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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #668AE5 it is the complementary color #99751A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #668AE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #668AE5 shade: #6B8AE0, #7C9CF3, #8DAEFF, #9EC0FF and #AFD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #668AE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #668AE5 shade: #668AE5, #5578D2, #4466BF, #3354AC and #224299

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #668AE5 shade: #668AE5, #6668E5, #8666E5, #A866E5 and #CB66E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #668AE5 shade: #668AE5, #6668E5 and #6666E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #668AE5 shade matches the following richer shades: #668AE5 and #5784F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #668AE5 shade: #668AE5, #7490D6, #8396C8, #919DB9 and #A0A3AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #668AE5 shade: #66CFE5, #66AEE5, #668CE5, #666AE5 and #8366E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #668AE5 shade: #2456D4, #436FDF, #668AE5, #89A5EB and #ACC0F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #668AE5 shade: #668AE5, #D866E5 and #BFE566

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #668AE5 shade: #668AE5, #E5668C and #8CE566

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #668AE5 shade: #668AE5, #D866E5, #E5BF66 and #73E566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #668AE5 shade: #668AE5, #E566CB, #E5BF66 and #66E57F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 40 / 0 / 10

HEX #668AE5

RGB 102 138 229

HSL 222.99, 0.71%, 0.65%

LAB 58.66, 13.69, -50.05

 

Complementary color

CMYK 0 / 24 / 83 / 40

HEX #99751A

RGB 153 117 26

HSL 42.99, 0.71%, 0.35%

LAB 51.35, 5.54, 51.24

 

CMYK 52 / 38 / 0 / 12

HEX #6B8AE0

RGB 107 138 224

HSL 224.1, 0.65%, 0.65%

LAB 58.68, 13.18, -47.21

 

CMYK 49 / 36 / 0 / 5

HEX #7C9CF3

RGB 124 156 243

HSL 223.87, 0.83%, 0.72%

LAB 65.38, 12.24, -47.06

 

CMYK 45 / 32 / 0 / 0

HEX #8DAEFF

RGB 141 174 255

HSL 222.63, 1%, 0.78%

LAB 71.66, 9.44, -43.66

 

CMYK 38 / 25 / 0 / 0

HEX #9EC0FF

RGB 158 192 255

HSL 218.97, 1%, 0.81%

LAB 77.39, 3.74, -34.67

 

CMYK 31 / 18 / 0 / 0

HEX #AFD2FF

RGB 175 210 255

HSL 213.75, 1%, 0.84%

LAB 83.14, -1.35, -25.75

 

CMYK 55 / 40 / 0 / 10

HEX #668AE5

RGB 102 138 229

HSL 222.99, 0.71%, 0.65%

LAB 58.66, 13.69, -50.05

 

CMYK 60 / 43 / 0 / 18

HEX #5578D2

RGB 85 120 210

HSL 223.2, 0.58%, 0.58%

LAB 51.86, 14.95, -50.25

 

CMYK 64 / 47 / 0 / 25

HEX #4466BF

RGB 68 102 191

HSL 223.41, 0.49%, 0.51%

LAB 44.93, 16.51, -50.49

 

CMYK 70 / 51 / 0 / 33

HEX #3354AC

RGB 51 84 172

HSL 223.64, 0.54%, 0.44%

LAB 37.88, 18.45, -50.73

 

CMYK 78 / 57 / 0 / 40

HEX #224299

RGB 34 66 153

HSL 223.87, 0.64%, 0.37%

LAB 30.73, 20.93, -50.95

 

CMYK 55 / 40 / 0 / 10

HEX #668AE5

RGB 102 138 229

HSL 222.99, 0.71%, 0.65%

LAB 58.66, 13.69, -50.05

 

CMYK 55 / 55 / 0 / 10

HEX #6668E5

RGB 102 104 229

HSL 239.06, 0.71%, 0.65%

LAB 49.96, 34.23, -63.99

 

CMYK 41 / 55 / 0 / 10

HEX #8666E5

RGB 134 102 229

HSL 255.12, 0.71%, 0.65%

LAB 52.09, 42.03, -60.41

 

CMYK 27 / 55 / 0 / 10

HEX #A866E5

RGB 168 102 229

HSL 271.18, 0.71%, 0.65%

LAB 55.57, 50.04, -54.65

 

CMYK 11 / 55 / 0 / 10

HEX #CB66E5

RGB 203 102 229

HSL 287.72, 0.71%, 0.65%

LAB 59.76, 58.84, -47.73

 

CMYK 55 / 40 / 0 / 10

HEX #668AE5

RGB 102 138 229

HSL 222.99, 0.71%, 0.65%

LAB 58.66, 13.69, -50.05

 

CMYK 55 / 55 / 0 / 10

HEX #6668E5

RGB 102 104 229

HSL 239.06, 0.71%, 0.65%

LAB 49.96, 34.23, -63.99

 

CMYK 55 / 55 / 0 / 10

HEX #6666E5

RGB 102 102 229

HSL 240, 0.71%, 0.65%

LAB 49.48, 35.43, -64.76

 

CMYK 55 / 40 / 0 / 10

HEX #668AE5

RGB 102 138 229

HSL 222.99, 0.71%, 0.65%

LAB 58.66, 13.69, -50.05

 

CMYK 64 / 46 / 0 / 5

HEX #5784F3

RGB 87 132 243

HSL 222.69, 0.87%, 0.65%

LAB 57.08, 19.13, -60.39

 

CMYK 55 / 40 / 0 / 10

HEX #668AE5

RGB 102 138 229

HSL 222.99, 0.71%, 0.65%

LAB 58.66, 13.69, -50.05

 

