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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #667E2E it is the complementary color #9981D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #667E2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #667E2E shade: #6B7E29, #7C903C, #8DA24F, #9EB462 and #AFC675

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #667E2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #667E2E shade: #667E2E, #556C1B, #445A08, #334800 and #223600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #667E2E shade: #667F2D, #7C7F2D, #7F6B2D, #7F552D and #7F3F2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #667E2E shade: #667F2D, #517F2D, #3B7F2D, #2D7F36 and #2D7F4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #667E2E shade matches the following richer shades: #667F2D, #6C8D1F, #729B11 and #77A903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #667E2E shade: #667F2D, #61713B, #5B634A, #565558 and #504766

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #667E2E shade: #7F6C2D, #7C7F2D, #667F2D, #517F2D and #3B7F2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #667E2E shade: #354218, #4E6123, #667F2D, #7F9D38 and #97BB44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #667E2E shade: #667E2E, #2D7F56 and #772D7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #667E2E shade: #667E2E, #2D667F and #7F2D66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #667E2E shade: #667E2E, #2D7F56, #462D7F and #7F2D56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #667E2E shade: #667E2E, #2D7F6F, #462D7F and #7F2D3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 63 / 51

HEX #667E2E

RGB 102 126 46

HSL 78, 0.47%, 0.34%

LAB 49.43, -21.57, 39.6

 

Complementary color

CMYK 27 / 38 / 0 / 18

HEX #9981D1

RGB 153 129 209

HSL 258, 0.47%, 0.66%

LAB 59.04, 26.15, -38

 

CMYK 15 / 0 / 67 / 51

HEX #6B7E29

RGB 107 126 41

HSL 73.41, 0.51%, 0.33%

LAB 49.75, -19.81, 42.32

 

CMYK 14 / 0 / 58 / 44

HEX #7C903C

RGB 124 144 60

HSL 74.29, 0.41%, 0.4%

LAB 56.64, -20.24, 41.45

 

CMYK 13 / 0 / 51 / 36

HEX #8DA24F

RGB 141 162 79

HSL 75.18, 0.34%, 0.47%

LAB 63.4, -20.53, 40.34

 

CMYK 12 / 0 / 46 / 29

HEX #9EB462

RGB 158 180 98

HSL 76.1, 0.35%, 0.55%

LAB 70.03, -20.73, 39.16

 

CMYK 12 / 0 / 41 / 22

HEX #AFC675

RGB 175 198 117

HSL 77.04, 0.42%, 0.62%

LAB 76.55, -20.87, 37.98

 

CMYK 19 / 0 / 63 / 51

HEX #667E2E

RGB 102 126 46

HSL 78, 0.47%, 0.34%

LAB 49.43, -21.57, 39.6

 

CMYK 21 / 0 / 75 / 58

HEX #556C1B

RGB 85 108 27

HSL 77.04, 0.6%, 0.26%

LAB 42.36, -21.1, 40.19

 

CMYK 24 / 0 / 91 / 65

HEX #445A08

RGB 68 90 8

HSL 76.1, 0.84%, 0.19%

LAB 35.12, -20.34, 39.55

 

CMYK 29 / 0 / 100 / 72

HEX #334800

RGB 51 72 0

HSL 77.5, 1%, 0.14%

LAB 27.68, -19.08, 35.76

 

CMYK 37 / 0 / 100 / 79

HEX #223600

RGB 34 54 0

HSL 82.22, 1%, 0.11%

LAB 19.96, -17.44, 27.68

 

CMYK 20 / 0 / 65 / 50

HEX #667F2D

RGB 102 127 45

HSL 78.29, 0.48%, 0.34%

LAB 49.73, -22.17, 40.39

 

CMYK 2 / 0 / 65 / 50

HEX #7C7F2D

RGB 124 127 45

HSL 62.2, 0.48%, 0.34%

LAB 51.44, -12.48, 42.74

 

CMYK 0 / 16 / 65 / 50

HEX #7F6B2D

RGB 127 107 45

HSL 45.37, 0.48%, 0.34%

LAB 45.93, 0.13, 36.84

 

