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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #665FB3 it is the complementary color #99A04C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #665FB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #665FB3 shade: #6B5FAE, #7C71C1, #8D83D4, #9E95E7 and #AFA7FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #665FB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #665FB3 shade: #665FB3, #554DA0, #443B8D, #33297A and #221767

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #665FB3 shade: #665FB3, #7D5FB3, #945FB3, #AA5FB3 and #B35FA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #665FB3 shade: #665FB3 and #5F5FB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #665FB3 shade matches the following richer shades: #665FB3, #564CC6, #4639D9 and #3726EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #665FB3 shade: #665FB3, #7672A0, #86858D, #95987A and #A5AB68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #665FB3 shade: #5F85B3, #5F6EB3, #665FB3, #7D5FB3 and #935FB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #665FB3 shade: #433D83, #514A9F, #665FB3, #817BC1 and #9C97CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #665FB3 shade: #665FB3, #B35F9B and #7AB35F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #665FB3 shade: #665FB3, #B3665F and #5FB366

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #665FB3 shade: #665FB3, #B35F9B, #ACB35F and #5FB377

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #665FB3 shade: #665FB3, #B35F82, #ACB35F and #5FB390

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 47 / 0 / 30

HEX #665FB3

RGB 102 95 179

HSL 245, 0.36%, 0.54%

LAB 44.61, 24.33, -43.89

 

Complementary color

CMYK 4 / 0 / 53 / 37

HEX #99A04C

RGB 153 160 76

HSL 65, 0.36%, 0.46%

LAB 63.7, -14.81, 42.4

 

CMYK 39 / 45 / 0 / 32

HEX #6B5FAE

RGB 107 95 174

HSL 249.11, 0.33%, 0.53%

LAB 44.75, 24.17, -40.7

 

CMYK 36 / 41 / 0 / 24

HEX #7C71C1

RGB 124 113 193

HSL 248.25, 0.39%, 0.6%

LAB 51.78, 23.2, -40.52

 

CMYK 33 / 38 / 0 / 17

HEX #8D83D4

RGB 141 131 212

HSL 247.41, 0.49%, 0.67%

LAB 58.65, 22.36, -40.39

 

CMYK 32 / 35 / 0 / 9

HEX #9E95E7

RGB 158 149 231

HSL 246.59, 0.63%, 0.75%

LAB 65.38, 21.61, -40.3

 

CMYK 30 / 33 / 0 / 2

HEX #AFA7FA

RGB 175 167 250

HSL 245.78, 0.89%, 0.82%

LAB 72, 20.95, -40.26

 

CMYK 43 / 47 / 0 / 30

HEX #665FB3

RGB 102 95 179

HSL 245, 0.36%, 0.54%

LAB 44.61, 24.33, -43.89

 

CMYK 47 / 52 / 0 / 37

HEX #554DA0

RGB 85 77 160

HSL 245.78, 0.35%, 0.46%

LAB 37.44, 25.58, -44.18

 

CMYK 52 / 58 / 0 / 45

HEX #443B8D

RGB 68 59 141

HSL 246.59, 0.41%, 0.39%

LAB 30.11, 27.07, -44.5

 

CMYK 58 / 66 / 0 / 52

HEX #33297A

RGB 51 41 122

HSL 247.41, 0.5%, 0.32%

LAB 22.64, 28.85, -44.81

 

CMYK 67 / 78 / 0 / 60

HEX #221767

RGB 34 23 103

HSL 248.25, 0.63%, 0.25%

LAB 15.13, 30.81, -44.88

 

CMYK 43 / 47 / 0 / 30

HEX #665FB3

RGB 102 95 179

HSL 245, 0.36%, 0.54%

LAB 44.61, 24.33, -43.89

 

CMYK 30 / 47 / 0 / 30

HEX #7D5FB3

RGB 125 95 179

HSL 261.43, 0.36%, 0.54%

LAB 46.71, 30.46, -40.42

 

CMYK 17 / 47 / 0 / 30

HEX #945FB3

RGB 148 95 179

HSL 277.86, 0.36%, 0.54%

LAB 49.17, 37.04, -36.37

 

CMYK 5 / 47 / 0 / 30

HEX #AA5FB3

RGB 170 95 179

HSL 293.57, 0.36%, 0.54%

LAB 51.82, 43.53, -32.03

 

CMYK 0 / 47 / 7 / 30

HEX #B35FA6

RGB 179 95 166

HSL 309.29, 0.36%, 0.54%

LAB 52.42, 43.86, -23.43

 

CMYK 43 / 47 / 0 / 30

HEX #665FB3

RGB 102 95 179

HSL 245, 0.36%, 0.54%

LAB 44.61, 24.33, -43.89

 

CMYK 47 / 47 / 0 / 30

HEX #5F5FB3

RGB 95 95 179

HSL 240, 0.36%, 0.54%

LAB 44.05, 22.6, -44.81

 

CMYK 43 / 47 / 0 / 30

HEX #665FB3

RGB 102 95 179

HSL 245, 0.36%, 0.54%

LAB 44.61, 24.33, -43.89

 

CMYK 57 / 62 / 0 / 22

HEX #564CC6

RGB 86 76 198

HSL 244.92, 0.52%, 0.54%

LAB 39.96, 38.38, -62.53

 

CMYK 68 / 74 / 0 / 15

HEX #4639D9

RGB 70 57 217

HSL 244.88, 0.68%, 0.54%

LAB 36.44, 52.97, -79.33

 

CMYK 77 / 84 / 0 / 7

HEX #3726EC

RGB 55 38 236

HSL 245.15, 0.84%, 0.54%

LAB 34.51, 66.25, -93.41

 

