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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65CC8C it is the complementary color #9A3373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65CC8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65CC8C shade: #6ACC87, #7BDE9A, #8CF0AD, #9DFFC0 and #AEFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65CC8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65CC8C shade: #65CC8C, #54BA79, #43A866, #329653 and #218440

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65CC8C shade: #65CC8C, #65CC71, #76CC65, #91CC65 and #ADCC65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65CC8C shade: #65CC8C, #65CCA8, #65CCC3, #65B8CC and #659DCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65CC8C shade matches the following richer shades: #65CC8C, #55DC88, #44ED84 and #34FD80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65CC8C shade: #65CC8C, #76BB90, #87AA94, #979A98 and #A8899C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65CC8C shade: #77CC65, #65CC70, #65CC8B, #65CCA6 and #65CCC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65CC8C shade: #37A762, #47C175, #65CC8C, #84D6A3 and #A3E0BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65CC8C shade: #65CC8C, #6592CC and #CC6569

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65CC8C shade: #65CC8C, #8B65CC and #CC8B65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65CC8C shade: #65CC8C, #6592CC, #CC65A6 and #CC9F65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65CC8C shade: #65CC8C, #6573CC, #CC65A6 and #CCBE65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 31 / 20

HEX #65CC8C

RGB 101 204 140

HSL 142.72, 0.5%, 0.6%

LAB 74.73, -44.35, 22.94

 

Complementary color

CMYK 0 / 67 / 25 / 40

HEX #9A3373

RGB 154 51 115

HSL 322.72, 0.5%, 0.4%

LAB 38.68, 49.31, -14.07

 

CMYK 48 / 0 / 34 / 20

HEX #6ACC87

RGB 106 204 135

HSL 137.76, 0.49%, 0.61%

LAB 74.82, -43.98, 25.73

 

CMYK 45 / 0 / 31 / 13

HEX #7BDE9A

RGB 123 222 154

HSL 138.79, 0.6%, 0.68%

LAB 81.17, -43.78, 24.54

 

CMYK 42 / 0 / 28 / 6

HEX #8CF0AD

RGB 140 240 173

HSL 139.8, 0.77%, 0.75%

LAB 87.44, -43.55, 23.42

 

CMYK 38 / 0 / 25 / 0

HEX #9DFFC0

RGB 157 255 192

HSL 141.43, 1%, 0.81%

LAB 92.79, -41.98, 21.2

 

CMYK 32 / 0 / 17 / 0

HEX #AEFFD3

RGB 174 255 211

HSL 147.41, 1%, 0.84%

LAB 93.98, -33.59, 13.26

 

CMYK 50 / 0 / 31 / 20

HEX #65CC8C

RGB 101 204 140

HSL 142.72, 0.5%, 0.6%

LAB 74.73, -44.35, 22.94

 

CMYK 55 / 0 / 35 / 27

HEX #54BA79

RGB 84 186 121

HSL 141.76, 0.43%, 0.53%

LAB 68.3, -44.44, 24.2

 

CMYK 60 / 0 / 39 / 34

HEX #43A866

RGB 67 168 102

HSL 140.79, 0.43%, 0.46%

LAB 61.79, -44.41, 25.58

 

CMYK 67 / 0 / 45 / 41

HEX #329653

RGB 50 150 83

HSL 139.8, 0.5%, 0.39%

LAB 55.19, -44.17, 27.07

 

CMYK 75 / 0 / 52 / 48

HEX #218440

RGB 33 132 64

HSL 138.79, 0.6%, 0.32%

LAB 48.51, -43.55, 28.68

 

CMYK 50 / 0 / 31 / 20

HEX #65CC8C

RGB 101 204 140

HSL 142.72, 0.5%, 0.6%

LAB 74.73, -44.35, 22.94

 

CMYK 50 / 0 / 45 / 20

HEX #65CC71

RGB 101 204 113

HSL 126.99, 0.5%, 0.6%

LAB 74.28, -48.94, 36.3

 

CMYK 42 / 0 / 50 / 20

HEX #76CC65

RGB 118 204 101

HSL 110.1, 0.5%, 0.6%

LAB 74.81, -45.73, 43.04

 

