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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65ED58 it is the complementary color #9A12A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65ED58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65ED58 shade: #6AED53, #7BFF66, #8CFF79, #9DFF8C and #AEFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65ED58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65ED58 shade: #65ED58, #54DB45, #43C932, #32B71F and #21A50C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65ED58 shade: #65ED58, #8DED58, #B6ED58, #DEED58 and #EDD458

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65ED58 shade: #65ED58, #58ED73, #58ED9C, #58EDC4 and #58EDEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65ED58 shade matches the following richer shades: #65ED58 and #59FC49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65ED58 shade: #65ED58, #72DE67, #7ECF76, #8AC085 and #96B294

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65ED58 shade: #B7ED58, #8FED58, #67ED58, #58ED71 and #58ED99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65ED58 shade: #28DC17, #43E933, #65ED58, #88F17E and #AAF5A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65ED58 shade: #65ED58, #58DEED and #ED58A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65ED58 shade: #65ED58, #5867ED and #ED5867

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65ED58 shade: #65ED58, #58DEED, #DE58ED and #ED6758

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65ED58 shade: #65ED58, #58B2ED, #DE58ED and #ED9458

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 63 / 7

HEX #65ED58

RGB 101 237 88

HSL 114.77, 0.81%, 0.64%

LAB 83.99, -64.54, 59.42

 

Complementary color

CMYK 8 / 89 / 0 / 35

HEX #9A12A7

RGB 154 18 167

HSL 294.77, 0.81%, 0.36%

LAB 38.01, 67.15, -46.98

 

CMYK 55 / 0 / 65 / 7

HEX #6AED53

RGB 106 237 83

HSL 111.04, 0.81%, 0.63%

LAB 84.1, -63.8, 61.62

 

CMYK 52 / 0 / 60 / 0

HEX #7BFF66

RGB 123 255 102

HSL 111.76, 1%, 0.7%

LAB 90.18, -64.18, 60.71

 

CMYK 45 / 0 / 53 / 0

HEX #8CFF79

RGB 140 255 121

HSL 111.49, 1%, 0.74%

LAB 91, -57.49, 53.47

 

CMYK 38 / 0 / 45 / 0

HEX #9DFF8C

RGB 157 255 140

HSL 111.13, 1%, 0.77%

LAB 91.95, -50.15, 45.92

 

CMYK 32 / 0 / 38 / 0

HEX #AEFF9F

RGB 174 255 159

HSL 110.63, 1%, 0.81%

LAB 93.02, -42.27, 38.24

 

CMYK 57 / 0 / 63 / 7

HEX #65ED58

RGB 101 237 88

HSL 114.77, 0.81%, 0.64%

LAB 83.99, -64.54, 59.42

 

CMYK 62 / 0 / 68 / 14

HEX #54DB45

RGB 84 219 69

HSL 114, 0.68%, 0.56%

LAB 77.86, -63.91, 60.24

 

CMYK 67 / 0 / 75 / 21

HEX #43C932

RGB 67 201 50

HSL 113.25, 0.6%, 0.49%

LAB 71.69, -62.92, 60.64

 

CMYK 73 / 0 / 83 / 28

HEX #32B71F

RGB 50 183 31

HSL 112.5, 0.71%, 0.42%

LAB 65.47, -61.42, 60.31

 

CMYK 80 / 0 / 93 / 35

HEX #21A50C

RGB 33 165 12

HSL 111.76, 0.86%, 0.35%

LAB 59.21, -59.21, 58.72

 

CMYK 57 / 0 / 63 / 7

HEX #65ED58

RGB 101 237 88

HSL 114.77, 0.81%, 0.64%

LAB 83.99, -64.54, 59.42

 

CMYK 41 / 0 / 63 / 7

HEX #8DED58

RGB 141 237 88

HSL 98.66, 0.81%, 0.64%

LAB 85.47, -53.45, 61.48

 

