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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6694BC it is the complementary color #996B43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6694BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6694BC shade: #6B94B7, #7CA6CA, #8DB8DD, #9ECAF0 and #AFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6694BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6694BC shade: #6694BC, #5582A9, #447096, #335E83 and #224C70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6694BC shade: #6694BC, #667DBC, #6666BC, #7E66BC and #9566BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6694BC shade: #6694BC, #667DBC and #6666BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6694BC shade matches the following richer shades: #6694BC, #5495CD, #4396DF and #3198F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6694BC shade: #6694BC, #7893AA, #8A9198, #9B9086 and #AD8F75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6694BC shade: #66BCB4, #66ACBC, #6695BC, #667EBC and #6668BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6694BC shade: #3F6A90, #4C80AD, #6694BC, #83A8C8 and #9FBCD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6694BC shade: #6694BC, #9E66BC and #B7BC66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6694BC shade: #6694BC, #BC6695 and #95BC66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6694BC shade: #6694BC, #9E66BC, #BC8D66 and #84BC66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6694BC shade: #6694BC, #B766BC, #BC8D66 and #6ABC66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 21 / 0 / 26

HEX #6694BC

RGB 102 148 188

HSL 207.91, 0.39%, 0.57%

LAB 59.56, -4.7, -25.64

 

Complementary color

CMYK 0 / 30 / 56 / 40

HEX #996B43

RGB 153 107 67

HSL 27.91, 0.39%, 0.43%

LAB 49.12, 13.73, 29.56

 

CMYK 42 / 19 / 0 / 28

HEX #6B94B7

RGB 107 148 183

HSL 207.63, 0.35%, 0.57%

LAB 59.64, -4.82, -22.67

 

CMYK 39 / 18 / 0 / 21

HEX #7CA6CA

RGB 124 166 202

HSL 207.69, 0.42%, 0.64%

LAB 66.38, -5.07, -22.9

 

CMYK 36 / 17 / 0 / 13

HEX #8DB8DD

RGB 141 184 221

HSL 207.75, 0.54%, 0.71%

LAB 73, -5.29, -23.15

 

CMYK 34 / 16 / 0 / 6

HEX #9ECAF0

RGB 158 202 240

HSL 207.8, 0.73%, 0.78%

LAB 79.5, -5.48, -23.4

 

CMYK 31 / 14 / 0 / 0

HEX #AFDCFF

RGB 175 220 255

HSL 206.25, 1%, 0.84%

LAB 85.77, -6.6, -21.76

 

CMYK 46 / 21 / 0 / 26

HEX #6694BC

RGB 102 148 188

HSL 207.91, 0.39%, 0.57%

LAB 59.56, -4.7, -25.64

 

CMYK 50 / 23 / 0 / 34

HEX #5582A9

RGB 85 130 169

HSL 207.86, 0.33%, 0.5%

LAB 52.69, -4.27, -25.46

 

CMYK 55 / 25 / 0 / 41

HEX #447096

RGB 68 112 150

HSL 207.8, 0.38%, 0.43%

LAB 45.66, -3.73, -25.31

 

CMYK 61 / 28 / 0 / 49

HEX #335E83

RGB 51 94 131

HSL 207.75, 0.44%, 0.36%

LAB 38.46, -2.99, -25.17

 

CMYK 70 / 32 / 0 / 56

HEX #224C70

RGB 34 76 112

HSL 207.69, 0.53%, 0.29%

LAB 31.06, -1.93, -25.04

 

CMYK 46 / 21 / 0 / 26

HEX #6694BC

RGB 102 148 188

HSL 207.91, 0.39%, 0.57%

LAB 59.56, -4.7, -25.64

 

CMYK 46 / 34 / 0 / 26

HEX #667DBC

RGB 102 125 188

HSL 223.95, 0.39%, 0.57%

LAB 53.08, 8.71, -35.7

 

