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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65C166 it is the complementary color #9A3E99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65C166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65C166 shade: #6AC161, #7BD374, #8CE587, #9DF79A and #AEFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65C166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65C166 shade: #65C166, #54AF53, #439D40, #328B2D and #21791A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65C166 shade: #65C166, #7DC165, #96C165, #AFC165 and #C1BB65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65C166 shade: #65C166, #65C17F, #65C198, #65C1B1 and #65B9C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65C166 shade matches the following richer shades: #65C166, #54D355, #43E444 and #31F533

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65C166 shade: #65C166, #77B077, #889F88, #998D99 and #AB7CAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65C166 shade: #96C165, #7EC165, #65C165, #65C17E and #65C196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65C166 shade: #3C983D, #48B549, #65C166, #83CD84 and #A0D9A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65C166 shade: #65C166, #65AFC1 and #C1658A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65C166 shade: #65C166, #6565C1 and #C16565

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65C166 shade: #65C166, #65AFC1, #C165C1 and #C17865

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65C166 shade: #65C166, #6593C1, #C165C1 and #C19365

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 47 / 24

HEX #65C166

RGB 101 193 102

HSL 120.65, 0.43%, 0.58%

LAB 70.78, -46.03, 37.39

 

Complementary color

CMYK 0 / 60 / 1 / 40

HEX #9A3E99

RGB 154 62 153

HSL 300.65, 0.43%, 0.42%

LAB 42.18, 50.54, -31.94

 

CMYK 45 / 0 / 50 / 24

HEX #6AC161

RGB 106 193 97

HSL 114.38, 0.44%, 0.57%

LAB 70.92, -45.26, 40.1

 

CMYK 42 / 0 / 45 / 17

HEX #7BD374

RGB 123 211 116

HSL 115.58, 0.52%, 0.64%

LAB 77.32, -45.16, 38.84

 

CMYK 39 / 0 / 41 / 10

HEX #8CE587

RGB 140 229 135

HSL 116.81, 0.64%, 0.71%

LAB 83.63, -45, 37.61

 

CMYK 36 / 0 / 38 / 3

HEX #9DF79A

RGB 157 247 154

HSL 118.06, 0.85%, 0.79%

LAB 89.87, -44.8, 36.43

 

CMYK 32 / 0 / 32 / 0

HEX #AEFFAD

RGB 174 255 173

HSL 119.27, 1%, 0.84%

LAB 93.25, -40.18, 31.57

 

CMYK 48 / 0 / 47 / 24

HEX #65C166

RGB 101 193 102

HSL 120.65, 0.43%, 0.58%

LAB 70.78, -46.03, 37.39

 

CMYK 52 / 0 / 53 / 31

HEX #54AF53

RGB 84 175 83

HSL 119.35, 0.37%, 0.51%

LAB 64.3, -46.03, 38.71

 

CMYK 57 / 0 / 59 / 38

HEX #439D40

RGB 67 157 64

HSL 118.06, 0.42%, 0.43%

LAB 57.73, -45.83, 40

 

CMYK 64 / 0 / 68 / 45

HEX #328B2D

RGB 50 139 45

HSL 116.81, 0.51%, 0.36%

LAB 51.07, -45.29, 41.12

 

CMYK 73 / 0 / 79 / 53

HEX #21791A

RGB 33 121 26

HSL 115.58, 0.65%, 0.29%

LAB 44.34, -44.18, 41.73

 

CMYK 48 / 0 / 47 / 24

HEX #65C166

RGB 101 193 102

HSL 120.65, 0.43%, 0.58%

LAB 70.78, -46.03, 37.39

 

CMYK 35 / 0 / 48 / 24

HEX #7DC165

RGB 125 193 101

HSL 104.35, 0.43%, 0.58%

LAB 71.85, -38.71, 39.47

 

CMYK 22 / 0 / 48 / 24

HEX #96C165

RGB 150 193 101

HSL 88.04, 0.43%, 0.58%

LAB 73.26, -29.82, 41.52

 

