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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65C280 it is the complementary color #9A3D7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65C280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65C280 shade: #6AC27B, #7BD48E, #8CE6A1, #9DF8B4 and #AEFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65C280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65C280 shade: #65C280, #54B06D, #439E5A, #328C47 and #217A34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65C280 shade: #65C180, #65C167, #7CC165, #95C165 and #AEC165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65C280 shade: #65C180, #65C199, #65C1B2, #65B8C1 and #659FC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65C280 shade matches the following richer shades: #65C180, #54D379, #43E472 and #31F56A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65C280 shade: #65C180, #77B087, #889F8F, #998D96 and #AB7C9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65C280 shade: #7CC165, #65C167, #65C17F, #65C198 and #65C1B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65C280 shade: #3C9857, #48B568, #65C180, #83CD98 and #A0D9B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65C280 shade: #65C280, #6595C1 and #C16570

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65C280 shade: #65C280, #7F65C1 and #C17F65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65C280 shade: #65C280, #6595C1, #C165A7 and #C19265

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65C280 shade: #65C280, #6579C1, #C165A7 and #C1AD65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 34 / 24

HEX #65C280

RGB 101 194 128

HSL 137.42, 0.43%, 0.58%

LAB 71.49, -42.25, 24.89

 

Complementary color

CMYK 0 / 60 / 18 / 40

HEX #9A3D7F

RGB 154 61 127

HSL 317.42, 0.43%, 0.42%

LAB 40.8, 46.63, -18.27

 

CMYK 45 / 0 / 37 / 24

HEX #6AC27B

RGB 106 194 123

HSL 131.59, 0.42%, 0.59%

LAB 71.61, -41.75, 27.71

 

CMYK 42 / 0 / 33 / 17

HEX #7BD48E

RGB 123 212 142

HSL 132.81, 0.51%, 0.66%

LAB 78.02, -41.53, 26.5

 

CMYK 39 / 0 / 30 / 10

HEX #8CE6A1

RGB 140 230 161

HSL 134, 0.64%, 0.73%

LAB 84.35, -41.28, 25.36

 

CMYK 37 / 0 / 27 / 3

HEX #9DF8B4

RGB 157 248 180

HSL 135.16, 0.87%, 0.79%

LAB 90.6, -41.02, 24.29

 

CMYK 32 / 0 / 22 / 0

HEX #AEFFC7

RGB 174 255 199

HSL 138.52, 1%, 0.84%

LAB 93.73, -35.81, 19.06

 

CMYK 48 / 0 / 34 / 24

HEX #65C280

RGB 101 194 128

HSL 137.42, 0.43%, 0.58%

LAB 71.49, -42.25, 24.89

 

CMYK 52 / 0 / 38 / 31

HEX #54B06D

RGB 84 176 109

HSL 136.3, 0.37%, 0.51%

LAB 64.99, -42.39, 26.18

 

CMYK 58 / 0 / 43 / 38

HEX #439E5A

RGB 67 158 90

HSL 135.16, 0.4%, 0.44%

LAB 58.4, -42.41, 27.57

 

CMYK 64 / 0 / 49 / 45

HEX #328C47

RGB 50 140 71

HSL 134, 0.47%, 0.37%

LAB 51.71, -42.21, 29.06

 

CMYK 73 / 0 / 57 / 52

HEX #217A34

RGB 33 122 52

HSL 132.81, 0.57%, 0.3%

LAB 44.93, -41.63, 30.61

 

CMYK 48 / 0 / 34 / 24

HEX #65C180

RGB 101 193 128

HSL 137.61, 0.43%, 0.58%

LAB 71.19, -41.81, 24.48

 

CMYK 48 / 0 / 47 / 24

HEX #65C167

RGB 101 193 103

HSL 121.3, 0.43%, 0.58%

LAB 70.79, -45.89, 36.91

 

CMYK 36 / 0 / 48 / 24

HEX #7CC165

RGB 124 193 101

HSL 105, 0.43%, 0.58%

LAB 71.8, -39.04, 39.39

 

