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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6679B1 it is the complementary color #99864E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6679B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6679B1 shade: #6B79AC, #7C8BBF, #8D9DD2, #9EAFE5 and #AFC1F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6679B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6679B1 shade: #6679B1, #55679E, #44558B, #334378 and #223165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6679B1 shade: #677AB0, #6867B0, #7C67B0, #9067B0 and #A467B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6679B1 shade: #677AB0 and #6767B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6679B1 shade matches the following richer shades: #677AB0, #5470C3, #4267D6, #2F5EE8 and #1D55FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6679B1 shade: #677AB0, #7A839E, #8C8C8B, #9F9579 and #B19E66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6679B1 shade: #67A2B0, #678EB0, #677BB0, #6767B0 and #7B67B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6679B1 shade: #435382, #51649D, #677AB0, #8292BE and #9DA9CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6679B1 shade: #6679B1, #AC67B0 and #98B067

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6679B1 shade: #6679B1, #B0677B and #7BB067

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6679B1 shade: #6679B1, #AC67B0, #B09D67 and #6CB067

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6679B1 shade: #6679B1, #B0679F, #B09D67 and #67B078

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 32 / 0 / 31

HEX #6679B1

RGB 102 121 177

HSL 224.8, 0.32%, 0.55%

LAB 51.47, 7.84, -31.91

 

Complementary color

CMYK 0 / 12 / 49 / 40

HEX #99864E

RGB 153 134 78

HSL 44.8, 0.32%, 0.45%

LAB 56.46, -0.58, 32.64

 

CMYK 38 / 30 / 0 / 33

HEX #6B79AC

RGB 107 121 172

HSL 227.08, 0.28%, 0.55%

LAB 51.59, 7.78, -28.8

 

CMYK 35 / 27 / 0 / 25

HEX #7C8BBF

RGB 124 139 191

HSL 226.57, 0.34%, 0.62%

LAB 58.52, 7.27, -28.83

 

CMYK 33 / 25 / 0 / 18

HEX #8D9DD2

RGB 141 157 210

HSL 226.09, 0.43%, 0.69%

LAB 65.3, 6.83, -28.91

 

CMYK 31 / 24 / 0 / 10

HEX #9EAFE5

RGB 158 175 229

HSL 225.63, 0.58%, 0.76%

LAB 71.95, 6.44, -29.02

 

CMYK 29 / 22 / 0 / 3

HEX #AFC1F8

RGB 175 193 248

HSL 225.21, 0.84%, 0.83%

LAB 78.48, 6.09, -29.15

 

CMYK 42 / 32 / 0 / 31

HEX #6679B1

RGB 102 121 177

HSL 224.8, 0.32%, 0.55%

LAB 51.47, 7.84, -31.91

 

CMYK 46 / 35 / 0 / 38

HEX #55679E

RGB 85 103 158

HSL 225.21, 0.3%, 0.48%

LAB 44.38, 8.56, -31.97

 

CMYK 51 / 39 / 0 / 45

HEX #44558B

RGB 68 85 139

HSL 225.63, 0.34%, 0.41%

LAB 37.1, 9.46, -32.11

 

CMYK 58 / 44 / 0 / 53

HEX #334378

RGB 51 67 120

HSL 226.09, 0.4%, 0.34%

LAB 29.6, 10.64, -32.32

 

CMYK 66 / 51 / 0 / 60

HEX #223165

RGB 34 49 101

HSL 226.57, 0.5%, 0.26%

LAB 21.86, 12.27, -32.62

 

CMYK 41 / 31 / 0 / 31

HEX #677AB0

RGB 103 122 176

HSL 224.38, 0.32%, 0.55%

LAB 51.77, 7.22, -30.85

 

CMYK 41 / 41 / 0 / 31

HEX #6867B0

RGB 104 103 176

HSL 240.82, 0.32%, 0.55%

LAB 46.68, 19.04, -38.83

 