CMYK 0 / 33 / 65 / 50

HEX #7F552D

RGB 127 85 45

HSL 29.27, 0.48%, 0.34%

LAB 39.91, 13.09, 29.99

 

CMYK 0 / 50 / 65 / 50

HEX #7F3F2D

RGB 127 63 45

HSL 13.17, 0.48%, 0.34%

LAB 34.51, 25.97, 23.52

 

CMYK 20 / 0 / 65 / 50

HEX #667F2D

RGB 102 127 45

HSL 78.29, 0.48%, 0.34%

LAB 49.73, -22.17, 40.39

 

CMYK 36 / 0 / 65 / 50

HEX #517F2D

RGB 81 127 45

HSL 93.66, 0.48%, 0.34%

LAB 48.41, -30.63, 38.57

 

CMYK 54 / 0 / 65 / 50

HEX #3B7F2D

RGB 59 127 45

HSL 109.76, 0.48%, 0.34%

LAB 47.36, -38.13, 37.11

 

CMYK 65 / 0 / 57 / 50

HEX #2D7F36

RGB 45 127 54

HSL 126.59, 0.48%, 0.34%

LAB 46.98, -40.75, 32.11

 

CMYK 65 / 0 / 40 / 50

HEX #2D7F4C

RGB 45 127 76

HSL 142.68, 0.48%, 0.34%

LAB 47.31, -37.04, 20.61

 

CMYK 20 / 0 / 65 / 50

HEX #667F2D

RGB 102 127 45

HSL 78.29, 0.48%, 0.34%

LAB 49.73, -22.17, 40.39

 

CMYK 23 / 0 / 78 / 45

HEX #6C8D1F

RGB 108 141 31

HSL 78, 0.64%, 0.34%

LAB 54.38, -27.55, 50.86

 

CMYK 26 / 0 / 89 / 39

HEX #729B11

RGB 114 155 17

HSL 77.83, 0.8%, 0.34%

LAB 59.03, -32.28, 58.88

 

CMYK 30 / 0 / 98 / 34

HEX #77A903

RGB 119 169 3

HSL 78.07, 0.97%, 0.34%

LAB 63.59, -36.96, 64.8

 

CMYK 20 / 0 / 65 / 50

HEX #667F2D

RGB 102 127 45

HSL 78.29, 0.48%, 0.34%

LAB 49.73, -22.17, 40.39

 

CMYK 14 / 0 / 48 / 56

HEX #61713B

RGB 97 113 59

HSL 77.78, 0.31%, 0.34%

LAB 45.18, -15.5, 27.89

 

CMYK 8 / 0 / 25 / 61

HEX #5B634A

RGB 91 99 74

HSL 79.2, 0.14%, 0.34%

LAB 40.64, -8.01, 13.21

 

CMYK 2 / 3 / 0 / 65

HEX #565558

RGB 86 85 88

HSL 260, 0.02%, 0.34%

LAB 36.33, 1.05, -1.6

 

CMYK 22 / 30 / 0 / 60

HEX #504766

RGB 80 71 102

HSL 257.42, 0.18%, 0.34%

LAB 32.19, 11.02, -16.72

 

CMYK 0 / 15 / 65 / 50

HEX #7F6C2D

RGB 127 108 45

HSL 46.1, 0.48%, 0.34%

LAB 46.21, -0.45, 37.15

 

CMYK 2 / 0 / 65 / 50

HEX #7C7F2D

RGB 124 127 45

HSL 62.2, 0.48%, 0.34%

LAB 51.44, -12.48, 42.74

 

CMYK 20 / 0 / 65 / 50

HEX #667F2D

RGB 102 127 45

HSL 78.29, 0.48%, 0.34%

LAB 49.73, -22.17, 40.39

 

CMYK 36 / 0 / 65 / 50

HEX #517F2D

RGB 81 127 45

HSL 93.66, 0.48%, 0.34%

LAB 48.41, -30.63, 38.57

 

