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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #665980 it is the complementary color #99A67F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #665980. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #665980 shade: #6B597B, #7C6B8E, #8D7DA1, #9E8FB4 and #AFA1C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #665980. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #665980 shade: #665980, #55476D, #44355A, #332347 and #221134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #665980 shade: #675981, #715981, #7C5981, #81597B and #815971

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #665980 shade: #675981, #5C5981 and #595981

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #665980 shade matches the following richer shades: #675981, #614893, #5B36A4, #5524B6 and #4F12C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #665980 shade: #675981, #6C6B6F, #727D5D, #788F4C and #7EA03A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #665980 shade: #596181, #5C5981, #675981, #715981 and #7C5981

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #665980 shade: #403850, #534869, #675981, #7A6B98 and #9084A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #665980 shade: #665980, #81596C and #5C8159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #665980 shade: #665980, #816759 and #598167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #665980 shade: #665980, #81596C, #748159 and #59816E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #665980 shade: #665980, #815960, #748159 and #59817A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 30 / 0 / 50

HEX #665980

RGB 102 89 128

HSL 260, 0.18%, 0.43%

LAB 40.46, 13.93, -19.96

 

Complementary color

CMYK 8 / 0 / 23 / 35

HEX #99A67F

RGB 153 166 127

HSL 80, 0.18%, 0.57%

LAB 66.2, -11.59, 18.71

 

CMYK 13 / 28 / 0 / 52

HEX #6B597B

RGB 107 89 123

HSL 271.76, 0.16%, 0.42%

LAB 40.74, 14.45, -16.44

 

CMYK 13 / 25 / 0 / 44

HEX #7C6B8E

RGB 124 107 142

HSL 269.14, 0.14%, 0.49%

LAB 47.95, 13.88, -16.7

 

CMYK 12 / 22 / 0 / 37

HEX #8D7DA1

RGB 141 125 161

HSL 266.67, 0.16%, 0.56%

LAB 54.97, 13.38, -16.99

 

CMYK 12 / 21 / 0 / 29

HEX #9E8FB4

RGB 158 143 180

HSL 264.32, 0.2%, 0.63%

LAB 61.83, 12.93, -17.29

 

CMYK 12 / 19 / 0 / 22

HEX #AFA1C7

RGB 175 161 199

HSL 262.11, 0.25%, 0.71%

LAB 68.55, 12.52, -17.6

 

CMYK 20 / 30 / 0 / 50

HEX #665980

RGB 102 89 128

HSL 260, 0.18%, 0.43%

LAB 40.46, 13.93, -19.96

 

CMYK 22 / 35 / 0 / 57

HEX #55476D

RGB 85 71 109

HSL 262.11, 0.21%, 0.35%

LAB 33.01, 14.6, -19.84

 

CMYK 24 / 41 / 0 / 65

HEX #44355A

RGB 68 53 90

HSL 264.32, 0.26%, 0.28%

LAB 25.3, 15.4, -19.78

 

CMYK 28 / 51 / 0 / 72

HEX #332347

RGB 51 35 71

HSL 266.67, 0.34%, 0.21%

LAB 17.28, 16.38, -19.79

 

CMYK 35 / 67 / 0 / 80

HEX #221134

RGB 34 17 52

HSL 269.14, 0.51%, 0.14%

LAB 8.9, 17.53, -19.81

 

CMYK 20 / 31 / 0 / 49

HEX #675981

RGB 103 89 129

HSL 261, 0.18%, 0.43%

LAB 40.59, 14.52, -20.35

 

CMYK 12 / 31 / 0 / 49

HEX #715981

RGB 113 89 129

HSL 276, 0.18%, 0.43%

LAB 41.6, 17.95, -18.72

 

CMYK 4 / 31 / 0 / 49

HEX #7C5981

RGB 124 89 129

HSL 292.5, 0.18%, 0.43%

LAB 42.79, 21.81, -16.79

 

CMYK 0 / 31 / 5 / 49

HEX #81597B

RGB 129 89 123

HSL 309, 0.18%, 0.43%

LAB 43.13, 22.38, -12.58

 

CMYK 0 / 31 / 12 / 49

HEX #815971

RGB 129 89 113

HSL 324, 0.18%, 0.43%

LAB 42.77, 20.48, -7.02

 

CMYK 20 / 31 / 0 / 49

HEX #675981

RGB 103 89 129

HSL 261, 0.18%, 0.43%

LAB 40.59, 14.52, -20.35

 

CMYK 29 / 31 / 0 / 49

HEX #5C5981

RGB 92 89 129

HSL 244.5, 0.18%, 0.43%

LAB 39.59, 10.87, -21.98

 

CMYK 31 / 31 / 0 / 49

HEX #595981

RGB 89 89 129

HSL 240, 0.18%, 0.43%

LAB 39.33, 9.9, -22.4

 

CMYK 20 / 31 / 0 / 49

HEX #675981

RGB 103 89 129

HSL 261, 0.18%, 0.43%

LAB 40.59, 14.52, -20.35

 

CMYK 34 / 51 / 0 / 42

HEX #614893

RGB 97 72 147

HSL 260, 0.34%, 0.43%

LAB 36.52, 27.97, -37.73

 

CMYK 45 / 67 / 0 / 36

HEX #5B36A4

RGB 91 54 164

HSL 260.18, 0.5%, 0.43%

LAB 33.01, 41.88, -53.7

 

CMYK 53 / 80 / 0 / 29

HEX #5524B6

RGB 85 36 182

HSL 260.14, 0.67%, 0.43%

LAB 30.81, 54.67, -68.1

 

CMYK 61 / 91 / 0 / 22

HEX #4F12C8

RGB 79 18 200

HSL 260.11, 0.83%, 0.43%

LAB 30.07, 64.63, -79.97

 

