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Color name
HEX #664FCD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #664FCD it is the complementary color #99B032. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #664FCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #664FCD shade: #6B4FC8, #7C61DB, #8D73EE, #9E85FF and #AF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #664FCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #664FCD shade: #664FCD, #553DBA, #442BA7, #331994 and #220781

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #664FCD shade: #664FCD, #884FCD, #AA4FCD, #CC4FCD and #CD4FAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #664FCD shade: #664FCD and #4F4FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #664FCD shade matches the following richer shades: #664FCD, #5B3DDF and #4F2BF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #664FCD shade: #664FCD, #7262BB, #7D74A9, #898697 and #959885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #664FCD shade: #4F7ECD, #4F5CCD, #644FCD, #864FCD and #A74FCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #664FCD shade: #412C9E, #4E35BE, #664FCD, #8270D6 and #9E90DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #664FCD shade: #664FCD, #CD4F9F and #6DCD4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #664FCD shade: #664FCD, #CD644F and #4FCD64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #664FCD shade: #664FCD, #CD4F9F, #B8CD4F and #4FCD7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #664FCD shade: #664FCD, #CD4F79, #B8CD4F and #4FCDA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 61 / 0 / 20

HEX #664FCD

RGB 102 79 205

HSL 250.95, 0.56%, 0.56%

LAB 42.5, 41.71, -62.39

 

Complementary color

CMYK 13 / 0 / 72 / 31

HEX #99B032

RGB 153 176 50

HSL 70.95, 0.56%, 0.44%

LAB 68.06, -24.8, 58.39

 

CMYK 47 / 61 / 0 / 22

HEX #6B4FC8

RGB 107 79 200

HSL 253.88, 0.52%, 0.55%

LAB 42.59, 41.25, -59.33

 

CMYK 43 / 56 / 0 / 14

HEX #7C61DB

RGB 124 97 219

HSL 253.28, 0.63%, 0.62%

LAB 49.43, 39.9, -59.09

 

CMYK 41 / 52 / 0 / 7

HEX #8D73EE

RGB 141 115 238

HSL 252.68, 0.78%, 0.69%

LAB 56.19, 38.67, -58.85

 

CMYK 38 / 48 / 0 / 0

HEX #9E85FF

RGB 158 133 255

HSL 252.3, 1%, 0.76%

LAB 62.73, 37.01, -57.69

 

CMYK 31 / 41 / 0 / 0

HEX #AF97FF

RGB 175 151 255

HSL 253.85, 1%, 0.8%

LAB 68.36, 31.18, -48.67

 

CMYK 50 / 61 / 0 / 20

HEX #664FCD

RGB 102 79 205

HSL 250.95, 0.56%, 0.56%

LAB 42.5, 41.71, -62.39

 

CMYK 54 / 67 / 0 / 27

HEX #553DBA

RGB 85 61 186

HSL 251.52, 0.51%, 0.48%

LAB 35.62, 43.28, -62.58

 

CMYK 59 / 74 / 0 / 35

HEX #442BA7

RGB 68 43 167

HSL 252.1, 0.59%, 0.41%

LAB 28.76, 44.83, -62.55

 

CMYK 66 / 83 / 0 / 42

HEX #331994

RGB 51 25 148

HSL 252.68, 0.71%, 0.34%

LAB 22.08, 46.03, -62.03

 

CMYK 74 / 95 / 0 / 49

HEX #220781

RGB 34 7 129

HSL 253.28, 0.9%, 0.27%

LAB 15.89, 46.06, -60.43

 

CMYK 50 / 61 / 0 / 20

HEX #664FCD

RGB 102 79 205

HSL 250.95, 0.56%, 0.56%

LAB 42.5, 41.71, -62.39

 

CMYK 34 / 61 / 0 / 20

HEX #884FCD

RGB 136 79 205

HSL 267.14, 0.56%, 0.56%

LAB 45.95, 48.85, -56.64

 

CMYK 17 / 61 / 0 / 20

HEX #AA4FCD

RGB 170 79 205

HSL 283.33, 0.56%, 0.56%

LAB 50.15, 56.78, -49.67

 

CMYK 0 / 61 / 0 / 20

HEX #CC4FCD

RGB 204 79 205

HSL 299.52, 0.56%, 0.56%

LAB 54.9, 65.02, -41.83

 

CMYK 0 / 61 / 16 / 20

HEX #CD4FAC

RGB 205 79 172

HSL 315.71, 0.56%, 0.56%

LAB 53.55, 60.04, -24.89

 

CMYK 50 / 61 / 0 / 20

HEX #664FCD

RGB 102 79 205

HSL 250.95, 0.56%, 0.56%

LAB 42.5, 41.71, -62.39

 

CMYK 61 / 61 / 0 / 20

HEX #4F4FCD

RGB 79 79 205

HSL 240, 0.56%, 0.56%

LAB 40.67, 37.65, -65.44

 

CMYK 50 / 61 / 0 / 20

HEX #664FCD

RGB 102 79 205

HSL 250.95, 0.56%, 0.56%

LAB 42.5, 41.71, -62.39

 

CMYK 59 / 73 / 0 / 13

HEX #5B3DDF

RGB 91 61 223

HSL 251.11, 0.72%, 0.56%

LAB 39.39, 55.13, -77.84

 

CMYK 67 / 82 / 0 / 5

HEX #4F2BF1

RGB 79 43 241

HSL 250.91, 0.88%, 0.56%

LAB 37.37, 67.17, -91.44

 

CMYK 50 / 61 / 0 / 20

HEX #664FCD

RGB 102 79 205

HSL 250.95, 0.56%, 0.56%

LAB 42.5, 41.71, -62.39

 

