGB 100 241 116

HSL 126.81, 0.83%, 0.67%

LAB 85.44, -62.99, 48.74

 

CMYK 63 / 0 / 57 / 13

HEX #53DF61

RGB 83 223 97

HSL 126, 0.69%, 0.6%

LAB 79.32, -62.6, 50.04

 

CMYK 68 / 0 / 62 / 20

HEX #42CD4E

RGB 66 205 78

HSL 125.18, 0.58%, 0.53%

LAB 73.14, -61.92, 51.26

 

CMYK 74 / 0 / 68 / 27

HEX #31BB3B

RGB 49 187 59

HSL 124.35, 0.58%, 0.46%

LAB 66.91, -60.83, 52.29

 

CMYK 81 / 0 / 76 / 34

HEX #20A928

RGB 32 169 40

HSL 123.5, 0.68%, 0.39%

LAB 60.64, -59.13, 52.88

 

CMYK 58 / 0 / 52 / 6

HEX #65F074

RGB 101 240 116

HSL 126.47, 0.82%, 0.67%

LAB 85.17, -62.4, 48.42

 

CMYK 49 / 0 / 58 / 6

HEX #7AF065

RGB 122 240 101

HSL 110.94, 0.82%, 0.67%

LAB 85.7, -58.95, 56.01

 

CMYK 33 / 0 / 58 / 6

HEX #A0F065

RGB 160 240 101

HSL 94.53, 0.82%, 0.67%

LAB 87.36, -47.31, 58.34

 

CMYK 18 / 0 / 58 / 6

HEX #C6F065

RGB 198 240 101

HSL 78.13, 0.82%, 0.67%

LAB 89.52, -33.67, 61.37

 

CMYK 2 / 0 / 58 / 6

HEX #EBF065

RGB 235 240 101

HSL 62.16, 0.82%, 0.67%

LAB 92.1, -19.25, 64.96

 

CMYK 58 / 0 / 52 / 6

HEX #65F074

RGB 101 240 116

HSL 126.47, 0.82%, 0.67%

LAB 85.17, -62.4, 48.42

 

CMYK 58 / 0 / 36 / 6

HEX #65F09A

RGB 101 240 154

HSL 142.88, 0.82%, 0.67%

LAB 85.72, -56.51, 30.54

 

CMYK 58 / 0 / 20 / 6

HEX #65F0C0

RGB 101 240 192

HSL 159.28, 0.82%, 0.67%

LAB 86.45, -48.92, 12

 

CMYK 58 / 0 / 5 / 6

HEX #65F0E5

RGB 101 240 229

HSL 175.25, 0.82%, 0.67%

LAB 87.36, -40.1, -6.03

 

CMYK 58 / 11 / 0 / 6

HEX #65D5F0

RGB 101 213 240

HSL 191.65, 0.82%, 0.67%

LAB 79.98, -24.33, -22.91

 

CMYK 58 / 0 / 52 / 6

HEX #65F074

RGB 101 240 116

HSL 126.47, 0.82%, 0.67%

LAB 85.17, -62.4, 48.42

 

CMYK 66 / 0 / 58 / 0

HEX #57FE6A

RGB 87 254 106

HSL 126.83, 0.99%, 0.67%

LAB 88.9, -71.39, 57.26

 

CMYK 58 / 0 / 52 / 6

HEX #65F074

RGB 101 240 116

HSL 126.47, 0.82%, 0.67%

LAB 85.17, -62.4, 48.42

 

CMYK 50 / 0 / 44 / 11

HEX #72E37F

RGB 114 227 127

HSL 126.9, 0.67%, 0.67%

LAB 81.86, -52.71, 39.09

 

CMYK 40 / 0 / 36 / 16

HEX #80D589

RGB 128 213 137

HSL 126.35, 0.5%, 0.67%

LAB 78.45, -41.34, 29.7

 

CMYK 29 / 0 / 26 / 22

HEX #8DC794

RGB 141 199 148

HSL 127.24, 0.34%, 0.67%

LAB 75.23, -28.97, 19.68

 

CMYK 17 / 0 / 15 / 27

HEX #9BBA9E

RGB 155 186 158

HSL 125.81, 0.18%, 0.67%

LAB 72.6, -15.99, 10.74

 

CMYK 33 / 0 / 58 / 6

HEX #A1F065

RGB 161 240 101

HSL 94.1, 0.82%, 0.67%

LAB 87.41, -46.97, 58.41

 

