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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #667E8D it is the complementary color #998172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #667E8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #667E8D shade: #6B7E88, #7C909B, #8DA2AE, #9EB4C1 and #AFC6D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #667E8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #667E8D shade: #667E8D, #556C7A, #445A67, #334854 and #223641

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #667E8D shade: #667E8D, #66748D, #66698D, #6E668D and #78668D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #667E8D shade: #667E8D, #66748D, #66698D and #66668D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #667E8D shade matches the following richer shades: #667E8D, #5383A1, #3F88B5, #2B8CC9 and #1791DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #667E8D shade: #667E8D, #7A7A7A, #8E7566, #A27152 and #B66C3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #667E8D shade: #668D88, #66898D, #667E8D, #66748D and #666A8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #667E8D shade: #44545E, #556976, #667E8D, #7D93A0 and #95A7B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #667E8D shade: #667E8D, #7D668D and #8D8D66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #667E8D shade: #667E8D, #8D667E and #7E8D66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #667E8D shade: #667E8D, #7D668D, #8D7566 and #778D66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #667E8D shade: #667E8D, #89668D, #8D7566 and #6B8D66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 11 / 0 / 45

HEX #667E8D

RGB 102 126 141

HSL 203.08, 0.16%, 0.48%

LAB 51.46, -5, -10.96

 

Complementary color

CMYK 0 / 16 / 25 / 40

HEX #998172

RGB 153 129 114

HSL 23.08, 0.16%, 0.52%

LAB 55.77, 6.77, 11.55

 

CMYK 21 / 7 / 0 / 47

HEX #6B7E88

RGB 107 126 136

HSL 200.69, 0.12%, 0.48%

LAB 51.64, -4.58, -7.73

 

CMYK 20 / 7 / 0 / 39

HEX #7C909B

RGB 124 144 155

HSL 201.29, 0.13%, 0.55%

LAB 58.6, -4.64, -8.21

 

CMYK 19 / 7 / 0 / 32

HEX #8DA2AE

RGB 141 162 174

HSL 201.82, 0.17%, 0.62%

LAB 65.4, -4.7, -8.68

 

CMYK 18 / 7 / 0 / 24

HEX #9EB4C1

RGB 158 180 193

HSL 202.29, 0.22%, 0.69%

LAB 72.07, -4.77, -9.15

 

CMYK 17 / 7 / 0 / 17

HEX #AFC6D4

RGB 175 198 212

HSL 202.7, 0.3%, 0.76%

LAB 78.61, -4.83, -9.61

 

CMYK 28 / 11 / 0 / 45

HEX #667E8D

RGB 102 126 141

HSL 203.08, 0.16%, 0.48%

LAB 51.46, -5, -10.96

 

CMYK 30 / 11 / 0 / 52

HEX #556C7A

RGB 85 108 122

HSL 202.7, 0.18%, 0.41%

LAB 44.32, -4.91, -10.55

 

CMYK 34 / 13 / 0 / 60

HEX #445A67

RGB 68 90 103

HSL 202.29, 0.2%, 0.34%

LAB 36.97, -4.82, -10.15

 

CMYK 39 / 14 / 0 / 67

HEX #334854

RGB 51 72 84

HSL 201.82, 0.24%, 0.26%

LAB 29.36, -4.7, -9.76

 

CMYK 48 / 17 / 0 / 75

HEX #223641

RGB 34 54 65

HSL 201.29, 0.31%, 0.19%

LAB 21.43, -4.51, -9.37

 

CMYK 28 / 11 / 0 / 45

HEX #667E8D

RGB 102 126 141

HSL 203.08, 0.16%, 0.48%

LAB 51.46, -5, -10.96

 

CMYK 28 / 18 / 0 / 45

HEX #66748D

RGB 102 116 141

HSL 218.46, 0.16%, 0.48%

LAB 48.56, 0.83, -15.35

 

