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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #667882 it is the complementary color #99877D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #667882. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #667882 shade: #6B787D, #7C8A90, #8D9CA3, #9EAEB6 and #AFC0C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #667882. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #667882 shade: #667882, #55666F, #44545C, #334249 and #223036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #667882 shade: #647680, #646F80, #646780, #696480 and #706480

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #667882 shade: #647680, #646F80, #646780 and #646480

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #667882 shade matches the following richer shades: #647680, #527B93, #3F81A5, #2D86B8 and #1A8BCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #667882 shade: #647680, #77716D, #8A6C5B, #9C6648 and #AF6136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #667882 shade: #64807B, #647E80, #647680, #646F80 and #646880

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #667882 shade: #404C52, #526169, #647680, #798B95 and #909FA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #667882 shade: #667882, #746480 and #807F64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #667882 shade: #667882, #806476 and #768064

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #667882 shade: #667882, #746480, #806E64 and #718064

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #667882 shade: #667882, #7C6480, #806E64 and #698064

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 8 / 0 / 49

HEX #667882

RGB 102 120 130

HSL 201.43, 0.12%, 0.45%

LAB 49.34, -4.26, -7.68

 

Complementary color

CMYK 0 / 12 / 18 / 40

HEX #99877D

RGB 153 135 125

HSL 21.43, 0.12%, 0.55%

LAB 57.64, 5.09, 7.86

 

CMYK 14 / 4 / 0 / 51

HEX #6B787D

RGB 107 120 125

HSL 196.67, 0.08%, 0.45%

LAB 49.54, -3.7, -4.38

 

CMYK 14 / 4 / 0 / 44

HEX #7C8A90

RGB 124 138 144

HSL 198, 0.08%, 0.53%

LAB 56.56, -3.76, -4.93

 

CMYK 13 / 4 / 0 / 36

HEX #8D9CA3

RGB 141 156 163

HSL 199.09, 0.11%, 0.6%

LAB 63.41, -3.83, -5.47

 

CMYK 13 / 4 / 0 / 29

HEX #9EAEB6

RGB 158 174 182

HSL 200, 0.14%, 0.67%

LAB 70.12, -3.9, -5.99

 

CMYK 13 / 4 / 0 / 21

HEX #AFC0C9

RGB 175 192 201

HSL 200.77, 0.19%, 0.74%

LAB 76.7, -3.97, -6.5

 

CMYK 22 / 8 / 0 / 49

HEX #667882

RGB 102 120 130

HSL 201.43, 0.12%, 0.45%

LAB 49.34, -4.26, -7.68

 

CMYK 23 / 8 / 0 / 56

HEX #55666F

RGB 85 102 111

HSL 200.77, 0.13%, 0.38%

LAB 42.13, -4.2, -7.2

 

CMYK 26 / 9 / 0 / 64

HEX #44545C

RGB 68 84 92

HSL 200, 0.15%, 0.31%

LAB 34.69, -4.15, -6.71

 

CMYK 30 / 10 / 0 / 71

HEX #334249

RGB 51 66 73

HSL 199.09, 0.18%, 0.24%

LAB 26.97, -4.1, -6.22

 

CMYK 37 / 11 / 0 / 79

HEX #223036

RGB 34 48 54

HSL 198, 0.23%, 0.17%

LAB 18.89, -4.05, -5.72

 

CMYK 22 / 8 / 0 / 50

HEX #647680

RGB 100 118 128

HSL 201.43, 0.12%, 0.45%

LAB 48.54, -4.26, -7.7

 

CMYK 22 / 13 / 0 / 50

HEX #646F80

RGB 100 111 128

HSL 216.43, 0.12%, 0.45%

LAB 46.49, -0.16, -10.77

 

CMYK 22 / 20 / 0 / 50

HEX #646780

RGB 100 103 128

HSL 233.57, 0.12%, 0.45%

LAB 44.19, 4.64, -14.26

 

