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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6673C0 it is the complementary color #998C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6673C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6673C0 shade: #6B73BB, #7C85CE, #8D97E1, #9EA9F4 and #AFBBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6673C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6673C0 shade: #6673C0, #5561AD, #444F9A, #333D87 and #222B74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6673C0 shade: #6673C0, #7266C0, #8A66C0, #A266C0 and #BA66C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6673C0 shade: #6673C0 and #6666C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6673C0 shade matches the following richer shades: #6673C0, #5567D2, #445BE3 and #324EF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6673C0 shade: #6673C0, #7880AF, #898C9E, #9A988C and #ACA57B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6673C0 shade: #66A4C0, #668CC0, #6674C0, #7166C0 and #8966C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6673C0 shade: #3D4A97, #4959B4, #6673C0, #848ECC and #A1A9D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6673C0 shade: #6673C0, #C066BC and #98C066

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6673C0 shade: #6673C0, #C06674 and #74C066

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6673C0 shade: #6673C0, #C066BC, #C0B366 and #66C06B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6673C0 shade: #6673C0, #C066A1, #C0B366 and #66C086

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 40 / 0 / 25

HEX #6673C0

RGB 102 115 192

HSL 231.33, 0.42%, 0.58%

LAB 50.56, 15.97, -41.97

 

Complementary color

CMYK 0 / 8 / 59 / 40

HEX #998C3F

RGB 153 140 63

HSL 51.33, 0.42%, 0.42%

LAB 57.93, -5.24, 42.1

 

CMYK 43 / 39 / 0 / 27

HEX #6B73BB

RGB 107 115 187

HSL 234, 0.37%, 0.58%

LAB 50.66, 15.74, -38.92

 

CMYK 40 / 35 / 0 / 19

HEX #7C85CE

RGB 124 133 206

HSL 233.41, 0.46%, 0.65%

LAB 57.58, 14.92, -38.78

 

CMYK 37 / 33 / 0 / 12

HEX #8D97E1

RGB 141 151 225

HSL 232.86, 0.58%, 0.72%

LAB 64.35, 14.23, -38.7

 

CMYK 35 / 31 / 0 / 4

HEX #9EA9F4

RGB 158 169 244

HSL 232.33, 0.8%, 0.79%

LAB 70.99, 13.62, -38.66

 

CMYK 31 / 27 / 0 / 0

HEX #AFBBFF

RGB 175 187 255

HSL 231, 1%, 0.84%

LAB 77.21, 11.08, -34.87

 

CMYK 47 / 40 / 0 / 25

HEX #6673C0

RGB 102 115 192

HSL 231.33, 0.42%, 0.58%

LAB 50.56, 15.97, -41.97

 

CMYK 51 / 44 / 0 / 32

HEX #5561AD

RGB 85 97 173

HSL 231.82, 0.35%, 0.51%

LAB 43.5, 17.06, -42.21

 

CMYK 56 / 49 / 0 / 40

HEX #444F9A

RGB 68 79 154

HSL 232.33, 0.39%, 0.44%

LAB 36.28, 18.41, -42.5

 

CMYK 62 / 55 / 0 / 47

HEX #333D87

RGB 51 61 135

HSL 232.86, 0.45%, 0.36%

LAB 28.88, 20.13, -42.85

 

CMYK 71 / 63 / 0 / 55

HEX #222B74

RGB 34 43 116

HSL 233.41, 0.55%, 0.29%

LAB 21.32, 22.37, -43.19

 

CMYK 47 / 40 / 0 / 25

HEX #6673C0

RGB 102 115 192

HSL 231.33, 0.42%, 0.58%

LAB 50.56, 15.97, -41.97

 

CMYK 41 / 47 / 0 / 25

HEX #7266C0

RGB 114 102 192

HSL 248, 0.42%, 0.58%

LAB 48.12, 26.89, -45.8

 

CMYK 28 / 47 / 0 / 25

HEX #8A66C0

RGB 138 102 192

HSL 264, 0.42%, 0.58%

LAB 50.35, 33.29, -42.11

 

CMYK 16 / 47 / 0 / 25

HEX #A266C0

RGB 162 102 192

HSL 280, 0.42%, 0.58%

LAB 52.94, 40.1, -37.85

 

CMYK 3 / 47 / 0 / 25

HEX #BA66C0

RGB 186 102 192

HSL 296, 0.42%, 0.58%

LAB 55.83, 47.09, -33.11

 

CMYK 47 / 40 / 0 / 25

HEX #6673C0

RGB 102 115 192

HSL 231.33, 0.42%, 0.58%

LAB 50.56, 15.97, -41.97

 

CMYK 47 / 47 / 0 / 25

HEX #6666C0

RGB 102 102 192

HSL 240, 0.42%, 0.58%

LAB 47.15, 23.93, -47.4

 

CMYK 47 / 40 / 0 / 25

HEX #6673C0

RGB 102 115 192

HSL 231.33, 0.42%, 0.58%

LAB 50.56, 15.97, -41.97

 

CMYK 60 / 51 / 0 / 18

HEX #5567D2

RGB 85 103 210

HSL 231.36, 0.58%, 0.58%

LAB 47.35, 25.48, -57.48

 

CMYK 70 / 60 / 0 / 11

HEX #445BE3

RGB 68 91 227

HSL 231.32, 0.74%, 0.58%

LAB 44.6, 36.14, -71.65

 

CMYK 80 / 68 / 0 / 4

HEX #324EF4

RGB 50 78 244

HSL 231.34, 0.9%, 0.58%

LAB 42.24, 48.16, -85.14

 

CMYK 47 / 40 / 0 / 25

HEX #6673C0

RGB 102 115 192

HSL 231.33, 0.42%, 0.58%

LAB 50.56, 15.97, -41.97

 

