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Color name
HEX #65C53B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65C53B it is the complementary color #9A3AC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65C53B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65C53B shade: #6AC536, #7BD749, #8CE95C, #9DFB6F and #AEFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65C53B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65C53B shade: #65C53B, #54B328, #43A115, #328F02 and #217D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65C53B shade: #64C43A, #89C43A, #AEC43A, #C4B43A and #C48F3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65C53B shade: #64C43A, #3FC43A, #3AC45B, #3AC480 and #3AC4A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65C53B shade matches the following richer shades: #64C43A, #5CD826 and #54ED11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65C53B shade: #64C43A, #6CAF4F, #749B63, #7C8678 and #84718D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65C53B shade: #AFC43A, #8AC43A, #66C43A, #41C43A and #3AC458

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65C53B shade: #448427, #54A431, #64C43A, #7DCD5A and #96D77A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65C53B shade: #65C53B, #3AC4B4 and #C43A9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65C53B shade: #65C53B, #3A66C4 and #C43A66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65C53B shade: #65C53B, #3AC4B4, #983AC4 and #C43A4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65C53B shade: #65C53B, #3AABC4, #983AC4 and #C4533A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 70 / 23

HEX #65C53B

RGB 101 197 59

HSL 101.74, 0.54%, 0.5%

LAB 71.57, -52.35, 57.65

 

Complementary color

CMYK 21 / 70 / 0 / 23

HEX #9A3AC4

RGB 154 58 196

HSL 281.74, 0.54%, 0.5%

LAB 44.06, 60.63, -54.36

 

CMYK 46 / 0 / 73 / 23

HEX #6AC536

RGB 106 197 54

HSL 98.18, 0.57%, 0.49%

LAB 71.73, -51.21, 59.72

 

CMYK 43 / 0 / 66 / 16

HEX #7BD749

RGB 123 215 73

HSL 98.87, 0.64%, 0.56%

LAB 78.05, -51.59, 59.28

 

CMYK 40 / 0 / 61 / 9

HEX #8CE95C

RGB 140 233 92

HSL 99.57, 0.76%, 0.64%

LAB 84.29, -51.79, 58.49

 

CMYK 37 / 0 / 56 / 2

HEX #9DFB6F

RGB 157 251 111

HSL 100.29, 0.95%, 0.71%

LAB 90.46, -51.88, 57.51

 

CMYK 32 / 0 / 49 / 0

HEX #AEFF82

RGB 174 255 130

HSL 98.88, 1%, 0.75%

LAB 92.63, -45.99, 51.67

 

CMYK 49 / 0 / 70 / 23

HEX #65C53B

RGB 101 197 59

HSL 101.74, 0.54%, 0.5%

LAB 71.57, -52.35, 57.65

 

CMYK 53 / 0 / 78 / 30

HEX #54B328

RGB 84 179 40

HSL 101.01, 0.63%, 0.43%

LAB 65.18, -51.74, 57.76

 

CMYK 58 / 0 / 87 / 37

HEX #43A115

RGB 67 161 21

HSL 100.29, 0.77%, 0.36%

LAB 58.73, -50.75, 56.9

 

CMYK 65 / 0 / 99 / 44

HEX #328F02

RGB 50 143 2

HSL 99.57, 0.97%, 0.28%

LAB 52.21, -49.23, 54.66

 

CMYK 74 / 0 / 100 / 51

HEX #217D00

RGB 33 125 0

HSL 104.16, 1%, 0.25%

LAB 45.62, -46.84, 49.6

 

CMYK 49 / 0 / 70 / 23

HEX #64C43A

RGB 100 196 58

HSL 101.74, 0.54%, 0.5%

LAB 71.21, -52.34, 57.65

 

CMYK 30 / 0 / 70 / 23

HEX #89C43A

RGB 137 196 58

HSL 85.65, 0.54%, 0.5%

LAB 72.96, -39.94, 59.99

 

