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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #651E93 it is the complementary color #9AE16C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #651E93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #651E93 shade: #6A1E8E, #7B30A1, #8C42B4, #9D54C7 and #AE66DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #651E93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #651E93 shade: #651E93, #540C80, #43006D, #32005A and #210047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #651E93 shade: #651E94, #851E94, #941E82, #941E63 and #941E43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #651E93 shade: #651E94, #461E94, #261E94 and #1E1E94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #651E93 shade matches the following richer shades: #651E94, #680FA2 and #6C01B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #651E93 shade: #651E94, #622C85, #5F3B77, #5C4968 and #59585A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #651E93 shade: #261E94, #451E94, #651E94, #841E94 and #941E84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #651E93 shade: #36104F, #4E1771, #651E94, #7D25B6 and #9430D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #651E93 shade: #651E93, #941E35 and #1E9435

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #651E93 shade: #651E93, #94651E and #1E9465

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #651E93 shade: #651E93, #941E35, #4D941E and #1E947C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #651E93 shade: #651E93, #942A1E, #4D941E and #1E8894

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 80 / 0 / 42

HEX #651E93

RGB 101 30 147

HSL 276.41, 0.66%, 0.35%

LAB 28.91, 50.82, -49.97

 

Complementary color

CMYK 32 / 0 / 52 / 12

HEX #9AE16C

RGB 154 225 108

HSL 96.41, 0.66%, 0.65%

LAB 82.81, -42.19, 49.79

 

CMYK 25 / 79 / 0 / 44

HEX #6A1E8E

RGB 106 30 142

HSL 280.71, 0.65%, 0.34%

LAB 29.28, 50.64, -46.25

 

CMYK 24 / 70 / 0 / 37

HEX #7B30A1

RGB 123 48 161

HSL 279.82, 0.54%, 0.41%

LAB 35.79, 50.88, -47.21

 

CMYK 22 / 63 / 0 / 29

HEX #8C42B4

RGB 140 66 180

HSL 278.95, 0.46%, 0.48%

LAB 42.41, 50.51, -47.76

 

CMYK 21 / 58 / 0 / 22

HEX #9D54C7

RGB 157 84 199

HSL 278.09, 0.51%, 0.55%

LAB 49.05, 49.86, -48.08

 

CMYK 20 / 53 / 0 / 15

HEX #AE66DA

RGB 174 102 218

HSL 277.24, 0.61%, 0.63%

LAB 55.65, 49.08, -48.29

 

CMYK 31 / 80 / 0 / 42

HEX #651E93

RGB 101 30 147

HSL 276.41, 0.66%, 0.35%

LAB 28.91, 50.82, -49.97

 

CMYK 34 / 91 / 0 / 50

HEX #540C80

RGB 84 12 128

HSL 277.24, 0.83%, 0.27%

LAB 22.68, 49.49, -48.38

 

CMYK 39 / 100 / 0 / 57

HEX #43006D

RGB 67 0 109

HSL 276.88, 1%, 0.21%

LAB 16.98, 46.14, -45.61

 

CMYK 44 / 100 / 0 / 65

HEX #32005A

RGB 50 0 90

HSL 273.33, 1%, 0.18%

LAB 12.07, 39.82, -41.18

 

CMYK 54 / 100 / 0 / 72

HEX #210047

RGB 33 0 71

HSL 267.89, 1%, 0.14%

LAB 7.03, 33.13, -36.48

 

CMYK 32 / 80 / 0 / 42

HEX #651E94

RGB 101 30 148

HSL 276.1, 0.66%, 0.35%

LAB 28.99, 51.04, -50.45

 

CMYK 10 / 80 / 0 / 42

HEX #851E94

RGB 133 30 148

HSL 292.37, 0.66%, 0.35%

LAB 34.09, 57.15, -41.95

 

CMYK 0 / 80 / 12 / 42

HEX #941E82

RGB 148 30 130

HSL 309.15, 0.66%, 0.35%

LAB 35.67, 57.38, -28.18

 

CMYK 0 / 80 / 33 / 42

HEX #941E63

RGB 148 30 99

HSL 324.92, 0.66%, 0.35%

LAB 34.24, 53.21, -10.8

 

CMYK 0 / 80 / 55 / 42

HEX #941E43

RGB 148 30 67

HSL 341.19, 0.66%, 0.35%

LAB 33.2, 50.03, 8.46

 

CMYK 32 / 80 / 0 / 42

HEX #651E94

RGB 101 30 148

HSL 276.1, 0.66%, 0.35%

LAB 28.99, 51.04, -50.45

 

CMYK 53 / 80 / 0 / 42

HEX #461E94

RGB 70 30 148

HSL 260.34, 0.66%, 0.35%

LAB 24.85, 46.04, -57.38

 

CMYK 74 / 80 / 0 / 42

HEX #261E94

RGB 38 30 148

HSL 244.07, 0.66%, 0.35%

LAB 21.87, 42.38, -62.41

 

CMYK 80 / 80 / 0 / 42

HEX #1E1E94

RGB 30 30 148

HSL 240, 0.66%, 0.35%

LAB 21.37, 41.77, -63.25

 

CMYK 32 / 80 / 0 / 42

HEX #651E94

RGB 101 30 148

HSL 276.1, 0.66%, 0.35%

LAB 28.99, 51.04, -50.45

 

CMYK 36 / 91 / 0 / 36

HEX #680FA2

RGB 104 15 162

HSL 276.33, 0.83%, 0.35%

LAB 29.14, 59.02, -58.74

 

CMYK 39 / 99 / 0 / 31

HEX #6C01B1

RGB 108 1 177

HSL 276.48, 0.99%, 0.35%

LAB 30.36, 65.04, -65.75

 