CMYK 54 / 0 / 65 / 50

HEX #3B7F2D

RGB 59 127 45

HSL 109.76, 0.48%, 0.34%

LAB 47.36, -38.13, 37.11

 

CMYK 20 / 0 / 64 / 74

HEX #354218

RGB 53 66 24

HSL 78.57, 0.47%, 0.18%

LAB 25.92, -13.06, 23.43

 

CMYK 20 / 0 / 64 / 62

HEX #4E6123

RGB 78 97 35

HSL 78.39, 0.47%, 0.26%

LAB 38.36, -17.77, 32.2

 

CMYK 20 / 0 / 65 / 50

HEX #667F2D

RGB 102 127 45

HSL 78.29, 0.48%, 0.34%

LAB 49.73, -22.17, 40.39

 

CMYK 19 / 0 / 64 / 38

HEX #7F9D38

RGB 127 157 56

HSL 77.82, 0.47%, 0.42%

LAB 60.7, -25.86, 47.83

 

CMYK 19 / 0 / 64 / 27

HEX #97BB44

RGB 151 187 68

HSL 78.15, 0.47%, 0.5%

LAB 71.24, -29.74, 54.48

 

CMYK 19 / 0 / 63 / 51

HEX #667E2E

RGB 102 126 46

HSL 78, 0.47%, 0.34%

LAB 49.43, -21.57, 39.6

 

CMYK 65 / 0 / 32 / 50

HEX #2D7F56

RGB 45 127 86

HSL 150, 0.48%, 0.34%

LAB 47.51, -34.96, 15.16

 

CMYK 6 / 65 / 0 / 50

HEX #772D7F

RGB 119 45 127

HSL 294.15, 0.48%, 0.34%

LAB 32.55, 44.17, -31.56

 

CMYK 19 / 0 / 63 / 51

HEX #667E2E

RGB 102 126 46

HSL 78, 0.47%, 0.34%

LAB 49.43, -21.57, 39.6

 

CMYK 65 / 20 / 0 / 50

HEX #2D667F

RGB 45 102 127

HSL 198.29, 0.48%, 0.34%

LAB 40.56, -10.43, -19.49

 

CMYK 0 / 65 / 20 / 50

HEX #7F2D66

RGB 127 45 102

HSL 318.29, 0.48%, 0.34%

LAB 32.59, 42.03, -15.59

 

CMYK 19 / 0 / 63 / 51

HEX #667E2E

RGB 102 126 46

HSL 78, 0.47%, 0.34%

LAB 49.43, -21.57, 39.6

 

CMYK 65 / 0 / 32 / 50

HEX #2D7F56

RGB 45 127 86

HSL 150, 0.48%, 0.34%

LAB 47.51, -34.96, 15.16

 

CMYK 45 / 65 / 0 / 50

HEX #462D7F

RGB 70 45 127

HSL 258.29, 0.48%, 0.34%

LAB 25.9, 31.9, -42.59

 

CMYK 0 / 65 / 32 / 50

HEX #7F2D56

RGB 127 45 86

HSL 330, 0.48%, 0.34%

LAB 31.94, 39.71, -6.25

 

CMYK 19 / 0 / 63 / 51

HEX #667E2E

RGB 102 126 46

HSL 78, 0.47%, 0.34%

LAB 49.43, -21.57, 39.6

 

CMYK 65 / 0 / 13 / 50

HEX #2D7F6F

RGB 45 127 111

HSL 168.29, 0.48%, 0.34%

LAB 48.11, -28.76, 1.41

 

CMYK 45 / 65 / 0 / 50

HEX #462D7F

RGB 70 45 127

HSL 258.29, 0.48%, 0.34%

LAB 25.9, 31.9, -42.59

 

CMYK 0 / 65 / 51 / 50

HEX #7F2D3E

RGB 127 45 62

HSL 347.56, 0.48%, 0.34%

LAB 31.2, 36.92, 8.35

 

Description

Color code: HEX #667E2E | qconv.com Color code: HEX #667E2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 126 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 126 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 63 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 63% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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