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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #657098 it is the complementary color #9A8F67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #657098. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #657098 shade: #6A7093, #7B82A6, #8C94B9, #9DA6CC and #AEB8DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #657098. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #657098 shade: #657098, #545E85, #434C72, #323A5F and #21284C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #657098 shade: #667099, #686699, #766699, #846699 and #926699

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #657098 shade: #667099 and #666699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #657098 shade matches the following richer shades: #667099, #5165AD, #3C59C2, #284DD6 and #1342EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #657098 shade: #667099, #7A7C84, #8F886F, #A3945B and #B89F46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #657098 shade: #668C99, #667E99, #667199, #686699 and #766699

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #657098 shade: #444C67, #555E80, #667099, #7E87A9 and #979EBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #657098 shade: #657098, #986699 and #859966

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #657098 shade: #657098, #996671 and #719966

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #657098 shade: #657098, #986699, #998D66 and #669966

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #657098 shade: #657098, #99668A, #998D66 and #669974

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 26 / 0 / 40

HEX #657098

RGB 101 112 152

HSL 227.06, 0.2%, 0.5%

LAB 47.78, 5.85, -23.04

 

Complementary color

CMYK 0 / 7 / 33 / 40

HEX #9A8F67

RGB 154 143 103

HSL 47.06, 0.2%, 0.5%

LAB 59.43, -2.24, 22.8

 

CMYK 28 / 24 / 0 / 42

HEX #6A7093

RGB 106 112 147

HSL 231.22, 0.16%, 0.5%

LAB 47.96, 6.07, -19.79

 

CMYK 26 / 22 / 0 / 35

HEX #7B82A6

RGB 123 130 166

HSL 230.23, 0.19%, 0.57%

LAB 55, 5.7, -19.97

 

CMYK 24 / 20 / 0 / 27

HEX #8C94B9

RGB 140 148 185

HSL 229.33, 0.24%, 0.64%

LAB 61.88, 5.37, -20.18

 

CMYK 23 / 19 / 0 / 20

HEX #9DA6CC

RGB 157 166 204

HSL 228.51, 0.32%, 0.71%

LAB 68.61, 5.08, -20.42

 

CMYK 22 / 17 / 0 / 13

HEX #AEB8DF

RGB 174 184 223

HSL 227.76, 0.43%, 0.78%

LAB 75.21, 4.81, -20.68

 

CMYK 34 / 26 / 0 / 40

HEX #657098

RGB 101 112 152

HSL 227.06, 0.2%, 0.5%

LAB 47.78, 5.85, -23.04

 

CMYK 37 / 29 / 0 / 48

HEX #545E85

RGB 84 94 133

HSL 227.76, 0.23%, 0.43%

LAB 40.55, 6.35, -22.98

 

CMYK 41 / 33 / 0 / 55

HEX #434C72

RGB 67 76 114

HSL 228.51, 0.26%, 0.35%

LAB 33.09, 6.96, -22.99

 

CMYK 47 / 39 / 0 / 63

HEX #323A5F

RGB 50 58 95

HSL 229.33, 0.31%, 0.28%

LAB 25.35, 7.77, -23.08

 

CMYK 57 / 47 / 0 / 70

HEX #21284C

RGB 33 40 76

HSL 230.23, 0.39%, 0.21%

LAB 17.29, 8.91, -23.31

 

CMYK 33 / 27 / 0 / 40

HEX #667099

RGB 102 112 153

HSL 228.24, 0.2%, 0.5%

LAB 47.9, 6.43, -23.45

 

CMYK 32 / 33 / 0 / 40

HEX #686699

RGB 104 102 153

HSL 242.35, 0.2%, 0.5%

LAB 45.28, 13.13, -27.49

 

CMYK 23 / 33 / 0 / 40

HEX #766699

RGB 118 102 153

HSL 258.82, 0.2%, 0.5%

LAB 46.52, 17.51, -25.48

 

CMYK 14 / 33 / 0 / 40

HEX #846699

RGB 132 102 153

HSL 275.29, 0.2%, 0.5%

LAB 47.89, 22.09, -23.24

 

CMYK 5 / 33 / 0 / 40

HEX #926699

RGB 146 102 153

HSL 291.76, 0.2%, 0.5%

LAB 49.39, 26.78, -20.8

 

CMYK 33 / 27 / 0 / 40

HEX #667099

RGB 102 112 153

HSL 228.24, 0.2%, 0.5%

LAB 47.9, 6.43, -23.45

 

CMYK 33 / 33 / 0 / 40

HEX #666699

RGB 102 102 153

HSL 240, 0.2%, 0.5%

LAB 45.12, 12.52, -27.76

 

CMYK 33 / 27 / 0 / 40

HEX #667099

RGB 102 112 153

HSL 228.24, 0.2%, 0.5%

LAB 47.9, 6.43, -23.45

 

CMYK 53 / 42 / 0 / 32

HEX #5165AD

RGB 81 101 173

HSL 226.96, 0.36%, 0.5%

LAB 44.34, 13.62, -40.89

 

CMYK 69 / 54 / 0 / 24

HEX #3C59C2

RGB 60 89 194

HSL 227.01, 0.53%, 0.5%

LAB 41.22, 24.61, -58.24

 

CMYK 81 / 64 / 0 / 16

HEX #284DD6

RGB 40 77 214

HSL 227.24, 0.69%, 0.5%

LAB 38.92, 37.41, -73.57

 

CMYK 92 / 72 / 0 / 8

HEX #1342EB

RGB 19 66 235

HSL 226.94, 0.85%, 0.5%

LAB 37.9, 50.55, -87.26

 

