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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #656094 it is the complementary color #9A9F6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #656094. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #656094 shade: #6A608F, #7B72A2, #8C84B5, #9D96C8 and #AEA8DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #656094. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #656094 shade: #656094, #544E81, #433C6E, #322A5B and #211848

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #656094 shade: #656094, #736094, #816094, #8F6094 and #94608B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #656094 shade: #656094 and #606094

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #656094 shade matches the following richer shades: #656094, #554CA7, #4539BB, #3525CF and #2511E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #656094 shade: #656094, #757480, #85886C, #959C58 and #A5AF44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #656094 shade: #607794, #606A94, #646094, #726094 and #806094

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #656094 shade: #434062, #54507B, #656094, #7C77A6 and #9490B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #656094 shade: #656094, #946085 and #709460

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #656094 shade: #656094, #946460 and #609464

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #656094 shade: #656094, #946085, #8F9460 and #60946F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #656094 shade: #656094, #946076, #8F9460 and #60947E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 35 / 0 / 42

HEX #656094

RGB 101 96 148

HSL 245.77, 0.21%, 0.48%

LAB 43.17, 14.53, -27.83

 

Complementary color

CMYK 3 / 0 / 33 / 38

HEX #9A9F6B

RGB 154 159 107

HSL 65.77, 0.21%, 0.52%

LAB 63.94, -10.38, 26.59

 

CMYK 26 / 33 / 0 / 44

HEX #6A608F

RGB 106 96 143

HSL 252.77, 0.2%, 0.47%

LAB 43.38, 14.76, -24.47

 

CMYK 24 / 30 / 0 / 36

HEX #7B72A2

RGB 123 114 162

HSL 251.25, 0.21%, 0.54%

LAB 50.52, 14.15, -24.54

 

CMYK 23 / 27 / 0 / 29

HEX #8C84B5

RGB 140 132 181

HSL 249.8, 0.25%, 0.61%

LAB 57.48, 13.62, -24.66

 

CMYK 22 / 25 / 0 / 22

HEX #9D96C8

RGB 157 150 200

HSL 248.4, 0.31%, 0.69%

LAB 64.28, 13.14, -24.8

 

CMYK 21 / 23 / 0 / 14

HEX #AEA8DB

RGB 174 168 219

HSL 247.06, 0.41%, 0.76%

LAB 70.95, 12.71, -24.98

 

CMYK 32 / 35 / 0 / 42

HEX #656094

RGB 101 96 148

HSL 245.77, 0.21%, 0.48%

LAB 43.17, 14.53, -27.83

 

CMYK 35 / 40 / 0 / 49

HEX #544E81

RGB 84 78 129

HSL 247.06, 0.25%, 0.41%

LAB 35.83, 15.32, -27.9

 

CMYK 39 / 45 / 0 / 57

HEX #433C6E

RGB 67 60 110

HSL 248.4, 0.29%, 0.33%

LAB 28.25, 16.28, -28.06

 

CMYK 45 / 54 / 0 / 64

HEX #322A5B

RGB 50 42 91

HSL 249.8, 0.37%, 0.26%

LAB 20.4, 17.49, -28.32

 

CMYK 54 / 67 / 0 / 72

HEX #211848

RGB 33 24 72

HSL 251.25, 0.5%, 0.19%

LAB 12.25, 19.05, -28.64

 

CMYK 32 / 35 / 0 / 42

HEX #656094

RGB 101 96 148

HSL 245.77, 0.21%, 0.48%

LAB 43.17, 14.53, -27.83

 

CMYK 22 / 35 / 0 / 42

HEX #736094

RGB 115 96 148

HSL 261.92, 0.21%, 0.48%

LAB 44.45, 18.94, -25.74

 

CMYK 13 / 35 / 0 / 42

HEX #816094

RGB 129 96 148

HSL 278.08, 0.21%, 0.48%

LAB 45.87, 23.52, -23.42

 

CMYK 3 / 35 / 0 / 42

HEX #8F6094

RGB 143 96 148

HSL 294.23, 0.21%, 0.48%

LAB 47.42, 28.21, -20.9

 

CMYK 0 / 35 / 6 / 42

HEX #94608B

RGB 148 96 139

HSL 310.38, 0.21%, 0.48%

LAB 47.66, 28.16, -15.13

 

CMYK 32 / 35 / 0 / 42

HEX #656094

RGB 101 96 148

HSL 245.77, 0.21%, 0.48%

LAB 43.17, 14.53, -27.83

 

CMYK 35 / 35 / 0 / 42

HEX #606094

RGB 96 96 148

HSL 240, 0.21%, 0.48%

LAB 42.75, 13.02, -28.51

 

CMYK 32 / 35 / 0 / 42

HEX #656094

RGB 101 96 148

HSL 245.77, 0.21%, 0.48%

LAB 43.17, 14.53, -27.83

 

CMYK 49 / 54 / 0 / 35

HEX #554CA7

RGB 85 76 167

HSL 245.93, 0.37%, 0.48%

LAB 37.64, 28.39, -48.03

 

CMYK 63 / 70 / 0 / 27

HEX #4539BB

RGB 69 57 187

HSL 245.54, 0.53%, 0.48%

LAB 33.52, 43.42, -66.66

 

CMYK 74 / 82 / 0 / 19

HEX #3525CF

RGB 53 37 207

HSL 245.65, 0.7%, 0.48%

LAB 30.84, 58.27, -82.84

 

CMYK 84 / 93 / 0 / 11

HEX #2511E3

RGB 37 17 227

HSL 245.71, 0.86%, 0.48%

LAB 30.26, 69.79, -95.39

 

