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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6577A5 it is the complementary color #9A885A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6577A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6577A5 shade: #6A77A0, #7B89B3, #8C9BC6, #9DADD9 and #AEBFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6577A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6577A5 shade: #6577A5, #546592, #43537F, #32416C and #212F59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6577A5 shade: #6476A4, #6465A4, #7564A4, #8664A4 and #9764A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6577A5 shade: #6476A4, #6465A4 and #6464A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6577A5 shade matches the following richer shades: #6476A4, #506EB8, #3D65CC, #295CDF and #1554F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6577A5 shade: #6476A4, #787F90, #8C887C, #A09069 and #B39955

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6577A5 shade: #6498A4, #6487A4, #6476A4, #6465A4 and #7464A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6577A5 shade: #435073, #52638D, #6476A4, #7E8DB3 and #98A4C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6577A5 shade: #6577A5, #9F64A4 and #90A464

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6577A5 shade: #6577A5, #A46476 and #76A464

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6577A5 shade: #6577A5, #9F64A4, #A49264 and #6AA464

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6577A5 shade: #6577A5, #A46496, #A49264 and #64A472

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 28 / 0 / 35

HEX #6577A5

RGB 101 119 165

HSL 223.13, 0.26%, 0.52%

LAB 50.31, 5.29, -26.75

 

Complementary color

CMYK 0 / 12 / 42 / 40

HEX #9A885A

RGB 154 136 90

HSL 43.13, 0.26%, 0.48%

LAB 57.29, 0.04, 27.18

 

CMYK 34 / 26 / 0 / 37

HEX #6A77A0

RGB 106 119 160

HSL 225.56, 0.22%, 0.52%

LAB 50.45, 5.36, -23.59

 

CMYK 31 / 23 / 0 / 30

HEX #7B89B3

RGB 123 137 179

HSL 225, 0.27%, 0.59%

LAB 57.42, 4.95, -23.71

 

CMYK 29 / 22 / 0 / 22

HEX #8C9BC6

RGB 140 155 198

HSL 224.48, 0.34%, 0.66%

LAB 64.24, 4.61, -23.87

 

CMYK 28 / 20 / 0 / 15

HEX #9DADD9

RGB 157 173 217

HSL 224, 0.44%, 0.73%

LAB 70.92, 4.3, -24.05

 

CMYK 26 / 19 / 0 / 7

HEX #AEBFEC

RGB 174 191 236

HSL 223.55, 0.62%, 0.8%

LAB 77.47, 4.02, -24.26

 

CMYK 39 / 28 / 0 / 35

HEX #6577A5

RGB 101 119 165

HSL 223.13, 0.26%, 0.52%

LAB 50.31, 5.29, -26.75

 

CMYK 42 / 31 / 0 / 43

HEX #546592

RGB 84 101 146

HSL 223.55, 0.27%, 0.45%

LAB 43.16, 5.85, -26.74

 

CMYK 47 / 35 / 0 / 50

HEX #43537F

RGB 67 83 127

HSL 224, 0.31%, 0.38%

LAB 35.81, 6.56, -26.79

 

CMYK 54 / 40 / 0 / 58

HEX #32416C

RGB 50 65 108

HSL 224.48, 0.37%, 0.31%

LAB 28.22, 7.49, -26.92

 

CMYK 63 / 47 / 0 / 65

HEX #212F59

RGB 33 47 89

HSL 225, 0.46%, 0.24%

LAB 20.35, 8.81, -27.15

 

CMYK 39 / 28 / 0 / 36

HEX #6476A4

RGB 100 118 164

HSL 223.13, 0.26%, 0.52%

LAB 49.91, 5.31, -26.79

 

CMYK 39 / 38 / 0 / 36

HEX #6465A4

RGB 100 101 164

HSL 239.06, 0.26%, 0.52%

LAB 45.22, 15.68, -34.12

 