CMYK 28 / 26 / 0 / 45

HEX #66698D

RGB 102 105 141

HSL 235.38, 0.16%, 0.48%

LAB 45.43, 7.44, -20.14

 

CMYK 22 / 28 / 0 / 45

HEX #6E668D

RGB 110 102 141

HSL 252.31, 0.16%, 0.48%

LAB 45.28, 11.89, -20.31

 

CMYK 15 / 28 / 0 / 45

HEX #78668D

RGB 120 102 141

HSL 267.69, 0.16%, 0.48%

LAB 46.2, 15.27, -18.81

 

CMYK 28 / 11 / 0 / 45

HEX #667E8D

RGB 102 126 141

HSL 203.08, 0.16%, 0.48%

LAB 51.46, -5, -10.96

 

CMYK 28 / 18 / 0 / 45

HEX #66748D

RGB 102 116 141

HSL 218.46, 0.16%, 0.48%

LAB 48.56, 0.83, -15.35

 

CMYK 28 / 26 / 0 / 45

HEX #66698D

RGB 102 105 141

HSL 235.38, 0.16%, 0.48%

LAB 45.43, 7.44, -20.14

 

CMYK 28 / 28 / 0 / 45

HEX #66668D

RGB 102 102 141

HSL 240, 0.16%, 0.48%

LAB 44.59, 9.27, -21.43

 

CMYK 28 / 11 / 0 / 45

HEX #667E8D

RGB 102 126 141

HSL 203.08, 0.16%, 0.48%

LAB 51.46, -5, -10.96

 

CMYK 48 / 19 / 0 / 37

HEX #5383A1

RGB 83 131 161

HSL 203.08, 0.32%, 0.48%

LAB 52.56, -7.76, -21.04

 

CMYK 65 / 25 / 0 / 29

HEX #3F88B5

RGB 63 136 181

HSL 202.88, 0.48%, 0.48%

LAB 54.03, -8.5, -30.36

 

CMYK 79 / 30 / 0 / 21

HEX #2B8CC9

RGB 43 140 201

HSL 203.16, 0.65%, 0.48%

LAB 55.57, -6.62, -39.37

 

CMYK 90 / 34 / 0 / 13

HEX #1791DD

RGB 23 145 221

HSL 203.03, 0.81%, 0.48%

LAB 57.71, -3.75, -47.26

 

CMYK 28 / 11 / 0 / 45

HEX #667E8D

RGB 102 126 141

HSL 203.08, 0.16%, 0.48%

LAB 51.46, -5, -10.96

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 0 / 18 / 28 / 44

HEX #8E7566

RGB 142 117 102

HSL 22.5, 0.16%, 0.48%

LAB 51.19, 7.36, 11.93

 

CMYK 0 / 30 / 49 / 36

HEX #A27152

RGB 162 113 82

HSL 23.25, 0.33%, 0.48%

LAB 51.95, 15.62, 24.9

 

CMYK 0 / 41 / 66 / 29

HEX #B66C3E

RGB 182 108 62

HSL 23, 0.49%, 0.48%

LAB 52.97, 25.3, 37.78

 

CMYK 28 / 0 / 4 / 45

HEX #668D88

RGB 102 141 136

HSL 172.31, 0.16%, 0.48%

LAB 55.74, -14.58, -1.7

 

CMYK 28 / 3 / 0 / 45

HEX #66898D

RGB 102 137 141

HSL 186.15, 0.16%, 0.48%

LAB 54.7, -11.19, -6.12

 

CMYK 28 / 11 / 0 / 45

HEX #667E8D

RGB 102 126 141

HSL 203.08, 0.16%, 0.48%

LAB 51.46, -5, -10.96

 

CMYK 28 / 18 / 0 / 45

HEX #66748D

RGB 102 116 141

HSL 218.46, 0.16%, 0.48%

LAB 48.56, 0.83, -15.35

 

CMYK 28 / 25 / 0 / 45

HEX #666A8D

RGB 102 106 141

HSL 233.85, 0.16%, 0.48%

LAB 45.71, 6.83, -19.7

 

