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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #666E7A it is the complementary color #999185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #666E7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #666E7A shade: #6B6E75, #7C8088, #8D929B, #9EA4AE and #AFB6C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #666E7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #666E7A shade: #666E7A, #555C67, #444A54, #333841 and #22262E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #666E7A shade: #666E7A, #66687A, #68667A, #6E667A and #73667A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #666E7A shade: #666E7A, #66687A and #66667A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #666E7A shade matches the following richer shades: #666E7A, #536A8C, #41669E, #2F63B0 and #1D5FC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #666E7A shade: #666E7A, #787168, #8A7555, #9C7943 and #AE7C31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #666E7A shade: #66787A, #66737A, #666E7A, #66687A and #68667A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #666E7A shade: #40454D, #535963, #666E7A, #79828F and #9097A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #666E7A shade: #666E7A, #76667A and #767A66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #666E7A shade: #666E7A, #7A666E and #6E7A66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #666E7A shade: #666E7A, #76667A, #7A7266 and #6A7A66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #666E7A shade: #666E7A, #7A6678, #7A7266 and #667A68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 10 / 0 / 52

HEX #666E7A

RGB 102 110 122

HSL 216, 0.09%, 0.44%

LAB 46.15, -0.32, -7.68

 

Complementary color

CMYK 0 / 5 / 13 / 40

HEX #999185

RGB 153 145 133

HSL 36, 0.09%, 0.56%

LAB 60.53, 0.81, 7.42

 

CMYK 9 / 6 / 0 / 54

HEX #6B6E75

RGB 107 110 117

HSL 222, 0.04%, 0.44%

LAB 46.39, 0.36, -4.28

 

CMYK 9 / 6 / 0 / 47

HEX #7C8088

RGB 124 128 136

HSL 220, 0.05%, 0.51%

LAB 53.49, 0.19, -4.84

HEX #7C8088

CMYK 9 / 6 / 0 / 39

HEX #8D929B

RGB 141 146 155

HSL 218.57, 0.07%, 0.58%

LAB 60.42, 0.03, -5.38

HEX #8D929B

CMYK 9 / 6 / 0 / 32

HEX #9EA4AE

RGB 158 164 174

HSL 217.5, 0.09%, 0.65%

LAB 67.18, -0.11, -5.9

HEX #9EA4AE

CMYK 9 / 6 / 0 / 24

HEX #AFB6C1

RGB 175 182 193

HSL 216.67, 0.13%, 0.72%

LAB 73.82, -0.26, -6.42

HEX #AFB6C1

CMYK 16 / 10 / 0 / 52

HEX #666E7A

RGB 102 110 122

HSL 216, 0.09%, 0.44%

LAB 46.15, -0.32, -7.68

 

CMYK 17 / 11 / 0 / 60

HEX #555C67

RGB 85 92 103

HSL 216.67, 0.1%, 0.37%

LAB 38.84, -0.16, -7.22

 

CMYK 19 / 12 / 0 / 67

HEX #444A54

RGB 68 74 84

HSL 217.5, 0.11%, 0.3%

LAB 31.27, 0.02, -6.75

 

CMYK 22 / 14 / 0 / 75

HEX #333841

RGB 51 56 65

HSL 218.57, 0.12%, 0.23%

LAB 23.38, 0.21, -6.29

 

CMYK 26 / 17 / 0 / 82

HEX #22262E

RGB 34 38 46

HSL 220, 0.15%, 0.16%

LAB 15.08, 0.43, -5.86

 

CMYK 16 / 10 / 0 / 52

HEX #666E7A

RGB 102 110 122

HSL 216, 0.09%, 0.44%

LAB 46.15, -0.32, -7.68

 

CMYK 16 / 15 / 0 / 52

HEX #66687A

RGB 102 104 122

HSL 234, 0.09%, 0.44%

LAB 44.42, 3.27, -10.28

 

