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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65FFEF it is the complementary color #9A0010. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65FFEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65FFEF shade: #6AFFEA, #7BFFFD, #8CFFFF, #9DFFFF and #AEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65FFEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65FFEF shade: #65FFEF, #54EDDC, #43DBC9, #32C9B6 and #21B7A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65FFEF shade: #65FFEF, #65FFC5, #65FF9C, #65FF73 and #81FF65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65FFEF shade: #65FFEF, #65E5FF, #65BCFF, #6593FF and #6569FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65FFEF shade matches the following richer shades: #65FFEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65FFEF shade: #65FFEF, #72F2E5, #7EE6DB, #8BD9D1 and #97CDC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65FFEF shade: #65FF9B, #65FFC4, #65FFED, #65E8FF and #65BFFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65FFEF shade: #13FFE6, #3CFFEA, #65FFEF, #8FFFF3 and #B8FFF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65FFEF shade: #65FFEF, #7265FF and #FFAF65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65FFEF shade: #65FFEF, #ED65FF and #FFED65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65FFEF shade: #65FFEF, #7265FF, #FF6577 and #F2FF65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65FFEF shade: #65FFEF, #A065FF, #FF6577 and #C4FF65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 6 / 0

HEX #65FFEF

RGB 101 255 239

HSL 173.77, 1%, 0.7%

LAB 91.92, -44.24, -4.52

 

Complementary color

CMYK 0 / 100 / 90 / 40

HEX #9A0010

RGB 154 0 16

HSL 353.77, 1%, 0.3%

LAB 31.6, 55.21, 38.61

 

CMYK 58 / 0 / 8 / 0

HEX #6AFFEA

RGB 106 255 234

HSL 171.54, 1%, 0.71%

LAB 91.92, -44.62, -1.91

 

CMYK 52 / 0 / 1 / 0

HEX #7BFFFD

RGB 123 255 253

HSL 179.09, 1%, 0.74%

LAB 92.94, -36.72, -10.19

 

CMYK 45 / 0 / 0 / 0

HEX #8CFFFF

RGB 140 255 255

HSL 180, 1%, 0.77%

LAB 93.59, -32.69, -10.19

 

CMYK 38 / 0 / 0 / 0

HEX #9DFFFF

RGB 157 255 255

HSL 180, 1%, 0.81%

LAB 94.27, -28.75, -9.1

 

CMYK 32 / 0 / 0 / 0

HEX #AEFFFF

RGB 174 255 255

HSL 180, 1%, 0.84%

LAB 95.05, -24.43, -7.86

 

CMYK 60 / 0 / 6 / 0

HEX #65FFEF

RGB 101 255 239

HSL 173.77, 1%, 0.7%

LAB 91.92, -44.24, -4.52

 

CMYK 65 / 0 / 7 / 7

HEX #54EDDC

RGB 84 237 220

HSL 173.33, 0.81%, 0.63%

LAB 85.82, -43.87, -3.63

 

CMYK 69 / 0 / 8 / 14

HEX #43DBC9

RGB 67 219 201

HSL 172.89, 0.68%, 0.56%

LAB 79.66, -43.36, -2.67

 

CMYK 75 / 0 / 9 / 21

HEX #32C9B6

RGB 50 201 182

HSL 172.45, 0.6%, 0.49%

LAB 73.43, -42.64, -1.62

 

CMYK 82 / 0 / 11 / 28

HEX #21B7A3

RGB 33 183 163

HSL 172, 0.69%, 0.42%

LAB 67.15, -41.64, -0.45

 

CMYK 60 / 0 / 6 / 0

HEX #65FFEF

RGB 101 255 239

HSL 173.77, 1%, 0.7%

LAB 91.92, -44.24, -4.52

 

CMYK 60 / 0 / 23 / 0

HEX #65FFC5

RGB 101 255 197

HSL 157.4, 1%, 0.7%

LAB 90.92, -54.04, 15.74

 

CMYK 60 / 0 / 39 / 0

HEX #65FF9C

RGB 101 255 156

HSL 141.43, 1%, 0.7%

LAB 90.18, -61.92, 35.46

 

CMYK 60 / 0 / 55 / 0

HEX #65FF73

RGB 101 255 115

HSL 125.45, 1%, 0.7%

LAB 89.64, -67.9, 54.25

 

CMYK 49 / 0 / 60 / 0

HEX #81FF65

RGB 129 255 101

HSL 109.09, 1%, 0.7%

LAB 90.38, -62.69, 61.42

 

CMYK 60 / 0 / 6 / 0

HEX #65FFEF

RGB 101 255 239

HSL 173.77, 1%, 0.7%

LAB 91.92, -44.24, -4.52

 

CMYK 60 / 10 / 0 / 0

HEX #65E5FF

RGB 101 229 255

HSL 190.13, 1%, 0.7%

LAB 85.01, -27.93, -23.21

 

CMYK 60 / 26 / 0 / 0

HEX #65BCFF

RGB 101 188 255

HSL 206.1, 1%, 0.7%

LAB 73.52, -6.83, -40.91

 

CMYK 60 / 42 / 0 / 0

HEX #6593FF

RGB 101 147 255

HSL 222.08, 1%, 0.7%

LAB 62.38, 16.55, -58.47

 

CMYK 60 / 59 / 0 / 0

HEX #6569FF

RGB 101 105 255

HSL 238.44, 1%, 0.7%

LAB 51.94, 41.7, -75.3

 

CMYK 60 / 0 / 6 / 0

HEX #65FFEF

RGB 101 255 239

HSL 173.77, 1%, 0.7%

LAB 91.92, -44.24, -4.52

 