CMYK 28 / 11 / 0 / 63

HEX #44545E

RGB 68 84 94

HSL 203.08, 0.16%, 0.32%

LAB 34.76, -3.61, -7.86

 

CMYK 28 / 11 / 0 / 54

HEX #556976

RGB 85 105 118

HSL 203.64, 0.16%, 0.4%

LAB 43.27, -4.19, -9.72

 

CMYK 28 / 11 / 0 / 45

HEX #667E8D

RGB 102 126 141

HSL 203.08, 0.16%, 0.48%

LAB 51.46, -5, -10.96

 

CMYK 22 / 8 / 0 / 37

HEX #7D93A0

RGB 125 147 160

HSL 202.29, 0.16%, 0.56%

LAB 59.68, -4.83, -9.45

 

CMYK 16 / 6 / 0 / 30

HEX #95A7B2

RGB 149 167 178

HSL 202.76, 0.16%, 0.64%

LAB 67.46, -3.93, -7.79

 

CMYK 28 / 11 / 0 / 45

HEX #667E8D

RGB 102 126 141

HSL 203.08, 0.16%, 0.48%

LAB 51.46, -5, -10.96

 

CMYK 11 / 28 / 0 / 45

HEX #7D668D

RGB 125 102 141

HSL 275.38, 0.16%, 0.48%

LAB 46.69, 16.99, -18.02

 

CMYK 0 / 0 / 28 / 45

HEX #8D8D66

RGB 141 141 102

HSL 60, 0.16%, 0.48%

LAB 57.72, -6.62, 20.88

 

CMYK 28 / 11 / 0 / 45

HEX #667E8D

RGB 102 126 141

HSL 203.08, 0.16%, 0.48%

LAB 51.46, -5, -10.96

 

CMYK 0 / 28 / 11 / 45

HEX #8D667E

RGB 141 102 126

HSL 323.08, 0.16%, 0.48%

LAB 47.84, 19.72, -7.16

 

CMYK 11 / 0 / 28 / 45

HEX #7E8D66

RGB 126 141 102

HSL 83.08, 0.16%, 0.48%

LAB 56.53, -12.64, 19.06

 

CMYK 28 / 11 / 0 / 45

HEX #667E8D

RGB 102 126 141

HSL 203.08, 0.16%, 0.48%

LAB 51.46, -5, -10.96

 

CMYK 11 / 28 / 0 / 45

HEX #7D668D

RGB 125 102 141

HSL 275.38, 0.16%, 0.48%

LAB 46.69, 16.99, -18.02

 

CMYK 0 / 17 / 28 / 45

HEX #8D7566

RGB 141 117 102

HSL 23.08, 0.16%, 0.48%

LAB 51.09, 6.95, 11.77

 

CMYK 16 / 0 / 28 / 45

HEX #778D66

RGB 119 141 102

HSL 93.85, 0.16%, 0.48%

LAB 56.02, -15.37, 18.28

 

CMYK 28 / 11 / 0 / 45

HEX #667E8D

RGB 102 126 141

HSL 203.08, 0.16%, 0.48%

LAB 51.46, -5, -10.96

 

CMYK 3 / 28 / 0 / 45

HEX #89668D

RGB 137 102 141

HSL 293.85, 0.16%, 0.48%

LAB 47.94, 21.19, -16.01

 

CMYK 0 / 17 / 28 / 45

HEX #8D7566

RGB 141 117 102

HSL 23.08, 0.16%, 0.48%

LAB 51.09, 6.95, 11.77

 

CMYK 24 / 0 / 28 / 45

HEX #6B8D66

RGB 107 141 102

HSL 112.31, 0.16%, 0.48%

LAB 55.21, -19.88, 17.04

 

Description

Color code: HEX #667E8D | qconv.com Color code: HEX #667E8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 126 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 126 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 11 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 11% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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