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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65508B it is the complementary color #9AAF74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65508B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65508B shade: #6A5086, #7B6299, #8C74AC, #9D86BF and #AE98D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65508B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65508B shade: #65508B, #543E78, #432C65, #321A52 and #21083F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65508B shade: #65508B, #75508B, #85508B, #8B5081 and #8B5071

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65508B shade: #65508B, #55508B and #50508B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65508B shade matches the following richer shades: #65508B, #603E9C, #5A2CAE, #551AC0 and #5009D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65508B shade: #65508B, #6A6179, #6F7367, #748556 and #799744

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65508B shade: #505A8B, #54508B, #64508B, #74508B and #84508B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65508B shade: #3F3156, #524071, #65508B, #7860A3 and #8E7AB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65508B shade: #65508B, #8B506A and #538B50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65508B shade: #65508B, #8B6450 and #508B64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65508B shade: #65508B, #8B506A, #768B50 and #508B70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65508B shade: #65508B, #8B5058, #768B50 and #508B82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 42 / 0 / 45

HEX #65508B

RGB 101 80 139

HSL 261.36, 0.27%, 0.43%

LAB 38.5, 22.03, -29.72

 

Complementary color

CMYK 12 / 0 / 34 / 31

HEX #9AAF74

RGB 154 175 116

HSL 81.36, 0.27%, 0.57%

LAB 68.6, -17.51, 27.91

 

CMYK 21 / 40 / 0 / 47

HEX #6A5086

RGB 106 80 134

HSL 268.89, 0.25%, 0.42%

LAB 38.76, 22.32, -26.21

 

CMYK 20 / 36 / 0 / 40

HEX #7B6299

RGB 123 98 153

HSL 267.27, 0.22%, 0.49%

LAB 45.97, 21.53, -26.29

 

CMYK 19 / 33 / 0 / 33

HEX #8C74AC

RGB 140 116 172

HSL 265.71, 0.25%, 0.56%

LAB 53, 20.83, -26.39

 

CMYK 18 / 30 / 0 / 25

HEX #9D86BF

RGB 157 134 191

HSL 264.21, 0.31%, 0.64%

LAB 59.87, 20.2, -26.53

 

CMYK 17 / 28 / 0 / 18

HEX #AE98D2

RGB 174 152 210

HSL 262.76, 0.39%, 0.71%

LAB 66.6, 19.63, -26.69

 

CMYK 27 / 42 / 0 / 45

HEX #65508B

RGB 101 80 139

HSL 261.36, 0.27%, 0.43%

LAB 38.5, 22.03, -29.72

 

CMYK 30 / 48 / 0 / 53

HEX #543E78

RGB 84 62 120

HSL 262.76, 0.32%, 0.36%

LAB 31.08, 22.99, -29.79

 

CMYK 34 / 56 / 0 / 60

HEX #432C65

RGB 67 44 101

HSL 264.21, 0.39%, 0.28%

LAB 23.45, 24.09, -29.9

 

CMYK 39 / 68 / 0 / 68

HEX #321A52

RGB 50 26 82

HSL 265.71, 0.52%, 0.21%

LAB 15.62, 25.27, -29.95

 

CMYK 48 / 87 / 0 / 75

HEX #21083F

RGB 33 8 63

HSL 267.27, 0.77%, 0.14%

LAB 7.73, 26.15, -29.65

 

CMYK 27 / 42 / 0 / 45

HEX #65508B

RGB 101 80 139

HSL 261.36, 0.27%, 0.43%

LAB 38.5, 22.03, -29.72

 

CMYK 16 / 42 / 0 / 45

HEX #75508B

RGB 117 80 139

HSL 277.63, 0.27%, 0.43%

LAB 40.22, 27.07, -26.9

 

CMYK 4 / 42 / 0 / 45

HEX #85508B

RGB 133 80 139

HSL 293.9, 0.27%, 0.43%

LAB 42.14, 32.24, -23.76

 

