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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #659A9A it is the complementary color #9A6565. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #659A9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #659A9A shade: #6A9A95, #7BACA8, #8CBEBB, #9DD0CE and #AEE2E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #659A9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #659A9A shade: #659A9A, #548887, #437674, #326461 and #21524E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #659A9A shade: #649A9A, #649A8B, #649A7D, #649A6E and #689A64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #659A9A shade: #649A9A, #648B9A, #647D9A, #646E9A and #64649A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #659A9A shade matches the following richer shades: #649A9A, #50AEAE, #3BC3C3, #26D8D8 and #12ECEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #659A9A shade: #649A9A, #798585, #8D7171, #A25C5C and #B74747

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #659A9A shade: #649A7D, #649A8B, #649A9A, #648B9A and #647D9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #659A9A shade: #446868, #548181, #649A9A, #7DAAAA and #96BABA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #659A9A shade: #659A9A, #6F649A and #9A8464

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #659A9A shade: #659A9A, #9A649A and #9A9A64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #659A9A shade: #659A9A, #6F649A, #9A6464 and #8F9A64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #659A9A shade: #659A9A, #7F649A, #9A6464 and #7F9A64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 0 / 40

HEX #659A9A

RGB 101 154 154

HSL 180, 0.21%, 0.5%

LAB 60.08, -17.46, -5.6

 

Complementary color

CMYK 0 / 34 / 34 / 40

HEX #9A6565

RGB 154 101 101

HSL 0, 0.21%, 0.5%

LAB 48.41, 21.4, 8.81

 

CMYK 31 / 0 / 3 / 40

HEX #6A9A95

RGB 106 154 149

HSL 173.75, 0.19%, 0.51%

LAB 60.2, -17.21, -2.55

 

CMYK 28 / 0 / 2 / 33

HEX #7BACA8

RGB 123 172 168

HSL 175.1, 0.23%, 0.58%

LAB 66.93, -17.08, -3.2

 

CMYK 26 / 0 / 2 / 25

HEX #8CBEBB

RGB 140 190 187

HSL 176.4, 0.28%, 0.65%

LAB 73.54, -16.96, -3.81

 

CMYK 25 / 0 / 1 / 18

HEX #9DD0CE

RGB 157 208 206

HSL 177.65, 0.35%, 0.72%

LAB 80.03, -16.86, -4.4

 

CMYK 23 / 0 / 0 / 11

HEX #AEE2E1

RGB 174 226 225

HSL 178.85, 0.47%, 0.78%

LAB 86.42, -16.77, -4.97

 

CMYK 34 / 0 / 0 / 40

HEX #659A9A

RGB 101 154 154

HSL 180, 0.21%, 0.5%

LAB 60.08, -17.46, -5.6

 

CMYK 38 / 0 / 1 / 47

HEX #548887

RGB 84 136 135

HSL 178.85, 0.24%, 0.43%

LAB 53.21, -17.55, -4.96

 

CMYK 43 / 0 / 2 / 54

HEX #437674

RGB 67 118 116

HSL 177.65, 0.28%, 0.36%

LAB 46.19, -17.62, -4.27

 

CMYK 50 / 0 / 3 / 61

HEX #326461

RGB 50 100 97

HSL 176.4, 0.33%, 0.29%

LAB 38.99, -17.65, -3.52

 

CMYK 60 / 0 / 5 / 68

HEX #21524E

RGB 33 82 78

HSL 175.1, 0.43%, 0.23%

LAB 31.6, -17.57, -2.66

 

CMYK 35 / 0 / 0 / 40

HEX #649A9A

RGB 100 154 154

HSL 180, 0.21%, 0.5%

LAB 60.03, -17.74, -5.68

 

CMYK 35 / 0 / 10 / 40

HEX #649A8B

RGB 100 154 139

HSL 163.33, 0.21%, 0.5%

LAB 59.6, -21.36, 2.21

 

CMYK 35 / 0 / 19 / 40

HEX #649A7D

RGB 100 154 125

HSL 147.78, 0.21%, 0.5%

LAB 59.25, -24.45, 9.62

 