CMYK 30 / 41 / 0 / 31

HEX #7C67B0

RGB 124 103 176

HSL 257.26, 0.32%, 0.55%

LAB 48.41, 24.63, -35.99

 

CMYK 18 / 41 / 0 / 31

HEX #9067B0

RGB 144 103 176

HSL 273.7, 0.32%, 0.55%

LAB 50.41, 30.6, -32.71

 

CMYK 7 / 41 / 0 / 31

HEX #A467B0

RGB 164 103 176

HSL 290.14, 0.32%, 0.55%

LAB 52.65, 36.77, -29.05

 

CMYK 41 / 31 / 0 / 31

HEX #677AB0

RGB 103 122 176

HSL 224.38, 0.32%, 0.55%

LAB 51.77, 7.22, -30.85

 

CMYK 41 / 41 / 0 / 31

HEX #6767B0

RGB 103 103 176

HSL 240, 0.32%, 0.55%

LAB 46.6, 18.77, -38.96

 

CMYK 41 / 31 / 0 / 31

HEX #677AB0

RGB 103 122 176

HSL 224.38, 0.32%, 0.55%

LAB 51.77, 7.22, -30.85

 

CMYK 57 / 43 / 0 / 24

HEX #5470C3

RGB 84 112 195

HSL 224.86, 0.48%, 0.55%

LAB 48.78, 14.68, -46.6

 

CMYK 69 / 52 / 0 / 16

HEX #4267D6

RGB 66 103 214

HSL 225, 0.64%, 0.55%

LAB 46.6, 23.74, -61.03

 

CMYK 80 / 59 / 0 / 9

HEX #2F5EE8

RGB 47 94 232

HSL 224.76, 0.8%, 0.55%

LAB 44.85, 33.81, -74.11

 

CMYK 88 / 66 / 0 / 2

HEX #1D55FB

RGB 29 85 251

HSL 224.86, 0.97%, 0.55%

LAB 43.83, 45.17, -86.46

 

CMYK 41 / 31 / 0 / 31

HEX #677AB0

RGB 103 122 176

HSL 224.38, 0.32%, 0.55%

LAB 51.77, 7.22, -30.85

 

CMYK 23 / 17 / 0 / 38

HEX #7A839E

RGB 122 131 158

HSL 225, 0.16%, 0.55%

LAB 54.91, 2.82, -15.5

 

CMYK 0 / 0 / 1 / 45

HEX #8C8C8B

RGB 140 140 139

HSL 60, 0%, 0.55%

LAB 58.22, -0.19, 0.53

 

CMYK 0 / 6 / 24 / 38

HEX #9F9579

RGB 159 149 121

HSL 44.21, 0.17%, 0.55%

LAB 61.87, -0.98, 16.14

 

CMYK 0 / 11 / 42 / 31

HEX #B19E66

RGB 177 158 102

HSL 44.8, 0.32%, 0.55%

LAB 65.56, -1, 31.77

 

CMYK 41 / 8 / 0 / 31

HEX #67A2B0

RGB 103 162 176

HSL 191.51, 0.32%, 0.55%

LAB 63.23, -15.47, -13.29

 

CMYK 41 / 19 / 0 / 31

HEX #678EB0

RGB 103 142 176

HSL 207.95, 0.32%, 0.55%

LAB 57.43, -4.46, -22.1

 

CMYK 41 / 30 / 0 / 31

HEX #677BB0

RGB 103 123 176

HSL 223.56, 0.32%, 0.55%

LAB 52.04, 6.62, -30.42

 

CMYK 41 / 41 / 0 / 31

HEX #6767B0

RGB 103 103 176

HSL 240, 0.32%, 0.55%

LAB 46.6, 18.77, -38.96

 

CMYK 30 / 41 / 0 / 31

HEX #7B67B0

RGB 123 103 176

HSL 256.44, 0.32%, 0.55%

LAB 48.32, 24.34, -36.14

 