CMYK 31 / 27 / 0 / 31

HEX #7880AF

RGB 120 128 175

HSL 231.27, 0.26%, 0.58%

LAB 54.58, 8.26, -25.82

 

CMYK 13 / 11 / 0 / 38

HEX #898C9E

RGB 137 140 158

HSL 231.43, 0.1%, 0.58%

LAB 58.55, 2.68, -9.9

 

CMYK 0 / 1 / 9 / 40

HEX #9A988C

RGB 154 152 140

HSL 51.43, 0.06%, 0.58%

LAB 62.69, -1.47, 6.57

 

CMYK 0 / 4 / 28 / 33

HEX #ACA57B

RGB 172 165 123

HSL 51.43, 0.23%, 0.58%

LAB 67.36, -4.22, 22.73

 

CMYK 47 / 15 / 0 / 25

HEX #66A4C0

RGB 102 164 192

HSL 198.67, 0.42%, 0.58%

LAB 64.31, -12.4, -20.61

 

CMYK 47 / 27 / 0 / 25

HEX #668CC0

RGB 102 140 192

HSL 214.67, 0.42%, 0.58%

LAB 57.45, 1.06, -31.17

 

CMYK 47 / 40 / 0 / 25

HEX #6674C0

RGB 102 116 192

HSL 230.67, 0.42%, 0.58%

LAB 50.83, 15.36, -41.55

 

CMYK 41 / 47 / 0 / 25

HEX #7166C0

RGB 113 102 192

HSL 247.33, 0.42%, 0.58%

LAB 48.03, 26.64, -45.94

 

CMYK 29 / 47 / 0 / 25

HEX #8966C0

RGB 137 102 192

HSL 263.33, 0.42%, 0.58%

LAB 50.25, 33.01, -42.28

 

CMYK 60 / 51 / 0 / 41

HEX #3D4A97

RGB 61 74 151

HSL 231.33, 0.42%, 0.42%

LAB 34.24, 19.17, -43.98

 

CMYK 59 / 51 / 0 / 29

HEX #4959B4

RGB 73 89 180

HSL 231.03, 0.42%, 0.5%

LAB 40.99, 21.89, -50.39

 

CMYK 47 / 40 / 0 / 25

HEX #6673C0

RGB 102 115 192

HSL 231.33, 0.42%, 0.58%

LAB 50.56, 15.97, -41.97

 

CMYK 35 / 30 / 0 / 20

HEX #848ECC

RGB 132 142 204

HSL 231.67, 0.41%, 0.66%

LAB 60.44, 11.29, -33.14

 

CMYK 25 / 22 / 0 / 15

HEX #A1A9D8

RGB 161 169 216

HSL 231.27, 0.41%, 0.74%

LAB 70.11, 7.47, -24.71

 

CMYK 47 / 40 / 0 / 25

HEX #6673C0

RGB 102 115 192

HSL 231.33, 0.42%, 0.58%

LAB 50.56, 15.97, -41.97

 

CMYK 0 / 47 / 2 / 25

HEX #C066BC

RGB 192 102 188

HSL 302.67, 0.42%, 0.58%

LAB 56.43, 48.12, -29.84

 

CMYK 21 / 0 / 47 / 25

HEX #98C066

RGB 152 192 102

HSL 86.67, 0.42%, 0.58%

LAB 73.11, -28.48, 40.87

 

CMYK 47 / 40 / 0 / 25

HEX #6673C0

RGB 102 115 192

HSL 231.33, 0.42%, 0.58%

LAB 50.56, 15.97, -41.97

 

CMYK 0 / 47 / 40 / 25

HEX #C06674

RGB 192 102 116

HSL 350.67, 0.42%, 0.58%

LAB 54, 37.37, 8.53

 

CMYK 40 / 0 / 47 / 25

HEX #74C066

RGB 116 192 102

HSL 110.67, 0.42%, 0.58%

LAB 71.13, -41.08, 37.97

 

CMYK 47 / 40 / 0 / 25

HEX #6673C0

RGB 102 115 192

HSL 231.33, 0.42%, 0.58%

LAB 50.56, 15.97, -41.97

 

CMYK 0 / 47 / 2 / 25

HEX #C066BC

RGB 192 102 188

HSL 302.67, 0.42%, 0.58%

LAB 56.43, 48.12, -29.84

 

CMYK 0 / 7 / 47 / 25

HEX #C0B366

RGB 192 179 102

HSL 51.33, 0.42%, 0.58%

LAB 72.5, -5.97, 40.78

 

CMYK 47 / 0 / 44 / 25

HEX #66C06B

RGB 102 192 107

HSL 123.33, 0.42%, 0.58%

LAB 70.58, -44.59, 34.63

 

CMYK 47 / 40 / 0 / 25

HEX #6673C0

RGB 102 115 192

HSL 231.33, 0.42%, 0.58%

LAB 50.56, 15.97, -41.97

 

CMYK 0 / 47 / 16 / 25

HEX #C066A1

RGB 192 102 161

HSL 320.67, 0.42%, 0.58%

LAB 55.36, 43.55, -15.87

 

CMYK 0 / 7 / 47 / 25

HEX #C0B366

RGB 192 179 102

HSL 51.33, 0.42%, 0.58%

LAB 72.5, -5.97, 40.78

 

CMYK 47 / 0 / 30 / 25

HEX #66C086

RGB 102 192 134

HSL 141.33, 0.42%, 0.58%

LAB 71.04, -39.99, 21.09

 

Description

Color code: HEX #6673C0 | qconv.com Color code: HEX #6673C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 115 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 115 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 40 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 40% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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