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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6681B5 it is the complementary color #997E4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6681B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6681B5 shade: #6B81B0, #7C93C3, #8DA5D6, #9EB7E9 and #AFC9FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6681B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6681B5 shade: #6681B5, #556FA2, #445D8F, #334B7C and #223969

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6681B5 shade: #647FB4, #6469B4, #7364B4, #8964B4 and #9F64B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6681B5 shade: #647FB4, #6469B4 and #6464B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6681B5 shade matches the following richer shades: #647FB4, #5179C6, #3E73D9, #2C6DEC and #1968FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6681B5 shade: #647FB4, #7685A1, #898B8F, #9B917C and #AE976A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6681B5 shade: #64ABB4, #6495B4, #6480B4, #646AB4 and #7264B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6681B5 shade: #405885, #4D6AA1, #647FB4, #7F96C1 and #9BADCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6681B5 shade: #6681B5, #A864B4 and #A0B464

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6681B5 shade: #6681B5, #B46480 and #80B464

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6681B5 shade: #6681B5, #A864B4, #B49864 and #70B464

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6681B5 shade: #6681B5, #B464A8, #B49864 and #64B470

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 29 / 0 / 29

HEX #6681B5

RGB 102 129 181

HSL 219.49, 0.35%, 0.55%

LAB 53.88, 4.25, -30.45

 

Complementary color

CMYK 0 / 18 / 52 / 40

HEX #997E4A

RGB 153 126 74

HSL 39.49, 0.35%, 0.45%

LAB 54.23, 3.52, 32.03

 

CMYK 39 / 27 / 0 / 31

HEX #6B81B0

RGB 107 129 176

HSL 220.87, 0.3%, 0.55%

LAB 53.99, 4.17, -27.39

 

CMYK 36 / 25 / 0 / 24

HEX #7C93C3

RGB 124 147 195

HSL 220.56, 0.37%, 0.63%

LAB 60.86, 3.73, -27.47

 

CMYK 34 / 23 / 0 / 16

HEX #8DA5D6

RGB 141 165 214

HSL 220.27, 0.47%, 0.7%

LAB 67.6, 3.36, -27.58

 

CMYK 32 / 21 / 0 / 9

HEX #9EB7E9

RGB 158 183 233

HSL 220, 0.63%, 0.77%

LAB 74.2, 3.03, -27.73

 

CMYK 31 / 20 / 0 / 1

HEX #AFC9FC

RGB 175 201 252

HSL 219.74, 0.93%, 0.84%

LAB 80.69, 2.73, -27.9

 

CMYK 44 / 29 / 0 / 29

HEX #6681B5

RGB 102 129 181

HSL 219.49, 0.35%, 0.55%

LAB 53.88, 4.25, -30.45

 

CMYK 48 / 31 / 0 / 36

HEX #556FA2

RGB 85 111 162

HSL 219.74, 0.31%, 0.48%

LAB 46.85, 4.88, -30.45

 

CMYK 52 / 35 / 0 / 44

HEX #445D8F

RGB 68 93 143

HSL 220, 0.36%, 0.41%

LAB 39.65, 5.67, -30.51

 

CMYK 59 / 40 / 0 / 51

HEX #334B7C

RGB 51 75 124

HSL 220.27, 0.42%, 0.34%

LAB 32.24, 6.72, -30.63

 

CMYK 68 / 46 / 0 / 59

HEX #223969

RGB 34 57 105

HSL 220.56, 0.51%, 0.27%

LAB 24.6, 8.18, -30.82

 

CMYK 44 / 29 / 0 / 29

HEX #647FB4

RGB 100 127 180

HSL 219.75, 0.35%, 0.55%

LAB 53.15, 4.61, -31.02

 

CMYK 44 / 42 / 0 / 29

HEX #6469B4

RGB 100 105 180

HSL 236.25, 0.35%, 0.55%

LAB 47.12, 17.95, -40.5

 

