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Color name
HEX #661C96

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #661C96 it is the complementary color #99E369. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #661C96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #661C96 shade: #6B1C91, #7C2EA4, #8D40B7, #9E52CA and #AF64DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #661C96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #661C96 shade: #661C96, #550A83, #440070, #33005D and #22004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #661C96 shade: #661B96, #871B96, #961B84, #961B63 and #961B42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #661C96 shade: #661B96, #451B96, #231B96 and #1B1B96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #661C96 shade matches the following richer shades: #661B96 and #690DA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #661C96 shade: #661B96, #632A88, #603879, #5D466B and #5A555D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #661C96 shade: #231B96, #441B96, #651B96, #861B96 and #961B86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #661C96 shade: #370E51, #4E1573, #661B96, #7E22B9 and #942CD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #661C96 shade: #661C96, #961B34 and #1B9634

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #661C96 shade: #661C96, #96651B and #1B9665

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #661C96 shade: #661C96, #961B34, #4C961B and #1B967E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #661C96 shade: #661C96, #96271B, #4C961B and #1B8A96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 81 / 0 / 41

HEX #661C96

RGB 102 28 150

HSL 276.39, 0.69%, 0.35%

LAB 29.05, 52.4, -51.57

 

Complementary color

CMYK 33 / 0 / 54 / 11

HEX #99E369

RGB 153 227 105

HSL 96.39, 0.69%, 0.65%

LAB 83.3, -43.72, 51.76

 

CMYK 26 / 81 / 0 / 43

HEX #6B1C91

RGB 107 28 145

HSL 280.51, 0.68%, 0.34%

LAB 29.41, 52.19, -47.87

 

CMYK 24 / 72 / 0 / 36

HEX #7C2EA4

RGB 124 46 164

HSL 279.66, 0.56%, 0.41%

LAB 35.83, 52.62, -48.94

 

CMYK 23 / 65 / 0 / 28

HEX #8D40B7

RGB 141 64 183

HSL 278.82, 0.48%, 0.48%

LAB 42.38, 52.37, -49.56

 

CMYK 22 / 59 / 0 / 21

HEX #9E52CA

RGB 158 82 202

HSL 278, 0.53%, 0.56%

LAB 48.97, 51.78, -49.93

 

CMYK 21 / 55 / 0 / 13

HEX #AF64DD

RGB 175 100 221

HSL 277.19, 0.64%, 0.63%

LAB 55.53, 51.04, -50.16

 

CMYK 32 / 81 / 0 / 41

HEX #661C96

RGB 102 28 150

HSL 276.39, 0.69%, 0.35%

LAB 29.05, 52.4, -51.57

 

CMYK 35 / 92 / 0 / 49

HEX #550A83

RGB 85 10 131

HSL 277.19, 0.86%, 0.28%

LAB 22.95, 50.77, -49.81

 

CMYK 39 / 100 / 0 / 56

HEX #440070

RGB 68 0 112

HSL 276.43, 1%, 0.22%

LAB 17.45, 46.92, -46.78

 

CMYK 45 / 100 / 0 / 64

HEX #33005D

RGB 51 0 93

HSL 272.9, 1%, 0.18%

LAB 12.57, 40.64, -42.36

 

CMYK 54 / 100 / 0 / 71

HEX #22004A

RGB 34 0 74

HSL 267.57, 1%, 0.15%

LAB 7.54, 34.14, -37.74

 

CMYK 32 / 82 / 0 / 41

HEX #661B96

RGB 102 27 150

HSL 276.59, 0.69%, 0.35%

LAB 28.93, 52.75, -51.77

 

CMYK 10 / 82 / 0 / 41

HEX #871B96

RGB 135 27 150

HSL 292.68, 0.69%, 0.35%

LAB 34.27, 58.77, -42.88

 

CMYK 0 / 82 / 12 / 41

HEX #961B84

RGB 150 27 132

HSL 308.78, 0.69%, 0.35%

LAB 35.86, 58.93, -29.1

 

CMYK 0 / 82 / 34 / 41

HEX #961B63

RGB 150 27 99

HSL 324.88, 0.69%, 0.35%

LAB 34.33, 54.58, -10.63

 

CMYK 0 / 82 / 56 / 41

HEX #961B42

RGB 150 27 66

HSL 340.98, 0.69%, 0.35%

LAB 33.27, 51.4, 9.27

 

CMYK 32 / 82 / 0 / 41

HEX #661B96

RGB 102 27 150

HSL 276.59, 0.69%, 0.35%

LAB 28.93, 52.75, -51.77

 

CMYK 54 / 82 / 0 / 41

HEX #451B96

RGB 69 27 150

HSL 260.49, 0.69%, 0.35%

LAB 24.48, 47.78, -59.22

 

CMYK 77 / 82 / 0 / 41

HEX #231B96

RGB 35 27 150

HSL 243.9, 0.69%, 0.35%

LAB 21.37, 44.34, -64.47

 

CMYK 82 / 82 / 0 / 41

HEX #1B1B96

RGB 27 27 150

HSL 240, 0.69%, 0.35%

LAB 20.9, 43.82, -65.27

 

CMYK 32 / 82 / 0 / 41

HEX #661B96

RGB 102 27 150

HSL 276.59, 0.69%, 0.35%

LAB 28.93, 52.75, -51.77

 

CMYK 36 / 92 / 0 / 35

HEX #690DA5

RGB 105 13 165

HSL 276.32, 0.85%, 0.35%

LAB 29.43, 60.2, -60.07

 

CMYK 32 / 82 / 0 / 41

HEX #661B96

RGB 102 27 150

HSL 276.59, 0.69%, 0.35%

LAB 28.93, 52.75, -51.77

 