CMYK 9 / 0 / 48 / 24

HEX #AFC165

RGB 175 193 101

HSL 71.74, 0.43%, 0.58%

LAB 74.95, -20.16, 43.97

 

CMYK 0 / 3 / 48 / 24

HEX #C1BB65

RGB 193 187 101

HSL 56.09, 0.43%, 0.58%

LAB 74.71, -9.82, 44.01

 

CMYK 48 / 0 / 47 / 24

HEX #65C166

RGB 101 193 102

HSL 120.65, 0.43%, 0.58%

LAB 70.78, -46.03, 37.39

 

CMYK 48 / 0 / 34 / 24

HEX #65C17F

RGB 101 193 127

HSL 136.96, 0.43%, 0.58%

LAB 71.17, -41.99, 24.99

 

CMYK 48 / 0 / 21 / 24

HEX #65C198

RGB 101 193 152

HSL 153.26, 0.43%, 0.58%

LAB 71.67, -37.07, 12.29

 

CMYK 48 / 0 / 8 / 24

HEX #65C1B1

RGB 101 193 177

HSL 169.57, 0.43%, 0.58%

LAB 72.28, -31.35, -0.42

 

CMYK 48 / 4 / 0 / 24

HEX #65B9C1

RGB 101 185 193

HSL 185.22, 0.43%, 0.58%

LAB 70.4, -23.33, -11.97

 

CMYK 48 / 0 / 47 / 24

HEX #65C166

RGB 101 193 102

HSL 120.65, 0.43%, 0.58%

LAB 70.78, -46.03, 37.39

 

CMYK 60 / 0 / 60 / 17

HEX #54D355

RGB 84 211 85

HSL 120.47, 0.59%, 0.58%

LAB 75.53, -59.52, 51.03

 

CMYK 71 / 0 / 70 / 11

HEX #43E444

RGB 67 228 68

HSL 120.37, 0.75%, 0.58%

LAB 80.23, -70.25, 62.97

 

CMYK 80 / 0 / 79 / 4

HEX #31F533

RGB 49 245 51

HSL 120.61, 0.91%, 0.58%

LAB 85.1, -79.04, 73.14

 

CMYK 48 / 0 / 47 / 24

HEX #65C166

RGB 101 193 102

HSL 120.65, 0.43%, 0.58%

LAB 70.78, -46.03, 37.39

 

CMYK 32 / 0 / 32 / 31

HEX #77B077

RGB 119 176 119

HSL 120, 0.27%, 0.58%

LAB 66.75, -30.2, 23.45

 

CMYK 14 / 0 / 14 / 38

HEX #889F88

RGB 136 159 136

HSL 120, 0.11%, 0.58%

LAB 63.18, -12.64, 9.33

 

CMYK 0 / 8 / 0 / 40

HEX #998D99

RGB 153 141 153

HSL 300, 0.06%, 0.58%

LAB 60, 6.73, -4.74

 

CMYK 0 / 27 / 1 / 33

HEX #AB7CAA

RGB 171 124 170

HSL 301.28, 0.22%, 0.58%

LAB 58.01, 26.1, -17.28

 

CMYK 22 / 0 / 48 / 24

HEX #96C165

RGB 150 193 101

HSL 88.04, 0.43%, 0.58%

LAB 73.26, -29.82, 41.52

 

CMYK 35 / 0 / 48 / 24

HEX #7EC165

RGB 126 193 101

HSL 103.7, 0.43%, 0.58%

LAB 71.9, -38.37, 39.54

 

CMYK 48 / 0 / 48 / 24

HEX #65C165

RGB 101 193 101

HSL 120, 0.43%, 0.58%

LAB 70.76, -46.17, 37.88

 

CMYK 48 / 0 / 35 / 24

HEX #65C17E

RGB 101 193 126

HSL 136.3, 0.43%, 0.58%

LAB 71.15, -42.17, 25.49

 

