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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65AE28 it is the complementary color #9A51D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65AE28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65AE28 shade: #6AAE23, #7BC036, #8CD249, #9DE45C and #AEF66F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65AE28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65AE28 shade: #65AE28, #549C15, #438A02, #327800 and #216600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65AE28 shade: #65AE27, #89AE27, #ADAE27, #AE8A27 and #AE6627

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65AE28 shade: #65AE27, #40AE27, #27AE32, #27AE57 and #27AE7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65AE28 shade matches the following richer shades: #65AE27, #63BF16 and #61D104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65AE28 shade: #65AE27, #669D38, #688B4A, #697A5B and #6B696C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65AE28 shade: #AEAE27, #8AAE27, #66AE27, #42AE27 and #27AE30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65AE28 shade: #3E6B18, #518C1F, #65AE27, #78CF2F and #8ED751

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65AE28 shade: #65AE28, #27AE8A and #AE279C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65AE28 shade: #65AE28, #2766AE and #AE2766

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65AE28 shade: #65AE28, #27AE8A, #6F27AE and #AE274B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65AE28 shade: #65AE28, #27AAAE, #6F27AE and #AE2C27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 77 / 32

HEX #65AE28

RGB 101 174 40

HSL 92.69, 0.63%, 0.42%

LAB 64.32, -44.47, 57.18

 

Complementary color

CMYK 28 / 62 / 0 / 16

HEX #9A51D7

RGB 154 81 215

HSL 272.69, 0.63%, 0.58%

LAB 49.08, 54.27, -57.22

 

CMYK 39 / 0 / 80 / 32

HEX #6AAE23

RGB 106 174 35

HSL 89.35, 0.67%, 0.41%

LAB 64.53, -43.01, 59.03

 

CMYK 36 / 0 / 72 / 25

HEX #7BC036

RGB 123 192 54

HSL 90, 0.56%, 0.48%

LAB 70.99, -43.53, 59.24

 

CMYK 33 / 0 / 65 / 18

HEX #8CD249

RGB 140 210 73

HSL 90.66, 0.6%, 0.55%

LAB 77.37, -43.86, 58.8

 

CMYK 31 / 0 / 60 / 11

HEX #9DE45C

RGB 157 228 92

HSL 91.32, 0.72%, 0.63%

LAB 83.67, -44.04, 58.02

 

CMYK 29 / 0 / 55 / 4

HEX #AEF66F

RGB 174 246 111

HSL 92, 0.88%, 0.7%

LAB 89.89, -44.14, 57.05

 

CMYK 42 / 0 / 77 / 32

HEX #65AE28

RGB 101 174 40

HSL 92.69, 0.63%, 0.42%

LAB 64.32, -44.47, 57.18

 

CMYK 46 / 0 / 87 / 39

HEX #549C15

RGB 84 156 21

HSL 92, 0.76%, 0.35%

LAB 57.77, -43.73, 56.3

 

CMYK 51 / 0 / 99 / 46

HEX #438A02

RGB 67 138 2

HSL 91.32, 0.97%, 0.27%

LAB 51.12, -42.64, 54.04

 

CMYK 58 / 0 / 100 / 53

HEX #327800

RGB 50 120 0

HSL 95, 1%, 0.24%

LAB 44.39, -40.9, 48.83

 

CMYK 68 / 0 / 100 / 60

HEX #216600

RGB 33 102 0

HSL 100.59, 1%, 0.2%

LAB 37.53, -38.77, 43.17

 

CMYK 42 / 0 / 78 / 32

HEX #65AE27

RGB 101 174 39

HSL 92.44, 0.63%, 0.42%

LAB 64.31, -44.52, 57.5

 

CMYK 21 / 0 / 78 / 32

HEX #89AE27

RGB 137 174 39

HSL 76.44, 0.63%, 0.42%

LAB 66.32, -31, 60.1

 

