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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65B4D2 it is the complementary color #9A4B2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65B4D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65B4D2 shade: #6AB4CD, #7BC6E0, #8CD8F3, #9DEAFF and #AEFCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65B4D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65B4D2 shade: #65B4D2, #54A2BF, #4390AC, #327E99 and #216C86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65B4D2 shade: #64B4D2, #6496D2, #6479D2, #6E64D2 and #8B64D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65B4D2 shade: #64B4D2, #6496D2, #6479D2 and #6464D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65B4D2 shade matches the following richer shades: #64B4D2, #54BBE2 and #44C2F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65B4D2 shade: #64B4D2, #74ACC2, #85A5B2, #959EA1 and #A59791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65B4D2 shade: #64D2B5, #64D2D2, #64B5D2, #6497D2 and #647AD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65B4D2 shade: #338EB1, #44A4C8, #64B4D2, #84C3DB and #A4D3E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65B4D2 shade: #65B4D2, #9764D2 and #D2C364

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65B4D2 shade: #65B4D2, #D264B5 and #B5D264

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65B4D2 shade: #65B4D2, #9764D2, #D28264 and #9FD264

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65B4D2 shade: #65B4D2, #B864D2, #D28264 and #7ED264

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 14 / 0 / 18

HEX #65B4D2

RGB 101 180 210

HSL 196.51, 0.55%, 0.61%

LAB 69.51, -16.04, -22.63

 

Complementary color

CMYK 0 / 51 / 71 / 40

HEX #9A4B2D

RGB 154 75 45

HSL 16.51, 0.55%, 0.39%

LAB 41.36, 30.64, 32.65

 

CMYK 48 / 12 / 0 / 20

HEX #6AB4CD

RGB 106 180 205

HSL 195.15, 0.5%, 0.61%

LAB 69.55, -16.33, -19.81

 

CMYK 45 / 12 / 0 / 12

HEX #7BC6E0

RGB 123 198 224

HSL 195.45, 0.62%, 0.68%

LAB 76.06, -16.52, -20.21

 

CMYK 42 / 11 / 0 / 5

HEX #8CD8F3

RGB 140 216 243

HSL 195.73, 0.81%, 0.75%

LAB 82.46, -16.66, -20.59

 

CMYK 38 / 8 / 0 / 0

HEX #9DEAFF

RGB 157 234 255

HSL 192.86, 1%, 0.81%

LAB 88.56, -18.51, -17.64

 

CMYK 32 / 1 / 0 / 0

HEX #AEFCFF

RGB 174 252 255

HSL 182.22, 1%, 0.84%

LAB 94.24, -22.98, -9.06

 

CMYK 52 / 14 / 0 / 18

HEX #65B4D2

RGB 101 180 210

HSL 196.51, 0.55%, 0.61%

LAB 69.51, -16.04, -22.63

 

CMYK 56 / 15 / 0 / 25

HEX #54A2BF

RGB 84 162 191

HSL 196.26, 0.46%, 0.54%

LAB 62.92, -15.66, -22.25

 

CMYK 61 / 16 / 0 / 33

HEX #4390AC

RGB 67 144 172

HSL 196, 0.44%, 0.47%

LAB 56.21, -15.16, -21.84

 

CMYK 67 / 18 / 0 / 40

HEX #327E99

RGB 50 126 153

HSL 195.73, 0.51%, 0.4%

LAB 49.37, -14.46, -21.39

 

CMYK 75 / 19 / 0 / 47

HEX #216C86

RGB 33 108 134

HSL 195.45, 0.6%, 0.33%

LAB 42.41, -13.46, -20.89

 

CMYK 52 / 14 / 0 / 18

HEX #64B4D2

RGB 100 180 210

HSL 196.36, 0.55%, 0.61%

LAB 69.47, -16.25, -22.7

 

CMYK 52 / 29 / 0 / 18

HEX #6496D2

RGB 100 150 210

HSL 212.73, 0.55%, 0.61%

LAB 60.94, 0.26, -35.87

 