CMYK 35 / 0 / 29 / 40

HEX #649A6E

RGB 100 154 110

HSL 131.11, 0.21%, 0.5%

LAB 58.92, -27.42, 17.58

 

CMYK 32 / 0 / 35 / 40

HEX #689A64

RGB 104 154 100

HSL 115.56, 0.21%, 0.5%

LAB 58.95, -27.84, 23.18

 

CMYK 35 / 0 / 0 / 40

HEX #649A9A

RGB 100 154 154

HSL 180, 0.21%, 0.5%

LAB 60.03, -17.74, -5.68

 

CMYK 35 / 10 / 0 / 40

HEX #648B9A

RGB 100 139 154

HSL 196.67, 0.21%, 0.5%

LAB 55.59, -9.61, -12.3

 

CMYK 35 / 19 / 0 / 40

HEX #647D9A

RGB 100 125 154

HSL 212.22, 0.21%, 0.5%

LAB 51.51, -1.62, -18.5

 

CMYK 35 / 29 / 0 / 40

HEX #646E9A

RGB 100 110 154

HSL 228.89, 0.21%, 0.5%

LAB 47.23, 7.31, -25.08

 

CMYK 35 / 35 / 0 / 40

HEX #64649A

RGB 100 100 154

HSL 240, 0.21%, 0.5%

LAB 44.46, 13.43, -29.4

 

CMYK 35 / 0 / 0 / 40

HEX #649A9A

RGB 100 154 154

HSL 180, 0.21%, 0.5%

LAB 60.03, -17.74, -5.68

 

CMYK 54 / 0 / 0 / 32

HEX #50AEAE

RGB 80 174 174

HSL 180, 0.37%, 0.5%

LAB 65.77, -27.55, -8.46

 

CMYK 70 / 0 / 0 / 24

HEX #3BC3C3

RGB 59 195 195

HSL 180, 0.54%, 0.5%

LAB 72.16, -35.21, -10.55

 

CMYK 82 / 0 / 0 / 15

HEX #26D8D8

RGB 38 216 216

HSL 180, 0.7%, 0.5%

LAB 78.74, -40.84, -12.09

 

CMYK 92 / 0 / 0 / 7

HEX #12ECEC

RGB 18 236 236

HSL 180, 0.86%, 0.5%

LAB 85.09, -44.91, -13.23

 

CMYK 35 / 0 / 0 / 40

HEX #649A9A

RGB 100 154 154

HSL 180, 0.21%, 0.5%

LAB 60.03, -17.74, -5.68

 

CMYK 9 / 0 / 0 / 48

HEX #798585

RGB 121 133 133

HSL 180, 0.05%, 0.5%

LAB 54.59, -4.38, -1.51

 

CMYK 0 / 20 / 20 / 45

HEX #8D7171

RGB 141 113 113

HSL 0, 0.11%, 0.5%

LAB 50.29, 11, 4.17

 

CMYK 0 / 43 / 43 / 36

HEX #A25C5C

RGB 162 92 92

HSL 0, 0.28%, 0.5%

LAB 47.12, 28.57, 12.55

 

CMYK 0 / 61 / 61 / 28

HEX #B74747

RGB 183 71 71

HSL 0, 0.44%, 0.5%

LAB 45.67, 45.38, 23.79

 

CMYK 35 / 0 / 19 / 40

HEX #649A7D

RGB 100 154 125

HSL 147.78, 0.21%, 0.5%

LAB 59.25, -24.45, 9.62

 

CMYK 35 / 0 / 10 / 40

HEX #649A8B

RGB 100 154 139

HSL 163.33, 0.21%, 0.5%

LAB 59.6, -21.36, 2.21

 

CMYK 35 / 0 / 0 / 40

HEX #649A9A

RGB 100 154 154

HSL 180, 0.21%, 0.5%

LAB 60.03, -17.74, -5.68

 

CMYK 35 / 10 / 0 / 40

HEX #648B9A

RGB 100 139 154

HSL 196.67, 0.21%, 0.5%

LAB 55.59, -9.61, -12.3

 

