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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6561B1 it is the complementary color #9A9E4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6561B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6561B1 shade: #6A61AC, #7B73BF, #8C85D2, #9D97E5 and #AEA9F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6561B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6561B1 shade: #6561B1, #544F9E, #433D8B, #322B78 and #211965

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6561B1 shade: #6561B1, #7B61B1, #9061B1, #A661B1 and #B161A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6561B1 shade: #6561B1 and #6161B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6561B1 shade matches the following richer shades: #6561B1, #544EC4, #433BD7, #3228EA and #2115FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6561B1 shade: #6561B1, #76749E, #87878B, #999A78 and #AAAD65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6561B1 shade: #6188B1, #6173B1, #6561B1, #7B61B1 and #9061B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6561B1 shade: #423F81, #514D9C, #6561B1, #807DBF and #9B99CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6561B1 shade: #6561B1, #B1619D and #7DB161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6561B1 shade: #6561B1, #B16561 and #61B165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6561B1 shade: #6561B1, #B1619D, #ADB161 and #61B175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6561B1 shade: #6561B1, #B16185, #ADB161 and #61B18D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 45 / 0 / 31

HEX #6561B1

RGB 101 97 177

HSL 243, 0.34%, 0.54%

LAB 44.93, 22.25, -42.21

 

Complementary color

CMYK 3 / 0 / 51 / 38

HEX #9A9E4E

RGB 154 158 78

HSL 63, 0.34%, 0.46%

LAB 63.24, -13.15, 40.89

 

CMYK 38 / 44 / 0 / 33

HEX #6A61AC

RGB 106 97 172

HSL 247.2, 0.31%, 0.53%

LAB 45.07, 22.1, -39.03

 

CMYK 36 / 40 / 0 / 25

HEX #7B73BF

RGB 123 115 191

HSL 246.32, 0.37%, 0.6%

LAB 52.1, 21.18, -38.86

 

CMYK 33 / 37 / 0 / 18

HEX #8C85D2

RGB 140 133 210

HSL 245.45, 0.46%, 0.67%

LAB 58.98, 20.38, -38.75

 

CMYK 31 / 34 / 0 / 10

HEX #9D97E5

RGB 157 151 229

HSL 244.62, 0.6%, 0.75%

LAB 65.72, 19.68, -38.68

 

CMYK 30 / 32 / 0 / 3

HEX #AEA9F8

RGB 174 169 248

HSL 243.8, 0.85%, 0.82%

LAB 72.33, 19.06, -38.66

 

CMYK 43 / 45 / 0 / 31

HEX #6561B1

RGB 101 97 177

HSL 243, 0.34%, 0.54%

LAB 44.93, 22.25, -42.21

 

CMYK 47 / 50 / 0 / 38

HEX #544F9E

RGB 84 79 158

HSL 243.8, 0.33%, 0.46%

LAB 37.74, 23.45, -42.49

 

CMYK 52 / 56 / 0 / 45

HEX #433D8B

RGB 67 61 139

HSL 244.62, 0.39%, 0.39%

LAB 30.39, 24.9, -42.82

 

CMYK 58 / 64 / 0 / 53

HEX #322B78

RGB 50 43 120

HSL 245.45, 0.47%, 0.32%

LAB 22.87, 26.67, -43.16

 

CMYK 67 / 75 / 0 / 60

HEX #211965

RGB 33 25 101

HSL 246.32, 0.6%, 0.25%

LAB 15.27, 28.74, -43.33

 

CMYK 43 / 45 / 0 / 31

HEX #6561B1

RGB 101 97 177

HSL 243, 0.34%, 0.54%

LAB 44.93, 22.25, -42.21

 

CMYK 31 / 45 / 0 / 31

HEX #7B61B1

RGB 123 97 177

HSL 259.5, 0.34%, 0.54%

LAB 46.89, 28.19, -38.98

 

CMYK 19 / 45 / 0 / 31

HEX #9061B1

RGB 144 97 177

HSL 275.25, 0.34%, 0.54%

LAB 49.07, 34.28, -35.39

 

CMYK 6 / 45 / 0 / 31

HEX #A661B1

RGB 166 97 177

HSL 291.75, 0.34%, 0.54%

LAB 51.65, 40.87, -31.18

 

CMYK 0 / 45 / 6 / 31

HEX #B161A7

RGB 177 97 167

HSL 307.5, 0.34%, 0.54%

LAB 52.6, 42.37, -23.76

 

CMYK 43 / 45 / 0 / 31

HEX #6561B1

RGB 101 97 177

HSL 243, 0.34%, 0.54%

LAB 44.93, 22.25, -42.21

 

CMYK 45 / 45 / 0 / 31

HEX #6161B1

RGB 97 97 177

HSL 240, 0.34%, 0.54%

LAB 44.61, 21.23, -42.74

 

CMYK 43 / 45 / 0 / 31

HEX #6561B1

RGB 101 97 177

HSL 243, 0.34%, 0.54%

LAB 44.93, 22.25, -42.21

 

CMYK 57 / 60 / 0 / 23

HEX #544EC4

RGB 84 78 196

HSL 243.05, 0.5%, 0.54%

LAB 40.11, 36.18, -61.12

 

CMYK 69 / 73 / 0 / 16

HEX #433BD7

RGB 67 59 215

HSL 243.08, 0.66%, 0.54%

LAB 36.42, 50.96, -78.22

 

CMYK 79 / 83 / 0 / 8

HEX #3228EA

RGB 50 40 234

HSL 243.09, 0.82%, 0.54%

LAB 34.26, 64.64, -92.69

 

CMYK 87 / 92 / 0 / 1

HEX #2115FD

RGB 33 21 253

HSL 243.1, 0.98%, 0.54%

LAB 33.88, 75.41, -104.08

 