CMYK 52 / 42 / 0 / 18

HEX #6479D2

RGB 100 121 210

HSL 228.55, 0.55%, 0.61%

LAB 52.99, 17.45, -48.4

 

CMYK 48 / 52 / 0 / 18

HEX #6E64D2

RGB 110 100 210

HSL 245.45, 0.55%, 0.61%

LAB 48.36, 32.42, -55.75

 

CMYK 34 / 52 / 0 / 18

HEX #8B64D2

RGB 139 100 210

HSL 261.27, 0.55%, 0.61%

LAB 50.99, 39.29, -51.41

 

CMYK 52 / 14 / 0 / 18

HEX #64B4D2

RGB 100 180 210

HSL 196.36, 0.55%, 0.61%

LAB 69.47, -16.25, -22.7

 

CMYK 52 / 29 / 0 / 18

HEX #6496D2

RGB 100 150 210

HSL 212.73, 0.55%, 0.61%

LAB 60.94, 0.26, -35.87

 

CMYK 52 / 42 / 0 / 18

HEX #6479D2

RGB 100 121 210

HSL 228.55, 0.55%, 0.61%

LAB 52.99, 17.45, -48.4

 

CMYK 52 / 52 / 0 / 18

HEX #6464D2

RGB 100 100 210

HSL 240, 0.55%, 0.61%

LAB 47.59, 30.28, -57.03

 

CMYK 52 / 14 / 0 / 18

HEX #64B4D2

RGB 100 180 210

HSL 196.36, 0.55%, 0.61%

LAB 69.47, -16.25, -22.7

 

CMYK 63 / 17 / 0 / 11

HEX #54BBE2

RGB 84 187 226

HSL 196.48, 0.71%, 0.61%

LAB 71.5, -18.24, -28.39

 

CMYK 72 / 20 / 0 / 5

HEX #44C2F2

RGB 68 194 242

HSL 196.55, 0.87%, 0.61%

LAB 73.69, -19.22, -33.71

 

CMYK 52 / 14 / 0 / 18

HEX #64B4D2

RGB 100 180 210

HSL 196.36, 0.55%, 0.61%

LAB 69.47, -16.25, -22.7

 

CMYK 40 / 11 / 0 / 24

HEX #74ACC2

RGB 116 172 194

HSL 196.92, 0.39%, 0.61%

LAB 67.36, -12.6, -17.02

 

CMYK 25 / 7 / 0 / 30

HEX #85A5B2

RGB 133 165 178

HSL 197.33, 0.23%, 0.61%

LAB 65.84, -7.96, -10.33

 

CMYK 7 / 2 / 0 / 37

HEX #959EA1

RGB 149 158 161

HSL 195, 0.06%, 0.61%

LAB 64.5, -2.59, -2.68

 

CMYK 0 / 8 / 12 / 35

HEX #A59791

RGB 165 151 145

HSL 18, 0.1%, 0.61%

LAB 63.49, 4.1, 5.01

 

CMYK 52 / 0 / 14 / 18

HEX #64D2B5

RGB 100 210 181

HSL 164.18, 0.55%, 0.61%

LAB 77.36, -38.53, 4.79

 

CMYK 52 / 0 / 0 / 18

HEX #64D2D2

RGB 100 210 210

HSL 180, 0.55%, 0.61%

LAB 78.14, -31.3, -9.63

 

CMYK 52 / 14 / 0 / 18

HEX #64B5D2

RGB 100 181 210

HSL 195.82, 0.55%, 0.61%

LAB 69.76, -16.78, -22.26

 

CMYK 52 / 28 / 0 / 18

HEX #6497D2

RGB 100 151 210

HSL 212.18, 0.55%, 0.61%

LAB 61.22, -0.32, -35.44

 

CMYK 52 / 42 / 0 / 18

HEX #647AD2

RGB 100 122 210

HSL 228, 0.55%, 0.61%

LAB 53.26, 16.84, -47.97

 

