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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6560B0 it is the complementary color #9A9F4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6560B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6560B0 shade: #6A60AB, #7B72BE, #8C84D1, #9D96E4 and #AEA8F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6560B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6560B0 shade: #6560B0, #544E9D, #433C8A, #322A77 and #211864

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6560B0 shade: #635EAF, #795EAF, #8F5EAF, #A55EAF and #AF5EA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6560B0 shade: #635EAF and #5E5EAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6560B0 shade matches the following richer shades: #635EAF, #524BC3, #4137D6, #3024EA and #1F10FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6560B0 shade: #635EAF, #74719C, #858589, #969875 and #A7AB62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6560B0 shade: #5E85AF, #5E70AF, #625EAF, #785EAF and #8D5EAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6560B0 shade: #413D7D, #504B99, #635EAF, #7E7ABD and #9995CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6560B0 shade: #6560B0, #AF5E9B and #7AAF5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6560B0 shade: #6560B0, #AF625E and #5EAF62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6560B0 shade: #6560B0, #AF5E9B, #ABAF5E and #5EAF72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6560B0 shade: #6560B0, #AF5E83, #ABAF5E and #5EAF8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 45 / 0 / 31

HEX #6560B0

RGB 101 96 176

HSL 243.75, 0.34%, 0.53%

LAB 44.61, 22.57, -42.13

 

Complementary color

CMYK 3 / 0 / 50 / 38

HEX #9A9F4F

RGB 154 159 79

HSL 63.75, 0.34%, 0.47%

LAB 63.53, -13.58, 40.74

 

CMYK 38 / 44 / 0 / 33

HEX #6A60AB

RGB 106 96 171

HSL 248, 0.31%, 0.52%

LAB 44.76, 22.43, -38.94

 

CMYK 35 / 40 / 0 / 25

HEX #7B72BE

RGB 123 114 190

HSL 247.11, 0.37%, 0.6%

LAB 51.8, 21.51, -38.77

 

CMYK 33 / 37 / 0 / 18

HEX #8C84D1

RGB 140 132 209

HSL 246.23, 0.46%, 0.67%

LAB 58.68, 20.7, -38.66

 

CMYK 31 / 34 / 0 / 11

HEX #9D96E4

RGB 157 150 228

HSL 245.38, 0.59%, 0.74%

LAB 65.42, 20, -38.59

 

CMYK 30 / 32 / 0 / 3

HEX #AEA8F7

RGB 174 168 247

HSL 244.56, 0.83%, 0.81%

LAB 72.04, 19.37, -38.57

 

CMYK 43 / 45 / 0 / 31

HEX #6560B0

RGB 101 96 176

HSL 243.75, 0.34%, 0.53%

LAB 44.61, 22.57, -42.13

 

CMYK 46 / 50 / 0 / 38

HEX #544E9D

RGB 84 78 157

HSL 244.56, 0.34%, 0.46%

LAB 37.42, 23.77, -42.41

 

CMYK 51 / 57 / 0 / 46

HEX #433C8A

RGB 67 60 138

HSL 245.38, 0.39%, 0.39%

LAB 30.06, 25.22, -42.74

 

CMYK 58 / 65 / 0 / 53

HEX #322A77

RGB 50 42 119

HSL 246.23, 0.48%, 0.32%

LAB 22.53, 26.98, -43.07

 

CMYK 67 / 76 / 0 / 61

HEX #211864

RGB 33 24 100

HSL 247.11, 0.61%, 0.24%

LAB 14.94, 29.01, -43.22

 

CMYK 43 / 46 / 0 / 31

HEX #635EAF

RGB 99 94 175

HSL 243.7, 0.34%, 0.53%

LAB 43.88, 22.99, -42.72

 

CMYK 31 / 46 / 0 / 31

HEX #795EAF

RGB 121 94 175

HSL 260, 0.34%, 0.53%

LAB 45.86, 28.89, -39.45

 