CMYK 23 / 0 / 48 / 24

HEX #95C165

RGB 149 193 101

HSL 88.7, 0.43%, 0.58%

LAB 73.2, -30.2, 41.43

 

CMYK 10 / 0 / 48 / 24

HEX #AEC165

RGB 174 193 101

HSL 72.39, 0.43%, 0.58%

LAB 74.87, -20.55, 43.86

 

CMYK 48 / 0 / 34 / 24

HEX #65C180

RGB 101 193 128

HSL 137.61, 0.43%, 0.58%

LAB 71.19, -41.81, 24.48

 

CMYK 48 / 0 / 21 / 24

HEX #65C199

RGB 101 193 153

HSL 153.91, 0.43%, 0.58%

LAB 71.69, -36.86, 11.78

 

CMYK 48 / 0 / 8 / 24

HEX #65C1B2

RGB 101 193 178

HSL 170.22, 0.43%, 0.58%

LAB 72.31, -31.1, -0.93

 

CMYK 48 / 5 / 0 / 24

HEX #65B8C1

RGB 101 184 193

HSL 185.87, 0.43%, 0.58%

LAB 70.1, -22.82, -12.4

 

CMYK 48 / 18 / 0 / 24

HEX #659FC1

RGB 101 159 193

HSL 202.17, 0.43%, 0.58%

LAB 62.85, -9.63, -23.39

 

CMYK 48 / 0 / 34 / 24

HEX #65C180

RGB 101 193 128

HSL 137.61, 0.43%, 0.58%

LAB 71.19, -41.81, 24.48

 

CMYK 60 / 0 / 43 / 17

HEX #54D379

RGB 84 211 121

HSL 137.48, 0.59%, 0.58%

LAB 75.98, -54.52, 34.33

 

CMYK 71 / 0 / 50 / 11

HEX #43E472

RGB 67 228 114

HSL 137.52, 0.75%, 0.58%

LAB 80.68, -64.97, 43.65

 

CMYK 80 / 0 / 57 / 4

HEX #31F56A

RGB 49 245 106

HSL 137.45, 0.91%, 0.58%

LAB 85.5, -74.01, 53.12

 

CMYK 48 / 0 / 34 / 24

HEX #65C180

RGB 101 193 128

HSL 137.61, 0.43%, 0.58%

LAB 71.19, -41.81, 24.48

 

CMYK 32 / 0 / 23 / 31

HEX #77B087

RGB 119 176 135

HSL 136.84, 0.27%, 0.58%

LAB 67.07, -27.33, 15.2

 

CMYK 14 / 0 / 10 / 38

HEX #889F8F

RGB 136 159 143

HSL 138.26, 0.11%, 0.58%

LAB 63.35, -11.31, 5.65

 

CMYK 0 / 8 / 2 / 40

HEX #998D96

RGB 153 141 150

HSL 315, 0.06%, 0.58%

LAB 59.91, 6.15, -3.16

 

CMYK 0 / 27 / 8 / 33

HEX #AB7C9D

RGB 171 124 157

HSL 317.87, 0.22%, 0.58%

LAB 57.57, 23.67, -10.47

 

CMYK 36 / 0 / 48 / 24

HEX #7CC165

RGB 124 193 101

HSL 105, 0.43%, 0.58%

LAB 71.8, -39.04, 39.39

 

CMYK 48 / 0 / 47 / 24

HEX #65C167

RGB 101 193 103

HSL 121.3, 0.43%, 0.58%

LAB 70.79, -45.89, 36.91

 

CMYK 48 / 0 / 34 / 24

HEX #65C17F

RGB 101 193 127

HSL 136.96, 0.43%, 0.58%

LAB 71.17, -41.99, 24.99

 

CMYK 48 / 0 / 21 / 24

HEX #65C198

RGB 101 193 152

HSL 153.26, 0.43%, 0.58%

LAB 71.67, -37.07, 12.29

 

