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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65EFCB it is the complementary color #9A1034. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65EFCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65EFCB shade: #6AEFC6, #7BFFD9, #8CFFEC, #9DFFFF and #AEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65EFCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65EFCB shade: #65EFCB, #54DDB8, #43CBA5, #32B992 and #21A77F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65EFCB shade: #66EFCB, #66EFA6, #66EF81, #70EF66 and #94EF66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65EFCB shade: #66EFCB, #66EDEF, #66C9EF, #66A4EF and #667FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65EFCB shade matches the following richer shades: #66EFCB and #59FCD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65EFCB shade: #66EFCB, #74E1C4, #81D3BE, #8FC6B7 and #9DB8B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65EFCB shade: #66EF81, #66EFA6, #66EFCA, #66EFEF and #66CAEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65EFCB shade: #1CE7B2, #41EBBE, #66EFCB, #8CF2D8 and #B1F6E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65EFCB shade: #65EFCB, #666FEF and #EF9466

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65EFCB shade: #65EFCB, #CA66EF and #EFCA66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65EFCB shade: #65EFCB, #666FEF, #EF668B and #EFE566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65EFCB shade: #65EFCB, #8666EF, #EF668B and #CFEF66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 15 / 6

HEX #65EFCB

RGB 101 239 203

HSL 164.35, 0.81%, 0.67%

LAB 86.41, -46, 6.2

 

Complementary color

CMYK 0 / 90 / 66 / 40

HEX #9A1034

RGB 154 16 52

HSL 344.35, 0.81%, 0.33%

LAB 32.89, 54.13, 18.1

 

CMYK 56 / 0 / 17 / 6

HEX #6AEFC6

RGB 106 239 198

HSL 161.5, 0.81%, 0.68%

LAB 86.44, -46.16, 8.88

 

CMYK 52 / 0 / 15 / 0

HEX #7BFFD9

RGB 123 255 217

HSL 162.73, 1%, 0.74%

LAB 92.02, -45.29, 7.09

 

CMYK 45 / 0 / 7 / 0

HEX #8CFFEC

RGB 140 255 236

HSL 170.09, 1%, 0.77%

LAB 93.08, -37.21, -1.11

 

CMYK 38 / 0 / 0 / 0

HEX #9DFFFF

RGB 157 255 255

HSL 180, 1%, 0.81%

LAB 94.27, -28.75, -9.1

 

CMYK 32 / 0 / 0 / 0

HEX #AEFFFF

RGB 174 255 255

HSL 180, 1%, 0.84%

LAB 95.05, -24.43, -7.86

 

CMYK 58 / 0 / 15 / 6

HEX #65EFCB

RGB 101 239 203

HSL 164.35, 0.81%, 0.67%

LAB 86.41, -46, 6.2

 

CMYK 62 / 0 / 17 / 13

HEX #54DDB8

RGB 84 221 184

HSL 163.8, 0.67%, 0.6%

LAB 80.21, -45.84, 7.23

 

CMYK 67 / 0 / 19 / 20

HEX #43CBA5

RGB 67 203 165

HSL 163.24, 0.57%, 0.53%

LAB 73.95, -45.53, 8.36

 

CMYK 73 / 0 / 21 / 27

HEX #32B992

RGB 50 185 146

HSL 162.67, 0.57%, 0.46%

LAB 67.61, -45.02, 9.6

 

CMYK 80 / 0 / 24 / 35

HEX #21A77F

RGB 33 167 127

HSL 162.09, 0.67%, 0.39%

LAB 61.21, -44.22, 10.97

 

CMYK 57 / 0 / 15 / 6

HEX #66EFCB

RGB 102 239 203

HSL 164.23, 0.81%, 0.67%

LAB 86.44, -45.81, 6.25

 

CMYK 57 / 0 / 31 / 6

HEX #66EFA6

RGB 102 239 166

HSL 148.03, 0.81%, 0.67%

LAB 85.66, -53.68, 24.35

 

