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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #650472 it is the complementary color #9AFB8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #650472. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #650472 shade: #6A046D, #7B1680, #8C2893, #9D3AA6 and #AE4CB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #650472. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #650472 shade: #650472, #54005F, #43004C, #320039 and #210026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #650472 shade: #640471, #710460, #710443, #710425 and #710408

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #650472 shade: #640471, #460471, #290471, #0C0471 and #040471

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #650472 shade matches the following richer shades: #640471

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #650472 shade: #640471, #5D0D67, #55175E, #4E2054 and #472A4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #650472 shade: #280471, #450471, #620471, #710462 and #710445

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #650472 shade: #1D0121, #410249, #640471, #870599 and #AA06C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #650472 shade: #650472, #710B04 and #047137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #650472 shade: #650472, #716204 and #047162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #650472 shade: #650472, #710B04, #127104 and #046971

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #650472 shade: #650472, #712C04, #127104 and #044971

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 96 / 0 / 55

HEX #650472

RGB 101 4 114

HSL 292.91, 0.93%, 0.23%

LAB 23.9, 51.17, -37.32

 

Complementary color

CMYK 39 / 0 / 44 / 2

HEX #9AFB8D

RGB 154 251 141

HSL 112.91, 0.93%, 0.77%

LAB 90.68, -49.25, 43.82

 

CMYK 3 / 96 / 0 / 57

HEX #6A046D

RGB 106 4 109

HSL 298.29, 0.93%, 0.22%

LAB 24.5, 51.19, -33.07

 

CMYK 4 / 83 / 0 / 50

HEX #7B1680

RGB 123 22 128

HSL 297.17, 0.71%, 0.29%

LAB 30.26, 53.85, -35.78

 

CMYK 5 / 73 / 0 / 42

HEX #8C2893

RGB 140 40 147

HSL 296.07, 0.57%, 0.37%

LAB 36.37, 55.11, -37.64

 

CMYK 5 / 65 / 0 / 35

HEX #9D3AA6

RGB 157 58 166

HSL 295, 0.48%, 0.44%

LAB 42.68, 55.44, -38.89

 

CMYK 6 / 59 / 0 / 27

HEX #AE4CB9

RGB 174 76 185

HSL 293.94, 0.44%, 0.51%

LAB 49.09, 55.24, -39.76

 

CMYK 11 / 96 / 0 / 55

HEX #650472

RGB 101 4 114

HSL 292.91, 0.93%, 0.23%

LAB 23.9, 51.17, -37.32

 

CMYK 12 / 100 / 0 / 63

HEX #54005F

RGB 84 0 95

HSL 293.05, 1%, 0.19%

LAB 18.85, 45.76, -33.2

 

CMYK 12 / 100 / 0 / 70

HEX #43004C

RGB 67 0 76

HSL 292.89, 1%, 0.15%

LAB 13.91, 39.27, -28.46

 

CMYK 12 / 100 / 0 / 78

HEX #320039

RGB 50 0 57

HSL 292.63, 1%, 0.11%

LAB 8.77, 32.51, -23.51

 

CMYK 13 / 100 / 0 / 85

HEX #210026

RGB 33 0 38

HSL 292.11, 1%, 0.07%

LAB 4.18, 21.71, -16.81

 

CMYK 12 / 96 / 0 / 56

HEX #640471

RGB 100 4 113

HSL 292.84, 0.93%, 0.23%

LAB 23.63, 50.81, -37.11

 

CMYK 0 / 96 / 15 / 56

HEX #710460

RGB 113 4 96

HSL 309.36, 0.93%, 0.23%

LAB 25.08, 50.52, -23.57

 

CMYK 0 / 96 / 41 / 56

HEX #710443

RGB 113 4 67

HSL 325.32, 0.93%, 0.23%

LAB 23.68, 46.86, -6.26

 

CMYK 0 / 96 / 67 / 56

HEX #710425

RGB 113 4 37

HSL 341.83, 0.93%, 0.23%

LAB 22.76, 44.36, 13.27

 

CMYK 0 / 96 / 93 / 56

HEX #710408

RGB 113 4 8

HSL 357.8, 0.93%, 0.23%

LAB 22.36, 43.23, 30.48

 

CMYK 12 / 96 / 0 / 56

HEX #640471

RGB 100 4 113

HSL 292.84, 0.93%, 0.23%

LAB 23.63, 50.81, -37.11

 

CMYK 38 / 96 / 0 / 56

HEX #460471

RGB 70 4 113

HSL 276.33, 0.93%, 0.23%

LAB 18.28, 46.21, -46.05

 

CMYK 64 / 96 / 0 / 56

HEX #290471

RGB 41 4 113

HSL 260.37, 0.93%, 0.23%

LAB 14.12, 43.2, -53.06

 

CMYK 89 / 96 / 0 / 56

HEX #0C0471

RGB 12 4 113

HSL 244.4, 0.93%, 0.23%

LAB 11.67, 41.77, -57.21

 

CMYK 96 / 96 / 0 / 56

HEX #040471

RGB 4 4 113

HSL 240, 0.93%, 0.23%

LAB 11.31, 41.59, -57.82

 

CMYK 12 / 96 / 0 / 56

HEX #640471

RGB 100 4 113

HSL 292.84, 0.93%, 0.23%

LAB 23.63, 50.81, -37.11

 

CMYK 12 / 96 / 0 / 56

HEX #640471

RGB 100 4 113

HSL 292.84, 0.93%, 0.23%

LAB 23.63, 50.81, -37.11

 