CMYK 18 / 22 / 0 / 50

HEX #696480

RGB 105 100 128

HSL 250.71, 0.12%, 0.45%

LAB 43.76, 8.19, -14.86

 

CMYK 13 / 22 / 0 / 50

HEX #706480

RGB 112 100 128

HSL 265.71, 0.12%, 0.45%

LAB 44.4, 10.66, -13.84

 

CMYK 22 / 8 / 0 / 50

HEX #647680

RGB 100 118 128

HSL 201.43, 0.12%, 0.45%

LAB 48.54, -4.26, -7.7

 

CMYK 22 / 13 / 0 / 50

HEX #646F80

RGB 100 111 128

HSL 216.43, 0.12%, 0.45%

LAB 46.49, -0.16, -10.77

 

CMYK 22 / 20 / 0 / 50

HEX #646780

RGB 100 103 128

HSL 233.57, 0.12%, 0.45%

LAB 44.19, 4.64, -14.26

 

CMYK 22 / 22 / 0 / 50

HEX #646480

RGB 100 100 128

HSL 240, 0.12%, 0.45%

LAB 43.33, 6.47, -15.56

 

CMYK 22 / 8 / 0 / 50

HEX #647680

RGB 100 118 128

HSL 201.43, 0.12%, 0.45%

LAB 48.54, -4.26, -7.7

 

CMYK 44 / 16 / 0 / 42

HEX #527B93

RGB 82 123 147

HSL 202.15, 0.28%, 0.45%

LAB 49.58, -7.57, -17.45

 

CMYK 62 / 22 / 0 / 35

HEX #3F81A5

RGB 63 129 165

HSL 201.18, 0.45%, 0.45%

LAB 51.24, -9.82, -25.47

 

CMYK 76 / 27 / 0 / 28

HEX #2D86B8

RGB 45 134 184

HSL 201.58, 0.61%, 0.45%

LAB 53.02, -9.02, -33.68

 

CMYK 87 / 31 / 0 / 21

HEX #1A8BCA

RGB 26 139 202

HSL 201.48, 0.77%, 0.45%

LAB 55.02, -7.15, -40.82

 

CMYK 22 / 8 / 0 / 50

HEX #647680

RGB 100 118 128

HSL 201.43, 0.12%, 0.45%

LAB 48.54, -4.26, -7.7

 

CMYK 0 / 5 / 8 / 53

HEX #77716D

RGB 119 113 109

HSL 24, 0.04%, 0.45%

LAB 48.05, 1.55, 3.04

 

CMYK 0 / 22 / 34 / 46

HEX #8A6C5B

RGB 138 108 91

HSL 21.7, 0.21%, 0.45%

LAB 48.11, 9.35, 14.06

 

CMYK 0 / 35 / 54 / 39

HEX #9C6648

RGB 156 102 72

HSL 21.43, 0.37%, 0.45%

LAB 48.31, 18.36, 25.79

 

CMYK 0 / 45 / 69 / 31

HEX #AF6136

RGB 175 97 54

HSL 21.32, 0.53%, 0.45%

LAB 49.41, 27.91, 37.7

 

CMYK 22 / 0 / 4 / 50

HEX #64807B

RGB 100 128 123

HSL 169.29, 0.12%, 0.45%

LAB 51.36, -11.13, -0.59

 

CMYK 22 / 2 / 0 / 50

HEX #647E80

RGB 100 126 128

HSL 184.29, 0.12%, 0.45%

LAB 50.91, -8.84, -4.18

 

CMYK 22 / 8 / 0 / 50

HEX #647680

RGB 100 118 128

HSL 201.43, 0.12%, 0.45%

LAB 48.54, -4.26, -7.7

 

CMYK 22 / 13 / 0 / 50

HEX #646F80

RGB 100 111 128

HSL 216.43, 0.12%, 0.45%

LAB 46.49, -0.16, -10.77

 