CMYK 0 / 42 / 7 / 45

HEX #8B5081

RGB 139 80 129

HSL 310.17, 0.27%, 0.43%

LAB 42.48, 32.27, -17.1

 

CMYK 0 / 42 / 19 / 45

HEX #8B5071

RGB 139 80 113

HSL 326.44, 0.27%, 0.43%

LAB 41.87, 29.45, -8.23

 

CMYK 27 / 42 / 0 / 45

HEX #65508B

RGB 101 80 139

HSL 261.36, 0.27%, 0.43%

LAB 38.5, 22.03, -29.72

 

CMYK 39 / 42 / 0 / 45

HEX #55508B

RGB 85 80 139

HSL 245.08, 0.27%, 0.43%

LAB 36.99, 17.27, -32.19

 

CMYK 42 / 42 / 0 / 45

HEX #50508B

RGB 80 80 139

HSL 240, 0.27%, 0.43%

LAB 36.57, 15.87, -32.89

 

CMYK 27 / 42 / 0 / 45

HEX #65508B

RGB 101 80 139

HSL 261.36, 0.27%, 0.43%

LAB 38.5, 22.03, -29.72

 

CMYK 38 / 60 / 0 / 39

HEX #603E9C

RGB 96 62 156

HSL 261.7, 0.43%, 0.43%

LAB 34.67, 36.2, -46.17

 

CMYK 48 / 75 / 0 / 32

HEX #5A2CAE

RGB 90 44 174

HSL 261.23, 0.6%, 0.43%

LAB 31.88, 49.63, -61.56

 

CMYK 56 / 86 / 0 / 25

HEX #551AC0

RGB 85 26 192

HSL 261.33, 0.76%, 0.43%

LAB 30.58, 60.93, -74.4

 

CMYK 62 / 96 / 0 / 18

HEX #5009D2

RGB 80 9 210

HSL 261.19, 0.92%, 0.43%

LAB 30.77, 68.84, -84.64

 

CMYK 27 / 42 / 0 / 45

HEX #65508B

RGB 101 80 139

HSL 261.36, 0.27%, 0.43%

LAB 38.5, 22.03, -29.72

 

CMYK 12 / 20 / 0 / 53

HEX #6A6179

RGB 106 97 121

HSL 262.5, 0.11%, 0.43%

LAB 42.75, 8.71, -12.16

 

CMYK 3 / 0 / 10 / 55

HEX #6F7367

RGB 111 115 103

HSL 80, 0.06%, 0.43%

LAB 47.78, -3.9, 6.12

 

CMYK 13 / 0 / 35 / 48

HEX #748556

RGB 116 133 86

HSL 81.7, 0.21%, 0.43%

LAB 53.12, -14.75, 23.35

 

CMYK 20 / 0 / 55 / 41

HEX #799744

RGB 121 151 68

HSL 81.69, 0.38%, 0.43%

LAB 58.62, -24.25, 39.78

 

CMYK 42 / 35 / 0 / 45

HEX #505A8B

RGB 80 90 139

HSL 229.83, 0.27%, 0.43%

LAB 39.38, 9.48, -28.46

 

CMYK 40 / 42 / 0 / 45

HEX #54508B

RGB 84 80 139

HSL 244.07, 0.27%, 0.43%

LAB 36.9, 16.99, -32.33

 

CMYK 28 / 42 / 0 / 45

HEX #64508B

RGB 100 80 139

HSL 260.34, 0.27%, 0.43%

LAB 38.39, 21.72, -29.89

 

CMYK 17 / 42 / 0 / 45

HEX #74508B

RGB 116 80 139

HSL 276.61, 0.27%, 0.43%

LAB 40.11, 26.75, -27.08

 

CMYK 5 / 42 / 0 / 45

HEX #84508B

RGB 132 80 139

HSL 292.88, 0.27%, 0.43%

LAB 42.01, 31.91, -23.97

 