CMYK 33 / 27 / 0 / 40

HEX #667099

RGB 102 112 153

HSL 228.24, 0.2%, 0.5%

LAB 47.9, 6.43, -23.45

 

CMYK 8 / 6 / 0 / 48

HEX #7A7C84

RGB 122 124 132

HSL 228, 0.04%, 0.5%

LAB 52.08, 0.92, -4.61

 

CMYK 0 / 5 / 22 / 44

HEX #8F886F

RGB 143 136 111

HSL 46.88, 0.13%, 0.5%

LAB 56.68, -1.69, 14.39

 

CMYK 0 / 9 / 44 / 36

HEX #A3945B

RGB 163 148 91

HSL 47.5, 0.28%, 0.5%

LAB 61.41, -2.65, 32.09

 

CMYK 0 / 14 / 62 / 28

HEX #B89F46

RGB 184 159 70

HSL 46.84, 0.45%, 0.5%

LAB 66.08, -1.42, 48.71

 

CMYK 33 / 8 / 0 / 40

HEX #668C99

RGB 102 140 153

HSL 195.29, 0.2%, 0.5%

LAB 55.97, -9.83, -11.15

 

CMYK 33 / 18 / 0 / 40

HEX #667E99

RGB 102 126 153

HSL 211.76, 0.2%, 0.5%

LAB 51.89, -1.87, -17.32

 

CMYK 33 / 26 / 0 / 40

HEX #667199

RGB 102 113 153

HSL 227.06, 0.2%, 0.5%

LAB 48.18, 5.82, -23.01

 

CMYK 32 / 33 / 0 / 40

HEX #686699

RGB 104 102 153

HSL 242.35, 0.2%, 0.5%

LAB 45.28, 13.13, -27.49

 

CMYK 23 / 33 / 0 / 40

HEX #766699

RGB 118 102 153

HSL 258.82, 0.2%, 0.5%

LAB 46.52, 17.51, -25.48

 

CMYK 34 / 26 / 0 / 60

HEX #444C67

RGB 68 76 103

HSL 226.29, 0.2%, 0.34%

LAB 32.65, 3.96, -16.74

 

CMYK 34 / 27 / 0 / 50

HEX #555E80

RGB 85 94 128

HSL 227.44, 0.2%, 0.42%

LAB 40.4, 5.22, -20.16

 

CMYK 33 / 27 / 0 / 40

HEX #667099

RGB 102 112 153

HSL 228.24, 0.2%, 0.5%

LAB 47.9, 6.43, -23.45

 

CMYK 25 / 20 / 0 / 34

HEX #7E87A9

RGB 126 135 169

HSL 227.44, 0.2%, 0.58%

LAB 56.71, 4.49, -19.06

 

CMYK 19 / 15 / 0 / 27

HEX #979EBA

RGB 151 158 186

HSL 228, 0.2%, 0.66%

LAB 65.42, 3.48, -15.29

 

CMYK 34 / 26 / 0 / 40

HEX #657098

RGB 101 112 152

HSL 227.06, 0.2%, 0.5%

LAB 47.78, 5.85, -23.04

 

CMYK 1 / 33 / 0 / 40

HEX #986699

RGB 152 102 153

HSL 298.82, 0.2%, 0.5%

LAB 50.07, 28.81, -19.7

 

CMYK 13 / 0 / 33 / 40

HEX #859966

RGB 133 153 102

HSL 83.53, 0.2%, 0.5%

LAB 60.54, -16.27, 24.53

 

CMYK 34 / 26 / 0 / 40

HEX #657098

RGB 101 112 152

HSL 227.06, 0.2%, 0.5%

LAB 47.78, 5.85, -23.04

 

CMYK 0 / 33 / 26 / 40

HEX #996671

RGB 153 102 113

HSL 347.06, 0.2%, 0.5%

LAB 48.84, 22.14, 2.25

 

CMYK 26 / 0 / 33 / 40

HEX #719966

RGB 113 153 102

HSL 107.06, 0.2%, 0.5%

LAB 59.21, -23.83, 22.51

 

CMYK 34 / 26 / 0 / 40

HEX #657098

RGB 101 112 152

HSL 227.06, 0.2%, 0.5%

LAB 47.78, 5.85, -23.04

 

CMYK 1 / 33 / 0 / 40

HEX #986699

RGB 152 102 153

HSL 298.82, 0.2%, 0.5%

LAB 50.07, 28.81, -19.7

 

CMYK 0 / 8 / 33 / 40

HEX #998D66

RGB 153 141 102

HSL 45.88, 0.2%, 0.5%

LAB 58.77, -1.68, 22.46

 

CMYK 33 / 0 / 33 / 40

HEX #669966

RGB 102 153 102

HSL 120, 0.2%, 0.5%

LAB 58.57, -27.7, 21.55

 

CMYK 34 / 26 / 0 / 40

HEX #657098

RGB 101 112 152

HSL 227.06, 0.2%, 0.5%

LAB 47.78, 5.85, -23.04

 

CMYK 0 / 33 / 10 / 40

HEX #99668A

RGB 153 102 138

HSL 317.65, 0.2%, 0.5%

LAB 49.63, 26.31, -11.49

 

CMYK 0 / 8 / 33 / 40

HEX #998D66

RGB 153 141 102

HSL 45.88, 0.2%, 0.5%

LAB 58.77, -1.68, 22.46

 

CMYK 33 / 0 / 24 / 40

HEX #669974

RGB 102 153 116

HSL 136.47, 0.2%, 0.5%

LAB 58.85, -25.13, 14.14

 

Description

Color code: HEX #657098 | qconv.com Color code: HEX #657098 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 112 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 112 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 26 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 26% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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