CMYK 46 / 33 / 0 / 16

HEX #7490D6

RGB 116 144 214

HSL 222.86, 0.54%, 0.65%

LAB 60.35, 8.72, -38.96

 

CMYK 35 / 25 / 0 / 22

HEX #8396C8

RGB 131 150 200

HSL 223.48, 0.39%, 0.65%

LAB 62.35, 5.33, -27.95

 

CMYK 22 / 15 / 0 / 27

HEX #919DB9

RGB 145 157 185

HSL 222, 0.22%, 0.65%

LAB 64.67, 1.88, -15.9

 

CMYK 6 / 5 / 0 / 33

HEX #A0A3AB

RGB 160 163 171

HSL 223.64, 0.06%, 0.65%

LAB 66.98, 0.51, -4.51

 

CMYK 55 / 10 / 0 / 10

HEX #66CFE5

RGB 102 207 229

HSL 190.39, 0.71%, 0.65%

LAB 77.94, -24.27, -20.12

 

CMYK 55 / 24 / 0 / 10

HEX #66AEE5

RGB 102 174 229

HSL 205.98, 0.71%, 0.65%

LAB 68.57, -6.98, -34.49

 

CMYK 55 / 39 / 0 / 10

HEX #668CE5

RGB 102 140 229

HSL 222.05, 0.71%, 0.65%

LAB 59.19, 12.5, -49.2

 

CMYK 55 / 54 / 0 / 10

HEX #666AE5

RGB 102 106 229

HSL 238.11, 0.71%, 0.65%

LAB 50.44, 33.02, -63.21

 

CMYK 43 / 55 / 0 / 10

HEX #8366E5

RGB 131 102 229

HSL 253.7, 0.71%, 0.65%

LAB 51.82, 41.37, -60.87

 

CMYK 83 / 59 / 0 / 17

HEX #2456D4

RGB 36 86 212

HSL 222.95, 0.71%, 0.49%

LAB 40.87, 30.59, -69.24

 

CMYK 70 / 50 / 0 / 13

HEX #436FDF

RGB 67 111 223

HSL 223.08, 0.71%, 0.57%

LAB 49.36, 22.06, -61.66

 

CMYK 55 / 40 / 0 / 10

HEX #668AE5

RGB 102 138 229

HSL 222.99, 0.71%, 0.65%

LAB 58.66, 13.69, -50.05

 

CMYK 42 / 30 / 0 / 8

HEX #89A5EB

RGB 137 165 235

HSL 222.86, 0.71%, 0.73%

LAB 68.19, 7.93, -38.23

 

CMYK 29 / 20 / 0 / 5

HEX #ACC0F1

RGB 172 192 241

HSL 222.61, 0.71%, 0.81%

LAB 77.77, 4.08, -26.5

 

CMYK 55 / 40 / 0 / 10

HEX #668AE5

RGB 102 138 229

HSL 222.99, 0.71%, 0.65%

LAB 58.66, 13.69, -50.05

 

CMYK 6 / 55 / 0 / 10

HEX #D866E5

RGB 216 102 229

HSL 293.86, 0.71%, 0.65%

LAB 61.45, 62.17, -44.96

 

CMYK 17 / 0 / 55 / 10

HEX #BFE566

RGB 191 229 102

HSL 77.95, 0.71%, 0.65%

LAB 86.04, -31.16, 56.87

 

CMYK 55 / 40 / 0 / 10

HEX #668AE5

RGB 102 138 229

HSL 222.99, 0.71%, 0.65%

LAB 58.66, 13.69, -50.05

 

CMYK 0 / 55 / 39 / 10

HEX #E5668C

RGB 229 102 140

HSL 342.05, 0.71%, 0.65%

LAB 59.94, 52.91, 3.71

 

CMYK 39 / 0 / 55 / 10

HEX #8CE566

RGB 140 229 102

HSL 102.05, 0.71%, 0.65%

LAB 83.22, -49.16, 52.87

 

CMYK 55 / 40 / 0 / 10

HEX #668AE5

RGB 102 138 229

HSL 222.99, 0.71%, 0.65%

LAB 58.66, 13.69, -50.05

 

CMYK 6 / 55 / 0 / 10

HEX #D866E5

RGB 216 102 229

HSL 293.86, 0.71%, 0.65%

LAB 61.45, 62.17, -44.96

 

CMYK 0 / 17 / 55 / 10

HEX #E5BF66

RGB 229 191 102

HSL 42.05, 0.71%, 0.65%

LAB 78.97, 3.07, 49.39

 

CMYK 50 / 0 / 55 / 10

HEX #73E566

RGB 115 229 102

HSL 113.86, 0.71%, 0.65%

LAB 82.19, -56.54, 51.4

 

CMYK 55 / 40 / 0 / 10

HEX #668AE5

RGB 102 138 229

HSL 222.99, 0.71%, 0.65%

LAB 58.66, 13.69, -50.05

 

CMYK 0 / 55 / 11 / 10

HEX #E566CB

RGB 229 102 203

HSL 312.28, 0.71%, 0.65%

LAB 62.06, 61.28, -29.25

 

CMYK 0 / 17 / 55 / 10

HEX #E5BF66

RGB 229 191 102

HSL 42.05, 0.71%, 0.65%

LAB 78.97, 3.07, 49.39

 

CMYK 55 / 0 / 45 / 10

HEX #66E57F

RGB 102 229 127

HSL 131.81, 0.71%, 0.65%

LAB 82.05, -56.48, 39.25

 

Description

Color code: HEX #668AE5 | qconv.com Color code: HEX #668AE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 138 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 138 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 40 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 40% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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