CMYK 15 / 16 / 0 / 52

HEX #68667A

RGB 104 102 122

HSL 246, 0.09%, 0.44%

LAB 44.02, 5.19, -10.87

 

CMYK 10 / 16 / 0 / 52

HEX #6E667A

RGB 110 102 122

HSL 264, 0.09%, 0.44%

LAB 44.55, 7.36, -10.01

 

CMYK 6 / 16 / 0 / 52

HEX #73667A

RGB 115 102 122

HSL 279, 0.09%, 0.44%

LAB 45.02, 9.2, -9.27

 

CMYK 16 / 10 / 0 / 52

HEX #666E7A

RGB 102 110 122

HSL 216, 0.09%, 0.44%

LAB 46.15, -0.32, -7.68

 

CMYK 16 / 15 / 0 / 52

HEX #66687A

RGB 102 104 122

HSL 234, 0.09%, 0.44%

LAB 44.42, 3.27, -10.28

 

CMYK 16 / 16 / 0 / 52

HEX #66667A

RGB 102 102 122

HSL 240, 0.09%, 0.44%

LAB 43.85, 4.48, -11.14

 

CMYK 16 / 10 / 0 / 52

HEX #666E7A

RGB 102 110 122

HSL 216, 0.09%, 0.44%

LAB 46.15, -0.32, -7.68

 

CMYK 41 / 24 / 0 / 45

HEX #536A8C

RGB 83 106 140

HSL 215.79, 0.26%, 0.44%

LAB 44.29, 0.71, -21.41

 

CMYK 59 / 35 / 0 / 38

HEX #41669E

RGB 65 102 158

HSL 216.13, 0.42%, 0.44%

LAB 42.91, 4.39, -34.37

 

CMYK 73 / 44 / 0 / 31

HEX #2F63B0

RGB 47 99 176

HSL 215.81, 0.58%, 0.44%

LAB 42.25, 9.61, -46.08

 

CMYK 85 / 51 / 0 / 24

HEX #1D5FC2

RGB 29 95 194

HSL 216, 0.74%, 0.44%

LAB 41.75, 17.22, -57.42

 

CMYK 16 / 10 / 0 / 52

HEX #666E7A

RGB 102 110 122

HSL 216, 0.09%, 0.44%

LAB 46.15, -0.32, -7.68

 

CMYK 0 / 6 / 13 / 53

HEX #787168

RGB 120 113 104

HSL 33.75, 0.07%, 0.44%

LAB 48.01, 1.03, 5.96

 

CMYK 0 / 15 / 38 / 46

HEX #8A7555

RGB 138 117 85

HSL 36.23, 0.24%, 0.44%

LAB 50.43, 3.33, 20.7

 

CMYK 0 / 22 / 57 / 39

HEX #9C7943

RGB 156 121 67

HSL 36.4, 0.4%, 0.44%

LAB 53.11, 7.05, 34.51

 

CMYK 0 / 29 / 72 / 32

HEX #AE7C31

RGB 174 124 49

HSL 36, 0.56%, 0.44%

LAB 55.72, 12.14, 46.97

 

CMYK 16 / 2 / 0 / 52

HEX #66787A

RGB 102 120 122

HSL 186, 0.09%, 0.44%

LAB 49.08, -6.15, -3.33

 

CMYK 16 / 6 / 0 / 52

HEX #66737A

RGB 102 115 122

HSL 201, 0.09%, 0.44%

LAB 47.61, -3.25, -5.51

 

CMYK 16 / 10 / 0 / 52

HEX #666E7A

RGB 102 110 122

HSL 216, 0.09%, 0.44%

LAB 46.15, -0.32, -7.68

 

CMYK 16 / 15 / 0 / 52

HEX #66687A

RGB 102 104 122

HSL 234, 0.09%, 0.44%

LAB 44.42, 3.27, -10.28

 