CMYK 36 / 44 / 0 / 29

HEX #7364B4

RGB 115 100 180

HSL 251.25, 0.35%, 0.55%

LAB 47.05, 24.98, -40.53

 

CMYK 24 / 44 / 0 / 29

HEX #8964B4

RGB 137 100 180

HSL 267.75, 0.35%, 0.55%

LAB 49.16, 31.2, -37.04

 

CMYK 12 / 44 / 0 / 29

HEX #9F64B4

RGB 159 100 180

HSL 284.25, 0.35%, 0.55%

LAB 51.59, 37.73, -33.07

 

CMYK 44 / 29 / 0 / 29

HEX #647FB4

RGB 100 127 180

HSL 219.75, 0.35%, 0.55%

LAB 53.15, 4.61, -31.02

 

CMYK 44 / 42 / 0 / 29

HEX #6469B4

RGB 100 105 180

HSL 236.25, 0.35%, 0.55%

LAB 47.12, 17.95, -40.5

 

CMYK 44 / 44 / 0 / 29

HEX #6464B4

RGB 100 100 180

HSL 240, 0.35%, 0.55%

LAB 45.8, 21.04, -42.59

 

CMYK 44 / 29 / 0 / 29

HEX #647FB4

RGB 100 127 180

HSL 219.75, 0.35%, 0.55%

LAB 53.15, 4.61, -31.02

 

CMYK 59 / 39 / 0 / 22

HEX #5179C6

RGB 81 121 198

HSL 219.49, 0.51%, 0.55%

LAB 51.27, 9.53, -44.37

 

CMYK 71 / 47 / 0 / 15

HEX #3E73D9

RGB 62 115 217

HSL 219.48, 0.67%, 0.55%

LAB 49.85, 16.7, -57.49

 

CMYK 81 / 54 / 0 / 7

HEX #2C6DEC

RGB 44 109 236

HSL 219.69, 0.83%, 0.55%

LAB 48.92, 25.52, -69.73

 

CMYK 90 / 59 / 0 / 0

HEX #1968FE

RGB 25 104 254

HSL 219.3, 0.99%, 0.55%

LAB 48.59, 34.26, -80.33

 

CMYK 44 / 29 / 0 / 29

HEX #647FB4

RGB 100 127 180

HSL 219.75, 0.35%, 0.55%

LAB 53.15, 4.61, -31.02

 

CMYK 27 / 17 / 0 / 37

HEX #7685A1

RGB 118 133 161

HSL 219.07, 0.19%, 0.55%

LAB 55.28, 1.12, -16.7

 

CMYK 4 / 3 / 0 / 44

HEX #898B8F

RGB 137 139 143

HSL 220, 0.03%, 0.55%

LAB 57.82, 0.07, -2.39

 

CMYK 0 / 6 / 20 / 39

HEX #9B917C

RGB 155 145 124

HSL 40.65, 0.13%, 0.55%

LAB 60.49, 0.11, 12.49

 

CMYK 0 / 13 / 39 / 32

HEX #AE976A

RGB 174 151 106

HSL 39.71, 0.3%, 0.55%

LAB 63.49, 2.02, 26.86

 

CMYK 44 / 5 / 0 / 29

HEX #64ABB4

RGB 100 171 180

HSL 186.75, 0.35%, 0.55%

LAB 65.85, -19.89, -11.6

 

CMYK 44 / 17 / 0 / 29

HEX #6495B4

RGB 100 149 180

HSL 203.25, 0.35%, 0.55%

LAB 59.43, -8.06, -21.32

 

CMYK 44 / 29 / 0 / 29

HEX #6480B4

RGB 100 128 180

HSL 219, 0.35%, 0.55%

LAB 53.43, 4.02, -30.58

 

CMYK 44 / 41 / 0 / 29

HEX #646AB4

RGB 100 106 180

HSL 235.5, 0.35%, 0.55%

LAB 47.38, 17.34, -40.08

 