CMYK 71 / 20 / 0 / 31

HEX #338EB1

RGB 51 142 177

HSL 196.67, 0.55%, 0.45%

LAB 55.3, -15.12, -26.13

 

CMYK 66 / 18 / 0 / 22

HEX #44A4C8

RGB 68 164 200

HSL 196.36, 0.55%, 0.53%

LAB 63.3, -16.89, -26.73

 

CMYK 52 / 14 / 0 / 18

HEX #64B4D2

RGB 100 180 210

HSL 196.36, 0.55%, 0.61%

LAB 69.47, -16.25, -22.7

 

CMYK 40 / 11 / 0 / 14

HEX #84C3DB

RGB 132 195 219

HSL 196.55, 0.55%, 0.69%

LAB 75.48, -14.04, -18.34

 

CMYK 28 / 7 / 0 / 11

HEX #A4D3E4

RGB 164 211 228

HSL 195.94, 0.54%, 0.77%

LAB 81.88, -11.38, -13.36

 

CMYK 52 / 14 / 0 / 18

HEX #65B4D2

RGB 101 180 210

HSL 196.51, 0.55%, 0.61%

LAB 69.51, -16.04, -22.63

 

CMYK 28 / 52 / 0 / 18

HEX #9764D2

RGB 151 100 210

HSL 267.82, 0.55%, 0.61%

LAB 52.23, 42.34, -49.35

 

CMYK 0 / 7 / 52 / 18

HEX #D2C364

RGB 210 195 100

HSL 51.82, 0.55%, 0.61%

LAB 78.26, -7.03, 49.09

 

CMYK 52 / 14 / 0 / 18

HEX #65B4D2

RGB 101 180 210

HSL 196.51, 0.55%, 0.61%

LAB 69.51, -16.04, -22.63

 

CMYK 0 / 52 / 14 / 18

HEX #D264B5

RGB 210 100 181

HSL 315.82, 0.55%, 0.61%

LAB 58.18, 53.3, -22.91

 

CMYK 14 / 0 / 52 / 18

HEX #B5D264

RGB 181 210 100

HSL 75.82, 0.55%, 0.61%

LAB 80.09, -26.21, 50.69

 

CMYK 52 / 14 / 0 / 18

HEX #65B4D2

RGB 101 180 210

HSL 196.51, 0.55%, 0.61%

LAB 69.51, -16.04, -22.63

 

CMYK 28 / 52 / 0 / 18

HEX #9764D2

RGB 151 100 210

HSL 267.82, 0.55%, 0.61%

LAB 52.23, 42.34, -49.35

 

CMYK 0 / 38 / 52 / 18

HEX #D28264

RGB 210 130 100

HSL 16.36, 0.55%, 0.61%

LAB 62.16, 27.74, 29.18

 

CMYK 24 / 0 / 52 / 18

HEX #9FD264

RGB 159 210 100

HSL 87.82, 0.55%, 0.61%

LAB 78.69, -34.54, 48.69

 

CMYK 52 / 14 / 0 / 18

HEX #65B4D2

RGB 101 180 210

HSL 196.51, 0.55%, 0.61%

LAB 69.51, -16.04, -22.63

 

CMYK 12 / 52 / 0 / 18

HEX #B864D2

RGB 184 100 210

HSL 285.82, 0.55%, 0.61%

LAB 56.05, 51.08, -43.06

 

CMYK 0 / 38 / 52 / 18

HEX #D28264

RGB 210 130 100

HSL 16.36, 0.55%, 0.61%

LAB 62.16, 27.74, 29.18

 

CMYK 40 / 0 / 52 / 18

HEX #7ED264

RGB 126 210 100

HSL 105.82, 0.55%, 0.61%

LAB 76.95, -45.88, 46.2

 

Description

Color code: HEX #65B4D2 | qconv.com Color code: HEX #65B4D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 180 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 180 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 14 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 14% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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