CMYK 29 / 0 / 50 / 20

HEX #91CC65

RGB 145 204 101

HSL 94.37, 0.5%, 0.6%

LAB 76.16, -36.75, 44.99

 

CMYK 15 / 0 / 50 / 20

HEX #ADCC65

RGB 173 204 101

HSL 78.06, 0.5%, 0.6%

LAB 77.88, -26.33, 47.47

 

CMYK 50 / 0 / 31 / 20

HEX #65CC8C

RGB 101 204 140

HSL 142.72, 0.5%, 0.6%

LAB 74.73, -44.35, 22.94

 

CMYK 50 / 0 / 18 / 20

HEX #65CCA8

RGB 101 204 168

HSL 159.03, 0.5%, 0.6%

LAB 75.31, -38.56, 8.83

 

CMYK 50 / 0 / 4 / 20

HEX #65CCC3

RGB 101 204 195

HSL 174.76, 0.5%, 0.6%

LAB 76, -32.11, -4.72

 

CMYK 50 / 10 / 0 / 20

HEX #65B8CC

RGB 101 184 204

HSL 191.65, 0.5%, 0.6%

LAB 70.46, -19.82, -17.9

 

CMYK 50 / 23 / 0 / 20

HEX #659DCC

RGB 101 157 204

HSL 207.38, 0.5%, 0.6%

LAB 62.71, -5.3, -29.76

 

CMYK 50 / 0 / 31 / 20

HEX #65CC8C

RGB 101 204 140

HSL 142.72, 0.5%, 0.6%

LAB 74.73, -44.35, 22.94

 

CMYK 61 / 0 / 38 / 14

HEX #55DC88

RGB 85 220 136

HSL 142.67, 0.66%, 0.6%

LAB 78.98, -55.22, 30.64

 

CMYK 71 / 0 / 44 / 7

HEX #44ED84

RGB 68 237 132

HSL 142.72, 0.82%, 0.6%

LAB 83.69, -65.15, 38.71

 

CMYK 79 / 0 / 49 / 1

HEX #34FD80

RGB 52 253 128

HSL 142.69, 0.98%, 0.6%

LAB 88.23, -73.2, 46.33

 

CMYK 50 / 0 / 31 / 20

HEX #65CC8C

RGB 101 204 140

HSL 142.72, 0.5%, 0.6%

LAB 74.73, -44.35, 22.94

 

CMYK 37 / 0 / 23 / 27

HEX #76BB90

RGB 118 187 144

HSL 142.61, 0.34%, 0.6%

LAB 70.46, -31.2, 15.02

 

CMYK 21 / 0 / 13 / 33

HEX #87AA94

RGB 135 170 148

HSL 142.29, 0.17%, 0.6%

LAB 66.55, -16.48, 7.43

 

CMYK 2 / 0 / 1 / 40

HEX #979A98

RGB 151 154 152

HSL 140, 0.01%, 0.6%

LAB 63.31, -1.47, 0.66

 

CMYK 0 / 18 / 7 / 34

HEX #A8899C

RGB 168 137 156

HSL 323.23, 0.15%, 0.6%

LAB 60.44, 15.03, -5.65

 

CMYK 42 / 0 / 50 / 20

HEX #77CC65

RGB 119 204 101

HSL 109.51, 0.5%, 0.6%

LAB 74.85, -45.42, 43.1

 

CMYK 50 / 0 / 45 / 20

HEX #65CC70

RGB 101 204 112

HSL 126.41, 0.5%, 0.6%

LAB 74.27, -49.09, 36.78

 

CMYK 50 / 0 / 32 / 20

HEX #65CC8B

RGB 101 204 139

HSL 142.14, 0.5%, 0.6%

LAB 74.71, -44.53, 23.44

 

CMYK 50 / 0 / 19 / 20

HEX #65CCA6

RGB 101 204 166

HSL 157.86, 0.5%, 0.6%

LAB 75.27, -39.01, 9.84

 

