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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6543B4 it is the complementary color #9ABC4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6543B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6543B4 shade: #6A43AF, #7B55C2, #8C67D5, #9D79E8 and #AE8BFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6543B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6543B4 shade: #6543B4, #5431A1, #431F8E, #320D7B and #210068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6543B4 shade: #6342B2, #8242B2, #A042B2, #B242A6 and #B24287

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6543B4 shade: #6342B2, #4542B2 and #4242B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6543B4 shade matches the following richer shades: #6342B2, #5C2EC6, #541ADA and #4C06EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6543B4 shade: #6342B2, #6B559E, #73698B, #7B7D77 and #839163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6543B4 shade: #425CB2, #4542B2, #6342B2, #8142B2 and #9F42B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6543B4 shade: #422B76, #533694, #6342B2, #7A5BC2 and #9279CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6543B4 shade: #6543B4, #B2427A and #4DB242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6543B4 shade: #6543B4, #B26342 and #42B263

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6543B4 shade: #6543B4, #B2427A, #90B242 and #42B27A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6543B4 shade: #6543B4, #B24258, #90B242 and #42B29C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 63 / 0 / 29

HEX #6543B4

RGB 101 67 180

HSL 258.05, 0.46%, 0.48%

LAB 37.98, 41.16, -55.13

 

Complementary color

CMYK 18 / 0 / 60 / 26

HEX #9ABC4B

RGB 154 188 75

HSL 78.05, 0.46%, 0.52%

LAB 71.79, -28.47, 52.11

 

CMYK 39 / 62 / 0 / 31

HEX #6A43AF

RGB 106 67 175

HSL 261.67, 0.45%, 0.47%

LAB 38.15, 40.86, -51.87

 

CMYK 37 / 56 / 0 / 24

HEX #7B55C2

RGB 123 85 194

HSL 260.92, 0.47%, 0.55%

LAB 45.09, 39.71, -51.75

 

CMYK 34 / 52 / 0 / 16

HEX #8C67D5

RGB 140 103 213

HSL 260.18, 0.57%, 0.62%

LAB 51.93, 38.61, -51.6

 

CMYK 32 / 48 / 0 / 9

HEX #9D79E8

RGB 157 121 232

HSL 259.46, 0.71%, 0.69%

LAB 58.67, 37.59, -51.46

 

CMYK 31 / 45 / 0 / 2

HEX #AE8BFB

RGB 174 139 251

HSL 258.75, 0.93%, 0.76%

LAB 65.3, 36.65, -51.33

 

CMYK 44 / 63 / 0 / 29

HEX #6543B4

RGB 101 67 180

HSL 258.05, 0.46%, 0.48%

LAB 37.98, 41.16, -55.13

 

CMYK 48 / 70 / 0 / 37

HEX #5431A1

RGB 84 49 161

HSL 258.75, 0.53%, 0.41%

LAB 31.01, 42.42, -55.19

 

CMYK 53 / 78 / 0 / 44

HEX #431F8E

RGB 67 31 142

HSL 259.46, 0.64%, 0.34%

LAB 24.08, 43.45, -54.94

 

CMYK 59 / 89 / 0 / 52

HEX #320D7B

RGB 50 13 123

HSL 260.18, 0.81%, 0.27%

LAB 17.44, 43.63, -53.98

 

CMYK 68 / 100 / 0 / 59

HEX #210068

RGB 33 0 104

HSL 259.04, 1%, 0.2%

LAB 11.43, 41.94, -51.65

 

CMYK 44 / 63 / 0 / 30

HEX #6342B2

RGB 99 66 178

HSL 257.68, 0.46%, 0.48%

LAB 37.41, 40.74, -54.88

 

CMYK 27 / 63 / 0 / 30

HEX #8242B2

RGB 130 66 178

HSL 274.29, 0.46%, 0.48%

LAB 40.99, 47.69, -48.93

 

