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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #665342 it is the complementary color #99ACBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #665342. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #665342 shade: #6B533D, #7C6550, #8D7763, #9E8976 and #AF9B89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #665342. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #665342 shade: #665342, #55412F, #442F1C, #331D09 and #220B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #665342 shade: #655342, #654942 and #654242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #665342 shade: #655342, #655C42, #656542, #5B6542 and #526542

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #665342 shade matches the following richer shades: #655342, #735234, #815127, #8E5019 and #9C500C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #665342 shade: #655342, #585350, #4A545D, #3C556B and #2F5678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #665342 shade: #654244, #654942, #655242, #655C42 and #656542

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #665342 shade: #332A21, #4C3E32, #655342, #7E6752 and #977B63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #665342 shade: #665342, #4E6542 and #444265

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #665342 shade: #665342, #426552 and #524265

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #665342 shade: #665342, #4E6542, #425565 and #5A4265

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #665342 shade: #665342, #436542, #425565 and #644265

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 35 / 60

HEX #665342

RGB 102 83 66

HSL 28.33, 0.21%, 0.33%

LAB 36.75, 5.12, 12.92

 

Complementary color

CMYK 19 / 9 / 0 / 26

HEX #99ACBD

RGB 153 172 189

HSL 208.33, 0.21%, 0.67%

LAB 69.43, -2.93, -10.91

 

CMYK 0 / 22 / 43 / 58

HEX #6B533D

RGB 107 83 61

HSL 28.7, 0.27%, 0.33%

LAB 37.21, 6.7, 16.7

 

CMYK 0 / 19 / 35 / 51

HEX #7C6550

RGB 124 101 80

HSL 28.64, 0.22%, 0.4%

LAB 44.48, 5.95, 15.36

 

CMYK 0 / 16 / 30 / 45

HEX #8D7763

RGB 141 119 99

HSL 28.57, 0.18%, 0.47%

LAB 51.56, 5.35, 14.18

 

CMYK 0 / 13 / 25 / 38

HEX #9E8976

RGB 158 137 118

HSL 28.5, 0.17%, 0.54%

LAB 58.48, 4.86, 13.11

 

CMYK 0 / 11 / 22 / 31

HEX #AF9B89

RGB 175 155 137

HSL 28.42, 0.19%, 0.61%

LAB 65.25, 4.43, 12.13

 

CMYK 0 / 19 / 35 / 60

HEX #665342

RGB 102 83 66

HSL 28.33, 0.21%, 0.33%

LAB 36.75, 5.12, 12.92

 

CMYK 0 / 24 / 45 / 67

HEX #55412F

RGB 85 65 47

HSL 28.42, 0.29%, 0.26%

LAB 29.2, 5.89, 14.3

 

CMYK 0 / 31 / 59 / 73

HEX #442F1C

RGB 68 47 28

HSL 28.5, 0.42%, 0.19%

LAB 21.38, 6.96, 15.93

 

CMYK 0 / 43 / 82 / 80

HEX #331D09

RGB 51 29 9

HSL 28.57, 0.7%, 0.12%

LAB 13.24, 8.54, 16.11

 

CMYK 0 / 68 / 100 / 87

HEX #220B00

RGB 34 11 0

HSL 19.41, 1%, 0.07%

LAB 5.23, 9.37, 8.01

 

CMYK 0 / 18 / 35 / 60

HEX #655342

RGB 101 83 66

HSL 29.14, 0.21%, 0.33%

LAB 36.64, 4.67, 12.76

 

CMYK 0 / 28 / 35 / 60

HEX #654942

RGB 101 73 66

HSL 12, 0.21%, 0.33%

LAB 33.83, 10.85, 8.87

 

CMYK 0 / 35 / 35 / 60

HEX #654242

RGB 101 66 66

HSL 0, 0.21%, 0.33%

LAB 31.94, 15.2, 6.21

 

CMYK 0 / 18 / 35 / 60

HEX #655342

RGB 101 83 66

HSL 29.14, 0.21%, 0.33%

LAB 36.64, 4.67, 12.76

 

CMYK 0 / 9 / 35 / 60

HEX #655C42

RGB 101 92 66

HSL 44.57, 0.21%, 0.33%

LAB 39.27, -0.79, 16.31

 

CMYK 0 / 0 / 35 / 60

HEX #656542

RGB 101 101 66

HSL 60, 0.21%, 0.33%

LAB 41.95, -6.09, 19.87

 

CMYK 10 / 0 / 35 / 60

HEX #5B6542

RGB 91 101 66

HSL 77.14, 0.21%, 0.33%

LAB 41.1, -10.45, 18.58

 

CMYK 19 / 0 / 35 / 60

HEX #526542

RGB 82 101 66

HSL 92.57, 0.21%, 0.33%

LAB 40.4, -14.23, 17.54

 

CMYK 0 / 18 / 35 / 60

HEX #655342

RGB 101 83 66

HSL 29.14, 0.21%, 0.33%

LAB 36.64, 4.67, 12.76

 

CMYK 0 / 29 / 55 / 55

HEX #735234

RGB 115 82 52

HSL 28.57, 0.38%, 0.33%

LAB 37.71, 9.97, 22.95

 

CMYK 0 / 37 / 70 / 49

HEX #815127

RGB 129 81 39

HSL 28, 0.54%, 0.33%

LAB 39.07, 15.97, 32.38

 

CMYK 0 / 44 / 82 / 44

HEX #8E5019

RGB 142 80 25

HSL 28.21, 0.7%, 0.33%

LAB 40.51, 21.75, 41.33

 

CMYK 0 / 49 / 92 / 39

HEX #9C500C

RGB 156 80 12

HSL 28.33, 0.86%, 0.33%

LAB 42.51, 27.55, 48.57

 