CMYK 23 / 0 / 63 / 7

HEX #B6ED58

RGB 182 237 88

HSL 82.15, 0.81%, 0.64%

LAB 87.59, -39.32, 64.4

 

CMYK 6 / 0 / 63 / 7

HEX #DEED58

RGB 222 237 88

HSL 66.04, 0.81%, 0.64%

LAB 90.23, -23.86, 68.01

 

CMYK 0 / 11 / 63 / 7

HEX #EDD458

RGB 237 212 88

HSL 49.93, 0.81%, 0.64%

LAB 84.89, -5.42, 62.67

 

CMYK 57 / 0 / 63 / 7

HEX #65ED58

RGB 101 237 88

HSL 114.77, 0.81%, 0.64%

LAB 83.99, -64.54, 59.42

 

CMYK 63 / 0 / 51 / 7

HEX #58ED73

RGB 88 237 115

HSL 130.87, 0.81%, 0.64%

LAB 83.9, -64.22, 47.25

 

CMYK 63 / 0 / 34 / 7

HEX #58ED9C

RGB 88 237 156

HSL 147.38, 0.81%, 0.64%

LAB 84.51, -57.56, 27.83

 

CMYK 63 / 0 / 17 / 7

HEX #58EDC4

RGB 88 237 196

HSL 163.49, 0.81%, 0.64%

LAB 85.32, -49.12, 8.25

 

CMYK 63 / 0 / 0 / 7

HEX #58EDEC

RGB 88 237 236

HSL 179.6, 0.81%, 0.64%

LAB 86.35, -39.05, -11.23

 

CMYK 57 / 0 / 63 / 7

HEX #65ED58

RGB 101 237 88

HSL 114.77, 0.81%, 0.64%

LAB 83.99, -64.54, 59.42

 

CMYK 65 / 0 / 71 / 1

HEX #59FC49

RGB 89 252 73

HSL 114.64, 0.97%, 0.64%

LAB 88.08, -73.5, 69.42

 

CMYK 57 / 0 / 63 / 7

HEX #65ED58

RGB 101 237 88

HSL 114.77, 0.81%, 0.64%

LAB 83.99, -64.54, 59.42

 

CMYK 49 / 0 / 54 / 13

HEX #72DE67

RGB 114 222 103

HSL 114.45, 0.64%, 0.64%

LAB 80.07, -53.97, 48.41

 

CMYK 39 / 0 / 43 / 19

HEX #7ECF76

RGB 126 207 118

HSL 114.61, 0.48%, 0.64%

LAB 76.3, -42.24, 36.56

 

CMYK 28 / 0 / 31 / 25

HEX #8AC085

RGB 138 192 133

HSL 114.92, 0.32%, 0.64%

LAB 72.76, -29.16, 24.25

 

CMYK 16 / 0 / 17 / 30

HEX #96B294

RGB 150 178 148

HSL 116, 0.16%, 0.64%

LAB 69.8, -15.43, 12.18

 

CMYK 23 / 0 / 63 / 7

HEX #B7ED58

RGB 183 237 88

HSL 81.74, 0.81%, 0.64%

LAB 87.65, -38.95, 64.48

 

CMYK 40 / 0 / 63 / 7

HEX #8FED58

RGB 143 237 88

HSL 97.85, 0.81%, 0.64%

LAB 85.56, -52.82, 61.6

 

CMYK 57 / 0 / 63 / 7

HEX #67ED58

RGB 103 237 88

HSL 113.96, 0.81%, 0.64%

LAB 84.05, -64.07, 59.51

 

CMYK 63 / 0 / 52 / 7

HEX #58ED71

RGB 88 237 113

HSL 130.07, 0.81%, 0.64%

LAB 83.88, -64.49, 48.16

 

CMYK 63 / 0 / 35 / 7

HEX #58ED99

RGB 88 237 153

HSL 146.17, 0.81%, 0.64%

LAB 84.45, -58.12, 29.29

 