CMYK 46 / 46 / 0 / 26

HEX #6666BC

RGB 102 102 188

HSL 240, 0.39%, 0.57%

LAB 46.92, 22.72, -45.45

 

CMYK 33 / 46 / 0 / 26

HEX #7E66BC

RGB 126 102 188

HSL 256.74, 0.39%, 0.57%

LAB 48.97, 28.95, -42.06

 

CMYK 21 / 46 / 0 / 26

HEX #9566BC

RGB 149 102 188

HSL 272.79, 0.39%, 0.57%

LAB 51.29, 35.44, -38.24

 

CMYK 46 / 21 / 0 / 26

HEX #6694BC

RGB 102 148 188

HSL 207.91, 0.39%, 0.57%

LAB 59.56, -4.7, -25.64

 

CMYK 46 / 34 / 0 / 26

HEX #667DBC

RGB 102 125 188

HSL 223.95, 0.39%, 0.57%

LAB 53.08, 8.71, -35.7

 

CMYK 46 / 46 / 0 / 26

HEX #6666BC

RGB 102 102 188

HSL 240, 0.39%, 0.57%

LAB 46.92, 22.72, -45.45

 

CMYK 46 / 21 / 0 / 26

HEX #6694BC

RGB 102 148 188

HSL 207.91, 0.39%, 0.57%

LAB 59.56, -4.7, -25.64

 

CMYK 59 / 27 / 0 / 20

HEX #5495CD

RGB 84 149 205

HSL 207.77, 0.55%, 0.57%

LAB 59.7, -4.12, -35.06

 

CMYK 70 / 33 / 0 / 13

HEX #4396DF

RGB 67 150 223

HSL 208.08, 0.71%, 0.57%

LAB 60.19, -1.59, -44.39

 

CMYK 80 / 37 / 0 / 5

HEX #3198F1

RGB 49 152 241

HSL 207.81, 0.87%, 0.57%

LAB 61.19, 1.46, -52.8

 

CMYK 46 / 21 / 0 / 26

HEX #6694BC

RGB 102 148 188

HSL 207.91, 0.39%, 0.57%

LAB 59.56, -4.7, -25.64

 

CMYK 29 / 14 / 0 / 33

HEX #7893AA

RGB 120 147 170

HSL 207.6, 0.23%, 0.57%

LAB 59.67, -3.97, -15.17

 

CMYK 9 / 5 / 0 / 40

HEX #8A9198

RGB 138 145 152

HSL 210, 0.06%, 0.57%

LAB 59.82, -1.09, -4.58

 

CMYK 0 / 7 / 14 / 39

HEX #9B9086

RGB 155 144 134

HSL 28.57, 0.1%, 0.57%

LAB 60.46, 2.31, 6.77

 

CMYK 0 / 17 / 32 / 32

HEX #AD8F75

RGB 173 143 117

HSL 27.86, 0.25%, 0.57%

LAB 61.49, 7.42, 18.08

 

CMYK 46 / 0 / 4 / 26

HEX #66BCB4

RGB 102 188 180

HSL 174.42, 0.39%, 0.57%

LAB 70.93, -27.95, -4.04

 

CMYK 46 / 9 / 0 / 26

HEX #66ACBC

RGB 102 172 188

HSL 191.16, 0.39%, 0.57%

LAB 66.49, -17.76, -15.08

 

CMYK 46 / 21 / 0 / 26

HEX #6695BC

RGB 102 149 188

HSL 207.21, 0.39%, 0.57%

LAB 59.84, -5.26, -25.2

 

CMYK 46 / 33 / 0 / 26

HEX #667EBC

RGB 102 126 188

HSL 223.26, 0.39%, 0.57%

LAB 53.36, 8.11, -35.27

 

CMYK 46 / 45 / 0 / 26

HEX #6668BC

RGB 102 104 188

HSL 238.6, 0.39%, 0.57%

LAB 47.44, 21.49, -44.62

 

