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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #668704 it is the complementary color #9978FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #668704. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #668704 shade: #6B8700, #7C9912, #8DAB25, #9EBD38 and #AFCF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #668704. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #668704 shade: #668704, #557500, #446300, #335100 and #223F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #668704 shade: #648504, #858304, #856004, #853D04 and #851A04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #668704 shade: #648504, #428504, #1F8504, #04850C and #04852E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #668704 shade matches the following richer shades: #648504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #668704 shade: #648504, #5F7A0F, #596F1A, #546425 and #4E5930

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #668704 shade: #856004, #858304, #658504, #428504 and #208504

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #668704 shade: #283501, #465D02, #648504, #83AD05 and #A1D506

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #668704 shade: #668704, #04853E and #720485

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #668704 shade: #668704, #046585 and #850465

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #668704 shade: #668704, #04853E, #240485 and #85044B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #668704 shade: #668704, #048565, #240485 and #850424

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 97 / 47

HEX #668704

RGB 102 135 4

HSL 75.11, 0.94%, 0.27%

LAB 52.02, -28.09, 55.17

 

Complementary color

CMYK 39 / 52 / 0 / 2

HEX #9978FB

RGB 153 120 251

HSL 255.11, 0.94%, 0.73%

LAB 59.13, 42.11, -61.27

 

CMYK 21 / 0 / 100 / 47

HEX #6B8700

RGB 107 135 0

HSL 72.44, 1%, 0.26%

LAB 52.35, -26.04, 56.3

 

CMYK 19 / 0 / 88 / 40

HEX #7C9912

RGB 124 153 18

HSL 72.89, 0.79%, 0.34%

LAB 59.08, -27.15, 58.98

 

CMYK 18 / 0 / 78 / 33

HEX #8DAB25

RGB 141 171 37

HSL 73.43, 0.64%, 0.41%

LAB 65.69, -28.02, 60.24

 

CMYK 16 / 0 / 70 / 26

HEX #9EBD38

RGB 158 189 56

HSL 73.98, 0.54%, 0.48%

LAB 72.19, -28.69, 60.39

 

CMYK 15 / 0 / 64 / 19

HEX #AFCF4B

RGB 175 207 75

HSL 74.55, 0.58%, 0.55%

LAB 78.61, -29.19, 59.93

 

CMYK 24 / 0 / 97 / 47

HEX #668704

RGB 102 135 4

HSL 75.11, 0.94%, 0.27%

LAB 52.02, -28.09, 55.17

 

CMYK 27 / 0 / 100 / 54

HEX #557500

RGB 85 117 0

HSL 76.41, 1%, 0.23%

LAB 45.16, -26.72, 50.19

 

CMYK 31 / 0 / 100 / 61

HEX #446300

RGB 68 99 0

HSL 78.79, 1%, 0.19%

LAB 38.11, -25.22, 44.33

 

CMYK 37 / 0 / 100 / 68

HEX #335100

RGB 51 81 0

HSL 82.22, 1%, 0.16%

LAB 30.85, -23.68, 38.28

 

CMYK 46 / 0 / 100 / 75

HEX #223F00

RGB 34 63 0

HSL 87.62, 1%, 0.12%

LAB 23.32, -22.05, 31.29

 

CMYK 25 / 0 / 97 / 48

HEX #648504

RGB 100 133 4

HSL 75.35, 0.94%, 0.27%

LAB 51.26, -27.98, 54.52

 

CMYK 0 / 2 / 97 / 48

HEX #858304

RGB 133 131 4

HSL 59.07, 0.94%, 0.27%

LAB 53.2, -12.14, 57.12

 

CMYK 0 / 28 / 97 / 48

HEX #856004

RGB 133 96 4

HSL 42.79, 0.94%, 0.27%

LAB 43.3, 7.67, 49.81

 

CMYK 0 / 54 / 97 / 48

HEX #853D04

RGB 133 61 4

HSL 26.51, 0.94%, 0.27%

LAB 34.67, 27.93, 43.8

 

CMYK 0 / 80 / 97 / 48

HEX #851A04

RGB 133 26 4

HSL 10.23, 0.94%, 0.27%

LAB 28.73, 43.74, 39.65

 

CMYK 25 / 0 / 97 / 48

HEX #648504

RGB 100 133 4

HSL 75.35, 0.94%, 0.27%

LAB 51.26, -27.98, 54.52

 

CMYK 50 / 0 / 97 / 48

HEX #428504

RGB 66 133 4

HSL 91.16, 0.94%, 0.27%

LAB 49.43, -40.91, 52.29

 

CMYK 77 / 0 / 97 / 48

HEX #1F8504

RGB 31 133 4

HSL 107.44, 0.94%, 0.27%

LAB 48.35, -49.71, 50.97

 

CMYK 97 / 0 / 91 / 48

HEX #04850C

RGB 4 133 12

HSL 123.72, 0.94%, 0.27%

LAB 48.04, -52.41, 49.04

 

CMYK 97 / 0 / 65 / 48

HEX #04852E

RGB 4 133 46

HSL 139.53, 0.94%, 0.27%

LAB 48.26, -49.66, 37.33

 

CMYK 25 / 0 / 97 / 48

HEX #648504

RGB 100 133 4

HSL 75.35, 0.94%, 0.27%

LAB 51.26, -27.98, 54.52

 

CMYK 25 / 0 / 97 / 48

HEX #648504

RGB 100 133 4

HSL 75.35, 0.94%, 0.27%

LAB 51.26, -27.98, 54.52

 