CMYK 0 / 18 / 35 / 60

HEX #655342

RGB 101 83 66

HSL 29.14, 0.21%, 0.33%

LAB 36.64, 4.67, 12.76

 

CMYK 0 / 6 / 9 / 65

HEX #585350

RGB 88 83 80

HSL 22.5, 0.05%, 0.33%

LAB 35.68, 1.43, 2.48

 

CMYK 20 / 10 / 0 / 64

HEX #4A545D

RGB 74 84 93

HSL 208.42, 0.11%, 0.33%

LAB 35.18, -1.74, -6.56

 

CMYK 44 / 21 / 0 / 58

HEX #3C556B

RGB 60 85 107

HSL 208.09, 0.28%, 0.33%

LAB 35.04, -3.04, -15.62

 

CMYK 61 / 28 / 0 / 53

HEX #2F5678

RGB 47 86 120

HSL 207.95, 0.44%, 0.33%

LAB 35.23, -2.72, -23.46

 

CMYK 0 / 35 / 33 / 60

HEX #654244

RGB 101 66 68

HSL 356.57, 0.21%, 0.33%

LAB 31.99, 15.5, 5

 

CMYK 0 / 28 / 35 / 60

HEX #654942

RGB 101 73 66

HSL 12, 0.21%, 0.33%

LAB 33.83, 10.85, 8.87

 

CMYK 0 / 19 / 35 / 60

HEX #655242

RGB 101 82 66

HSL 27.43, 0.21%, 0.33%

LAB 36.36, 5.28, 12.36

 

CMYK 0 / 9 / 35 / 60

HEX #655C42

RGB 101 92 66

HSL 44.57, 0.21%, 0.33%

LAB 39.27, -0.79, 16.31

 

CMYK 0 / 0 / 35 / 60

HEX #656542

RGB 101 101 66

HSL 60, 0.21%, 0.33%

LAB 41.95, -6.09, 19.87

 

CMYK 0 / 18 / 35 / 80

HEX #332A21

RGB 51 42 33

HSL 30, 0.21%, 0.16%

LAB 17.78, 2.45, 7.43

 

CMYK 0 / 18 / 34 / 70

HEX #4C3E32

RGB 76 62 50

HSL 27.69, 0.21%, 0.25%

LAB 27.33, 4, 9.66

 

CMYK 0 / 18 / 35 / 60

HEX #655342

RGB 101 83 66

HSL 29.14, 0.21%, 0.33%

LAB 36.64, 4.67, 12.76

 

CMYK 0 / 18 / 35 / 51

HEX #7E6752

RGB 126 103 82

HSL 28.64, 0.21%, 0.41%

LAB 45.28, 5.91, 15.31

 

CMYK 0 / 19 / 34 / 41

HEX #977B63

RGB 151 123 99

HSL 27.69, 0.21%, 0.49%

LAB 53.65, 7.24, 17.21

 

CMYK 0 / 19 / 35 / 60

HEX #665342

RGB 102 83 66

HSL 28.33, 0.21%, 0.33%

LAB 36.75, 5.12, 12.92

 

CMYK 23 / 0 / 35 / 60

HEX #4E6542

RGB 78 101 66

HSL 99.43, 0.21%, 0.33%

LAB 40.11, -15.86, 17.1

 

CMYK 33 / 35 / 0 / 60

HEX #444265

RGB 68 66 101

HSL 243.43, 0.21%, 0.33%

LAB 29.58, 9.9, -20.23

 

CMYK 0 / 19 / 35 / 60

HEX #665342

RGB 102 83 66

HSL 28.33, 0.21%, 0.33%

LAB 36.75, 5.12, 12.92

 

CMYK 35 / 0 / 19 / 60

HEX #426552

RGB 66 101 82

HSL 147.43, 0.21%, 0.33%

LAB 39.71, -17.19, 6.79

 

CMYK 19 / 35 / 0 / 60

HEX #524265

RGB 82 66 101

HSL 267.43, 0.21%, 0.33%

LAB 30.95, 14.7, -17.99

 

CMYK 0 / 19 / 35 / 60

HEX #665342

RGB 102 83 66

HSL 28.33, 0.21%, 0.33%

LAB 36.75, 5.12, 12.92

 

CMYK 23 / 0 / 35 / 60

HEX #4E6542

RGB 78 101 66

HSL 99.43, 0.21%, 0.33%

LAB 40.11, -15.86, 17.1

 

CMYK 35 / 16 / 0 / 60

HEX #425565

RGB 66 85 101

HSL 207.43, 0.21%, 0.33%

LAB 35.19, -2.96, -11.61

 

CMYK 11 / 35 / 0 / 60

HEX #5A4265

RGB 90 66 101

HSL 281.14, 0.21%, 0.33%

LAB 31.83, 17.56, -16.56

 

CMYK 0 / 19 / 35 / 60

HEX #665342

RGB 102 83 66

HSL 28.33, 0.21%, 0.33%

LAB 36.75, 5.12, 12.92

 

CMYK 34 / 0 / 35 / 60

HEX #436542

RGB 67 101 66

HSL 118.29, 0.21%, 0.33%

LAB 39.4, -20.12, 16.02

 

CMYK 35 / 16 / 0 / 60

HEX #425565

RGB 66 85 101

HSL 207.43, 0.21%, 0.33%

LAB 35.19, -2.96, -11.61

 

CMYK 1 / 35 / 0 / 60

HEX #644265

RGB 100 66 101

HSL 298.29, 0.21%, 0.33%

LAB 33.02, 21.19, -14.63

 

Description

Color code: HEX #665342 | qconv.com Color code: HEX #665342 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 83 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 83 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 35 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 35% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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