CMYK 18 / 46 / 0 / 31

HEX #8F5EAF

RGB 143 94 175

HSL 276.3, 0.34%, 0.53%

LAB 48.18, 35.23, -35.63

 

CMYK 6 / 46 / 0 / 31

HEX #A55EAF

RGB 165 94 175

HSL 292.59, 0.34%, 0.53%

LAB 50.8, 41.78, -31.34

 

CMYK 0 / 46 / 6 / 31

HEX #AF5EA4

RGB 175 94 164

HSL 308.15, 0.34%, 0.53%

LAB 51.61, 42.78, -23.56

 

CMYK 43 / 46 / 0 / 31

HEX #635EAF

RGB 99 94 175

HSL 243.7, 0.34%, 0.53%

LAB 43.88, 22.99, -42.72

 

CMYK 46 / 46 / 0 / 31

HEX #5E5EAF

RGB 94 94 175

HSL 240, 0.34%, 0.53%

LAB 43.48, 21.74, -43.38

 

CMYK 43 / 46 / 0 / 31

HEX #635EAF

RGB 99 94 175

HSL 243.7, 0.34%, 0.53%

LAB 43.88, 22.99, -42.72

 

CMYK 58 / 62 / 0 / 24

HEX #524BC3

RGB 82 75 195

HSL 243.5, 0.5%, 0.53%

LAB 39.18, 37.33, -62.06

 

CMYK 70 / 74 / 0 / 16

HEX #4137D6

RGB 65 55 214

HSL 243.77, 0.66%, 0.53%

LAB 35.42, 52.6, -79.29

 

CMYK 79 / 85 / 0 / 8

HEX #3024EA

RGB 48 36 234

HSL 243.64, 0.83%, 0.53%

LAB 33.63, 66.14, -93.75

 

CMYK 88 / 94 / 0 / 1

HEX #1F10FD

RGB 31 16 253

HSL 243.8, 0.98%, 0.53%

LAB 33.46, 76.45, -104.78

 

CMYK 43 / 46 / 0 / 31

HEX #635EAF

RGB 99 94 175

HSL 243.7, 0.34%, 0.53%

LAB 43.88, 22.99, -42.72

 

CMYK 26 / 28 / 0 / 39

HEX #74719C

RGB 116 113 156

HSL 244.19, 0.18%, 0.53%

LAB 49.4, 11, -22.8

 

CMYK 3 / 3 / 0 / 46

HEX #858589

RGB 133 133 137

HSL 240, 0.02%, 0.53%

LAB 55.65, 0.8, -2.15

 

CMYK 1 / 0 / 23 / 40

HEX #969875

RGB 150 152 117

HSL 63.43, 0.15%, 0.53%

LAB 61.85, -6.8, 18.23

 

CMYK 2 / 0 / 43 / 33

HEX #A7AB62

RGB 167 171 98

HSL 63.29, 0.3%, 0.53%

LAB 68.18, -12.5, 37.01

 

CMYK 46 / 24 / 0 / 31

HEX #5E85AF

RGB 94 133 175

HSL 211.11, 0.34%, 0.53%

LAB 54.29, -1.95, -26.4

 

CMYK 46 / 36 / 0 / 31

HEX #5E70AF

RGB 94 112 175

HSL 226.67, 0.34%, 0.53%

LAB 48.34, 10.59, -35.68

 

CMYK 44 / 46 / 0 / 31

HEX #625EAF

RGB 98 94 175

HSL 242.96, 0.34%, 0.53%

LAB 43.8, 22.74, -42.86

 

CMYK 31 / 46 / 0 / 31

HEX #785EAF

RGB 120 94 175

HSL 259.26, 0.34%, 0.53%

LAB 45.76, 28.61, -39.61

 

CMYK 19 / 46 / 0 / 31

HEX #8D5EAF

RGB 141 94 175

HSL 274.81, 0.34%, 0.53%

LAB 47.96, 34.64, -36

 