CMYK 29 / 39 / 0 / 36

HEX #7564A4

RGB 117 100 164

HSL 255.94, 0.26%, 0.52%

LAB 46.41, 21.23, -32.14

 

CMYK 18 / 39 / 0 / 36

HEX #8664A4

RGB 134 100 164

HSL 271.88, 0.26%, 0.52%

LAB 48.09, 26.46, -29.4

 

CMYK 8 / 39 / 0 / 36

HEX #9764A4

RGB 151 100 164

HSL 287.81, 0.26%, 0.52%

LAB 49.95, 31.87, -26.37

 

CMYK 39 / 28 / 0 / 36

HEX #6476A4

RGB 100 118 164

HSL 223.13, 0.26%, 0.52%

LAB 49.91, 5.31, -26.79

 

CMYK 39 / 38 / 0 / 36

HEX #6465A4

RGB 100 101 164

HSL 239.06, 0.26%, 0.52%

LAB 45.22, 15.68, -34.12

 

CMYK 39 / 39 / 0 / 36

HEX #6464A4

RGB 100 100 164

HSL 240, 0.26%, 0.52%

LAB 44.95, 16.3, -34.55

 

CMYK 39 / 28 / 0 / 36

HEX #6476A4

RGB 100 118 164

HSL 223.13, 0.26%, 0.52%

LAB 49.91, 5.31, -26.79

 

CMYK 57 / 40 / 0 / 28

HEX #506EB8

RGB 80 110 184

HSL 222.69, 0.42%, 0.52%

LAB 47.39, 11.41, -42.47

 

CMYK 70 / 50 / 0 / 20

HEX #3D65CC

RGB 61 101 204

HSL 223.22, 0.58%, 0.52%

LAB 45.16, 20.69, -57.63

 

CMYK 82 / 59 / 0 / 13

HEX #295CDF

RGB 41 92 223

HSL 223.19, 0.74%, 0.52%

LAB 43.44, 31.25, -71.32

 

CMYK 91 / 65 / 0 / 5

HEX #1554F3

RGB 21 84 243

HSL 222.97, 0.9%, 0.52%

LAB 42.72, 42.58, -83.82

 

CMYK 39 / 28 / 0 / 36

HEX #6476A4

RGB 100 118 164

HSL 223.13, 0.26%, 0.52%

LAB 49.91, 5.31, -26.79

 

CMYK 17 / 12 / 0 / 44

HEX #787F90

RGB 120 127 144

HSL 222.5, 0.1%, 0.52%

LAB 53.15, 1.15, -10.04

 

CMYK 0 / 3 / 11 / 45

HEX #8C887C

RGB 140 136 124

HSL 45, 0.07%, 0.52%

LAB 56.72, -0.72, 6.97

 

CMYK 0 / 10 / 34 / 37

HEX #A09069

RGB 160 144 105

HSL 42.55, 0.22%, 0.52%

LAB 60.28, -0.05, 22.93

 

CMYK 0 / 15 / 53 / 30

HEX #B39955

RGB 179 153 85

HSL 43.4, 0.38%, 0.52%

LAB 64.18, 0.86, 39

 

CMYK 39 / 7 / 0 / 36

HEX #6498A4

RGB 100 152 164

HSL 191.25, 0.26%, 0.52%

LAB 59.75, -14.1, -11.77

 

CMYK 39 / 18 / 0 / 36

HEX #6487A4

RGB 100 135 164

HSL 207.19, 0.26%, 0.52%

LAB 54.78, -4.65, -19.29

 

CMYK 39 / 28 / 0 / 36

HEX #6476A4

RGB 100 118 164

HSL 223.13, 0.26%, 0.52%

LAB 49.91, 5.31, -26.79

 

CMYK 39 / 38 / 0 / 36

HEX #6465A4

RGB 100 101 164

HSL 239.06, 0.26%, 0.52%

LAB 45.22, 15.68, -34.12

 

CMYK 29 / 39 / 0 / 36

HEX #7464A4

RGB 116 100 164

HSL 255, 0.26%, 0.52%

LAB 46.32, 20.93, -32.29

 