CMYK 43 / 47 / 0 / 30

HEX #665FB3

RGB 102 95 179

HSL 245, 0.36%, 0.54%

LAB 44.61, 24.33, -43.89

 

CMYK 26 / 29 / 0 / 37

HEX #7672A0

RGB 118 114 160

HSL 245.22, 0.19%, 0.54%

LAB 50.01, 12.06, -24.19

 

CMYK 5 / 6 / 0 / 45

HEX #86858D

RGB 134 133 141

HSL 247.5, 0.03%, 0.54%

LAB 55.85, 1.99, -4.16

 

CMYK 2 / 0 / 20 / 40

HEX #95987A

RGB 149 152 122

HSL 66, 0.13%, 0.54%

LAB 61.87, -6.42, 15.46

 

CMYK 4 / 0 / 39 / 33

HEX #A5AB68

RGB 165 171 104

HSL 65.37, 0.29%, 0.54%

LAB 68.11, -12.63, 33.77

 

CMYK 47 / 26 / 0 / 30

HEX #5F85B3

RGB 95 133 179

HSL 212.86, 0.36%, 0.54%

LAB 54.51, -0.51, -28.35

 

CMYK 47 / 39 / 0 / 30

HEX #5F6EB3

RGB 95 110 179

HSL 229.29, 0.36%, 0.54%

LAB 48.06, 13.3, -38.45

 

CMYK 43 / 47 / 0 / 30

HEX #665FB3

RGB 102 95 179

HSL 245, 0.36%, 0.54%

LAB 44.61, 24.33, -43.89

 

CMYK 30 / 47 / 0 / 30

HEX #7D5FB3

RGB 125 95 179

HSL 261.43, 0.36%, 0.54%

LAB 46.71, 30.46, -40.42

 

CMYK 18 / 47 / 0 / 30

HEX #935FB3

RGB 147 95 179

HSL 277.14, 0.36%, 0.54%

LAB 49.06, 36.75, -36.55

 

CMYK 49 / 53 / 0 / 49

HEX #433D83

RGB 67 61 131

HSL 245.14, 0.36%, 0.38%

LAB 29.84, 22.28, -38.75

 

CMYK 49 / 53 / 0 / 38

HEX #514A9F

RGB 81 74 159

HSL 244.94, 0.36%, 0.46%

LAB 36.27, 26.22, -45.47

 

CMYK 43 / 47 / 0 / 30

HEX #665FB3

RGB 102 95 179

HSL 245, 0.36%, 0.54%

LAB 44.61, 24.33, -43.89

 

CMYK 33 / 36 / 0 / 24

HEX #817BC1

RGB 129 123 193

HSL 245.14, 0.36%, 0.62%

LAB 54.74, 18.65, -35.82

 

CMYK 24 / 27 / 0 / 19

HEX #9C97CE

RGB 156 151 206

HSL 245.45, 0.36%, 0.7%

LAB 64.69, 13.69, -27.53

 

CMYK 43 / 47 / 0 / 30

HEX #665FB3

RGB 102 95 179

HSL 245, 0.36%, 0.54%

LAB 44.61, 24.33, -43.89

 

CMYK 0 / 47 / 13 / 30

HEX #B35F9B

RGB 179 95 155

HSL 317.14, 0.36%, 0.54%

LAB 51.99, 41.99, -17.65

 

CMYK 32 / 0 / 47 / 30

HEX #7AB35F

RGB 122 179 95

HSL 100.71, 0.36%, 0.54%

LAB 67.43, -34.16, 36.95

 

CMYK 43 / 47 / 0 / 30

HEX #665FB3

RGB 102 95 179

HSL 245, 0.36%, 0.54%

LAB 44.61, 24.33, -43.89

 

CMYK 0 / 43 / 47 / 30

HEX #B3665F

RGB 179 102 95

HSL 5, 0.36%, 0.54%

LAB 51.74, 30.11, 17.48

 

CMYK 47 / 0 / 43 / 30

HEX #5FB366

RGB 95 179 102

HSL 125, 0.36%, 0.54%

LAB 66.24, -41.83, 31.57

 

CMYK 43 / 47 / 0 / 30

HEX #665FB3

RGB 102 95 179

HSL 245, 0.36%, 0.54%

LAB 44.61, 24.33, -43.89

 

CMYK 0 / 47 / 13 / 30

HEX #B35F9B

RGB 179 95 155

HSL 317.14, 0.36%, 0.54%

LAB 51.99, 41.99, -17.65

 

CMYK 4 / 0 / 47 / 30

HEX #ACB35F

RGB 172 179 95

HSL 65, 0.36%, 0.54%

LAB 70.76, -14.9, 41.79

 

CMYK 47 / 0 / 34 / 30

HEX #5FB377

RGB 95 179 119

HSL 137.14, 0.36%, 0.54%

LAB 66.52, -38.94, 22.95

 

CMYK 43 / 47 / 0 / 30

HEX #665FB3

RGB 102 95 179

HSL 245, 0.36%, 0.54%

LAB 44.61, 24.33, -43.89

 

CMYK 0 / 47 / 27 / 30

HEX #B35F82

RGB 179 95 130

HSL 335, 0.36%, 0.54%

LAB 51.13, 38.16, -4.15

 

CMYK 4 / 0 / 47 / 30

HEX #ACB35F

RGB 172 179 95

HSL 65, 0.36%, 0.54%

LAB 70.76, -14.9, 41.79

 

CMYK 47 / 0 / 20 / 30

HEX #5FB390

RGB 95 179 144

HSL 155, 0.36%, 0.54%

LAB 67.04, -33.89, 10.06

 

Description

Color code: HEX #665FB3 | qconv.com Color code: HEX #665FB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 95 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 95 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 47 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 47% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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