CMYK 50 / 0 / 5 / 20

HEX #65CCC1

RGB 101 204 193

HSL 173.59, 0.5%, 0.6%

LAB 75.95, -32.61, -3.72

 

CMYK 67 / 0 / 41 / 35

HEX #37A762

RGB 55 167 98

HSL 143.04, 0.5%, 0.44%

LAB 61.07, -47.23, 26.71

 

CMYK 63 / 0 / 39 / 24

HEX #47C175

RGB 71 193 117

HSL 142.62, 0.5%, 0.52%

LAB 70.01, -50.89, 28.52

 

CMYK 50 / 0 / 31 / 20

HEX #65CC8C

RGB 101 204 140

HSL 142.72, 0.5%, 0.6%

LAB 74.73, -44.35, 22.94

 

CMYK 38 / 0 / 24 / 16

HEX #84D6A3

RGB 132 214 163

HSL 142.68, 0.5%, 0.68%

LAB 79.41, -36.02, 17.46

 

CMYK 27 / 0 / 17 / 12

HEX #A3E0BA

RGB 163 224 186

HSL 142.62, 0.5%, 0.76%

LAB 84.3, -27.03, 12.44

 

CMYK 50 / 0 / 31 / 20

HEX #65CC8C

RGB 101 204 140

HSL 142.72, 0.5%, 0.6%

LAB 74.73, -44.35, 22.94

 

CMYK 50 / 28 / 0 / 20

HEX #6592CC

RGB 101 146 204

HSL 213.79, 0.5%, 0.6%

LAB 59.6, 0.95, -34.59

 

CMYK 0 / 50 / 49 / 20

HEX #CC6569

RGB 204 101 105

HSL 357.67, 0.5%, 0.6%

LAB 55.24, 41.14, 16.98

 

CMYK 50 / 0 / 31 / 20

HEX #65CC8C

RGB 101 204 140

HSL 142.72, 0.5%, 0.6%

LAB 74.73, -44.35, 22.94

 

CMYK 32 / 50 / 0 / 20

HEX #8B65CC

RGB 139 101 204

HSL 262.14, 0.5%, 0.6%

LAB 50.87, 37.18, -48.17

 

CMYK 0 / 32 / 50 / 20

HEX #CC8B65

RGB 204 139 101

HSL 22.14, 0.5%, 0.6%

LAB 63.54, 20.52, 30.27

 

CMYK 50 / 0 / 31 / 20

HEX #65CC8C

RGB 101 204 140

HSL 142.72, 0.5%, 0.6%

LAB 74.73, -44.35, 22.94

 

CMYK 50 / 28 / 0 / 20

HEX #6592CC

RGB 101 146 204

HSL 213.79, 0.5%, 0.6%

LAB 59.6, 0.95, -34.59

 

CMYK 0 / 50 / 19 / 20

HEX #CC65A6

RGB 204 101 166

HSL 322.14, 0.5%, 0.6%

LAB 56.98, 48.68, -16.17

 

CMYK 0 / 22 / 50 / 20

HEX #CC9F65

RGB 204 159 101

HSL 33.79, 0.5%, 0.6%

LAB 68.44, 9.63, 36.5

 

CMYK 50 / 0 / 31 / 20

HEX #65CC8C

RGB 101 204 140

HSL 142.72, 0.5%, 0.6%

LAB 74.73, -44.35, 22.94

 

CMYK 50 / 44 / 0 / 20

HEX #6573CC

RGB 101 115 204

HSL 231.84, 0.5%, 0.6%

LAB 51.14, 19.44, -47.93

 

CMYK 0 / 50 / 19 / 20

HEX #CC65A6

RGB 204 101 166

HSL 322.14, 0.5%, 0.6%

LAB 56.98, 48.68, -16.17

 

CMYK 0 / 7 / 50 / 20

HEX #CCBE65

RGB 204 190 101

HSL 51.84, 0.5%, 0.6%

LAB 76.44, -6.84, 46.31

 

Description

Color code: HEX #65CC8C | qconv.com Color code: HEX #65CC8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 204 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 204 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 31 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 31% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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