CMYK 27 / 43 / 0 / 66

HEX #3F3156

RGB 63 49 86

HSL 262.7, 0.27%, 0.26%

LAB 23.42, 15.25, -20.13

 

CMYK 27 / 43 / 0 / 56

HEX #524071

RGB 82 64 113

HSL 262.04, 0.28%, 0.35%

LAB 31, 19.17, -25.52

 

CMYK 27 / 42 / 0 / 45

HEX #65508B

RGB 101 80 139

HSL 261.36, 0.27%, 0.43%

LAB 38.5, 22.03, -29.72

 

CMYK 26 / 41 / 0 / 36

HEX #7860A3

RGB 120 96 163

HSL 261.49, 0.27%, 0.51%

LAB 45.64, 24.29, -32.75

 

CMYK 21 / 32 / 0 / 30

HEX #8E7AB3

RGB 142 122 179

HSL 261.05, 0.27%, 0.59%

LAB 54.99, 19.61, -27.33

 

CMYK 27 / 42 / 0 / 45

HEX #65508B

RGB 101 80 139

HSL 261.36, 0.27%, 0.43%

LAB 38.5, 22.03, -29.72

 

CMYK 0 / 42 / 24 / 45

HEX #8B506A

RGB 139 80 106

HSL 333.56, 0.27%, 0.43%

LAB 41.64, 28.32, -4.27

 

CMYK 40 / 0 / 42 / 45

HEX #538B50

RGB 83 139 80

HSL 116.95, 0.27%, 0.43%

LAB 52.82, -31.04, 25.88

 

CMYK 27 / 42 / 0 / 45

HEX #65508B

RGB 101 80 139

HSL 261.36, 0.27%, 0.43%

LAB 38.5, 22.03, -29.72

 

CMYK 0 / 28 / 42 / 45

HEX #8B6450

RGB 139 100 80

HSL 20.34, 0.27%, 0.43%

LAB 45.88, 13.04, 17.55

 

CMYK 42 / 0 / 28 / 45

HEX #508B64

RGB 80 139 100

HSL 140.34, 0.27%, 0.43%

LAB 53.05, -28.38, 14.97

 

CMYK 27 / 42 / 0 / 45

HEX #65508B

RGB 101 80 139

HSL 261.36, 0.27%, 0.43%

LAB 38.5, 22.03, -29.72

 

CMYK 0 / 42 / 24 / 45

HEX #8B506A

RGB 139 80 106

HSL 333.56, 0.27%, 0.43%

LAB 41.64, 28.32, -4.27

 

CMYK 15 / 0 / 42 / 45

HEX #768B50

RGB 118 139 80

HSL 81.36, 0.27%, 0.43%

LAB 54.97, -17.95, 29.06

 

CMYK 42 / 0 / 19 / 45

HEX #508B70

RGB 80 139 112

HSL 152.54, 0.27%, 0.43%

LAB 53.32, -25.83, 8.48

 

CMYK 27 / 42 / 0 / 45

HEX #65508B

RGB 101 80 139

HSL 261.36, 0.27%, 0.43%

LAB 38.5, 22.03, -29.72

 

CMYK 0 / 42 / 37 / 45

HEX #8B5058

RGB 139 80 88

HSL 351.86, 0.27%, 0.43%

LAB 41.11, 25.71, 6.08

 

CMYK 15 / 0 / 42 / 45

HEX #768B50

RGB 118 139 80

HSL 81.36, 0.27%, 0.43%

LAB 54.97, -17.95, 29.06

 

CMYK 42 / 0 / 6 / 45

HEX #508B82

RGB 80 139 130

HSL 170.85, 0.27%, 0.43%

LAB 53.8, -21.52, -1.23

 

Description

Color code: HEX #65508B | qconv.com Color code: HEX #65508B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 80 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 80 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 42 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 42% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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