CMYK 43 / 45 / 0 / 31

HEX #6561B1

RGB 101 97 177

HSL 243, 0.34%, 0.54%

LAB 44.93, 22.25, -42.21

 

CMYK 25 / 27 / 0 / 38

HEX #76749E

RGB 118 116 158

HSL 242.86, 0.18%, 0.54%

LAB 50.47, 10.35, -22.32

 

CMYK 3 / 3 / 0 / 45

HEX #87878B

RGB 135 135 139

HSL 240, 0.02%, 0.54%

LAB 56.43, 0.8, -2.15

 

CMYK 1 / 0 / 22 / 40

HEX #999A78

RGB 153 154 120

HSL 61.76, 0.14%, 0.54%

LAB 62.71, -6.24, 17.78

 

CMYK 2 / 0 / 42 / 32

HEX #AAAD65

RGB 170 173 101

HSL 62.5, 0.31%, 0.54%

LAB 69.02, -11.98, 36.56

 

CMYK 45 / 23 / 0 / 31

HEX #6188B1

RGB 97 136 177

HSL 210.75, 0.34%, 0.54%

LAB 55.4, -2.33, -25.81

 

CMYK 45 / 35 / 0 / 31

HEX #6173B1

RGB 97 115 177

HSL 226.5, 0.34%, 0.54%

LAB 49.47, 10.14, -35.06

 

CMYK 43 / 45 / 0 / 31

HEX #6561B1

RGB 101 97 177

HSL 243, 0.34%, 0.54%

LAB 44.93, 22.25, -42.21

 

CMYK 31 / 45 / 0 / 31

HEX #7B61B1

RGB 123 97 177

HSL 259.5, 0.34%, 0.54%

LAB 46.89, 28.19, -38.98

 

CMYK 19 / 45 / 0 / 31

HEX #9061B1

RGB 144 97 177

HSL 275.25, 0.34%, 0.54%

LAB 49.07, 34.28, -35.39

 

CMYK 49 / 51 / 0 / 49

HEX #423F81

RGB 66 63 129

HSL 242.73, 0.34%, 0.38%

LAB 30.15, 20.07, -37

 

CMYK 48 / 51 / 0 / 39

HEX #514D9C

RGB 81 77 156

HSL 243.04, 0.34%, 0.46%

LAB 36.85, 23.36, -42.74

 

CMYK 43 / 45 / 0 / 31

HEX #6561B1

RGB 101 97 177

HSL 243, 0.34%, 0.54%

LAB 44.93, 22.25, -42.21

 

CMYK 33 / 35 / 0 / 25

HEX #807DBF

RGB 128 125 191

HSL 242.73, 0.34%, 0.62%

LAB 55.09, 16.64, -34.14

 

CMYK 24 / 25 / 0 / 20

HEX #9B99CC

RGB 155 153 204

HSL 242.35, 0.33%, 0.7%

LAB 65.05, 11.76, -25.87

 

CMYK 43 / 45 / 0 / 31

HEX #6561B1

RGB 101 97 177

HSL 243, 0.34%, 0.54%

LAB 44.93, 22.25, -42.21

 

CMYK 0 / 45 / 11 / 31

HEX #B1619D

RGB 177 97 157

HSL 315, 0.34%, 0.54%

LAB 52.21, 40.62, -18.51

 

CMYK 29 / 0 / 45 / 31

HEX #7DB161

RGB 125 177 97

HSL 99, 0.34%, 0.54%

LAB 67.03, -31.9, 35.46

 

CMYK 43 / 45 / 0 / 31

HEX #6561B1

RGB 101 97 177

HSL 243, 0.34%, 0.54%

LAB 44.93, 22.25, -42.21

 

CMYK 0 / 43 / 45 / 31

HEX #B16561

RGB 177 101 97

HSL 3, 0.34%, 0.54%

LAB 51.29, 30.08, 15.64

 

CMYK 45 / 0 / 43 / 31

HEX #61B165

RGB 97 177 101

HSL 123, 0.34%, 0.54%

LAB 65.69, -40.53, 31.4

 

CMYK 43 / 45 / 0 / 31

HEX #6561B1

RGB 101 97 177

HSL 243, 0.34%, 0.54%

LAB 44.93, 22.25, -42.21

 

CMYK 0 / 45 / 11 / 31

HEX #B1619D

RGB 177 97 157

HSL 315, 0.34%, 0.54%

LAB 52.21, 40.62, -18.51

 

CMYK 2 / 0 / 45 / 31

HEX #ADB161

RGB 173 177 97

HSL 63, 0.34%, 0.54%

LAB 70.31, -13.26, 40.26

 

CMYK 45 / 0 / 34 / 31

HEX #61B175

RGB 97 177 117

HSL 135, 0.34%, 0.54%

LAB 65.96, -37.84, 23.28

 

CMYK 43 / 45 / 0 / 31

HEX #6561B1

RGB 101 97 177

HSL 243, 0.34%, 0.54%

LAB 44.93, 22.25, -42.21

 

CMYK 0 / 45 / 25 / 31

HEX #B16185

RGB 177 97 133

HSL 333, 0.34%, 0.54%

LAB 51.37, 36.83, -5.6

 

CMYK 2 / 0 / 45 / 31

HEX #ADB161

RGB 173 177 97

HSL 63, 0.34%, 0.54%

LAB 70.31, -13.26, 40.26

 

CMYK 45 / 0 / 20 / 31

HEX #61B18D

RGB 97 177 141

HSL 153, 0.34%, 0.54%

LAB 66.45, -33.08, 10.88

 

Description

Color code: HEX #6561B1 | qconv.com Color code: HEX #6561B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 97 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 97 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 45 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 45% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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