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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6651BC it is the complementary color #99AE43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6651BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6651BC shade: #6B51B7, #7C63CA, #8D75DD, #9E87F0 and #AF99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6651BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6651BC shade: #6651BC, #553FA9, #442D96, #331B83 and #220970

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6651BC shade: #6752BB, #8352BB, #A052BB, #BB52BB and #BB529E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6651BC shade: #6752BB and #5252BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6651BC shade matches the following richer shades: #6752BB, #5B3FCF, #4F2BE2 and #4318F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6651BC shade: #6752BB, #7265A8, #7E7995, #8A8C81 and #969F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6651BC shade: #5277BB, #525BBB, #6552BB, #8152BB and #9E52BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6651BC shade: #443487, #5340A4, #6752BB, #8170C7 and #9B8DD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6651BC shade: #6651BC, #BB5293 and #69BB52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6651BC shade: #6651BC, #BB6552 and #52BB65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6651BC shade: #6651BC, #BB5293, #A8BB52 and #52BB7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6651BC shade: #6651BC, #BB5273, #A8BB52 and #52BB9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 57 / 0 / 26

HEX #6651BC

RGB 102 81 188

HSL 251.78, 0.44%, 0.53%

LAB 41.75, 35.51, -53.73

 

Complementary color

CMYK 12 / 0 / 61 / 32

HEX #99AE43

RGB 153 174 67

HSL 71.78, 0.44%, 0.47%

LAB 67.61, -22.69, 51.03

 

CMYK 42 / 56 / 0 / 28

HEX #6B51B7

RGB 107 81 183

HSL 255.29, 0.41%, 0.52%

LAB 41.89, 35.21, -50.56

 

CMYK 39 / 51 / 0 / 21

HEX #7C63CA

RGB 124 99 202

HSL 254.56, 0.49%, 0.59%

LAB 48.85, 34, -50.33

 

CMYK 36 / 47 / 0 / 13

HEX #8D75DD

RGB 141 117 221

HSL 253.85, 0.6%, 0.66%

LAB 55.69, 32.91, -50.12

 

CMYK 34 / 44 / 0 / 6

HEX #9E87F0

RGB 158 135 240

HSL 253.14, 0.78%, 0.74%

LAB 62.41, 31.94, -49.94

 

CMYK 31 / 40 / 0 / 0

HEX #AF99FF

RGB 175 153 255

HSL 252.94, 1%, 0.8%

LAB 68.84, 30.05, -47.93

 

CMYK 46 / 57 / 0 / 26

HEX #6651BC

RGB 102 81 188

HSL 251.78, 0.44%, 0.53%

LAB 41.75, 35.51, -53.73

 

CMYK 50 / 63 / 0 / 34

HEX #553FA9

RGB 85 63 169

HSL 252.45, 0.46%, 0.45%

LAB 34.7, 36.97, -53.98

 

CMYK 55 / 70 / 0 / 41

HEX #442D96

RGB 68 45 150

HSL 253.14, 0.54%, 0.38%

LAB 27.59, 38.52, -54.13

 

CMYK 61 / 79 / 0 / 49

HEX #331B83

RGB 51 27 131

HSL 253.85, 0.66%, 0.31%

LAB 20.54, 39.94, -53.94

 

CMYK 70 / 92 / 0 / 56

HEX #220970

RGB 34 9 112

HSL 254.56, 0.85%, 0.24%

LAB 13.86, 40.48, -52.87

 

CMYK 45 / 56 / 0 / 27

HEX #6752BB

RGB 103 82 187

HSL 252, 0.44%, 0.53%

LAB 42.01, 34.84, -52.73

 

CMYK 30 / 56 / 0 / 27

HEX #8352BB

RGB 131 82 187

HSL 268, 0.44%, 0.53%

LAB 44.87, 41.56, -47.98

 

CMYK 14 / 56 / 0 / 27

HEX #A052BB

RGB 160 82 187

HSL 284.57, 0.44%, 0.53%

LAB 48.38, 49.07, -42.18

 

CMYK 0 / 56 / 0 / 27

HEX #BB52BB

RGB 187 82 187

HSL 300, 0.44%, 0.53%

LAB 52.05, 56.26, -36.15

 

CMYK 0 / 56 / 16 / 27

HEX #BB529E

RGB 187 82 158

HSL 316.57, 0.44%, 0.53%

LAB 50.77, 51.44, -21.19

 

CMYK 45 / 56 / 0 / 27

HEX #6752BB

RGB 103 82 187

HSL 252, 0.44%, 0.53%

LAB 42.01, 34.84, -52.73

 

CMYK 56 / 56 / 0 / 27

HEX #5252BB

RGB 82 82 187

HSL 240, 0.44%, 0.53%

LAB 40.27, 30.42, -55.62

 

CMYK 45 / 56 / 0 / 27

HEX #6752BB

RGB 103 82 187

HSL 252, 0.44%, 0.53%

LAB 42.01, 34.84, -52.73

 

CMYK 56 / 70 / 0 / 19

HEX #5B3FCF

RGB 91 63 207

HSL 251.67, 0.6%, 0.53%

LAB 38.35, 49.4, -70.36

 

CMYK 65 / 81 / 0 / 11

HEX #4F2BE2

RGB 79 43 226

HSL 251.8, 0.76%, 0.53%

LAB 35.75, 63.07, -85.6

 

CMYK 73 / 90 / 0 / 4

HEX #4318F6

RGB 67 24 246

HSL 251.62, 0.93%, 0.53%

LAB 35, 73.92, -98.23

 

CMYK 45 / 56 / 0 / 27

HEX #6752BB

RGB 103 82 187

HSL 252, 0.44%, 0.53%

LAB 42.01, 34.84, -52.73

 