CMYK 57 / 0 / 46 / 6

HEX #66EF81

RGB 102 239 129

HSL 131.82, 0.81%, 0.67%

LAB 85.07, -59.99, 42.11

 

CMYK 53 / 0 / 57 / 6

HEX #70EF66

RGB 112 239 102

HSL 115.62, 0.81%, 0.67%

LAB 85.07, -61.1, 54.74

 

CMYK 38 / 0 / 57 / 6

HEX #94EF66

RGB 148 239 102

HSL 99.85, 0.81%, 0.67%

LAB 86.5, -50.73, 56.77

 

CMYK 57 / 0 / 15 / 6

HEX #66EFCB

RGB 102 239 203

HSL 164.23, 0.81%, 0.67%

LAB 86.44, -45.81, 6.25

 

CMYK 57 / 1 / 0 / 6

HEX #66EDEF

RGB 102 237 239

HSL 180.88, 0.81%, 0.67%

LAB 86.81, -35.95, -12.08

 

CMYK 57 / 16 / 0 / 6

HEX #66C9EF

RGB 102 201 239

HSL 196.64, 0.81%, 0.67%

LAB 76.58, -18.36, -27.57

 

CMYK 57 / 31 / 0 / 6

HEX #66A4EF

RGB 102 164 239

HSL 212.85, 0.81%, 0.67%

LAB 66.22, 1.71, -43.63

 

CMYK 57 / 47 / 0 / 6

HEX #667FEF

RGB 102 127 239

HSL 229.05, 0.81%, 0.67%

LAB 56.32, 23.51, -59.34

 

CMYK 57 / 0 / 15 / 6

HEX #66EFCB

RGB 102 239 203

HSL 164.23, 0.81%, 0.67%

LAB 86.44, -45.81, 6.25

 

CMYK 65 / 0 / 17 / 1

HEX #59FCD1

RGB 89 252 209

HSL 164.17, 0.96%, 0.67%

LAB 90.02, -52.18, 8.23

 

CMYK 57 / 0 / 15 / 6

HEX #66EFCB

RGB 102 239 203

HSL 164.23, 0.81%, 0.67%

LAB 86.44, -45.81, 6.25

 

CMYK 48 / 0 / 13 / 12

HEX #74E1C4

RGB 116 225 196

HSL 164.04, 0.64%, 0.67%

LAB 82.67, -38.26, 4.55

 

CMYK 39 / 0 / 10 / 17

HEX #81D3BE

RGB 129 211 190

HSL 164.63, 0.48%, 0.67%

LAB 79.03, -29.84, 2.53

 

CMYK 28 / 0 / 8 / 22

HEX #8FC6B7

RGB 143 198 183

HSL 163.64, 0.33%, 0.67%

LAB 75.85, -21, 1.76

 

CMYK 15 / 0 / 4 / 28

HEX #9DB8B1

RGB 157 184 177

HSL 164.44, 0.16%, 0.67%

LAB 72.64, -10.6, 0.46

 

CMYK 57 / 0 / 46 / 6

HEX #66EF81

RGB 102 239 129

HSL 131.82, 0.81%, 0.67%

LAB 85.07, -59.99, 42.11

 

CMYK 57 / 0 / 31 / 6

HEX #66EFA6

RGB 102 239 166

HSL 148.03, 0.81%, 0.67%

LAB 85.66, -53.68, 24.35

 

CMYK 57 / 0 / 15 / 6

HEX #66EFCA

RGB 102 239 202

HSL 163.8, 0.81%, 0.67%

LAB 86.42, -46.04, 6.74

 

CMYK 57 / 0 / 0 / 6

HEX #66EFEF

RGB 102 239 239

HSL 180, 0.81%, 0.67%

LAB 87.38, -36.87, -11.23

 

CMYK 57 / 15 / 0 / 6

HEX #66CAEF

RGB 102 202 239

HSL 196.2, 0.81%, 0.67%

LAB 76.86, -18.87, -27.14

 

