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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6686D5 it is the complementary color #99792A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6686D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6686D5 shade: #6B86D0, #7C98E3, #8DAAF6, #9EBCFF and #AFCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6686D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6686D5 shade: #6686D5, #5574C2, #4462AF, #33509C and #223E89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6686D5 shade: #6686D5, #6668D5, #8266D5, #A066D5 and #BE66D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6686D5 shade: #6686D5, #6668D5 and #6666D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6686D5 shade matches the following richer shades: #6686D5, #5780E5 and #4779F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6686D5 shade: #6686D5, #768DC5, #8693B5, #959AA6 and #A5A196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6686D5 shade: #66C2D5, #66A5D5, #6688D5, #666AD5 and #8066D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6686D5 shade: #3258B7, #466DCC, #6686D5, #87A0DE and #A7B9E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6686D5 shade: #6686D5, #CA66D5 and #B4D566

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6686D5 shade: #6686D5, #D56688 and #88D566

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6686D5 shade: #6686D5, #CA66D5, #D5B466 and #71D566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6686D5 shade: #6686D5, #D566BF, #D5B466 and #66D57C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 37 / 0 / 16

HEX #6686D5

RGB 102 134 213

HSL 222.7, 0.57%, 0.62%

LAB 56.76, 11.01, -44.1

 

Complementary color

CMYK 0 / 21 / 73 / 40

HEX #99792A

RGB 153 121 42

HSL 42.7, 0.57%, 0.38%

LAB 52.52, 3.96, 46.08

 

CMYK 49 / 36 / 0 / 18

HEX #6B86D0

RGB 107 134 208

HSL 223.96, 0.52%, 0.62%

LAB 56.81, 10.62, -41.19

 

CMYK 45 / 33 / 0 / 11

HEX #7C98E3

RGB 124 152 227

HSL 223.69, 0.65%, 0.69%

LAB 63.58, 9.84, -41.09

 

CMYK 43 / 31 / 0 / 4

HEX #8DAAF6

RGB 141 170 246

HSL 223.43, 0.85%, 0.76%

LAB 70.22, 9.17, -41.03

 

CMYK 38 / 26 / 0 / 0

HEX #9EBCFF

RGB 158 188 255

HSL 221.44, 1%, 0.81%

LAB 76.35, 5.94, -36.28

 

CMYK 31 / 19 / 0 / 0

HEX #AFCEFF

RGB 175 206 255

HSL 216.75, 1%, 0.84%

LAB 82.1, 0.78, -27.35

 

CMYK 52 / 37 / 0 / 16

HEX #6686D5

RGB 102 134 213

HSL 222.7, 0.57%, 0.62%

LAB 56.76, 11.01, -44.1

 

CMYK 56 / 40 / 0 / 24

HEX #5574C2

RGB 85 116 194

HSL 222.94, 0.47%, 0.55%

LAB 49.88, 12.09, -44.27

 

CMYK 61 / 44 / 0 / 31

HEX #4462AF

RGB 68 98 175

HSL 223.18, 0.44%, 0.48%

LAB 42.85, 13.42, -44.48

 

CMYK 67 / 49 / 0 / 39

HEX #33509C

RGB 51 80 156

HSL 223.43, 0.51%, 0.41%

LAB 35.68, 15.13, -44.73

 

CMYK 75 / 55 / 0 / 46

HEX #223E89

RGB 34 62 137

HSL 223.69, 0.6%, 0.34%

LAB 28.36, 17.36, -44.97

 

CMYK 52 / 37 / 0 / 16

HEX #6686D5

RGB 102 134 213

HSL 222.7, 0.57%, 0.62%

LAB 56.76, 11.01, -44.1

 

CMYK 52 / 51 / 0 / 16

HEX #6668D5

RGB 102 104 213

HSL 238.92, 0.57%, 0.62%

LAB 48.92, 29.2, -56.6

 

CMYK 39 / 52 / 0 / 16

HEX #8266D5

RGB 130 102 213

HSL 255.14, 0.57%, 0.62%

LAB 50.75, 36.73, -53.54

 

CMYK 25 / 52 / 0 / 16

HEX #A066D5

RGB 160 102 213

HSL 271.35, 0.57%, 0.62%

LAB 53.79, 44.3, -48.51

 

CMYK 11 / 52 / 0 / 16

HEX #BE66D5

RGB 190 102 213

HSL 287.57, 0.57%, 0.62%

LAB 57.32, 52.29, -42.69

 

CMYK 52 / 37 / 0 / 16

HEX #6686D5

RGB 102 134 213

HSL 222.7, 0.57%, 0.62%

LAB 56.76, 11.01, -44.1

 

CMYK 52 / 51 / 0 / 16

HEX #6668D5

RGB 102 104 213

HSL 238.92, 0.57%, 0.62%

LAB 48.92, 29.2, -56.6

 

CMYK 52 / 52 / 0 / 16

HEX #6666D5

RGB 102 102 213

HSL 240, 0.57%, 0.62%

LAB 48.43, 30.42, -57.4

 

CMYK 52 / 37 / 0 / 16

HEX #6686D5

RGB 102 134 213

HSL 222.7, 0.57%, 0.62%

LAB 56.76, 11.01, -44.1

 

CMYK 62 / 44 / 0 / 10

HEX #5780E5

RGB 87 128 229

HSL 222.68, 0.73%, 0.62%

LAB 55.2, 16.82, -55.61

 

CMYK 71 / 50 / 0 / 4

HEX #4779F4

RGB 71 121 244

HSL 222.66, 0.89%, 0.62%

LAB 53.54, 23.84, -66.67

 