CMYK 32 / 40 / 0 / 34

HEX #7265A8

RGB 114 101 168

HSL 251.64, 0.28%, 0.53%

LAB 46.59, 20.8, -34.23

 

CMYK 15 / 19 / 0 / 42

HEX #7E7995

RGB 126 121 149

HSL 250.71, 0.12%, 0.53%

LAB 52.15, 7.87, -14.42

 

CMYK 1 / 0 / 8 / 45

HEX #8A8C81

RGB 138 140 129

HSL 70.91, 0.05%, 0.53%

LAB 57.79, -2.83, 5.61

 

CMYK 6 / 0 / 31 / 38

HEX #969F6E

RGB 150 159 110

HSL 71.02, 0.2%, 0.53%

LAB 63.68, -11.58, 24.56

 

CMYK 56 / 36 / 0 / 27

HEX #5277BB

RGB 82 119 187

HSL 218.86, 0.44%, 0.53%

LAB 50.19, 7.3, -39.77

 

CMYK 56 / 51 / 0 / 27

HEX #525BBB

RGB 82 91 187

HSL 234.86, 0.44%, 0.53%

LAB 42.56, 24.77, -51.93

 

CMYK 46 / 56 / 0 / 27

HEX #6552BB

RGB 101 82 187

HSL 250.86, 0.44%, 0.53%

LAB 41.83, 34.39, -53.03

 

CMYK 31 / 56 / 0 / 27

HEX #8152BB

RGB 129 82 187

HSL 266.86, 0.44%, 0.53%

LAB 44.65, 41.06, -48.35

 

CMYK 16 / 56 / 0 / 27

HEX #9E52BB

RGB 158 82 187

HSL 283.43, 0.44%, 0.53%

LAB 48.12, 48.55, -42.6

 

CMYK 50 / 61 / 0 / 47

HEX #443487

RGB 68 52 135

HSL 251.57, 0.44%, 0.37%

LAB 27.94, 29.6, -44.3

 

CMYK 49 / 61 / 0 / 36

HEX #5340A4

RGB 83 64 164

HSL 251.4, 0.44%, 0.45%

LAB 34.37, 34.44, -51.54

 

CMYK 45 / 56 / 0 / 27

HEX #6752BB

RGB 103 82 187

HSL 252, 0.44%, 0.53%

LAB 42.01, 34.84, -52.73

 

CMYK 35 / 44 / 0 / 22

HEX #8170C7

RGB 129 112 199

HSL 251.72, 0.44%, 0.61%

LAB 52.26, 26.79, -43.15

 

CMYK 26 / 33 / 0 / 18

HEX #9B8DD2

RGB 155 141 210

HSL 252.17, 0.43%, 0.69%

LAB 62.23, 20.08, -33.58

 

CMYK 46 / 57 / 0 / 26

HEX #6651BC

RGB 102 81 188

HSL 251.78, 0.44%, 0.53%

LAB 41.75, 35.51, -53.73

 

CMYK 0 / 56 / 21 / 27

HEX #BB5293

RGB 187 82 147

HSL 322.86, 0.44%, 0.53%

LAB 50.34, 49.79, -15.32

 

CMYK 44 / 0 / 56 / 27

HEX #69BB52

RGB 105 187 82

HSL 106.86, 0.44%, 0.53%

LAB 68.86, -44.92, 44.85

 

CMYK 46 / 57 / 0 / 26

HEX #6651BC

RGB 102 81 188

HSL 251.78, 0.44%, 0.53%

LAB 41.75, 35.51, -53.73

 

CMYK 0 / 46 / 56 / 27

HEX #BB6552

RGB 187 101 82

HSL 10.86, 0.44%, 0.53%

LAB 52.38, 32.61, 26.09

 

CMYK 56 / 0 / 46 / 27

HEX #52BB65

RGB 82 187 101

HSL 130.86, 0.44%, 0.53%

LAB 68.22, -48.77, 34.53

 

CMYK 46 / 57 / 0 / 26

HEX #6651BC

RGB 102 81 188

HSL 251.78, 0.44%, 0.53%

LAB 41.75, 35.51, -53.73

 

CMYK 0 / 56 / 21 / 27

HEX #BB5293

RGB 187 82 147

HSL 322.86, 0.44%, 0.53%

LAB 50.34, 49.79, -15.32

 

CMYK 10 / 0 / 56 / 27

HEX #A8BB52

RGB 168 187 82

HSL 70.86, 0.44%, 0.53%

LAB 72.54, -21.77, 50.06

 

CMYK 56 / 0 / 35 / 27

HEX #52BB7A

RGB 82 187 122

HSL 142.86, 0.44%, 0.53%

LAB 68.56, -45.15, 24.01

 

CMYK 46 / 57 / 0 / 26

HEX #6651BC

RGB 102 81 188

HSL 251.78, 0.44%, 0.53%

LAB 41.75, 35.51, -53.73

 

CMYK 0 / 56 / 39 / 27

HEX #BB5273

RGB 187 82 115

HSL 341.14, 0.44%, 0.53%

LAB 49.3, 45.62, 2.29

 

CMYK 10 / 0 / 56 / 27

HEX #A8BB52

RGB 168 187 82

HSL 70.86, 0.44%, 0.53%

LAB 72.54, -21.77, 50.06

 

CMYK 56 / 0 / 18 / 27

HEX #52BB9A

RGB 82 187 154

HSL 161.14, 0.44%, 0.53%

LAB 69.23, -38.36, 7.64

 

Description

Color code: HEX #6651BC | qconv.com Color code: HEX #6651BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 81 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 81 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 57 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 57% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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