CMYK 42 / 30 / 0 / 55

HEX #435073

RGB 67 80 115

HSL 223.75, 0.26%, 0.36%

LAB 34.33, 4.69, -21.67

 

CMYK 42 / 30 / 0 / 45

HEX #52638D

RGB 82 99 141

HSL 222.71, 0.26%, 0.44%

LAB 42.22, 5.01, -25.23

 

CMYK 39 / 28 / 0 / 36

HEX #6476A4

RGB 100 118 164

HSL 223.13, 0.26%, 0.52%

LAB 49.91, 5.31, -26.79

 

CMYK 30 / 21 / 0 / 30

HEX #7E8DB3

RGB 126 141 179

HSL 223.02, 0.26%, 0.6%

LAB 58.73, 3.55, -21.68

 

CMYK 22 / 15 / 0 / 24

HEX #98A4C2

RGB 152 164 194

HSL 222.86, 0.26%, 0.68%

LAB 67.37, 2.29, -16.8

 

CMYK 39 / 28 / 0 / 35

HEX #6577A5

RGB 101 119 165

HSL 223.13, 0.26%, 0.52%

LAB 50.31, 5.29, -26.75

 

CMYK 3 / 39 / 0 / 36

HEX #9F64A4

RGB 159 100 164

HSL 295.31, 0.26%, 0.52%

LAB 50.88, 34.44, -24.85

 

CMYK 12 / 0 / 39 / 36

HEX #90A464

RGB 144 164 100

HSL 78.75, 0.26%, 0.52%

LAB 64.48, -17.92, 30.91

 

CMYK 39 / 28 / 0 / 35

HEX #6577A5

RGB 101 119 165

HSL 223.13, 0.26%, 0.52%

LAB 50.31, 5.29, -26.75

 

CMYK 0 / 39 / 28 / 36

HEX #A46476

RGB 164 100 118

HSL 343.13, 0.26%, 0.52%

LAB 49.88, 28.25, 0.93

 

CMYK 28 / 0 / 39 / 36

HEX #76A464

RGB 118 164 100

HSL 103.13, 0.26%, 0.52%

LAB 62.78, -27.78, 28.37

 

CMYK 39 / 28 / 0 / 35

HEX #6577A5

RGB 101 119 165

HSL 223.13, 0.26%, 0.52%

LAB 50.31, 5.29, -26.75

 

CMYK 3 / 39 / 0 / 36

HEX #9F64A4

RGB 159 100 164

HSL 295.31, 0.26%, 0.52%

LAB 50.88, 34.44, -24.85

 

CMYK 0 / 11 / 39 / 36

HEX #A49264

RGB 164 146 100

HSL 43.13, 0.26%, 0.52%

LAB 61.11, -0.11, 26.84

 

CMYK 35 / 0 / 39 / 36

HEX #6AA464

RGB 106 164 100

HSL 114.38, 0.26%, 0.52%

LAB 62.11, -31.95, 27.37

 

CMYK 39 / 28 / 0 / 35

HEX #6577A5

RGB 101 119 165

HSL 223.13, 0.26%, 0.52%

LAB 50.31, 5.29, -26.75

 

CMYK 0 / 39 / 9 / 36

HEX #A46496

RGB 164 100 150

HSL 313.13, 0.26%, 0.52%

LAB 50.93, 33.45, -16.49

 

CMYK 0 / 11 / 39 / 36

HEX #A49264

RGB 164 146 100

HSL 43.13, 0.26%, 0.52%

LAB 61.11, -0.11, 26.84

 

CMYK 39 / 0 / 30 / 36

HEX #64A472

RGB 100 164 114

HSL 133.13, 0.26%, 0.52%

LAB 62.06, -31.5, 19.65

 

Description

Color code: HEX #6577A5 | qconv.com Color code: HEX #6577A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 119 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 119 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 28 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 28% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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