CMYK 10 / 87 / 0 / 60

HEX #5D0D67

RGB 93 13 103

HSL 293.33, 0.78%, 0.23%

LAB 22.28, 45.63, -32.86

 

CMYK 10 / 76 / 0 / 63

HEX #55175E

RGB 85 23 94

HSL 292.39, 0.61%, 0.23%

LAB 21.4, 38.67, -28.42

 

CMYK 7 / 62 / 0 / 67

HEX #4E2054

RGB 78 32 84

HSL 293.08, 0.45%, 0.23%

LAB 21.18, 30.26, -22.19

 

CMYK 5 / 44 / 0 / 71

HEX #472A4B

RGB 71 42 75

HSL 292.73, 0.28%, 0.23%

LAB 21.96, 19.87, -15

 

CMYK 65 / 96 / 0 / 56

HEX #280471

RGB 40 4 113

HSL 259.82, 0.93%, 0.23%

LAB 14, 43.12, -53.26

 

CMYK 39 / 96 / 0 / 56

HEX #450471

RGB 69 4 113

HSL 275.78, 0.93%, 0.23%

LAB 18.12, 46.08, -46.33

 

CMYK 13 / 96 / 0 / 56

HEX #620471

RGB 98 4 113

HSL 291.74, 0.93%, 0.23%

LAB 23.26, 50.47, -37.74

 

CMYK 0 / 96 / 13 / 56

HEX #710462

RGB 113 4 98

HSL 308.26, 0.93%, 0.23%

LAB 25.2, 50.81, -24.71

 

CMYK 0 / 96 / 39 / 56

HEX #710445

RGB 113 4 69

HSL 324.22, 0.93%, 0.23%

LAB 23.76, 47.08, -7.51

 

CMYK 12 / 97 / 0 / 87

HEX #1D0121

RGB 29 1 33

HSL 292.5, 0.94%, 0.07%

LAB 3.55, 17.16, -13.95

 

CMYK 11 / 97 / 0 / 71

HEX #410249

RGB 65 2 73

HSL 293.24, 0.95%, 0.15%

LAB 13.52, 37.57, -27.03

 

CMYK 12 / 96 / 0 / 56

HEX #640471

RGB 100 4 113

HSL 292.84, 0.93%, 0.23%

LAB 23.63, 50.81, -37.11

 

CMYK 12 / 97 / 0 / 40

HEX #870599

RGB 135 5 153

HSL 292.7, 0.94%, 0.31%

LAB 33.05, 63.48, -46.67

 

CMYK 11 / 97 / 0 / 25

HEX #AA06C0

RGB 170 6 192

HSL 292.9, 0.94%, 0.39%

LAB 41.97, 75.35, -55.27

 

CMYK 11 / 96 / 0 / 55

HEX #650472

RGB 101 4 114

HSL 292.91, 0.93%, 0.23%

LAB 23.9, 51.17, -37.32

 

CMYK 0 / 90 / 96 / 56

HEX #710B04

RGB 113 11 4

HSL 3.85, 0.93%, 0.23%

LAB 22.86, 41.61, 32.63

 

CMYK 96 / 0 / 51 / 56

HEX #047137

RGB 4 113 55

HSL 148.07, 0.93%, 0.23%

LAB 41.39, -41.41, 24.57

 

CMYK 11 / 96 / 0 / 55

HEX #650472

RGB 101 4 114

HSL 292.91, 0.93%, 0.23%

LAB 23.9, 51.17, -37.32

 

CMYK 0 / 13 / 96 / 56

HEX #716204

RGB 113 98 4

HSL 51.74, 0.93%, 0.23%

LAB 41.62, -3.23, 47.56

 

CMYK 96 / 0 / 13 / 56

HEX #047162

RGB 4 113 98

HSL 171.74, 0.93%, 0.23%

LAB 42.34, -30.87, 0.65

 

CMYK 11 / 96 / 0 / 55

HEX #650472

RGB 101 4 114

HSL 292.91, 0.93%, 0.23%

LAB 23.9, 51.17, -37.32

 

CMYK 0 / 90 / 96 / 56

HEX #710B04

RGB 113 11 4

HSL 3.85, 0.93%, 0.23%

LAB 22.86, 41.61, 32.63

 

CMYK 84 / 0 / 96 / 56

HEX #127104

RGB 18 113 4

HSL 112.29, 0.93%, 0.23%

LAB 41.13, -45.24, 44.91

 

CMYK 96 / 7 / 0 / 56

HEX #046971

RGB 4 105 113

HSL 184.4, 0.93%, 0.23%

LAB 40.12, -22.01, -11.74

 

CMYK 11 / 96 / 0 / 55

HEX #650472

RGB 101 4 114

HSL 292.91, 0.93%, 0.23%

LAB 23.9, 51.17, -37.32

 

CMYK 0 / 61 / 96 / 56

HEX #712C04

RGB 113 44 4

HSL 22.02, 0.93%, 0.23%

LAB 27.63, 28.59, 37.13

 

CMYK 84 / 0 / 96 / 56

HEX #127104

RGB 18 113 4

HSL 112.29, 0.93%, 0.23%

LAB 41.13, -45.24, 44.91

 

CMYK 96 / 35 / 0 / 56

HEX #044971

RGB 4 73 113

HSL 202.02, 0.93%, 0.23%

LAB 29.37, -3.19, -28.39

 

Description

Color code: HEX #650472 | qconv.com Color code: HEX #650472 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 4 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 4 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 96 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 96% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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