CMYK 10 / 63 / 0 / 30

HEX #A042B2

RGB 160 66 178

HSL 290.36, 0.46%, 0.48%

LAB 45.06, 54.94, -42.19

 

CMYK 0 / 63 / 7 / 30

HEX #B242A6

RGB 178 66 166

HSL 306.43, 0.46%, 0.48%

LAB 47.12, 57.37, -31.67

 

CMYK 0 / 63 / 24 / 30

HEX #B24287

RGB 178 66 135

HSL 323.04, 0.46%, 0.48%

LAB 45.79, 52.68, -15.18

 

CMYK 44 / 63 / 0 / 30

HEX #6342B2

RGB 99 66 178

HSL 257.68, 0.46%, 0.48%

LAB 37.41, 40.74, -54.88

 

CMYK 61 / 63 / 0 / 30

HEX #4542B2

RGB 69 66 178

HSL 241.61, 0.46%, 0.48%

LAB 34.75, 35.08, -59.32

 

CMYK 63 / 63 / 0 / 30

HEX #4242B2

RGB 66 66 178

HSL 240, 0.46%, 0.48%

LAB 34.54, 34.6, -59.68

 

CMYK 44 / 63 / 0 / 30

HEX #6342B2

RGB 99 66 178

HSL 257.68, 0.46%, 0.48%

LAB 37.41, 40.74, -54.88

 

CMYK 54 / 77 / 0 / 22

HEX #5C2EC6

RGB 92 46 198

HSL 258.16, 0.62%, 0.48%

LAB 34.61, 55.5, -71.25

 

CMYK 61 / 88 / 0 / 15

HEX #541ADA

RGB 84 26 218

HSL 258.13, 0.79%, 0.48%

LAB 33.32, 67.35, -85.02

 

CMYK 68 / 97 / 0 / 7

HEX #4C06EE

RGB 76 6 238

HSL 258.1, 0.95%, 0.48%

LAB 33.65, 75.66, -95.94

 

CMYK 44 / 63 / 0 / 30

HEX #6342B2

RGB 99 66 178

HSL 257.68, 0.46%, 0.48%

LAB 37.41, 40.74, -54.88

 

CMYK 32 / 46 / 0 / 38

HEX #6B559E

RGB 107 85 158

HSL 258.08, 0.3%, 0.48%

LAB 41.36, 25.83, -36.61

 

CMYK 17 / 24 / 0 / 45

HEX #73698B

RGB 115 105 139

HSL 257.65, 0.14%, 0.48%

LAB 46.46, 11.27, -17.26

 

CMYK 2 / 0 / 5 / 51

HEX #7B7D77

RGB 123 125 119

HSL 80, 0.02%, 0.48%

LAB 52.07, -1.93, 3

 

CMYK 10 / 0 / 32 / 43

HEX #839163

RGB 131 145 99

HSL 78.26, 0.19%, 0.48%

LAB 58.02, -13.26, 22.8

 

CMYK 63 / 48 / 0 / 30

HEX #425CB2

RGB 66 92 178

HSL 226.07, 0.46%, 0.48%

LAB 41.26, 17.94, -48.8

 

CMYK 61 / 63 / 0 / 30

HEX #4542B2

RGB 69 66 178

HSL 241.61, 0.46%, 0.48%

LAB 34.75, 35.08, -59.32

 

CMYK 44 / 63 / 0 / 30

HEX #6342B2

RGB 99 66 178

HSL 257.68, 0.46%, 0.48%

LAB 37.41, 40.74, -54.88

 

CMYK 28 / 63 / 0 / 30

HEX #8142B2

RGB 129 66 178

HSL 273.75, 0.46%, 0.48%

LAB 40.86, 47.45, -49.14

 

CMYK 11 / 63 / 0 / 30

HEX #9F42B2

RGB 159 66 178

HSL 289.82, 0.46%, 0.48%

LAB 44.92, 54.69, -42.43

 