CMYK 15 / 16 / 0 / 52

HEX #68667A

RGB 104 102 122

HSL 246, 0.09%, 0.44%

LAB 44.02, 5.19, -10.87

 

CMYK 17 / 10 / 0 / 70

HEX #40454D

RGB 64 69 77

HSL 216.92, 0.09%, 0.28%

LAB 29.11, -0.1, -5.5

 

CMYK 16 / 10 / 0 / 61

HEX #535963

RGB 83 89 99

HSL 217.5, 0.09%, 0.36%

LAB 37.63, -0.03, -6.55

 

CMYK 16 / 10 / 0 / 52

HEX #666E7A

RGB 102 110 122

HSL 216, 0.09%, 0.44%

LAB 46.15, -0.32, -7.68

 

CMYK 15 / 9 / 0 / 44

HEX #79828F

RGB 121 130 143

HSL 215.45, 0.09%, 0.52%

LAB 54.04, -0.47, -8.12

 

CMYK 11 / 7 / 0 / 36

HEX #9097A2

RGB 144 151 162

HSL 216.67, 0.09%, 0.6%

LAB 62.23, -0.24, -6.63

 

CMYK 16 / 10 / 0 / 52

HEX #666E7A

RGB 102 110 122

HSL 216, 0.09%, 0.44%

LAB 46.15, -0.32, -7.68

 

CMYK 3 / 16 / 0 / 52

HEX #76667A

RGB 118 102 122

HSL 288, 0.09%, 0.44%

LAB 45.3, 10.31, -8.81

 

CMYK 3 / 0 / 16 / 52

HEX #767A66

RGB 118 122 102

HSL 72, 0.09%, 0.44%

LAB 50.37, -5.31, 10.46

 

CMYK 16 / 10 / 0 / 52

HEX #666E7A

RGB 102 110 122

HSL 216, 0.09%, 0.44%

LAB 46.15, -0.32, -7.68

 

CMYK 0 / 16 / 10 / 52

HEX #7A666E

RGB 122 102 110

HSL 336, 0.09%, 0.44%

LAB 45.31, 9.43, -1.52

 

CMYK 10 / 0 / 16 / 52

HEX #6E7A66

RGB 110 122 102

HSL 96, 0.09%, 0.44%

LAB 49.73, -8.46, 9.46

 

CMYK 16 / 10 / 0 / 52

HEX #666E7A

RGB 102 110 122

HSL 216, 0.09%, 0.44%

LAB 46.15, -0.32, -7.68

 

CMYK 3 / 16 / 0 / 52

HEX #76667A

RGB 118 102 122

HSL 288, 0.09%, 0.44%

LAB 45.3, 10.31, -8.81

 

CMYK 0 / 7 / 16 / 52

HEX #7A7266

RGB 122 114 102

HSL 36, 0.09%, 0.44%

LAB 48.43, 0.9, 7.76

 

CMYK 13 / 0 / 16 / 52

HEX #6A7A66

RGB 106 122 102

HSL 108, 0.09%, 0.44%

LAB 49.43, -10.01, 8.99

 

CMYK 16 / 10 / 0 / 52

HEX #666E7A

RGB 102 110 122

HSL 216, 0.09%, 0.44%

LAB 46.15, -0.32, -7.68

 

CMYK 0 / 16 / 2 / 52

HEX #7A6678

RGB 122 102 120

HSL 306, 0.09%, 0.44%

LAB 45.63, 11.39, -7.07

 

CMYK 0 / 7 / 16 / 52

HEX #7A7266

RGB 122 114 102

HSL 36, 0.09%, 0.44%

LAB 48.43, 0.9, 7.76

 

CMYK 16 / 0 / 15 / 52

HEX #667A68

RGB 102 122 104

HSL 126, 0.09%, 0.44%

LAB 49.18, -11.14, 7.43

 

Description

Color code: HEX #666E7A | qconv.com Color code: HEX #666E7A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 110 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 110 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 10 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 10% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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