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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65163B it is the complementary color #9AE9C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65163B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65163B shade: #6A1636, #7B2849, #8C3A5C, #9D4C6F and #AE5E82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65163B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65163B shade: #65163B, #540428, #430015, #320002 and #210000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65163B shade: #64163A, #641625 and #641616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65163B shade: #64163A, #64164F, #631664, #4E1664 and #391664

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65163B shade matches the following richer shades: #64163A, #6E0C3A and #780239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65163B shade: #64163A, #5A1F3B, #50293B, #46333C and #3C3D3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65163B shade: #631664, #641650, #64163B, #641627 and #641916

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65163B shade: #200713, #420E26, #64163A, #861D4E and #A82462

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65163B shade: #65163B, #644E16 and #165B64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65163B shade: #65163B, #3B6416 and #163B64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65163B shade: #65163B, #644E16, #16643E and #162C64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65163B shade: #65163B, #636416, #16643E and #171664

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 42 / 60

HEX #65163B

RGB 101 22 59

HSL 331.9, 0.64%, 0.24%

LAB 22.5, 37.92, -2.79

 

Complementary color

CMYK 34 / 0 / 16 / 9

HEX #9AE9C4

RGB 154 233 196

HSL 151.9, 0.64%, 0.76%

LAB 86.57, -32.05, 10.36

 

CMYK 0 / 79 / 49 / 58

HEX #6A1636

RGB 106 22 54

HSL 337.14, 0.66%, 0.25%

LAB 23.35, 38.92, 2.03

 

CMYK 0 / 67 / 41 / 52

HEX #7B2849

RGB 123 40 73

HSL 336.14, 0.51%, 0.32%

LAB 29.94, 39.06, -0.8

 

CMYK 0 / 59 / 34 / 45

HEX #8C3A5C

RGB 140 58 92

HSL 335.12, 0.41%, 0.39%

LAB 36.7, 38.55, -2.81

 

CMYK 0 / 52 / 29 / 38

HEX #9D4C6F

RGB 157 76 111

HSL 334.07, 0.35%, 0.46%

LAB 43.48, 37.78, -4.33

 

CMYK 0 / 46 / 25 / 32

HEX #AE5E82

RGB 174 94 130

HSL 333, 0.33%, 0.53%

LAB 50.23, 36.93, -5.55

 

CMYK 0 / 78 / 42 / 60

HEX #65163B

RGB 101 22 59

HSL 331.9, 0.64%, 0.24%

LAB 22.5, 37.92, -2.79

 

CMYK 0 / 95 / 52 / 67

HEX #540428

RGB 84 4 40

HSL 333, 0.91%, 0.17%

LAB 16.13, 36.62, 0.9

 

CMYK 0 / 100 / 69 / 74

HEX #430015

RGB 67 0 21

HSL 341.19, 1%, 0.13%

LAB 10.9, 31.74, 7.05

 

CMYK 0 / 100 / 96 / 80

HEX #320002

RGB 50 0 2

HSL 357.6, 1%, 0.1%

LAB 6.16, 24.84, 8.92

 

CMYK 0 / 100 / 100 / 87

HEX #210000

RGB 33 0 0

HSL 0, 1%, 0.06%

LAB 2.92, 13.1, 4.62

 

CMYK 0 / 78 / 42 / 61

HEX #64163A

RGB 100 22 58

HSL 332.31, 0.64%, 0.24%

LAB 22.26, 37.49, -2.47

 

CMYK 0 / 78 / 63 / 61

HEX #641625

RGB 100 22 37

HSL 348.46, 0.64%, 0.24%

LAB 21.64, 35.46, 11.26

 

CMYK 0 / 78 / 78 / 61

HEX #641616

RGB 100 22 22

HSL 0, 0.64%, 0.24%

LAB 21.36, 34.53, 21.13

 

CMYK 0 / 78 / 42 / 61

HEX #64163A

RGB 100 22 58

HSL 332.31, 0.64%, 0.24%

LAB 22.26, 37.49, -2.47

 

CMYK 0 / 78 / 21 / 61

HEX #64164F

RGB 100 22 79

HSL 316.15, 0.64%, 0.24%

LAB 23.16, 40.32, -15.45

 

CMYK 1 / 78 / 0 / 61

HEX #631664

RGB 99 22 100

HSL 299.23, 0.64%, 0.24%

LAB 24.15, 43.59, -27.85

 

CMYK 22 / 78 / 0 / 61

HEX #4E1664

RGB 78 22 100

HSL 283.08, 0.64%, 0.24%

LAB 20.49, 38.74, -33.91

 

CMYK 43 / 78 / 0 / 61

HEX #391664

RGB 57 22 100

HSL 266.92, 0.64%, 0.24%

LAB 17.29, 34.31, -39.25

 

CMYK 0 / 78 / 42 / 61

HEX #64163A

RGB 100 22 58

HSL 332.31, 0.64%, 0.24%

LAB 22.26, 37.49, -2.47

 

CMYK 0 / 89 / 47 / 57

HEX #6E0C3A

RGB 110 12 58

HSL 331.84, 0.8%, 0.24%

LAB 23.28, 43.46, -0.73

 

CMYK 0 / 98 / 53 / 53

HEX #780239

RGB 120 2 57

HSL 332.03, 0.97%, 0.24%

LAB 24.74, 48.05, 2.35

 

CMYK 0 / 78 / 42 / 61

HEX #64163A

RGB 100 22 58

HSL 332.31, 0.64%, 0.24%

LAB 22.26, 37.49, -2.47

 