CMYK 27 / 69 / 0 / 47

HEX #632A88

RGB 99 42 136

HSL 276.38, 0.53%, 0.35%

LAB 29.63, 42.61, -42.01

 

CMYK 21 / 54 / 0 / 53

HEX #603879

RGB 96 56 121

HSL 276.92, 0.37%, 0.35%

LAB 31.1, 30.54, -30.3

 

CMYK 13 / 35 / 0 / 58

HEX #5D466B

RGB 93 70 107

HSL 277.3, 0.21%, 0.35%

LAB 33.5, 17.53, -17.76

 

CMYK 3 / 9 / 0 / 64

HEX #5A555D

RGB 90 85 93

HSL 277.5, 0.04%, 0.35%

LAB 36.86, 3.73, -3.91

 

CMYK 77 / 82 / 0 / 41

HEX #231B96

RGB 35 27 150

HSL 243.9, 0.69%, 0.35%

LAB 21.37, 44.34, -64.47

 

CMYK 55 / 82 / 0 / 41

HEX #441B96

RGB 68 27 150

HSL 260, 0.69%, 0.35%

LAB 24.37, 47.65, -59.42

 

CMYK 33 / 82 / 0 / 41

HEX #651B96

RGB 101 27 150

HSL 276.1, 0.69%, 0.35%

LAB 28.78, 52.58, -52.02

 

CMYK 11 / 82 / 0 / 41

HEX #861B96

RGB 134 27 150

HSL 292.2, 0.69%, 0.35%

LAB 34.1, 58.58, -43.16

 

CMYK 0 / 82 / 11 / 41

HEX #961B86

RGB 150 27 134

HSL 307.8, 0.69%, 0.35%

LAB 35.96, 59.23, -30.17

 

CMYK 32 / 83 / 0 / 68

HEX #370E51

RGB 55 14 81

HSL 276.72, 0.71%, 0.19%

LAB 13.95, 32.67, -31.95

 

CMYK 32 / 82 / 0 / 55

HEX #4E1573

RGB 78 21 115

HSL 276.38, 0.69%, 0.27%

LAB 21.56, 42.63, -41.94

 

CMYK 32 / 82 / 0 / 41

HEX #661B96

RGB 102 27 150

HSL 276.59, 0.69%, 0.35%

LAB 28.93, 52.75, -51.77

 

CMYK 32 / 82 / 0 / 27

HEX #7E22B9

RGB 126 34 185

HSL 276.56, 0.69%, 0.43%

LAB 36.14, 62.02, -60.93

 

CMYK 31 / 80 / 0 / 15

HEX #942CD8

RGB 148 44 216

HSL 276.28, 0.69%, 0.51%

LAB 42.85, 68.87, -67.92

 

CMYK 32 / 81 / 0 / 41

HEX #661C96

RGB 102 28 150

HSL 276.39, 0.69%, 0.35%

LAB 29.05, 52.4, -51.57

 

CMYK 0 / 82 / 65 / 41

HEX #961B34

RGB 150 27 52

HSL 347.8, 0.69%, 0.35%

LAB 32.95, 50.45, 18.01

 

CMYK 82 / 0 / 65 / 41

HEX #1B9634

RGB 27 150 52

HSL 132.2, 0.69%, 0.35%

LAB 54.34, -52.5, 41.45

 

CMYK 32 / 81 / 0 / 41

HEX #661C96

RGB 102 28 150

HSL 276.39, 0.69%, 0.35%

LAB 29.05, 52.4, -51.57

 

CMYK 0 / 33 / 82 / 41

HEX #96651B

RGB 150 101 27

HSL 36.1, 0.69%, 0.35%

LAB 46.8, 13.36, 46.68

 

CMYK 82 / 0 / 33 / 41

HEX #1B9665

RGB 27 150 101

HSL 156.1, 0.69%, 0.35%

LAB 55.06, -44.08, 16.92

 

CMYK 32 / 81 / 0 / 41

HEX #661C96

RGB 102 28 150

HSL 276.39, 0.69%, 0.35%

LAB 29.05, 52.4, -51.57

 

CMYK 0 / 82 / 65 / 41

HEX #961B34

RGB 150 27 52

HSL 347.8, 0.69%, 0.35%

LAB 32.95, 50.45, 18.01

 

CMYK 49 / 0 / 82 / 41

HEX #4C961B

RGB 76 150 27

HSL 96.1, 0.69%, 0.35%

LAB 55.51, -43.65, 52.56

 

CMYK 82 / 0 / 16 / 41

HEX #1B967E

RGB 27 150 126

HSL 168.29, 0.69%, 0.35%

LAB 55.64, -37.83, 3.56

 

CMYK 32 / 81 / 0 / 41

HEX #661C96

RGB 102 28 150

HSL 276.39, 0.69%, 0.35%

LAB 29.05, 52.4, -51.57

 

CMYK 0 / 74 / 82 / 41

HEX #96271B

RGB 150 39 27

HSL 5.85, 0.69%, 0.35%

LAB 34.01, 45.31, 34.61

 

CMYK 49 / 0 / 82 / 41

HEX #4C961B

RGB 76 150 27

HSL 96.1, 0.69%, 0.35%

LAB 55.51, -43.65, 52.56

 

CMYK 82 / 8 / 0 / 41

HEX #1B8A96

RGB 27 138 150

HSL 185.85, 0.69%, 0.35%

LAB 52.52, -24.88, -14.89

 

Description

Color code: HEX #661C96 | qconv.com Color code: HEX #661C96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 28 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 28 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 81 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 81% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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