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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #651B4D it is the complementary color #9AE4B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #651B4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #651B4D shade: #6A1B48, #7B2D5B, #8C3F6E, #9D5181 and #AE6394

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #651B4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #651B4D shade: #651B4D, #54093A, #430027, #320014 and #210001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #651B4D shade: #641A4C, #641A38, #641A24 and #641A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #651B4D shade: #641A4C, #641A60, #541A64, #401A64 and #2C1A64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #651B4D shade matches the following richer shades: #641A4C, #6F1050 and #790653

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #651B4D shade: #641A4C, #5A2549, #502F45, #453941 and #3B443E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #651B4D shade: #541A64, #641A61, #641A4D, #641A39 and #641A25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #651B4D shade: #23091B, #441233, #641A4C, #852365 and #A52C7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #651B4D shade: #651B4D, #64401A and #1A645E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #651B4D shade: #651B4D, #4D641A and #1A4D64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #651B4D shade: #651B4D, #64401A, #1A6432 and #1A3E64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #651B4D shade: #651B4D, #64571A, #1A6432 and #1A2864

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 24 / 60

HEX #651B4D

RGB 101 27 77

HSL 319.46, 0.58%, 0.25%

LAB 23.96, 38.34, -12.86

 

Complementary color

CMYK 32 / 0 / 22 / 11

HEX #9AE4B2

RGB 154 228 178

HSL 139.46, 0.58%, 0.75%

LAB 84.78, -33.18, 17.24

 

CMYK 0 / 75 / 32 / 58

HEX #6A1B48

RGB 106 27 72

HSL 325.82, 0.59%, 0.26%

LAB 24.69, 39.13, -8.28

 

CMYK 0 / 63 / 26 / 52

HEX #7B2D5B

RGB 123 45 91

HSL 324.62, 0.46%, 0.33%

LAB 31.45, 39.11, -10.31

 

CMYK 0 / 55 / 21 / 45

HEX #8C3F6E

RGB 140 63 110

HSL 323.38, 0.38%, 0.4%

LAB 38.3, 38.58, -11.74

 

CMYK 0 / 48 / 18 / 38

HEX #9D5181

RGB 157 81 129

HSL 322.11, 0.32%, 0.47%

LAB 45.13, 37.84, -12.83

 

CMYK 0 / 43 / 15 / 32

HEX #AE6394

RGB 174 99 148

HSL 320.8, 0.32%, 0.54%

LAB 51.91, 37.05, -13.71

 

CMYK 0 / 73 / 24 / 60

HEX #651B4D

RGB 101 27 77

HSL 319.46, 0.58%, 0.25%

LAB 23.96, 38.34, -12.86

 

CMYK 0 / 89 / 31 / 67

HEX #54093A

RGB 84 9 58

HSL 320.8, 0.81%, 0.18%

LAB 17.39, 37.18, -10.14

 

CMYK 0 / 100 / 42 / 74

HEX #430027

RGB 67 0 39

HSL 325.07, 1%, 0.13%

LAB 11.55, 33.45, -5.59

 

CMYK 0 / 100 / 60 / 80

HEX #320014

RGB 50 0 20

HSL 336, 1%, 0.1%

LAB 6.58, 26.43, 0.96

 

CMYK 0 / 100 / 97 / 87

HEX #210001

RGB 33 0 1

HSL 358.18, 1%, 0.06%

LAB 2.94, 13.24, 4.24

 

CMYK 0 / 74 / 24 / 61

HEX #641A4C

RGB 100 26 76

HSL 319.46, 0.59%, 0.25%

LAB 23.57, 38.31, -12.79

 

CMYK 0 / 74 / 44 / 61

HEX #641A38

RGB 100 26 56

HSL 335.68, 0.59%, 0.25%

LAB 22.77, 35.65, -0.34

 

CMYK 0 / 74 / 64 / 61

HEX #641A24

RGB 100 26 36

HSL 351.89, 0.59%, 0.25%

LAB 22.22, 33.74, 12.72

 

CMYK 0 / 74 / 74 / 61

HEX #641A1A

RGB 100 26 26

HSL 0, 0.59%, 0.25%

LAB 22.03, 33.07, 19.26

 

CMYK 0 / 74 / 24 / 61

HEX #641A4C

RGB 100 26 76

HSL 319.46, 0.59%, 0.25%

LAB 23.57, 38.31, -12.79

 

CMYK 0 / 74 / 4 / 61

HEX #641A60

RGB 100 26 96

HSL 303.24, 0.59%, 0.25%

LAB 24.62, 41.62, -24.48

 

CMYK 16 / 74 / 0 / 61

HEX #541A64

RGB 84 26 100

HSL 287.03, 0.59%, 0.25%

LAB 22.1, 38.39, -31.27

 

CMYK 36 / 74 / 0 / 61

HEX #401A64

RGB 64 26 100

HSL 270.81, 0.59%, 0.25%

LAB 19.01, 33.71, -36.41

 

CMYK 56 / 74 / 0 / 61

HEX #2C1A64

RGB 44 26 100

HSL 254.59, 0.59%, 0.25%

LAB 16.48, 29.6, -40.65

 

CMYK 0 / 74 / 24 / 61

HEX #641A4C

RGB 100 26 76

HSL 319.46, 0.59%, 0.25%

LAB 23.57, 38.31, -12.79

 

CMYK 0 / 86 / 28 / 56

HEX #6F1050

RGB 111 16 80

HSL 319.58, 0.75%, 0.25%

LAB 24.73, 45.27, -13.52

 

CMYK 0 / 95 / 31 / 53

HEX #790653

RGB 121 6 83

HSL 319.83, 0.91%, 0.25%

LAB 26.21, 50.18, -13.07

 