CMYK 0 / 66 / 34 / 65

HEX #5A1F3B

RGB 90 31 59

HSL 331.53, 0.49%, 0.24%

LAB 21.83, 30.27, -4.01

 

CMYK 0 / 49 / 26 / 69

HEX #50293B

RGB 80 41 59

HSL 332.31, 0.32%, 0.24%

LAB 22.33, 20.77, -3.45

 

CMYK 0 / 27 / 14 / 73

HEX #46333C

RGB 70 51 60

HSL 331.58, 0.16%, 0.24%

LAB 23.66, 10.28, -2.31

 

CMYK 2 / 0 / 0 / 76

HEX #3C3D3D

RGB 60 61 61

HSL 180, 0.01%, 0.24%

LAB 25.67, -0.42, -0.15

 

CMYK 1 / 78 / 0 / 61

HEX #631664

RGB 99 22 100

HSL 299.23, 0.64%, 0.24%

LAB 24.15, 43.59, -27.85

 

CMYK 0 / 78 / 20 / 61

HEX #641650

RGB 100 22 80

HSL 315.38, 0.64%, 0.24%

LAB 23.21, 40.47, -16.04

 

CMYK 0 / 78 / 41 / 61

HEX #64163B

RGB 100 22 59

HSL 331.54, 0.64%, 0.24%

LAB 22.3, 37.61, -3.11

 

CMYK 0 / 78 / 61 / 61

HEX #641627

RGB 100 22 39

HSL 346.92, 0.64%, 0.24%

LAB 21.69, 35.62, 9.93

 

CMYK 0 / 75 / 78 / 61

HEX #641916

RGB 100 25 22

HSL 2.31, 0.64%, 0.24%

LAB 21.81, 33.29, 21.63

 

CMYK 0 / 78 / 41 / 87

HEX #200713

RGB 32 7 19

HSL 331.2, 0.64%, 0.08%

LAB 4.57, 12.63, -1.73

 

CMYK 0 / 79 / 42 / 74

HEX #420E26

RGB 66 14 38

HSL 332.31, 0.65%, 0.16%

LAB 13.3, 27.25, -2.24

 

CMYK 0 / 78 / 42 / 61

HEX #64163A

RGB 100 22 58

HSL 332.31, 0.64%, 0.24%

LAB 22.26, 37.49, -2.47

 

CMYK 0 / 78 / 42 / 47

HEX #861D4E

RGB 134 29 78

HSL 332, 0.64%, 0.32%

LAB 30.63, 47.34, -2.83

 

CMYK 0 / 79 / 42 / 34

HEX #A82462

RGB 168 36 98

HSL 331.82, 0.65%, 0.4%

LAB 38.67, 56.62, -3.14

 

CMYK 0 / 78 / 42 / 60

HEX #65163B

RGB 101 22 59

HSL 331.9, 0.64%, 0.24%

LAB 22.5, 37.92, -2.79

 

CMYK 0 / 22 / 78 / 61

HEX #644E16

RGB 100 78 22

HSL 43.08, 0.64%, 0.24%

LAB 34.43, 2.89, 34.92

 

CMYK 78 / 9 / 0 / 61

HEX #165B64

RGB 22 91 100

HSL 186.92, 0.64%, 0.24%

LAB 35.15, -17.35, -11.23

 

CMYK 0 / 78 / 42 / 60

HEX #65163B

RGB 101 22 59

HSL 331.9, 0.64%, 0.24%

LAB 22.5, 37.92, -2.79

 

CMYK 41 / 0 / 78 / 61

HEX #3B6416

RGB 59 100 22

HSL 91.54, 0.64%, 0.24%

LAB 38.03, -28.34, 37.34

 

CMYK 78 / 41 / 0 / 61

HEX #163B64

RGB 22 59 100

HSL 211.54, 0.64%, 0.24%

LAB 24.38, 2.64, -27.97

 

CMYK 0 / 78 / 42 / 60

HEX #65163B

RGB 101 22 59

HSL 331.9, 0.64%, 0.24%

LAB 22.5, 37.92, -2.79

 

CMYK 0 / 22 / 78 / 61

HEX #644E16

RGB 100 78 22

HSL 43.08, 0.64%, 0.24%

LAB 34.43, 2.89, 34.92

 

CMYK 78 / 0 / 38 / 61

HEX #16643E

RGB 22 100 62

HSL 150.77, 0.64%, 0.24%

LAB 37.18, -32.84, 15.1

 

CMYK 78 / 56 / 0 / 61

HEX #162C64

RGB 22 44 100

HSL 223.08, 0.64%, 0.24%

LAB 19.61, 13.37, -35.63

 

CMYK 0 / 78 / 42 / 60

HEX #65163B

RGB 101 22 59

HSL 331.9, 0.64%, 0.24%

LAB 22.5, 37.92, -2.79

 

CMYK 1 / 0 / 78 / 61

HEX #636416

RGB 99 100 22

HSL 60.77, 0.64%, 0.24%

LAB 40.94, -10.58, 41.15

 

CMYK 78 / 0 / 38 / 61

HEX #16643E

RGB 22 100 62

HSL 150.77, 0.64%, 0.24%

LAB 37.18, -32.84, 15.1

 

CMYK 77 / 78 / 0 / 61

HEX #171664

RGB 23 22 100

HSL 240.77, 0.64%, 0.24%

LAB 13.69, 29.01, -45.3

 

Description

Color code: HEX #65163B | qconv.com Color code: HEX #65163B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 22 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 22 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 42 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 42% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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