CMYK 39 / 48 / 0 / 27

HEX #7262BB

RGB 114 98 187

HSL 250.79, 0.4%, 0.56%

LAB 46.84, 27.88, -44.93

 

CMYK 26 / 31 / 0 / 34

HEX #7D74A9

RGB 125 116 169

HSL 250.19, 0.24%, 0.56%

LAB 51.51, 15.35, -27.06

 

CMYK 9 / 11 / 0 / 41

HEX #898697

RGB 137 134 151

HSL 250.59, 0.08%, 0.56%

LAB 56.69, 4.59, -8.67

 

CMYK 2 / 0 / 13 / 40

HEX #959885

RGB 149 152 133

HSL 69.47, 0.08%, 0.56%

LAB 62.12, -4.59, 9.63

 

CMYK 61 / 39 / 0 / 20

HEX #4F7ECD

RGB 79 126 205

HSL 217.62, 0.56%, 0.56%

LAB 52.94, 8.46, -45.71

 

CMYK 61 / 55 / 0 / 20

HEX #4F5CCD

RGB 79 92 205

HSL 233.81, 0.56%, 0.56%

LAB 43.83, 29.6, -60.31

 

CMYK 51 / 61 / 0 / 20

HEX #644FCD

RGB 100 79 205

HSL 250, 0.56%, 0.56%

LAB 42.32, 41.33, -62.69

 

CMYK 35 / 61 / 0 / 20

HEX #864FCD

RGB 134 79 205

HSL 266.19, 0.56%, 0.56%

LAB 45.73, 48.41, -57.01

 

CMYK 19 / 61 / 0 / 20

HEX #A74FCD

RGB 167 79 205

HSL 281.9, 0.56%, 0.56%

LAB 49.76, 56.06, -50.33

 

CMYK 59 / 72 / 0 / 38

HEX #412C9E

RGB 65 44 158

HSL 251.05, 0.56%, 0.4%

LAB 27.83, 41.09, -58.64

 

CMYK 59 / 72 / 0 / 25

HEX #4E35BE

RGB 78 53 190

HSL 250.95, 0.56%, 0.48%

LAB 33.74, 47.82, -68.04

 

CMYK 50 / 61 / 0 / 20

HEX #664FCD

RGB 102 79 205

HSL 250.95, 0.56%, 0.56%

LAB 42.5, 41.71, -62.39

 

CMYK 39 / 48 / 0 / 16

HEX #8270D6

RGB 130 112 214

HSL 250.59, 0.55%, 0.64%

LAB 53.16, 31.16, -50.26

 

CMYK 29 / 35 / 0 / 13

HEX #9E90DF

RGB 158 144 223

HSL 250.63, 0.55%, 0.72%

LAB 63.79, 22.45, -38.37

 

CMYK 50 / 61 / 0 / 20

HEX #664FCD

RGB 102 79 205

HSL 250.95, 0.56%, 0.56%

LAB 42.5, 41.71, -62.39

 

CMYK 0 / 61 / 22 / 20

HEX #CD4F9F

RGB 205 79 159

HSL 321.9, 0.56%, 0.56%

LAB 53.03, 58.19, -18.07

 

CMYK 47 / 0 / 61 / 20

HEX #6DCD4F

RGB 109 205 79

HSL 105.71, 0.56%, 0.56%

LAB 74.49, -51.34, 52.72

 

CMYK 50 / 61 / 0 / 20

HEX #664FCD

RGB 102 79 205

HSL 250.95, 0.56%, 0.56%

LAB 42.5, 41.71, -62.39

 

CMYK 0 / 51 / 61 / 20

HEX #CD644F

RGB 205 100 79

HSL 10, 0.56%, 0.56%

LAB 54.72, 39.89, 31.31

 

CMYK 61 / 0 / 51 / 20

HEX #4FCD64

RGB 79 205 100

HSL 130, 0.56%, 0.56%

LAB 73.7, -56.53, 41.85

 

CMYK 50 / 61 / 0 / 20

HEX #664FCD

RGB 102 79 205

HSL 250.95, 0.56%, 0.56%

LAB 42.5, 41.71, -62.39

 

CMYK 0 / 61 / 22 / 20

HEX #CD4F9F

RGB 205 79 159

HSL 321.9, 0.56%, 0.56%

LAB 53.03, 58.19, -18.07

 

CMYK 10 / 0 / 61 / 20

HEX #B8CD4F

RGB 184 205 79

HSL 70, 0.56%, 0.56%

LAB 78.7, -24.34, 58.55

 

CMYK 61 / 0 / 39 / 20

HEX #4FCD7E

RGB 79 205 126

HSL 142.38, 0.56%, 0.56%

LAB 74.08, -52.37, 29.26

 

CMYK 50 / 61 / 0 / 20

HEX #664FCD

RGB 102 79 205

HSL 250.95, 0.56%, 0.56%

LAB 42.5, 41.71, -62.39

 

CMYK 0 / 61 / 41 / 20

HEX #CD4F79

RGB 205 79 121

HSL 340, 0.56%, 0.56%

LAB 51.78, 53.57, 2.64

 

CMYK 10 / 0 / 61 / 20

HEX #B8CD4F

RGB 184 205 79

HSL 70, 0.56%, 0.56%

LAB 78.7, -24.34, 58.55

 

CMYK 61 / 0 / 20 / 20

HEX #4FCDA3

RGB 79 205 163

HSL 160, 0.56%, 0.56%

LAB 74.81, -44.78, 10.7

 

Description

Color code: HEX #664FCD | qconv.com Color code: HEX #664FCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 79 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 79 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 61 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 61% 0% 20% C M Y K

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Provide designers and agencies with accurate color values.

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