CMYK 88 / 0 / 23 / 9

HEX #1CE7B2

RGB 28 231 178

HSL 164.33, 0.81%, 0.51%

LAB 82.17, -57.77, 13.06

 

CMYK 72 / 0 / 19 / 8

HEX #41EBBE

RGB 65 235 190

HSL 164.12, 0.81%, 0.59%

LAB 84.1, -53.11, 9.58

 

CMYK 57 / 0 / 15 / 6

HEX #66EFCB

RGB 102 239 203

HSL 164.23, 0.81%, 0.67%

LAB 86.44, -45.81, 6.25

 

CMYK 42 / 0 / 11 / 5

HEX #8CF2D8

RGB 140 242 216

HSL 164.71, 0.8%, 0.75%

LAB 88.94, -35.77, 3.24

 

CMYK 28 / 0 / 7 / 4

HEX #B1F6E4

RGB 177 246 228

HSL 164.35, 0.79%, 0.83%

LAB 92.07, -25.1, 1.76

 

CMYK 58 / 0 / 15 / 6

HEX #65EFCB

RGB 101 239 203

HSL 164.35, 0.81%, 0.67%

LAB 86.41, -46, 6.2

 

CMYK 57 / 54 / 0 / 6

HEX #666FEF

RGB 102 111 239

HSL 236.06, 0.81%, 0.67%

LAB 52.32, 33.18, -65.79

 

CMYK 0 / 38 / 57 / 6

HEX #EF9466

RGB 239 148 102

HSL 20.15, 0.81%, 0.67%

LAB 69.82, 29.88, 38.55

 

CMYK 58 / 0 / 15 / 6

HEX #65EFCB

RGB 101 239 203

HSL 164.35, 0.81%, 0.67%

LAB 86.41, -46, 6.2

 

CMYK 15 / 57 / 0 / 6

HEX #CA66EF

RGB 202 102 239

HSL 283.8, 0.81%, 0.67%

LAB 60.15, 60.56, -52.69

 

CMYK 0 / 15 / 57 / 6

HEX #EFCA66

RGB 239 202 102

HSL 43.8, 0.81%, 0.67%

LAB 82.67, 1.48, 53.96

 

CMYK 58 / 0 / 15 / 6

HEX #65EFCB

RGB 101 239 203

HSL 164.35, 0.81%, 0.67%

LAB 86.41, -46, 6.2

 

CMYK 57 / 54 / 0 / 6

HEX #666FEF

RGB 102 111 239

HSL 236.06, 0.81%, 0.67%

LAB 52.32, 33.18, -65.79

 

CMYK 0 / 57 / 42 / 6

HEX #EF668B

RGB 239 102 139

HSL 343.8, 0.81%, 0.67%

LAB 61.41, 56.06, 6.6

 

CMYK 0 / 4 / 57 / 6

HEX #EFE566

RGB 239 229 102

HSL 55.62, 0.81%, 0.67%

LAB 89.56, -12.19, 61.8

 

CMYK 58 / 0 / 15 / 6

HEX #65EFCB

RGB 101 239 203

HSL 164.35, 0.81%, 0.67%

LAB 86.41, -46, 6.2

 

CMYK 44 / 57 / 0 / 6

HEX #8666EF

RGB 134 102 239

HSL 254.01, 0.81%, 0.67%

LAB 52.73, 44.78, -64.99

 

CMYK 0 / 57 / 42 / 6

HEX #EF668B

RGB 239 102 139

HSL 343.8, 0.81%, 0.67%

LAB 61.41, 56.06, 6.6

 

CMYK 13 / 0 / 57 / 6

HEX #CFEF66

RGB 207 239 102

HSL 74.01, 0.81%, 0.67%

LAB 89.84, -29.69, 61.46

 

Description

Color code: HEX #65EFCB | qconv.com Color code: HEX #65EFCB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 239 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 239 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 15 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 15% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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