CMYK 48 / 36 / 0 / 49

HEX #435382

RGB 67 83 130

HSL 224.76, 0.32%, 0.39%

LAB 35.97, 7.53, -28.39

 

CMYK 48 / 36 / 0 / 38

HEX #51649D

RGB 81 100 157

HSL 225, 0.32%, 0.47%

LAB 43.21, 9.08, -33.24

 

CMYK 41 / 31 / 0 / 31

HEX #677AB0

RGB 103 122 176

HSL 224.38, 0.32%, 0.55%

LAB 51.77, 7.22, -30.85

 

CMYK 32 / 23 / 0 / 25

HEX #8292BE

RGB 130 146 190

HSL 224, 0.32%, 0.63%

LAB 60.8, 4.71, -24.71

 

CMYK 23 / 18 / 0 / 20

HEX #9DA9CD

RGB 157 169 205

HSL 225, 0.32%, 0.71%

LAB 69.44, 3.65, -19.71

 

CMYK 42 / 32 / 0 / 31

HEX #6679B1

RGB 102 121 177

HSL 224.8, 0.32%, 0.55%

LAB 51.47, 7.84, -31.91

 

CMYK 2 / 41 / 0 / 31

HEX #AC67B0

RGB 172 103 176

HSL 296.71, 0.32%, 0.55%

LAB 53.61, 39.27, -27.49

 

CMYK 14 / 0 / 41 / 31

HEX #98B067

RGB 152 176 103

HSL 79.73, 0.32%, 0.55%

LAB 68.54, -20.5, 34.64

 

CMYK 42 / 32 / 0 / 31

HEX #6679B1

RGB 102 121 177

HSL 224.8, 0.32%, 0.55%

LAB 51.47, 7.84, -31.91

 

CMYK 0 / 41 / 30 / 31

HEX #B0677B

RGB 176 103 123

HSL 343.56, 0.32%, 0.55%

LAB 52.24, 31.79, 1.59

 

CMYK 30 / 0 / 41 / 31

HEX #7BB067

RGB 123 176 103

HSL 103.56, 0.32%, 0.55%

LAB 66.7, -31.32, 31.92

 

CMYK 42 / 32 / 0 / 31

HEX #6679B1

RGB 102 121 177

HSL 224.8, 0.32%, 0.55%

LAB 51.47, 7.84, -31.91

 

CMYK 2 / 41 / 0 / 31

HEX #AC67B0

RGB 172 103 176

HSL 296.71, 0.32%, 0.55%

LAB 53.61, 39.27, -27.49

 

CMYK 0 / 11 / 41 / 31

HEX #B09D67

RGB 176 157 103

HSL 44.38, 0.32%, 0.55%

LAB 65.22, -0.77, 30.78

 

CMYK 39 / 0 / 41 / 31

HEX #6CB067

RGB 108 176 103

HSL 115.89, 0.32%, 0.55%

LAB 65.92, -36.37, 30.75

 

CMYK 42 / 32 / 0 / 31

HEX #6679B1

RGB 102 121 177

HSL 224.8, 0.32%, 0.55%

LAB 51.47, 7.84, -31.91

 

CMYK 0 / 41 / 10 / 31

HEX #B0679F

RGB 176 103 159

HSL 313.97, 0.32%, 0.55%

LAB 53.42, 37.43, -17.84

 

CMYK 0 / 11 / 41 / 31

HEX #B09D67

RGB 176 157 103

HSL 44.38, 0.32%, 0.55%

LAB 65.22, -0.77, 30.78

 

CMYK 41 / 0 / 32 / 31

HEX #67B078

RGB 103 176 120

HSL 133.97, 0.32%, 0.55%

LAB 65.97, -35.09, 21.73

 

Description

Color code: HEX #6679B1 | qconv.com Color code: HEX #6679B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 121 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 121 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 32 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 32% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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