CMYK 32 / 35 / 0 / 42

HEX #656094

RGB 101 96 148

HSL 245.77, 0.21%, 0.48%

LAB 43.17, 14.53, -27.83

 

CMYK 9 / 9 / 0 / 50

HEX #757480

RGB 117 116 128

HSL 245, 0.05%, 0.48%

LAB 49.29, 2.9, -6.44

 

CMYK 2 / 0 / 21 / 47

HEX #85886C

RGB 133 136 108

HSL 66.43, 0.11%, 0.48%

LAB 55.76, -6.17, 14.7

 

CMYK 4 / 0 / 44 / 39

HEX #959C58

RGB 149 156 88

HSL 66.18, 0.28%, 0.48%

LAB 62.4, -13.17, 34.66

 

CMYK 6 / 0 / 61 / 31

HEX #A5AF44

RGB 165 175 68

HSL 65.61, 0.44%, 0.48%

LAB 68.81, -18.11, 52.15

 

CMYK 35 / 20 / 0 / 42

HEX #607794

RGB 96 119 148

HSL 213.46, 0.21%, 0.48%

LAB 49.28, -0.94, -18.42

 

CMYK 35 / 28 / 0 / 42

HEX #606A94

RGB 96 106 148

HSL 228.46, 0.21%, 0.48%

LAB 45.54, 6.86, -24.17

 

CMYK 32 / 35 / 0 / 42

HEX #646094

RGB 100 96 148

HSL 244.62, 0.21%, 0.48%

LAB 43.08, 14.23, -27.97

 

CMYK 23 / 35 / 0 / 42

HEX #726094

RGB 114 96 148

HSL 260.77, 0.21%, 0.48%

LAB 44.35, 18.61, -25.9

 

CMYK 14 / 35 / 0 / 42

HEX #806094

RGB 128 96 148

HSL 276.92, 0.21%, 0.48%

LAB 45.76, 23.19, -23.6

 

CMYK 32 / 35 / 0 / 62

HEX #434062

RGB 67 64 98

HSL 245.29, 0.21%, 0.32%

LAB 28.75, 10.02, -19.6

 

CMYK 32 / 35 / 0 / 52

HEX #54507B

RGB 84 80 123

HSL 245.58, 0.21%, 0.4%

LAB 36.08, 12.32, -23.8

 

CMYK 32 / 35 / 0 / 42

HEX #656094

RGB 101 96 148

HSL 245.77, 0.21%, 0.48%

LAB 43.17, 14.53, -27.83

 

CMYK 25 / 28 / 0 / 35

HEX #7C77A6

RGB 124 119 166

HSL 246.38, 0.21%, 0.56%

LAB 52.1, 12.5, -24.42

 

CMYK 19 / 21 / 0 / 29

HEX #9490B6

RGB 148 144 182

HSL 246.32, 0.21%, 0.64%

LAB 61.32, 9.5, -19.27

 

CMYK 32 / 35 / 0 / 42

HEX #656094

RGB 101 96 148

HSL 245.77, 0.21%, 0.48%

LAB 43.17, 14.53, -27.83

 

CMYK 0 / 35 / 10 / 42

HEX #946085

RGB 148 96 133

HSL 317.31, 0.21%, 0.48%

LAB 47.44, 27.05, -11.87

 

CMYK 24 / 0 / 35 / 42

HEX #709460

RGB 112 148 96

HSL 101.54, 0.21%, 0.48%

LAB 57.53, -22.63, 23.57

 

CMYK 32 / 35 / 0 / 42

HEX #656094

RGB 101 96 148

HSL 245.77, 0.21%, 0.48%

LAB 43.17, 14.53, -27.83

 

CMYK 0 / 32 / 35 / 42

HEX #946460

RGB 148 100 96

HSL 4.62, 0.21%, 0.48%

LAB 47.31, 18.87, 10.14

 

CMYK 35 / 0 / 32 / 42

HEX #609464

RGB 96 148 100

HSL 124.62, 0.21%, 0.48%

LAB 56.67, -27.63, 20.04

 

CMYK 32 / 35 / 0 / 42

HEX #656094

RGB 101 96 148

HSL 245.77, 0.21%, 0.48%

LAB 43.17, 14.53, -27.83

 

CMYK 0 / 35 / 10 / 42

HEX #946085

RGB 148 96 133

HSL 317.31, 0.21%, 0.48%

LAB 47.44, 27.05, -11.87

 

CMYK 3 / 0 / 35 / 42

HEX #8F9460

RGB 143 148 96

HSL 65.77, 0.21%, 0.48%

LAB 59.77, -10.42, 26.93

 

CMYK 35 / 0 / 25 / 42

HEX #60946F

RGB 96 148 111

HSL 137.31, 0.21%, 0.48%

LAB 56.89, -25.57, 14.18

 

CMYK 32 / 35 / 0 / 42

HEX #656094

RGB 101 96 148

HSL 245.77, 0.21%, 0.48%

LAB 43.17, 14.53, -27.83

 

CMYK 0 / 35 / 20 / 42

HEX #946076

RGB 148 96 118

HSL 334.62, 0.21%, 0.48%

LAB 46.93, 24.46, -3.62

 

CMYK 3 / 0 / 35 / 42

HEX #8F9460

RGB 143 148 96

HSL 65.77, 0.21%, 0.48%

LAB 59.77, -10.42, 26.93

 

CMYK 35 / 0 / 15 / 42

HEX #60947E

RGB 96 148 126

HSL 154.62, 0.21%, 0.48%

LAB 57.24, -22.43, 6.17

 

Description

Color code: HEX #656094 | qconv.com Color code: HEX #656094 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 96 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 96 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 35 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 35% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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