CMYK 22 / 0 / 88 / 52

HEX #5F7A0F

RGB 95 122 15

HSL 75.14, 0.78%, 0.27%

LAB 47.48, -24.42, 49.07

 

CMYK 20 / 0 / 77 / 56

HEX #596F1A

RGB 89 111 26

HSL 75.53, 0.62%, 0.27%

LAB 43.61, -20.95, 41.9

 

CMYK 16 / 0 / 63 / 61

HEX #546425

RGB 84 100 37

HSL 75.24, 0.46%, 0.27%

LAB 39.8, -16.52, 32.93

 

CMYK 12 / 0 / 46 / 65

HEX #4E5930

RGB 78 89 48

HSL 76.1, 0.3%, 0.27%

LAB 35.94, -11.86, 22.26

 

CMYK 0 / 28 / 97 / 48

HEX #856004

RGB 133 96 4

HSL 42.79, 0.94%, 0.27%

LAB 43.3, 7.67, 49.81

 

CMYK 0 / 2 / 97 / 48

HEX #858304

RGB 133 131 4

HSL 59.07, 0.94%, 0.27%

LAB 53.2, -12.14, 57.12

 

CMYK 24 / 0 / 97 / 48

HEX #658504

RGB 101 133 4

HSL 74.88, 0.94%, 0.27%

LAB 51.33, -27.55, 54.6

 

CMYK 50 / 0 / 97 / 48

HEX #428504

RGB 66 133 4

HSL 91.16, 0.94%, 0.27%

LAB 49.43, -40.91, 52.29

 

CMYK 76 / 0 / 97 / 48

HEX #208504

RGB 32 133 4

HSL 106.98, 0.94%, 0.27%

LAB 48.37, -49.54, 51

 

CMYK 25 / 0 / 98 / 79

HEX #283501

RGB 40 53 1

HSL 75, 0.96%, 0.11%

LAB 20.04, -13.87, 27.49

 

CMYK 25 / 0 / 98 / 64

HEX #465D02

RGB 70 93 2

HSL 75.16, 0.96%, 0.19%

LAB 36.24, -21.23, 42.34

 

CMYK 25 / 0 / 97 / 48

HEX #648504

RGB 100 133 4

HSL 75.35, 0.94%, 0.27%

LAB 51.26, -27.98, 54.52

 

CMYK 24 / 0 / 97 / 32

HEX #83AD05

RGB 131 173 5

HSL 75, 0.94%, 0.35%

LAB 65.53, -33.96, 66.36

 

CMYK 24 / 0 / 97 / 16

HEX #A1D506

RGB 161 213 6

HSL 75.07, 0.95%, 0.43%

LAB 79.14, -40.07, 77.6

 

CMYK 24 / 0 / 97 / 47

HEX #668704

RGB 102 135 4

HSL 75.11, 0.94%, 0.27%

LAB 52.02, -28.09, 55.17

 

CMYK 97 / 0 / 53 / 48

HEX #04853E

RGB 4 133 62

HSL 146.98, 0.94%, 0.27%

LAB 48.45, -47.33, 29.58

 

CMYK 14 / 97 / 0 / 48

HEX #720485

RGB 114 4 133

HSL 291.16, 0.94%, 0.27%

LAB 27.73, 56.76, -43.08

 

CMYK 24 / 0 / 97 / 47

HEX #668704

RGB 102 135 4

HSL 75.11, 0.94%, 0.27%

LAB 52.02, -28.09, 55.17

 

CMYK 97 / 24 / 0 / 48

HEX #046585

RGB 4 101 133

HSL 194.88, 0.94%, 0.27%

LAB 39.63, -12.4, -24.65

 

CMYK 0 / 97 / 24 / 48

HEX #850465

RGB 133 4 101

HSL 314.88, 0.94%, 0.27%

LAB 29.45, 55.4, -19.71

 

CMYK 24 / 0 / 97 / 47

HEX #668704

RGB 102 135 4

HSL 75.11, 0.94%, 0.27%

LAB 52.02, -28.09, 55.17

 

CMYK 97 / 0 / 53 / 48

HEX #04853E

RGB 4 133 62

HSL 146.98, 0.94%, 0.27%

LAB 48.45, -47.33, 29.58

 

CMYK 73 / 97 / 0 / 48

HEX #240485

RGB 36 4 133

HSL 254.88, 0.94%, 0.27%

LAB 16.28, 48.26, -62.31

 

CMYK 0 / 97 / 44 / 48

HEX #85044B

RGB 133 4 75

HSL 326.98, 0.94%, 0.27%

LAB 28.33, 52.48, -4.27

 

CMYK 24 / 0 / 97 / 47

HEX #668704

RGB 102 135 4

HSL 75.11, 0.94%, 0.27%

LAB 52.02, -28.09, 55.17

 

CMYK 97 / 0 / 24 / 48

HEX #048565

RGB 4 133 101

HSL 165.12, 0.94%, 0.27%

LAB 49.18, -38.87, 8.7

 

CMYK 73 / 97 / 0 / 48

HEX #240485

RGB 36 4 133

HSL 254.88, 0.94%, 0.27%

LAB 16.28, 48.26, -62.31

 

CMYK 0 / 97 / 73 / 48

HEX #850424

RGB 133 4 36

HSL 345.12, 0.94%, 0.27%

LAB 27.3, 49.68, 20.65

 

Description

Color code: HEX #668704 | qconv.com Color code: HEX #668704 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 135 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 135 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 97 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 97% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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