CMYK 52 / 37 / 0 / 16

HEX #6686D5

RGB 102 134 213

HSL 222.7, 0.57%, 0.62%

LAB 56.76, 11.01, -44.1

 

CMYK 40 / 28 / 0 / 23

HEX #768DC5

RGB 118 141 197

HSL 222.53, 0.41%, 0.62%

LAB 58.91, 6.09, -31.65

 

CMYK 26 / 19 / 0 / 29

HEX #8693B5

RGB 134 147 181

HSL 223.4, 0.24%, 0.62%

LAB 61.02, 3.09, -19.27

 

CMYK 10 / 7 / 0 / 35

HEX #959AA6

RGB 149 154 166

HSL 222.35, 0.09%, 0.62%

LAB 63.55, 0.66, -6.88

 

CMYK 0 / 2 / 9 / 35

HEX #A5A196

RGB 165 161 150

HSL 44, 0.08%, 0.62%

LAB 66.28, -0.55, 6.23

 

CMYK 52 / 9 / 0 / 16

HEX #66C2D5

RGB 102 194 213

HSL 190.27, 0.57%, 0.62%

LAB 73.68, -22.2, -17.93

 

CMYK 52 / 23 / 0 / 16

HEX #66A5D5

RGB 102 165 213

HSL 205.95, 0.57%, 0.62%

LAB 65.39, -6.84, -30.62

 

CMYK 52 / 36 / 0 / 16

HEX #6688D5

RGB 102 136 213

HSL 221.62, 0.57%, 0.62%

LAB 57.31, 9.82, -43.24

 

CMYK 52 / 50 / 0 / 16

HEX #666AD5

RGB 102 106 213

HSL 237.84, 0.57%, 0.62%

LAB 49.42, 27.98, -55.8

 

CMYK 40 / 52 / 0 / 16

HEX #8066D5

RGB 128 102 213

HSL 254.05, 0.57%, 0.62%

LAB 50.57, 36.25, -53.85

 

CMYK 73 / 52 / 0 / 28

HEX #3258B7

RGB 50 88 183

HSL 222.86, 0.57%, 0.46%

LAB 39.71, 19.8, -54.27

 

CMYK 66 / 47 / 0 / 20

HEX #466DCC

RGB 70 109 204

HSL 222.54, 0.57%, 0.54%

LAB 47.75, 17.02, -53.45

 

CMYK 52 / 37 / 0 / 16

HEX #6686D5

RGB 102 134 213

HSL 222.7, 0.57%, 0.62%

LAB 56.76, 11.01, -44.1

 

CMYK 39 / 28 / 0 / 13

HEX #87A0DE

RGB 135 160 222

HSL 222.76, 0.57%, 0.7%

LAB 66.19, 6.66, -34.21

 

CMYK 28 / 20 / 0 / 9

HEX #A7B9E7

RGB 167 185 231

HSL 223.13, 0.57%, 0.78%

LAB 75.25, 4.03, -24.99

 

CMYK 52 / 37 / 0 / 16

HEX #6686D5

RGB 102 134 213

HSL 222.7, 0.57%, 0.62%

LAB 56.76, 11.01, -44.1

 

CMYK 5 / 52 / 0 / 16

HEX #CA66D5

RGB 202 102 213

HSL 294.05, 0.57%, 0.62%

LAB 58.85, 55.54, -40.19

 

CMYK 15 / 0 / 52 / 16

HEX #B4D566

RGB 180 213 102

HSL 77.84, 0.57%, 0.62%

LAB 80.88, -27.84, 50.67

 

CMYK 52 / 37 / 0 / 16

HEX #6686D5

RGB 102 134 213

HSL 222.7, 0.57%, 0.62%

LAB 56.76, 11.01, -44.1

 

CMYK 0 / 52 / 36 / 16

HEX #D56688

RGB 213 102 136

HSL 341.62, 0.57%, 0.62%

LAB 57.49, 47.12, 2.2

 

CMYK 36 / 0 / 52 / 16

HEX #88D566

RGB 136 213 102

HSL 101.62, 0.57%, 0.62%

LAB 78.33, -43.7, 47.03

 

CMYK 52 / 37 / 0 / 16

HEX #6686D5

RGB 102 134 213

HSL 222.7, 0.57%, 0.62%

LAB 56.76, 11.01, -44.1

 

CMYK 5 / 52 / 0 / 16

HEX #CA66D5

RGB 202 102 213

HSL 294.05, 0.57%, 0.62%

LAB 58.85, 55.54, -40.19

 

CMYK 0 / 15 / 52 / 16

HEX #D5B466

RGB 213 180 102

HSL 42.16, 0.57%, 0.62%

LAB 74.67, 2.22, 43.87

 

CMYK 47 / 0 / 52 / 16

HEX #71D566

RGB 113 213 102

HSL 114.05, 0.57%, 0.62%

LAB 77.32, -50.79, 45.56

 

CMYK 52 / 37 / 0 / 16

HEX #6686D5

RGB 102 134 213

HSL 222.7, 0.57%, 0.62%

LAB 56.76, 11.01, -44.1

 

CMYK 0 / 52 / 10 / 16

HEX #D566BF

RGB 213 102 191

HSL 311.89, 0.57%, 0.62%

LAB 59.35, 54.82, -26.8

 

CMYK 0 / 15 / 52 / 16

HEX #D5B466

RGB 213 180 102

HSL 42.16, 0.57%, 0.62%

LAB 74.67, 2.22, 43.87

 

CMYK 52 / 0 / 42 / 16

HEX #66D57C

RGB 102 213 124

HSL 131.89, 0.57%, 0.62%

LAB 77.2, -50.63, 34.51

 

Description

Color code: HEX #6686D5 | qconv.com Color code: HEX #6686D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 134 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 134 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 37 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 37% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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