CMYK 48 / 0 / 22 / 24

HEX #65C196

RGB 101 193 150

HSL 151.96, 0.43%, 0.58%

LAB 71.63, -37.5, 13.31

 

CMYK 61 / 0 / 60 / 40

HEX #3C983D

RGB 60 152 61

HSL 120.65, 0.43%, 0.42%

LAB 55.84, -46.02, 39.18

 

CMYK 60 / 0 / 60 / 29

HEX #48B549

RGB 72 181 73

HSL 120.55, 0.43%, 0.5%

LAB 65.68, -52.69, 45.02

 

CMYK 48 / 0 / 47 / 24

HEX #65C166

RGB 101 193 102

HSL 120.65, 0.43%, 0.58%

LAB 70.78, -46.03, 37.39

 

CMYK 36 / 0 / 36 / 20

HEX #83CD84

RGB 131 205 132

HSL 120.81, 0.43%, 0.66%

LAB 76.16, -37.66, 29.27

 

CMYK 26 / 0 / 26 / 15

HEX #A0D9A1

RGB 160 217 161

HSL 121.05, 0.43%, 0.74%

LAB 81.66, -29.12, 21.84

 

CMYK 48 / 0 / 47 / 24

HEX #65C166

RGB 101 193 102

HSL 120.65, 0.43%, 0.58%

LAB 70.78, -46.03, 37.39

 

CMYK 48 / 9 / 0 / 24

HEX #65AFC1

RGB 101 175 193

HSL 191.74, 0.43%, 0.58%

LAB 67.48, -18.2, -16.35

 

CMYK 0 / 48 / 28 / 24

HEX #C1658A

RGB 193 101 138

HSL 335.87, 0.43%, 0.58%

LAB 54.53, 41.02, -3.63

 

CMYK 48 / 0 / 47 / 24

HEX #65C166

RGB 101 193 102

HSL 120.65, 0.43%, 0.58%

LAB 70.78, -46.03, 37.39

 

CMYK 48 / 48 / 0 / 24

HEX #6565C1

RGB 101 101 193

HSL 240, 0.43%, 0.58%

LAB 46.88, 24.62, -48.42

 

CMYK 0 / 48 / 48 / 24

HEX #C16565

RGB 193 101 101

HSL 0, 0.43%, 0.58%

LAB 53.58, 36.66, 16.79

 

CMYK 48 / 0 / 47 / 24

HEX #65C166

RGB 101 193 102

HSL 120.65, 0.43%, 0.58%

LAB 70.78, -46.03, 37.39

 

CMYK 48 / 9 / 0 / 24

HEX #65AFC1

RGB 101 175 193

HSL 191.74, 0.43%, 0.58%

LAB 67.48, -18.2, -16.35

 

CMYK 0 / 48 / 0 / 24

HEX #C165C1

RGB 193 101 193

HSL 300, 0.43%, 0.58%

LAB 56.58, 49.83, -32.45

 

CMYK 0 / 38 / 48 / 24

HEX #C17865

RGB 193 120 101

HSL 12.39, 0.43%, 0.58%

LAB 57.76, 26.45, 22.44

 

CMYK 48 / 0 / 47 / 24

HEX #65C166

RGB 101 193 102

HSL 120.65, 0.43%, 0.58%

LAB 70.78, -46.03, 37.39

 

CMYK 48 / 24 / 0 / 24

HEX #6593C1

RGB 101 147 193

HSL 210, 0.43%, 0.58%

LAB 59.42, -2.92, -28.68

 

CMYK 0 / 48 / 0 / 24

HEX #C165C1

RGB 193 101 193

HSL 300, 0.43%, 0.58%

LAB 56.58, 49.83, -32.45

 

CMYK 0 / 24 / 48 / 24

HEX #C19365

RGB 193 147 101

HSL 30, 0.43%, 0.58%

LAB 64.28, 11.59, 30.98

 

Description

Color code: HEX #65C166 | qconv.com Color code: HEX #65C166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 193 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 193 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 47 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 47% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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