CMYK 48 / 0 / 58 / 6

HEX #7CF065

RGB 124 240 101

HSL 110.07, 0.82%, 0.67%

LAB 85.78, -58.4, 56.12

 

CMYK 58 / 0 / 53 / 6

HEX #65F072

RGB 101 240 114

HSL 125.61, 0.82%, 0.67%

LAB 85.15, -62.66, 49.32

 

CMYK 58 / 0 / 37 / 6

HEX #65F098

RGB 101 240 152

HSL 142.01, 0.82%, 0.67%

LAB 85.68, -56.86, 31.5

 

CMYK 58 / 0 / 21 / 6

HEX #65F0BD

RGB 101 240 189

HSL 157.99, 0.82%, 0.67%

LAB 86.39, -49.57, 13.47

 

CMYK 89 / 0 / 79 / 9

HEX #19E931

RGB 25 233 49

HSL 126.92, 0.83%, 0.51%

LAB 81.13, -77.87, 69.87

 

CMYK 73 / 0 / 65 / 7

HEX #3FED52

RGB 63 237 82

HSL 126.55, 0.83%, 0.59%

LAB 83.04, -72.45, 60.56

 

CMYK 58 / 0 / 52 / 6

HEX #65F074

RGB 101 240 116

HSL 126.47, 0.82%, 0.67%

LAB 85.17, -62.4, 48.42

 

CMYK 43 / 0 / 39 / 4

HEX #8AF496

RGB 138 244 150

HSL 126.79, 0.83%, 0.75%

LAB 88.12, -49.67, 35.96

 

CMYK 29 / 0 / 26 / 3

HEX #B0F7B8

RGB 176 247 184

HSL 126.76, 0.82%, 0.83%

LAB 91.33, -34.15, 23.41

 

CMYK 59 / 0 / 52 / 5

HEX #64F174

RGB 100 241 116

HSL 126.81, 0.83%, 0.67%

LAB 85.44, -62.99, 48.74

 

CMYK 58 / 18 / 0 / 6

HEX #65C6F0

RGB 101 198 240

HSL 198.13, 0.82%, 0.67%

LAB 75.73, -16.7, -29.41

 

CMYK 0 / 58 / 41 / 6

HEX #F0658E

RGB 240 101 142

HSL 342.3, 0.82%, 0.67%

LAB 61.47, 57.14, 4.97

 

CMYK 59 / 0 / 52 / 5

HEX #64F174

RGB 100 241 116

HSL 126.81, 0.83%, 0.67%

LAB 85.44, -62.99, 48.74

 

CMYK 53 / 58 / 0 / 6

HEX #7265F0

RGB 114 101 240

HSL 245.61, 0.82%, 0.67%

LAB 50.89, 41.65, -68.61

 

CMYK 0 / 53 / 58 / 6

HEX #F07265

RGB 240 114 101

HSL 5.61, 0.82%, 0.67%

LAB 62.93, 47.47, 30.42

 

CMYK 59 / 0 / 52 / 5

HEX #64F174

RGB 100 241 116

HSL 126.81, 0.83%, 0.67%

LAB 85.44, -62.99, 48.74

 

CMYK 58 / 18 / 0 / 6

HEX #65C6F0

RGB 101 198 240

HSL 198.13, 0.82%, 0.67%

LAB 75.73, -16.7, -29.41

 

CMYK 0 / 58 / 6 / 6

HEX #F065E2

RGB 240 101 226

HSL 306.04, 0.82%, 0.67%

LAB 64.42, 68.28, -38.38

 

CMYK 0 / 41 / 58 / 6

HEX #F08E65

RGB 240 142 101

HSL 17.7, 0.82%, 0.67%

LAB 68.61, 33.34, 37.61

 

CMYK 59 / 0 / 52 / 5

HEX #64F174

RGB 100 241 116

HSL 126.81, 0.83%, 0.67%

LAB 85.44, -62.99, 48.74

 

CMYK 58 / 35 / 0 / 6

HEX #659CF0

RGB 101 156 240

HSL 216.26, 0.82%, 0.67%

LAB 64.03, 6.42, -47.64

 

CMYK 0 / 58 / 6 / 6

HEX #F065E2

RGB 240 101 226

HSL 306.04, 0.82%, 0.67%

LAB 64.42, 68.28, -38.38

 

CMYK 0 / 23 / 58 / 6

HEX #F0B865

RGB 240 184 101

HSL 35.83, 0.82%, 0.67%

LAB 78.31, 11.2, 49.37

 

Description

Color code: HEX #64F174 | qconv.com Color code: HEX #64F174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 241 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 241 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 52 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 52% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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