CMYK 48 / 51 / 0 / 51

HEX #413D7D

RGB 65 61 125

HSL 243.75, 0.34%, 0.36%

LAB 29.27, 19.83, -35.93

 

CMYK 48 / 51 / 0 / 40

HEX #504B99

RGB 80 75 153

HSL 243.85, 0.34%, 0.45%

LAB 36.06, 23.45, -42.2

 

CMYK 43 / 46 / 0 / 31

HEX #635EAF

RGB 99 94 175

HSL 243.7, 0.34%, 0.53%

LAB 43.88, 22.99, -42.72

 

CMYK 33 / 35 / 0 / 26

HEX #7E7ABD

RGB 126 122 189

HSL 243.58, 0.34%, 0.61%

LAB 54.06, 17.31, -34.63

 

CMYK 25 / 27 / 0 / 20

HEX #9995CB

RGB 153 149 203

HSL 244.44, 0.34%, 0.69%

LAB 63.82, 13.19, -27.22

 

CMYK 43 / 45 / 0 / 31

HEX #6560B0

RGB 101 96 176

HSL 243.75, 0.34%, 0.53%

LAB 44.61, 22.57, -42.13

 

CMYK 0 / 46 / 11 / 31

HEX #AF5E9B

RGB 175 94 155

HSL 314.81, 0.34%, 0.53%

LAB 51.25, 41.22, -18.82

 

CMYK 30 / 0 / 46 / 31

HEX #7AAF5E

RGB 122 175 94

HSL 99.26, 0.34%, 0.53%

LAB 66.22, -32.43, 35.94

 

CMYK 43 / 45 / 0 / 31

HEX #6560B0

RGB 101 96 176

HSL 243.75, 0.34%, 0.53%

LAB 44.61, 22.57, -42.13

 

CMYK 0 / 44 / 46 / 31

HEX #AF625E

RGB 175 98 94

HSL 2.96, 0.34%, 0.53%

LAB 50.28, 30.62, 16

 

CMYK 46 / 0 / 44 / 31

HEX #5EAF62

RGB 94 175 98

HSL 122.96, 0.34%, 0.53%

LAB 64.9, -41.01, 31.93

 

CMYK 43 / 45 / 0 / 31

HEX #6560B0

RGB 101 96 176

HSL 243.75, 0.34%, 0.53%

LAB 44.61, 22.57, -42.13

 

CMYK 0 / 46 / 11 / 31

HEX #AF5E9B

RGB 175 94 155

HSL 314.81, 0.34%, 0.53%

LAB 51.25, 41.22, -18.82

 

CMYK 2 / 0 / 46 / 31

HEX #ABAF5E

RGB 171 175 94

HSL 62.96, 0.34%, 0.53%

LAB 69.56, -13.35, 40.81

 

CMYK 46 / 0 / 35 / 31

HEX #5EAF72

RGB 94 175 114

HSL 134.81, 0.34%, 0.53%

LAB 65.16, -38.34, 23.8

 

CMYK 43 / 45 / 0 / 31

HEX #6560B0

RGB 101 96 176

HSL 243.75, 0.34%, 0.53%

LAB 44.61, 22.57, -42.13

 

CMYK 0 / 46 / 25 / 31

HEX #AF5E83

RGB 175 94 131

HSL 332.59, 0.34%, 0.53%

LAB 50.4, 37.43, -5.88

 

CMYK 2 / 0 / 46 / 31

HEX #ABAF5E

RGB 171 175 94

HSL 62.96, 0.34%, 0.53%

LAB 69.56, -13.35, 40.81

 

CMYK 46 / 0 / 21 / 31

HEX #5EAF8B

RGB 94 175 139

HSL 153.33, 0.34%, 0.53%

LAB 65.67, -33.37, 10.87

 

Description

Color code: HEX #6560B0 | qconv.com Color code: HEX #6560B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 96 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 96 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 45 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 45% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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