CMYK 22 / 19 / 0 / 50

HEX #646880

RGB 100 104 128

HSL 231.43, 0.12%, 0.45%

LAB 44.47, 4.04, -13.83

 

CMYK 22 / 7 / 0 / 68

HEX #404C52

RGB 64 76 82

HSL 200, 0.12%, 0.29%

LAB 31.5, -3.25, -5.15

 

CMYK 22 / 8 / 0 / 59

HEX #526169

RGB 82 97 105

HSL 200.87, 0.12%, 0.37%

LAB 40.19, -3.77, -6.46

 

CMYK 22 / 8 / 0 / 50

HEX #647680

RGB 100 118 128

HSL 201.43, 0.12%, 0.45%

LAB 48.54, -4.26, -7.7

 

CMYK 19 / 7 / 0 / 42

HEX #798B95

RGB 121 139 149

HSL 201.43, 0.12%, 0.53%

LAB 56.78, -4.22, -7.5

 

CMYK 14 / 5 / 0 / 35

HEX #909FA7

RGB 144 159 167

HSL 200.87, 0.12%, 0.61%

LAB 64.58, -3.6, -5.97

 

CMYK 22 / 8 / 0 / 49

HEX #667882

RGB 102 120 130

HSL 201.43, 0.12%, 0.45%

LAB 49.34, -4.26, -7.68

 

CMYK 9 / 22 / 0 / 50

HEX #746480

RGB 116 100 128

HSL 274.29, 0.12%, 0.45%

LAB 44.78, 12.1, -13.22

 

CMYK 0 / 1 / 22 / 50

HEX #807F64

RGB 128 127 100

HSL 57.86, 0.12%, 0.45%

LAB 52.61, -4.44, 14.86

 

CMYK 22 / 8 / 0 / 49

HEX #667882

RGB 102 120 130

HSL 201.43, 0.12%, 0.45%

LAB 49.34, -4.26, -7.68

 

CMYK 0 / 22 / 8 / 50

HEX #806476

RGB 128 100 118

HSL 321.43, 0.12%, 0.45%

LAB 45.65, 14.48, -5.77

 

CMYK 8 / 0 / 22 / 50

HEX #768064

RGB 118 128 100

HSL 81.43, 0.12%, 0.45%

LAB 52.07, -9.02, 13.99

 

CMYK 22 / 8 / 0 / 49

HEX #667882

RGB 102 120 130

HSL 201.43, 0.12%, 0.45%

LAB 49.34, -4.26, -7.68

 

CMYK 9 / 22 / 0 / 50

HEX #746480

RGB 116 100 128

HSL 274.29, 0.12%, 0.45%

LAB 44.78, 12.1, -13.22

 

CMYK 0 / 14 / 22 / 50

HEX #806E64

RGB 128 110 100

HSL 21.43, 0.12%, 0.45%

LAB 47.83, 5.35, 8.18

 

CMYK 12 / 0 / 22 / 50

HEX #718064

RGB 113 128 100

HSL 92.14, 0.12%, 0.45%

LAB 51.69, -10.99, 13.4

 

CMYK 22 / 8 / 0 / 49

HEX #667882

RGB 102 120 130

HSL 201.43, 0.12%, 0.45%

LAB 49.34, -4.26, -7.68

 

CMYK 3 / 22 / 0 / 50

HEX #7C6480

RGB 124 100 128

HSL 291.43, 0.12%, 0.45%

LAB 45.58, 15, -11.94

 

CMYK 0 / 14 / 22 / 50

HEX #806E64

RGB 128 110 100

HSL 21.43, 0.12%, 0.45%

LAB 47.83, 5.35, 8.18

 

CMYK 18 / 0 / 22 / 50

HEX #698064

RGB 105 128 100

HSL 109.29, 0.12%, 0.45%

LAB 51.11, -14.07, 12.5

 

Description

Color code: HEX #667882 | qconv.com Color code: HEX #667882 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 120 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 120 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 8 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 8% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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