CMYK 37 / 44 / 0 / 29

HEX #7264B4

RGB 114 100 180

HSL 250.5, 0.35%, 0.55%

LAB 46.96, 24.71, -40.68

 

CMYK 52 / 34 / 0 / 48

HEX #405885

RGB 64 88 133

HSL 219.13, 0.35%, 0.39%

LAB 37.41, 4.53, -27.97

 

CMYK 52 / 34 / 0 / 37

HEX #4D6AA1

RGB 77 106 161

HSL 219.29, 0.35%, 0.47%

LAB 44.88, 5.64, -32.99

 

CMYK 44 / 29 / 0 / 29

HEX #647FB4

RGB 100 127 180

HSL 219.75, 0.35%, 0.55%

LAB 53.15, 4.61, -31.02

 

CMYK 34 / 22 / 0 / 24

HEX #7F96C1

RGB 127 150 193

HSL 219.09, 0.35%, 0.63%

LAB 61.8, 2.34, -24.88

 

CMYK 25 / 16 / 0 / 19

HEX #9BADCF

RGB 155 173 207

HSL 219.23, 0.35%, 0.71%

LAB 70.43, 1.3, -19.32

 

CMYK 44 / 29 / 0 / 29

HEX #6681B5

RGB 102 129 181

HSL 219.49, 0.35%, 0.55%

LAB 53.88, 4.25, -30.45

 

CMYK 7 / 44 / 0 / 29

HEX #A864B4

RGB 168 100 180

HSL 291, 0.35%, 0.55%

LAB 52.66, 40.45, -31.32

 

CMYK 11 / 0 / 44 / 29

HEX #A0B464

RGB 160 180 100

HSL 75, 0.35%, 0.55%

LAB 70.2, -19.71, 38.39

 

CMYK 44 / 29 / 0 / 29

HEX #6681B5

RGB 102 129 181

HSL 219.49, 0.35%, 0.55%

LAB 53.88, 4.25, -30.45

 

CMYK 0 / 44 / 29 / 29

HEX #B46480

RGB 180 100 128

HSL 339, 0.35%, 0.55%

LAB 52.26, 35.58, -1.28

 

CMYK 29 / 0 / 44 / 29

HEX #80B464

RGB 128 180 100

HSL 99, 0.35%, 0.55%

LAB 68.13, -31.84, 35.35

 

CMYK 44 / 29 / 0 / 29

HEX #6681B5

RGB 102 129 181

HSL 219.49, 0.35%, 0.55%

LAB 53.88, 4.25, -30.45

 

CMYK 7 / 44 / 0 / 29

HEX #A864B4

RGB 168 100 180

HSL 291, 0.35%, 0.55%

LAB 52.66, 40.45, -31.32

 

CMYK 0 / 16 / 44 / 29

HEX #B49864

RGB 180 152 100

HSL 39, 0.35%, 0.55%

LAB 64.23, 3.3, 31.18

 

CMYK 38 / 0 / 44 / 29

HEX #70B464

RGB 112 180 100

HSL 111, 0.35%, 0.55%

LAB 67.28, -37.33, 34.1

 

CMYK 44 / 29 / 0 / 29

HEX #6681B5

RGB 102 129 181

HSL 219.49, 0.35%, 0.55%

LAB 53.88, 4.25, -30.45

 

CMYK 0 / 44 / 7 / 29

HEX #B464A8

RGB 180 100 168

HSL 309, 0.35%, 0.55%

LAB 53.65, 41.91, -22.7

 

CMYK 0 / 16 / 44 / 29

HEX #B49864

RGB 180 152 100

HSL 39, 0.35%, 0.55%

LAB 64.23, 3.3, 31.18

 

CMYK 44 / 0 / 38 / 29

HEX #64B470

RGB 100 180 112

HSL 129, 0.35%, 0.55%

LAB 66.92, -39.18, 27.25

 

Description

Color code: HEX #6681B5 | qconv.com Color code: HEX #6681B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 129 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 129 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 29 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 29% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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