CMYK 60 / 0 / 6 / 0

HEX #65FFEF

RGB 101 255 239

HSL 173.77, 1%, 0.7%

LAB 91.92, -44.24, -4.52

 

CMYK 53 / 0 / 5 / 5

HEX #72F2E5

RGB 114 242 229

HSL 173.91, 0.83%, 0.7%

LAB 88.32, -38.55, -4.56

 

CMYK 45 / 0 / 5 / 10

HEX #7EE6DB

RGB 126 230 219

HSL 173.65, 0.68%, 0.7%

LAB 85.07, -32.86, -4.06

 

CMYK 36 / 0 / 4 / 15

HEX #8BD9D1

RGB 139 217 209

HSL 173.85, 0.51%, 0.7%

LAB 81.68, -25.75, -3.67

 

CMYK 26 / 0 / 3 / 20

HEX #97CDC7

RGB 151 205 199

HSL 173.33, 0.35%, 0.7%

LAB 78.67, -18.66, -2.68

 

CMYK 60 / 0 / 39 / 0

HEX #65FF9B

RGB 101 255 155

HSL 141.04, 1%, 0.7%

LAB 90.16, -62.09, 35.93

 

CMYK 60 / 0 / 23 / 0

HEX #65FFC4

RGB 101 255 196

HSL 157.01, 1%, 0.7%

LAB 90.9, -54.25, 16.23

 

CMYK 60 / 0 / 7 / 0

HEX #65FFED

RGB 101 255 237

HSL 172.99, 1%, 0.7%

LAB 91.86, -44.74, -3.56

 

CMYK 60 / 9 / 0 / 0

HEX #65E8FF

RGB 101 232 255

HSL 188.96, 1%, 0.7%

LAB 85.86, -29.38, -21.93

 

CMYK 60 / 25 / 0 / 0

HEX #65BFFF

RGB 101 191 255

HSL 204.94, 1%, 0.7%

LAB 74.35, -8.45, -39.61

 

CMYK 93 / 0 / 10 / 0

HEX #13FFE6

RGB 19 255 230

HSL 173.64, 1%, 0.54%

LAB 90.49, -54.56, -2.08

 

CMYK 76 / 0 / 8 / 0

HEX #3CFFEA

RGB 60 255 234

HSL 173.54, 1%, 0.62%

LAB 90.97, -50.91, -3.41

 

CMYK 60 / 0 / 6 / 0

HEX #65FFEF

RGB 101 255 239

HSL 173.77, 1%, 0.7%

LAB 91.92, -44.24, -4.52

 

CMYK 44 / 0 / 5 / 0

HEX #8FFFF3

RGB 143 255 243

HSL 173.57, 1%, 0.78%

LAB 93.38, -34.89, -4.28

 

CMYK 28 / 0 / 3 / 0

HEX #B8FFF7

RGB 184 255 247

HSL 173.24, 1%, 0.86%

LAB 95.34, -23.45, -3.25

 

CMYK 60 / 0 / 6 / 0

HEX #65FFEF

RGB 101 255 239

HSL 173.77, 1%, 0.7%

LAB 91.92, -44.24, -4.52

 

CMYK 55 / 60 / 0 / 0

HEX #7265FF

RGB 114 101 255

HSL 245.06, 1%, 0.7%

LAB 51.96, 46.17, -75.23

 

CMYK 0 / 31 / 60 / 0

HEX #FFAF65

RGB 255 175 101

HSL 28.83, 1%, 0.7%

LAB 77.79, 22.05, 49.15

 

CMYK 60 / 0 / 6 / 0

HEX #65FFEF

RGB 101 255 239

HSL 173.77, 1%, 0.7%

LAB 91.92, -44.24, -4.52

 

CMYK 7 / 60 / 0 / 0

HEX #ED65FF

RGB 237 101 255

HSL 292.99, 1%, 0.7%

LAB 65.38, 72.4, -52.94

 

CMYK 0 / 7 / 60 / 0

HEX #FFED65

RGB 255 237 101

HSL 52.99, 1%, 0.7%

LAB 92.91, -9.74, 66.31

 

CMYK 60 / 0 / 6 / 0

HEX #65FFEF

RGB 101 255 239

HSL 173.77, 1%, 0.7%

LAB 91.92, -44.24, -4.52

 

CMYK 55 / 60 / 0 / 0

HEX #7265FF

RGB 114 101 255

HSL 245.06, 1%, 0.7%

LAB 51.96, 46.17, -75.23

 

CMYK 0 / 60 / 53 / 0

HEX #FF6577

RGB 255 101 119

HSL 352.99, 1%, 0.7%

LAB 63.26, 59.89, 21.07

 

CMYK 5 / 0 / 60 / 0

HEX #F2FF65

RGB 242 255 101

HSL 65.06, 1%, 0.7%

LAB 96.55, -23.65, 69.96

 

CMYK 60 / 0 / 6 / 0

HEX #65FFEF

RGB 101 255 239

HSL 173.77, 1%, 0.7%

LAB 91.92, -44.24, -4.52

 

CMYK 37 / 60 / 0 / 0

HEX #A065FF

RGB 160 101 255

HSL 262.99, 1%, 0.7%

LAB 56.09, 55.01, -68.34

 

CMYK 0 / 60 / 53 / 0

HEX #FF6577

RGB 255 101 119

HSL 352.99, 1%, 0.7%

LAB 63.26, 59.89, 21.07

 

CMYK 23 / 0 / 60 / 0

HEX #C4FF65

RGB 196 255 101

HSL 82.99, 1%, 0.7%

LAB 93.54, -41.14, 65.81

 

Description

Color code: HEX #65FFEF | qconv.com Color code: HEX #65FFEF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 255 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 255 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 6 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 6% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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