CMYK 48 / 0 / 8 / 24

HEX #65C1B1

RGB 101 193 177

HSL 169.57, 0.43%, 0.58%

LAB 72.28, -31.35, -0.42

 

CMYK 61 / 0 / 43 / 40

HEX #3C9857

RGB 60 152 87

HSL 137.61, 0.43%, 0.42%

LAB 56.19, -42.11, 26.27

 

CMYK 60 / 0 / 43 / 29

HEX #48B568

RGB 72 181 104

HSL 137.61, 0.43%, 0.5%

LAB 66.08, -48.22, 30.16

 

CMYK 48 / 0 / 34 / 24

HEX #65C180

RGB 101 193 128

HSL 137.61, 0.43%, 0.58%

LAB 71.19, -41.81, 24.48

 

CMYK 36 / 0 / 26 / 20

HEX #83CD98

RGB 131 205 152

HSL 137.03, 0.43%, 0.66%

LAB 76.53, -34.22, 19.27

 

CMYK 26 / 0 / 18 / 15

HEX #A0D9B1

RGB 160 217 177

HSL 137.89, 0.43%, 0.74%

LAB 81.99, -26.28, 13.89

 

CMYK 48 / 0 / 34 / 24

HEX #65C280

RGB 101 194 128

HSL 137.42, 0.43%, 0.58%

LAB 71.49, -42.25, 24.89

 

CMYK 48 / 23 / 0 / 24

HEX #6595C1

RGB 101 149 193

HSL 208.7, 0.43%, 0.58%

LAB 59.99, -4.05, -27.8

 

CMYK 0 / 48 / 42 / 24

HEX #C16570

RGB 193 101 112

HSL 352.83, 0.43%, 0.58%

LAB 53.83, 37.81, 10.67

 

CMYK 48 / 0 / 34 / 24

HEX #65C280

RGB 101 194 128

HSL 137.42, 0.43%, 0.58%

LAB 71.49, -42.25, 24.89

 

CMYK 34 / 48 / 0 / 24

HEX #7F65C1

RGB 127 101 193

HSL 256.96, 0.43%, 0.58%

LAB 49.09, 31.15, -44.75

 

CMYK 0 / 34 / 48 / 24

HEX #C17F65

RGB 193 127 101

HSL 16.96, 0.43%, 0.58%

LAB 59.39, 22.61, 24.61

 

CMYK 48 / 0 / 34 / 24

HEX #65C280

RGB 101 194 128

HSL 137.42, 0.43%, 0.58%

LAB 71.49, -42.25, 24.89

 

CMYK 48 / 23 / 0 / 24

HEX #6595C1

RGB 101 149 193

HSL 208.7, 0.43%, 0.58%

LAB 59.99, -4.05, -27.8

 

CMYK 0 / 48 / 13 / 24

HEX #C165A7

RGB 193 101 167

HSL 316.96, 0.43%, 0.58%

LAB 55.52, 45.35, -19.11

 

CMYK 0 / 24 / 48 / 24

HEX #C19265

RGB 193 146 101

HSL 29.35, 0.43%, 0.58%

LAB 64.03, 12.14, 30.65

 

CMYK 48 / 0 / 34 / 24

HEX #65C280

RGB 101 194 128

HSL 137.42, 0.43%, 0.58%

LAB 71.49, -42.25, 24.89

 

CMYK 48 / 37 / 0 / 24

HEX #6579C1

RGB 101 121 193

HSL 226.96, 0.43%, 0.58%

LAB 52.17, 12.39, -40.02

 

CMYK 0 / 48 / 13 / 24

HEX #C165A7

RGB 193 101 167

HSL 316.96, 0.43%, 0.58%

LAB 55.52, 45.35, -19.11

 

CMYK 0 / 10 / 48 / 24

HEX #C1AD65

RGB 193 173 101

HSL 46.96, 0.43%, 0.58%

LAB 70.98, -2.48, 39.44

 

Description

Color code: HEX #65C280 | qconv.com Color code: HEX #65C280 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 194 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 194 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 34 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 34% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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