CMYK 11 / 0 / 70 / 23

HEX #AEC43A

RGB 174 196 58

HSL 69.57, 0.54%, 0.5%

LAB 75.32, -25.4, 63.13

 

CMYK 0 / 8 / 70 / 23

HEX #C4B43A

RGB 196 180 58

HSL 53.04, 0.54%, 0.5%

LAB 72.68, -8.03, 61.11

 

CMYK 0 / 27 / 70 / 23

HEX #C48F3A

RGB 196 143 58

HSL 36.96, 0.54%, 0.5%

LAB 63.08, 11.79, 51.34

 

CMYK 49 / 0 / 70 / 23

HEX #64C43A

RGB 100 196 58

HSL 101.74, 0.54%, 0.5%

LAB 71.21, -52.34, 57.65

 

CMYK 68 / 0 / 70 / 23

HEX #3FC43A

RGB 63 196 58

HSL 117.83, 0.54%, 0.5%

LAB 70.07, -61.42, 56.1

 

CMYK 70 / 0 / 54 / 23

HEX #3AC45B

RGB 58 196 91

HSL 134.35, 0.54%, 0.5%

LAB 70.27, -58.6, 41.89

 

CMYK 70 / 0 / 35 / 23

HEX #3AC480

RGB 58 196 128

HSL 150.43, 0.54%, 0.5%

LAB 70.83, -52.28, 23.78

 

CMYK 70 / 0 / 16 / 23

HEX #3AC4A5

RGB 58 196 165

HSL 166.52, 0.54%, 0.5%

LAB 71.62, -43.89, 4.99

 

CMYK 49 / 0 / 70 / 23

HEX #64C43A

RGB 100 196 58

HSL 101.74, 0.54%, 0.5%

LAB 71.21, -52.34, 57.65

 

CMYK 57 / 0 / 82 / 15

HEX #5CD826

RGB 92 216 38

HSL 101.8, 0.7%, 0.5%

LAB 77, -63.01, 69.41

 

CMYK 65 / 0 / 93 / 7

HEX #54ED11

RGB 84 237 17

HSL 101.73, 0.87%, 0.5%

LAB 83.18, -72.4, 78.42

 

CMYK 49 / 0 / 70 / 23

HEX #64C43A

RGB 100 196 58

HSL 101.74, 0.54%, 0.5%

LAB 71.21, -52.34, 57.65

 

CMYK 38 / 0 / 55 / 31

HEX #6CAF4F

RGB 108 175 79

HSL 101.88, 0.38%, 0.5%

LAB 65.29, -39.14, 42.1

 

CMYK 25 / 0 / 36 / 39

HEX #749B63

RGB 116 155 99

HSL 101.79, 0.22%, 0.5%

LAB 59.94, -24.21, 25.16

 

CMYK 7 / 0 / 10 / 47

HEX #7C8678

RGB 124 134 120

HSL 102.86, 0.06%, 0.5%

LAB 54.75, -6.45, 6.28

 

CMYK 6 / 20 / 0 / 45

HEX #84718D

RGB 132 113 141

HSL 280.71, 0.11%, 0.5%

LAB 50.26, 12.91, -12.53

 

CMYK 11 / 0 / 70 / 23

HEX #AFC43A

RGB 175 196 58

HSL 69.13, 0.54%, 0.5%

LAB 75.39, -24.98, 63.22

 

CMYK 30 / 0 / 70 / 23

HEX #8AC43A

RGB 138 196 58

HSL 85.22, 0.54%, 0.5%

LAB 73.02, -39.57, 60.07

 

CMYK 48 / 0 / 70 / 23

HEX #66C43A

RGB 102 196 58

HSL 100.87, 0.54%, 0.5%

LAB 71.29, -51.74, 57.75

 

CMYK 67 / 0 / 70 / 23

HEX #41C43A

RGB 65 196 58

HSL 116.96, 0.54%, 0.5%

LAB 70.11, -61.03, 56.17

 