CMYK 82 / 0 / 90 / 14

HEX #28DC17

RGB 40 220 23

HSL 114.82, 0.81%, 0.48%

LAB 77.1, -74.15, 72.17

 

CMYK 71 / 0 / 78 / 9

HEX #43E933

RGB 67 233 51

HSL 114.73, 0.81%, 0.56%

LAB 81.68, -73.02, 70.01

 

CMYK 57 / 0 / 63 / 7

HEX #65ED58

RGB 101 237 88

HSL 114.77, 0.81%, 0.64%

LAB 83.99, -64.54, 59.42

 

CMYK 44 / 0 / 48 / 5

HEX #88F17E

RGB 136 241 126

HSL 114.78, 0.8%, 0.72%

LAB 86.83, -52.44, 46.01

 

CMYK 31 / 0 / 33 / 4

HEX #AAF5A3

RGB 170 245 163

HSL 114.88, 0.8%, 0.8%

LAB 90.09, -38.51, 32.33

 

CMYK 57 / 0 / 63 / 7

HEX #65ED58

RGB 101 237 88

HSL 114.77, 0.81%, 0.64%

LAB 83.99, -64.54, 59.42

 

CMYK 63 / 6 / 0 / 7

HEX #58DEED

RGB 88 222 237

HSL 186.04, 0.81%, 0.64%

LAB 82.07, -31.78, -18.18

 

CMYK 0 / 63 / 31 / 7

HEX #ED58A3

RGB 237 88 163

HSL 329.8, 0.81%, 0.64%

LAB 59.55, 64.12, -10.07

 

CMYK 57 / 0 / 63 / 7

HEX #65ED58

RGB 101 237 88

HSL 114.77, 0.81%, 0.64%

LAB 83.99, -64.54, 59.42

 

CMYK 63 / 57 / 0 / 7

HEX #5867ED

RGB 88 103 237

HSL 233.96, 0.81%, 0.64%

LAB 49.36, 35, -69.49

 

CMYK 0 / 63 / 57 / 7

HEX #ED5867

RGB 237 88 103

HSL 353.96, 0.81%, 0.64%

LAB 58, 58.4, 22.74

 

CMYK 57 / 0 / 63 / 7

HEX #65ED58

RGB 101 237 88

HSL 114.77, 0.81%, 0.64%

LAB 83.99, -64.54, 59.42

 

CMYK 63 / 6 / 0 / 7

HEX #58DEED

RGB 88 222 237

HSL 186.04, 0.81%, 0.64%

LAB 82.07, -31.78, -18.18

 

CMYK 6 / 63 / 0 / 7

HEX #DE58ED

RGB 222 88 237

HSL 293.96, 0.81%, 0.64%

LAB 60.45, 71.13, -50.94

 

CMYK 0 / 57 / 63 / 7

HEX #ED6758

RGB 237 103 88

HSL 6.04, 0.81%, 0.64%

LAB 60.26, 50.74, 34.2

 

CMYK 57 / 0 / 63 / 7

HEX #65ED58

RGB 101 237 88

HSL 114.77, 0.81%, 0.64%

LAB 83.99, -64.54, 59.42

 

CMYK 63 / 25 / 0 / 7

HEX #58B2ED

RGB 88 178 237

HSL 203.76, 0.81%, 0.64%

LAB 69.49, -9.33, -37.47

 

CMYK 6 / 63 / 0 / 7

HEX #DE58ED

RGB 222 88 237

HSL 293.96, 0.81%, 0.64%

LAB 60.45, 71.13, -50.94

 

CMYK 0 / 38 / 63 / 7

HEX #ED9458

RGB 237 148 88

HSL 24.16, 0.81%, 0.64%

LAB 69.39, 28.1, 45.23

 

Description

Color code: HEX #65ED58 | qconv.com Color code: HEX #65ED58 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 237 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 237 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 63 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 63% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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