CMYK 32 / 80 / 0 / 42

HEX #651E94

RGB 101 30 148

HSL 276.1, 0.66%, 0.35%

LAB 28.99, 51.04, -50.45

 

CMYK 26 / 67 / 0 / 48

HEX #622C85

RGB 98 44 133

HSL 276.4, 0.5%, 0.35%

LAB 29.64, 40.65, -40.12

 

CMYK 20 / 50 / 0 / 53

HEX #5F3B77

RGB 95 59 119

HSL 276, 0.34%, 0.35%

LAB 31.56, 27.95, -28.32

 

CMYK 12 / 30 / 0 / 59

HEX #5C4968

RGB 92 73 104

HSL 276.77, 0.18%, 0.35%

LAB 34.07, 14.56, -15

 

CMYK 1 / 2 / 0 / 65

HEX #59585A

RGB 89 88 90

HSL 270, 0.01%, 0.35%

LAB 37.56, 0.83, -1.02

 

CMYK 74 / 80 / 0 / 42

HEX #261E94

RGB 38 30 148

HSL 244.07, 0.66%, 0.35%

LAB 21.87, 42.38, -62.41

 

CMYK 53 / 80 / 0 / 42

HEX #451E94

RGB 69 30 148

HSL 259.83, 0.66%, 0.35%

LAB 24.74, 45.9, -57.57

 

CMYK 32 / 80 / 0 / 42

HEX #651E94

RGB 101 30 148

HSL 276.1, 0.66%, 0.35%

LAB 28.99, 51.04, -50.45

 

CMYK 11 / 80 / 0 / 42

HEX #841E94

RGB 132 30 148

HSL 291.86, 0.66%, 0.35%

LAB 33.92, 56.95, -42.23

 

CMYK 0 / 80 / 11 / 42

HEX #941E84

RGB 148 30 132

HSL 308.14, 0.66%, 0.35%

LAB 35.77, 57.68, -29.26

 

CMYK 32 / 80 / 0 / 69

HEX #36104F

RGB 54 16 79

HSL 276.19, 0.66%, 0.19%

LAB 13.94, 31.01, -30.6

 

CMYK 31 / 80 / 0 / 56

HEX #4E1771

RGB 78 23 113

HSL 276.67, 0.66%, 0.27%

LAB 21.67, 41.35, -40.47

 

CMYK 32 / 80 / 0 / 42

HEX #651E94

RGB 101 30 148

HSL 276.1, 0.66%, 0.35%

LAB 28.99, 51.04, -50.45

 

CMYK 31 / 80 / 0 / 29

HEX #7D25B6

RGB 125 37 182

HSL 276.41, 0.66%, 0.43%

LAB 36.1, 60.22, -59.23

 

CMYK 30 / 77 / 0 / 17

HEX #9430D4

RGB 148 48 212

HSL 276.59, 0.66%, 0.51%

LAB 43.01, 66.67, -65.36

 

CMYK 31 / 80 / 0 / 42

HEX #651E93

RGB 101 30 147

HSL 276.41, 0.66%, 0.35%

LAB 28.91, 50.82, -49.97

 

CMYK 0 / 80 / 64 / 42

HEX #941E35

RGB 148 30 53

HSL 348.31, 0.66%, 0.35%

LAB 32.88, 49.02, 17.18

 

CMYK 80 / 0 / 64 / 42

HEX #1E9435

RGB 30 148 53

HSL 131.69, 0.66%, 0.35%

LAB 53.72, -51.32, 40.32

 

CMYK 31 / 80 / 0 / 42

HEX #651E93

RGB 101 30 147

HSL 276.41, 0.66%, 0.35%

LAB 28.91, 50.82, -49.97

 

CMYK 0 / 32 / 80 / 42

HEX #94651E

RGB 148 101 30

HSL 36.1, 0.66%, 0.35%

LAB 46.57, 12.55, 45.17

 

CMYK 80 / 0 / 32 / 42

HEX #1E9465

RGB 30 148 101

HSL 156.1, 0.66%, 0.35%

LAB 54.44, -42.93, 16.08

 

CMYK 31 / 80 / 0 / 42

HEX #651E93

RGB 101 30 147

HSL 276.41, 0.66%, 0.35%

LAB 28.91, 50.82, -49.97

 

CMYK 0 / 80 / 64 / 42

HEX #941E35

RGB 148 30 53

HSL 348.31, 0.66%, 0.35%

LAB 32.88, 49.02, 17.18

 

CMYK 48 / 0 / 80 / 42

HEX #4D941E

RGB 77 148 30

HSL 96.1, 0.66%, 0.35%

LAB 54.92, -42.35, 51.1

 

CMYK 80 / 0 / 16 / 42

HEX #1E947C

RGB 30 148 124

HSL 167.8, 0.66%, 0.35%

LAB 54.98, -37.18, 3.77

 

CMYK 31 / 80 / 0 / 42

HEX #651E93

RGB 101 30 147

HSL 276.41, 0.66%, 0.35%

LAB 28.91, 50.82, -49.97

 

CMYK 0 / 72 / 80 / 42

HEX #942A1E

RGB 148 42 30

HSL 6.1, 0.66%, 0.35%

LAB 34.08, 43.57, 32.86

 

CMYK 48 / 0 / 80 / 42

HEX #4D941E

RGB 77 148 30

HSL 96.1, 0.66%, 0.35%

LAB 54.92, -42.35, 51.1

 

CMYK 80 / 8 / 0 / 42

HEX #1E8894

RGB 30 136 148

HSL 186.1, 0.66%, 0.35%

LAB 51.86, -24.22, -14.72

 

Description

Color code: HEX #651E93 | qconv.com Color code: HEX #651E93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 30 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 30 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 80 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 80% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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