CMYK 35 / 19 / 0 / 40

HEX #647D9A

RGB 100 125 154

HSL 212.22, 0.21%, 0.5%

LAB 51.51, -1.62, -18.5

 

CMYK 35 / 0 / 0 / 59

HEX #446868

RGB 68 104 104

HSL 180, 0.21%, 0.34%

LAB 41.42, -12.78, -4.11

 

CMYK 35 / 0 / 0 / 49

HEX #548181

RGB 84 129 129

HSL 180, 0.21%, 0.42%

LAB 50.89, -15.31, -4.91

 

CMYK 35 / 0 / 0 / 40

HEX #649A9A

RGB 100 154 154

HSL 180, 0.21%, 0.5%

LAB 60.03, -17.74, -5.68

 

CMYK 26 / 0 / 0 / 33

HEX #7DAAAA

RGB 125 170 170

HSL 180, 0.21%, 0.58%

LAB 66.53, -14.96, -4.89

 

CMYK 19 / 0 / 0 / 27

HEX #96BABA

RGB 150 186 186

HSL 180, 0.21%, 0.66%

LAB 72.99, -12.03, -4.01

 

CMYK 34 / 0 / 0 / 40

HEX #659A9A

RGB 101 154 154

HSL 180, 0.21%, 0.5%

LAB 60.08, -17.46, -5.6

 

CMYK 28 / 35 / 0 / 40

HEX #6F649A

RGB 111 100 154

HSL 252.22, 0.21%, 0.5%

LAB 45.4, 16.77, -27.86

 

CMYK 0 / 14 / 35 / 40

HEX #9A8464

RGB 154 132 100

HSL 35.56, 0.21%, 0.5%

LAB 56.38, 3.51, 20.39

 

CMYK 34 / 0 / 0 / 40

HEX #659A9A

RGB 101 154 154

HSL 180, 0.21%, 0.5%

LAB 60.08, -17.46, -5.6

 

CMYK 0 / 35 / 0 / 40

HEX #9A649A

RGB 154 100 154

HSL 300, 0.21%, 0.5%

LAB 49.88, 30.82, -20.56

 

CMYK 0 / 0 / 35 / 40

HEX #9A9A64

RGB 154 154 100

HSL 60, 0.21%, 0.5%

LAB 62.42, -8.61, 28.4

 

CMYK 34 / 0 / 0 / 40

HEX #659A9A

RGB 101 154 154

HSL 180, 0.21%, 0.5%

LAB 60.08, -17.46, -5.6

 

CMYK 28 / 35 / 0 / 40

HEX #6F649A

RGB 111 100 154

HSL 252.22, 0.21%, 0.5%

LAB 45.4, 16.77, -27.86

 

CMYK 0 / 35 / 35 / 40

HEX #9A6464

RGB 154 100 100

HSL 0, 0.21%, 0.5%

LAB 48.14, 21.84, 9.03

 

CMYK 7 / 0 / 35 / 40

HEX #8F9A64

RGB 143 154 100

HSL 72.22, 0.21%, 0.5%

LAB 61.54, -13.09, 27.08

 

CMYK 34 / 0 / 0 / 40

HEX #659A9A

RGB 101 154 154

HSL 180, 0.21%, 0.5%

LAB 60.08, -17.46, -5.6

 

CMYK 18 / 35 / 0 / 40

HEX #7F649A

RGB 127 100 154

HSL 270, 0.21%, 0.5%

LAB 46.92, 21.87, -25.37

 

CMYK 0 / 35 / 35 / 40

HEX #9A6464

RGB 154 100 100

HSL 0, 0.21%, 0.5%

LAB 48.14, 21.84, 9.03

 

CMYK 18 / 0 / 35 / 40

HEX #7F9A64

RGB 127 154 100

HSL 90, 0.21%, 0.5%

LAB 60.38, -19.41, 25.33

 

Description

Color code: HEX #659A9A | qconv.com Color code: HEX #659A9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 154 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 154 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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