CMYK 0 / 74 / 24 / 61

HEX #641A4C

RGB 100 26 76

HSL 319.46, 0.59%, 0.25%

LAB 23.57, 38.31, -12.79

 

CMYK 0 / 59 / 19 / 65

HEX #5A2549

RGB 90 37 73

HSL 319.25, 0.42%, 0.25%

LAB 23.6, 29.29, -10.88

 

CMYK 0 / 41 / 14 / 69

HEX #502F45

RGB 80 47 69

HSL 320, 0.26%, 0.25%

LAB 24.22, 18.84, -7.39

 

CMYK 0 / 17 / 6 / 73

HEX #453941

RGB 69 57 65

HSL 320, 0.1%, 0.25%

LAB 25.48, 6.93, -2.98

 

CMYK 13 / 0 / 9 / 73

HEX #3B443E

RGB 59 68 62

HSL 140, 0.07%, 0.25%

LAB 27.88, -5.08, 2.39

 

CMYK 16 / 74 / 0 / 61

HEX #541A64

RGB 84 26 100

HSL 287.03, 0.59%, 0.25%

LAB 22.1, 38.39, -31.27

 

CMYK 0 / 74 / 3 / 61

HEX #641A61

RGB 100 26 97

HSL 302.43, 0.59%, 0.25%

LAB 24.67, 41.8, -25.04

 

CMYK 0 / 74 / 23 / 61

HEX #641A4D

RGB 100 26 77

HSL 318.65, 0.59%, 0.25%

LAB 23.62, 38.46, -13.4

 

CMYK 0 / 74 / 43 / 61

HEX #641A39

RGB 100 26 57

HSL 334.86, 0.59%, 0.25%

LAB 22.8, 35.77, -0.98

 

CMYK 0 / 74 / 63 / 61

HEX #641A25

RGB 100 26 37

HSL 351.08, 0.59%, 0.25%

LAB 22.24, 33.81, 12.06

 

CMYK 0 / 74 / 23 / 86

HEX #23091B

RGB 35 9 27

HSL 318.46, 0.59%, 0.09%

LAB 5.71, 15.58, -5.9

 

CMYK 0 / 74 / 25 / 73

HEX #441233

RGB 68 18 51

HSL 320.4, 0.58%, 0.17%

LAB 14.96, 27.98, -9.17

 

CMYK 0 / 74 / 24 / 61

HEX #641A4C

RGB 100 26 76

HSL 319.46, 0.59%, 0.25%

LAB 23.57, 38.31, -12.79

 

CMYK 0 / 74 / 24 / 48

HEX #852365

RGB 133 35 101

HSL 319.59, 0.58%, 0.33%

LAB 32.1, 47.79, -15.61

 

CMYK 0 / 73 / 24 / 35

HEX #A52C7E

RGB 165 44 126

HSL 319.34, 0.58%, 0.41%

LAB 40.09, 56.52, -18.58

 

CMYK 0 / 73 / 24 / 60

HEX #651B4D

RGB 101 27 77

HSL 319.46, 0.58%, 0.25%

LAB 23.96, 38.34, -12.86

 

CMYK 0 / 36 / 74 / 61

HEX #64401A

RGB 100 64 26

HSL 30.81, 0.59%, 0.25%

LAB 30.52, 11.77, 28.9

 

CMYK 74 / 0 / 6 / 61

HEX #1A645E

RGB 26 100 94

HSL 175.14, 0.59%, 0.25%

LAB 38.1, -23.55, -3.09

 

CMYK 0 / 73 / 24 / 60

HEX #651B4D

RGB 101 27 77

HSL 319.46, 0.58%, 0.25%

LAB 23.96, 38.34, -12.86

 

CMYK 23 / 0 / 74 / 61

HEX #4D641A

RGB 77 100 26

HSL 78.65, 0.59%, 0.25%

LAB 39.18, -20.55, 37.23

 

CMYK 74 / 23 / 0 / 61

HEX #1A4D64

RGB 26 77 100

HSL 198.65, 0.59%, 0.25%

LAB 30.51, -8.51, -18.33

 

CMYK 0 / 73 / 24 / 60

HEX #651B4D

RGB 101 27 77

HSL 319.46, 0.58%, 0.25%

LAB 23.96, 38.34, -12.86

 

CMYK 0 / 36 / 74 / 61

HEX #64401A

RGB 100 64 26

HSL 30.81, 0.59%, 0.25%

LAB 30.52, 11.77, 28.9

 

CMYK 74 / 0 / 50 / 61

HEX #1A6432

RGB 26 100 50

HSL 139.46, 0.59%, 0.25%

LAB 37.05, -34.58, 21.95

 

CMYK 74 / 38 / 0 / 61

HEX #1A3E64

RGB 26 62 100

HSL 210.81, 0.59%, 0.25%

LAB 25.52, 1.24, -26.15

 

CMYK 0 / 73 / 24 / 60

HEX #651B4D

RGB 101 27 77

HSL 319.46, 0.58%, 0.25%

LAB 23.96, 38.34, -12.86

 

CMYK 0 / 13 / 74 / 61

HEX #64571A

RGB 100 87 26

HSL 49.46, 0.59%, 0.25%

LAB 37.12, -2.32, 35.78

 

CMYK 74 / 0 / 50 / 61

HEX #1A6432

RGB 26 100 50

HSL 139.46, 0.59%, 0.25%

LAB 37.05, -34.58, 21.95

 

CMYK 74 / 60 / 0 / 61

HEX #1A2864

RGB 26 40 100

HSL 228.65, 0.59%, 0.25%

LAB 18.62, 16.9, -37.22

 

Description

Color code: HEX #651B4D | qconv.com Color code: HEX #651B4D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 27 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 27 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 24 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 24% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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