CMYK 70 / 0 / 55 / 23

HEX #3AC458

RGB 58 196 88

HSL 133.04, 0.54%, 0.5%

LAB 70.23, -59.02, 43.28

 

CMYK 48 / 0 / 70 / 48

HEX #448427

RGB 68 132 39

HSL 101.29, 0.54%, 0.34%

LAB 49.35, -38, 42.06

 

CMYK 49 / 0 / 70 / 36

HEX #54A431

RGB 84 164 49

HSL 101.74, 0.54%, 0.42%

LAB 60.48, -45.27, 49.82

 

CMYK 49 / 0 / 70 / 23

HEX #64C43A

RGB 100 196 58

HSL 101.74, 0.54%, 0.5%

LAB 71.21, -52.34, 57.65

 

CMYK 39 / 0 / 56 / 20

HEX #7DCD5A

RGB 125 205 90

HSL 101.74, 0.53%, 0.58%

LAB 75.3, -45.22, 48.9

 

CMYK 30 / 0 / 43 / 16

HEX #96D77A

RGB 150 215 122

HSL 101.94, 0.54%, 0.66%

LAB 79.89, -37.42, 39.39

 

CMYK 49 / 0 / 70 / 23

HEX #65C53B

RGB 101 197 59

HSL 101.74, 0.54%, 0.5%

LAB 71.57, -52.35, 57.65

 

CMYK 70 / 0 / 8 / 23

HEX #3AC4B4

RGB 58 196 180

HSL 173.04, 0.54%, 0.5%

LAB 72.01, -39.97, -2.6

 

CMYK 0 / 70 / 20 / 23

HEX #C43A9D

RGB 196 58 157

HSL 316.96, 0.54%, 0.5%

LAB 48.51, 63.76, -23.96

 

CMYK 49 / 0 / 70 / 23

HEX #65C53B

RGB 101 197 59

HSL 101.74, 0.54%, 0.5%

LAB 71.57, -52.35, 57.65

 

CMYK 70 / 48 / 0 / 23

HEX #3A66C4

RGB 58 102 196

HSL 220.87, 0.54%, 0.5%

LAB 44.78, 16.7, -53.64

 

CMYK 0 / 70 / 48 / 23

HEX #C43A66

RGB 196 58 102

HSL 340.87, 0.54%, 0.5%

LAB 46.61, 57.51, 6.52

 

CMYK 49 / 0 / 70 / 23

HEX #65C53B

RGB 101 197 59

HSL 101.74, 0.54%, 0.5%

LAB 71.57, -52.35, 57.65

 

CMYK 70 / 0 / 8 / 23

HEX #3AC4B4

RGB 58 196 180

HSL 173.04, 0.54%, 0.5%

LAB 72.01, -39.97, -2.6

 

CMYK 22 / 70 / 0 / 23

HEX #983AC4

RGB 152 58 196

HSL 280.87, 0.54%, 0.5%

LAB 43.78, 60.21, -54.83

 

CMYK 0 / 70 / 62 / 23

HEX #C43A4A

RGB 196 58 74

HSL 353.04, 0.54%, 0.5%

LAB 45.98, 55.37, 22.83

 

CMYK 49 / 0 / 70 / 23

HEX #65C53B

RGB 101 197 59

HSL 101.74, 0.54%, 0.5%

LAB 71.57, -52.35, 57.65

 

CMYK 70 / 13 / 0 / 23

HEX #3AABC4

RGB 58 171 196

HSL 190.87, 0.54%, 0.5%

LAB 64.97, -23.31, -21.96

 

CMYK 22 / 70 / 0 / 23

HEX #983AC4

RGB 152 58 196

HSL 280.87, 0.54%, 0.5%

LAB 43.78, 60.21, -54.83

 

CMYK 0 / 58 / 70 / 23

HEX #C4533A

RGB 196 83 58

HSL 10.87, 0.54%, 0.5%

LAB 49.77, 43.65, 36.79

 

Description

Color code: HEX #65C53B | qconv.com Color code: HEX #65C53B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 197 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 197 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 70 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 70% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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