CMYK 1 / 0 / 78 / 32

HEX #ADAE27

RGB 173 174 39

HSL 60.44, 0.63%, 0.42%

LAB 68.97, -15.77, 63.51

 

CMYK 0 / 21 / 78 / 32

HEX #AE8A27

RGB 174 138 39

HSL 44, 0.63%, 0.42%

LAB 59.27, 3.87, 54.63

 

CMYK 0 / 41 / 78 / 32

HEX #AE6627

RGB 174 102 39

HSL 28, 0.63%, 0.42%

LAB 50.27, 23.98, 46

 

CMYK 42 / 0 / 78 / 32

HEX #65AE27

RGB 101 174 39

HSL 92.44, 0.63%, 0.42%

LAB 64.31, -44.52, 57.5

 

CMYK 63 / 0 / 78 / 32

HEX #40AE27

RGB 64 174 39

HSL 108.89, 0.63%, 0.42%

LAB 62.93, -55.16, 55.7

 

CMYK 78 / 0 / 71 / 32

HEX #27AE32

RGB 39 174 50

HSL 124.89, 0.63%, 0.42%

LAB 62.45, -58.96, 51.09

 

CMYK 78 / 0 / 50 / 32

HEX #27AE57

RGB 39 174 87

HSL 141.33, 0.63%, 0.42%

LAB 62.84, -54.32, 34.64

 

CMYK 78 / 0 / 29 / 32

HEX #27AE7B

RGB 39 174 123

HSL 157.33, 0.63%, 0.42%

LAB 63.45, -47.33, 16.32

 

CMYK 42 / 0 / 78 / 32

HEX #65AE27

RGB 101 174 39

HSL 92.44, 0.63%, 0.42%

LAB 64.31, -44.52, 57.5

 

CMYK 48 / 0 / 88 / 25

HEX #63BF16

RGB 99 191 22

HSL 92.66, 0.79%, 0.42%

LAB 69.45, -52.63, 66.4

 

CMYK 54 / 0 / 98 / 18

HEX #61D104

RGB 97 209 4

HSL 92.78, 0.96%, 0.42%

LAB 74.92, -60.19, 73.18

 

CMYK 42 / 0 / 78 / 32

HEX #65AE27

RGB 101 174 39

HSL 92.44, 0.63%, 0.42%

LAB 64.31, -44.52, 57.5

 

CMYK 35 / 0 / 64 / 38

HEX #669D38

RGB 102 157 56

HSL 92.67, 0.47%, 0.42%

LAB 59.18, -35.6, 45.74

 

CMYK 25 / 0 / 47 / 45

HEX #688B4A

RGB 104 139 74

HSL 92.31, 0.31%, 0.42%

LAB 53.92, -24.3, 30.77

 

CMYK 14 / 0 / 25 / 52

HEX #697A5B

RGB 105 122 91

HSL 92.9, 0.15%, 0.42%

LAB 49.1, -12.39, 14.95

 

CMYK 1 / 3 / 0 / 58

HEX #6B696C

RGB 107 105 108

HSL 280, 0.01%, 0.42%

LAB 44.68, 1.4, -1.41

 

CMYK 0 / 0 / 78 / 32

HEX #AEAE27

RGB 174 174 39

HSL 60, 0.63%, 0.42%

LAB 69.05, -15.33, 63.61

 

CMYK 21 / 0 / 78 / 32

HEX #8AAE27

RGB 138 174 39

HSL 76, 0.63%, 0.42%

LAB 66.38, -30.6, 60.19

 

CMYK 41 / 0 / 78 / 32

HEX #66AE27

RGB 102 174 39

HSL 92, 0.63%, 0.42%

LAB 64.36, -44.18, 57.56

 

CMYK 62 / 0 / 78 / 32

HEX #42AE27

RGB 66 174 39

HSL 108, 0.63%, 0.42%

LAB 62.99, -54.69, 55.77

 

CMYK 78 / 0 / 72 / 32

HEX #27AE30

RGB 39 174 48

HSL 124, 0.63%, 0.42%

LAB 62.44, -59.13, 51.84

 