CMYK 56 / 26 / 0 / 44

HEX #3F6A90

RGB 63 106 144

HSL 208.15, 0.39%, 0.41%

LAB 43.33, -3.24, -25.38

 

CMYK 56 / 26 / 0 / 32

HEX #4C80AD

RGB 76 128 173

HSL 207.84, 0.39%, 0.49%

LAB 51.83, -3.95, -29.14

 

CMYK 46 / 21 / 0 / 26

HEX #6694BC

RGB 102 148 188

HSL 207.91, 0.39%, 0.57%

LAB 59.56, -4.7, -25.64

 

CMYK 35 / 16 / 0 / 22

HEX #83A8C8

RGB 131 168 200

HSL 207.83, 0.39%, 0.65%

LAB 67.28, -4.76, -20.39

 

CMYK 25 / 12 / 0 / 16

HEX #9FBCD5

RGB 159 188 213

HSL 207.78, 0.39%, 0.73%

LAB 74.91, -4.23, -15.79

 

CMYK 46 / 21 / 0 / 26

HEX #6694BC

RGB 102 148 188

HSL 207.91, 0.39%, 0.57%

LAB 59.56, -4.7, -25.64

 

CMYK 16 / 46 / 0 / 26

HEX #9E66BC

RGB 158 102 188

HSL 279.07, 0.39%, 0.57%

LAB 52.29, 38.06, -36.6

 

CMYK 3 / 0 / 46 / 26

HEX #B7BC66

RGB 183 188 102

HSL 63.49, 0.39%, 0.57%

LAB 74.19, -14.32, 42.69

 

CMYK 46 / 21 / 0 / 26

HEX #6694BC

RGB 102 148 188

HSL 207.91, 0.39%, 0.57%

LAB 59.56, -4.7, -25.64

 

CMYK 0 / 46 / 21 / 26

HEX #BC6695

RGB 188 102 149

HSL 327.21, 0.39%, 0.57%

LAB 54.41, 40.36, -10.34

 

CMYK 21 / 0 / 46 / 26

HEX #95BC66

RGB 149 188 102

HSL 87.21, 0.39%, 0.57%

LAB 71.77, -27.69, 39.17

 

CMYK 46 / 21 / 0 / 26

HEX #6694BC

RGB 102 148 188

HSL 207.91, 0.39%, 0.57%

LAB 59.56, -4.7, -25.64

 

CMYK 16 / 46 / 0 / 26

HEX #9E66BC

RGB 158 102 188

HSL 279.07, 0.39%, 0.57%

LAB 52.29, 38.06, -36.6

 

CMYK 0 / 25 / 46 / 26

HEX #BC8D66

RGB 188 141 102

HSL 27.21, 0.39%, 0.57%

LAB 62.25, 12.92, 27.7

 

CMYK 30 / 0 / 46 / 26

HEX #84BC66

RGB 132 188 102

HSL 99.07, 0.39%, 0.57%

LAB 70.75, -33.9, 37.68

 

CMYK 46 / 21 / 0 / 26

HEX #6694BC

RGB 102 148 188

HSL 207.91, 0.39%, 0.57%

LAB 59.56, -4.7, -25.64

 

CMYK 3 / 46 / 0 / 26

HEX #B766BC

RGB 183 102 188

HSL 296.51, 0.39%, 0.57%

LAB 55.28, 45.45, -31.71

 

CMYK 0 / 25 / 46 / 26

HEX #BC8D66

RGB 188 141 102

HSL 27.21, 0.39%, 0.57%

LAB 62.25, 12.92, 27.7

 

CMYK 44 / 0 / 46 / 26

HEX #6ABC66

RGB 106 188 102

HSL 117.21, 0.39%, 0.57%

LAB 69.46, -42.45, 35.78

 

Description

Color code: HEX #6694BC | qconv.com Color code: HEX #6694BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 148 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 148 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 21 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 21% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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