CMYK 44 / 64 / 0 / 54

HEX #422B76

RGB 66 43 118

HSL 258.4, 0.47%, 0.32%

LAB 24.3, 29.49, -39.49

 

CMYK 44 / 64 / 0 / 42

HEX #533694

RGB 83 54 148

HSL 258.51, 0.47%, 0.4%

LAB 30.91, 35.63, -47.43

 

CMYK 44 / 63 / 0 / 30

HEX #6342B2

RGB 99 66 178

HSL 257.68, 0.46%, 0.48%

LAB 37.41, 40.74, -54.88

 

CMYK 37 / 53 / 0 / 24

HEX #7A5BC2

RGB 122 91 194

HSL 258.06, 0.46%, 0.56%

LAB 46.33, 36, -49.76

 

CMYK 29 / 41 / 0 / 20

HEX #9279CD

RGB 146 121 205

HSL 257.86, 0.46%, 0.64%

LAB 56.28, 27.78, -40.13

 

CMYK 44 / 63 / 0 / 29

HEX #6543B4

RGB 101 67 180

HSL 258.05, 0.46%, 0.48%

LAB 37.98, 41.16, -55.13

 

CMYK 0 / 63 / 31 / 30

HEX #B2427A

RGB 178 66 122

HSL 330, 0.46%, 0.48%

LAB 45.31, 50.96, -7.99

 

CMYK 57 / 0 / 63 / 30

HEX #4DB242

RGB 77 178 66

HSL 114.11, 0.46%, 0.48%

LAB 64.81, -51.11, 47.25

 

CMYK 44 / 63 / 0 / 29

HEX #6543B4

RGB 101 67 180

HSL 258.05, 0.46%, 0.48%

LAB 37.98, 41.16, -55.13

 

CMYK 0 / 44 / 63 / 30

HEX #B26342

RGB 178 99 66

HSL 17.68, 0.46%, 0.48%

LAB 50.43, 28.83, 32.46

 

CMYK 63 / 0 / 44 / 30

HEX #42B263

RGB 66 178 99

HSL 137.68, 0.46%, 0.48%

LAB 64.88, -49.17, 31.19

 

CMYK 44 / 63 / 0 / 29

HEX #6543B4

RGB 101 67 180

HSL 258.05, 0.46%, 0.48%

LAB 37.98, 41.16, -55.13

 

CMYK 0 / 63 / 31 / 30

HEX #B2427A

RGB 178 66 122

HSL 330, 0.46%, 0.48%

LAB 45.31, 50.96, -7.99

 

CMYK 19 / 0 / 63 / 30

HEX #90B242

RGB 144 178 66

HSL 78.21, 0.46%, 0.48%

LAB 68.14, -28.39, 51.86

 

CMYK 63 / 0 / 31 / 30

HEX #42B27A

RGB 66 178 122

HSL 150, 0.46%, 0.48%

LAB 65.28, -44.85, 19.48

 

CMYK 44 / 63 / 0 / 29

HEX #6543B4

RGB 101 67 180

HSL 258.05, 0.46%, 0.48%

LAB 37.98, 41.16, -55.13

 

CMYK 0 / 63 / 51 / 30

HEX #B24258

RGB 178 66 88

HSL 348.21, 0.46%, 0.48%

LAB 44.33, 47.29, 11.48

 

CMYK 19 / 0 / 63 / 30

HEX #90B242

RGB 144 178 66

HSL 78.21, 0.46%, 0.48%

LAB 68.14, -28.39, 51.86

 

CMYK 63 / 0 / 12 / 30

HEX #42B29C

RGB 66 178 156

HSL 168.21, 0.46%, 0.48%

LAB 66.06, -36.94, 1.9

 

Description

Color code: HEX #6543B4 | qconv.com Color code: HEX #6543B4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 67 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 67 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 63 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 63% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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