CMYK 42 / 0 / 78 / 58

HEX #3E6B18

RGB 62 107 24

HSL 92.53, 0.63%, 0.26%

LAB 40.58, -30.3, 39.13

 

CMYK 42 / 0 / 78 / 45

HEX #518C1F

RGB 81 140 31

HSL 92.48, 0.64%, 0.34%

LAB 52.51, -37.58, 48.54

 

CMYK 42 / 0 / 78 / 32

HEX #65AE27

RGB 101 174 39

HSL 92.44, 0.63%, 0.42%

LAB 64.31, -44.52, 57.5

 

CMYK 42 / 0 / 77 / 19

HEX #78CF2F

RGB 120 207 47

HSL 92.63, 0.63%, 0.5%

LAB 75.34, -51.13, 65.76

 

CMYK 34 / 0 / 62 / 16

HEX #8ED751

RGB 142 215 81

HSL 92.69, 0.63%, 0.58%

LAB 79.01, -44.64, 57.3

 

CMYK 42 / 0 / 77 / 32

HEX #65AE28

RGB 101 174 40

HSL 92.69, 0.63%, 0.42%

LAB 64.32, -44.47, 57.18

 

CMYK 78 / 0 / 21 / 32

HEX #27AE8A

RGB 39 174 138

HSL 164, 0.63%, 0.42%

LAB 63.79, -43.76, 8.53

 

CMYK 0 / 78 / 10 / 32

HEX #AE279C

RGB 174 39 156

HSL 308, 0.63%, 0.42%

LAB 42.54, 64.51, -32.95

 

CMYK 42 / 0 / 77 / 32

HEX #65AE28

RGB 101 174 40

HSL 92.69, 0.63%, 0.42%

LAB 64.32, -44.47, 57.18

 

CMYK 78 / 41 / 0 / 32

HEX #2766AE

RGB 39 102 174

HSL 212, 0.63%, 0.42%

LAB 42.75, 5.89, -44.13

 

CMYK 0 / 78 / 41 / 32

HEX #AE2766

RGB 174 39 102

HSL 332, 0.63%, 0.42%

LAB 40.26, 57.74, -3.19

 

CMYK 42 / 0 / 77 / 32

HEX #65AE28

RGB 101 174 40

HSL 92.69, 0.63%, 0.42%

LAB 64.32, -44.47, 57.18

 

CMYK 78 / 0 / 21 / 32

HEX #27AE8A

RGB 39 174 138

HSL 164, 0.63%, 0.42%

LAB 63.79, -43.76, 8.53

 

CMYK 36 / 78 / 0 / 32

HEX #6F27AE

RGB 111 39 174

HSL 272, 0.63%, 0.42%

LAB 33.75, 55.31, -58.4

 

CMYK 0 / 78 / 57 / 32

HEX #AE274B

RGB 174 39 75

HSL 344, 0.63%, 0.42%

LAB 39.51, 55.39, 12.83

 

CMYK 42 / 0 / 77 / 32

HEX #65AE28

RGB 101 174 40

HSL 92.69, 0.63%, 0.42%

LAB 64.32, -44.47, 57.18

 

CMYK 78 / 2 / 0 / 32

HEX #27AAAE

RGB 39 170 174

HSL 181.78, 0.63%, 0.42%

LAB 63.54, -31.93, -11.91

 

CMYK 36 / 78 / 0 / 32

HEX #6F27AE

RGB 111 39 174

HSL 272, 0.63%, 0.42%

LAB 33.75, 55.31, -58.4

 

CMYK 0 / 75 / 78 / 32

HEX #AE2C27

RGB 174 44 39

HSL 2.22, 0.63%, 0.42%

LAB 39.49, 51.74, 34.96

 

Description

Color code: HEX #65AE28 | qconv.com Color code: HEX #65AE28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 174 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 174 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 77 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 77% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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