CMYK 20 / 31 / 0 / 49

HEX #675981

RGB 103 89 129

HSL 261, 0.18%, 0.43%

LAB 40.59, 14.52, -20.35

 

CMYK 3 / 4 / 0 / 56

HEX #6C6B6F

RGB 108 107 111

HSL 255, 0.02%, 0.43%

LAB 45.43, 1.22, -2.1

 

CMYK 9 / 0 / 26 / 51

HEX #727D5D

RGB 114 125 93

HSL 80.63, 0.15%, 0.43%

LAB 50.73, -10.12, 16.13

 

CMYK 16 / 0 / 47 / 44

HEX #788F4C

RGB 120 143 76

HSL 80.6, 0.31%, 0.43%

LAB 56.25, -19.71, 32.83

 

CMYK 21 / 0 / 64 / 37

HEX #7EA03A

RGB 126 160 58

HSL 80, 0.47%, 0.43%

LAB 61.55, -27.57, 47.85

 

CMYK 31 / 25 / 0 / 49

HEX #596181

RGB 89 97 129

HSL 228, 0.18%, 0.43%

LAB 41.62, 4.92, -18.86

 

CMYK 29 / 31 / 0 / 49

HEX #5C5981

RGB 92 89 129

HSL 244.5, 0.18%, 0.43%

LAB 39.59, 10.87, -21.98

 

CMYK 20 / 31 / 0 / 49

HEX #675981

RGB 103 89 129

HSL 261, 0.18%, 0.43%

LAB 40.59, 14.52, -20.35

 

CMYK 12 / 31 / 0 / 49

HEX #715981

RGB 113 89 129

HSL 276, 0.18%, 0.43%

LAB 41.6, 17.95, -18.72

 

CMYK 4 / 31 / 0 / 49

HEX #7C5981

RGB 124 89 129

HSL 292.5, 0.18%, 0.43%

LAB 42.79, 21.81, -16.79

 

CMYK 20 / 30 / 0 / 69

HEX #403850

RGB 64 56 80

HSL 260, 0.18%, 0.27%

LAB 25.25, 9.24, -13.32

 

CMYK 21 / 31 / 0 / 59

HEX #534869

RGB 83 72 105

HSL 260, 0.19%, 0.35%

LAB 32.91, 12.22, -17.5

 

CMYK 20 / 31 / 0 / 49

HEX #675981

RGB 103 89 129

HSL 261, 0.18%, 0.43%

LAB 40.59, 14.52, -20.35

 

CMYK 20 / 30 / 0 / 40

HEX #7A6B98

RGB 122 107 152

HSL 260, 0.18%, 0.51%

LAB 48.16, 15.56, -22.32

 

CMYK 15 / 22 / 0 / 34

HEX #9084A9

RGB 144 132 169

HSL 259.46, 0.18%, 0.59%

LAB 57.36, 12.12, -17.94

 

CMYK 20 / 30 / 0 / 50

HEX #665980

RGB 102 89 128

HSL 260, 0.18%, 0.43%

LAB 40.46, 13.93, -19.96

 

CMYK 0 / 31 / 16 / 49

HEX #81596C

RGB 129 89 108

HSL 331.5, 0.18%, 0.43%

LAB 42.6, 19.58, -4.21

 

CMYK 29 / 0 / 31 / 49

HEX #5C8159

RGB 92 129 89

HSL 115.5, 0.18%, 0.43%

LAB 50.33, -21.43, 17.63

 

CMYK 20 / 30 / 0 / 50

HEX #665980

RGB 102 89 128

HSL 260, 0.18%, 0.43%

LAB 40.46, 13.93, -19.96

 

CMYK 0 / 20 / 31 / 49

HEX #816759

RGB 129 103 89

HSL 21, 0.18%, 0.43%

LAB 45.76, 8.19, 11.84

 

CMYK 31 / 0 / 20 / 49

HEX #598167

RGB 89 129 103

HSL 141, 0.18%, 0.43%

LAB 50.46, -19.79, 9.7

 

CMYK 20 / 30 / 0 / 50

HEX #665980

RGB 102 89 128

HSL 260, 0.18%, 0.43%

LAB 40.46, 13.93, -19.96

 

CMYK 0 / 31 / 16 / 49

HEX #81596C

RGB 129 89 108

HSL 331.5, 0.18%, 0.43%

LAB 42.6, 19.58, -4.21

 

CMYK 10 / 0 / 31 / 49

HEX #748159

RGB 116 129 89

HSL 79.5, 0.18%, 0.43%

LAB 51.99, -12.14, 20.15

 

CMYK 31 / 0 / 15 / 49

HEX #59816E

RGB 89 129 110

HSL 151.5, 0.18%, 0.43%

LAB 50.63, -18.29, 5.87

 

CMYK 20 / 30 / 0 / 50

HEX #665980

RGB 102 89 128

HSL 260, 0.18%, 0.43%

LAB 40.46, 13.93, -19.96

 

CMYK 0 / 31 / 26 / 49

HEX #815960

RGB 129 89 96

HSL 349.5, 0.18%, 0.43%

LAB 42.24, 17.57, 2.61

 

CMYK 10 / 0 / 31 / 49

HEX #748159

RGB 116 129 89

HSL 79.5, 0.18%, 0.43%

LAB 51.99, -12.14, 20.15

 

CMYK 31 / 0 / 5 / 49

HEX #59817A

RGB 89 129 122

HSL 169.5, 0.18%, 0.43%

LAB 50.95, -15.53, -0.68

 

Description

Color code: HEX #665980 | qconv.com Color code: HEX #665980 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 89 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 89 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 30 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 30% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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