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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6698A2 it is the complementary color #99675D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6698A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6698A2 shade: #6B989D, #7CAAB0, #8DBCC3, #9ECED6 and #AFE0E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6698A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6698A2 shade: #6698A2, #55868F, #44747C, #336269 and #225056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6698A2 shade: #6798A1, #6788A1, #6778A1, #6768A1 and #7567A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6698A2 shade: #6798A1, #6788A1, #6778A1, #6768A1 and #6767A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6698A2 shade matches the following richer shades: #6798A1, #53A5B5, #3FB2C9, #2BBFDD and #18CCF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6698A2 shade: #6798A1, #7B8A8E, #8E7D7A, #A27066 and #B66352

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6698A2 shade: #67A18C, #67A19C, #6798A1, #6788A1 and #6778A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6698A2 shade: #456971, #55818A, #6798A1, #80A9B1 and #9ABAC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6698A2 shade: #6698A2, #7C67A1 and #A19467

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6698A2 shade: #6698A2, #A16798 and #98A167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6698A2 shade: #6698A2, #7C67A1, #A17167 and #8CA167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6698A2 shade: #6698A2, #8E67A1, #A17167 and #7AA167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 6 / 0 / 36

HEX #6698A2

RGB 102 152 162

HSL 190, 0.24%, 0.52%

LAB 59.79, -14.07, -10.56

 

Complementary color

CMYK 0 / 33 / 39 / 40

HEX #99675D

RGB 153 103 93

HSL 10, 0.24%, 0.48%

LAB 48.59, 18.81, 13.81

 

CMYK 32 / 3 / 0 / 38

HEX #6B989D

RGB 107 152 157

HSL 186, 0.2%, 0.52%

LAB 59.9, -13.9, -7.52

 

CMYK 30 / 3 / 0 / 31

HEX #7CAAB0

RGB 124 170 176

HSL 186.92, 0.25%, 0.59%

LAB 66.65, -13.84, -8.06

 

CMYK 28 / 4 / 0 / 24

HEX #8DBCC3

RGB 141 188 195

HSL 187.78, 0.31%, 0.66%

LAB 73.27, -13.8, -8.57

 

CMYK 26 / 4 / 0 / 16

HEX #9ECED6

RGB 158 206 214

HSL 188.57, 0.41%, 0.73%

LAB 79.77, -13.76, -9.08

 

CMYK 25 / 4 / 0 / 9

HEX #AFE0E9

RGB 175 224 233

HSL 189.31, 0.57%, 0.8%

LAB 86.16, -13.72, -9.57

 

CMYK 37 / 6 / 0 / 36

HEX #6698A2

RGB 102 152 162

HSL 190, 0.24%, 0.52%

LAB 59.79, -14.07, -10.56

 

CMYK 41 / 6 / 0 / 44

HEX #55868F

RGB 85 134 143

HSL 189.31, 0.25%, 0.45%

LAB 52.91, -14.06, -10.05

 

CMYK 45 / 6 / 0 / 51

HEX #44747C

RGB 68 116 124

HSL 188.57, 0.29%, 0.38%

LAB 45.87, -14.01, -9.52

 

CMYK 51 / 7 / 0 / 59

HEX #336269

RGB 51 98 105

HSL 187.78, 0.35%, 0.31%

LAB 38.65, -13.9, -8.94

 

CMYK 60 / 7 / 0 / 66

HEX #225056

RGB 34 80 86

HSL 186.92, 0.43%, 0.24%

LAB 31.23, -13.66, -8.3

 

CMYK 36 / 6 / 0 / 37

HEX #6798A1

RGB 103 152 161

HSL 189.31, 0.24%, 0.52%

LAB 59.81, -14.04, -9.96

 

CMYK 36 / 16 / 0 / 37

HEX #6788A1

RGB 103 136 161

HSL 205.86, 0.24%, 0.52%

LAB 55.14, -5.18, -17

 

CMYK 36 / 25 / 0 / 37

HEX #6778A1

RGB 103 120 161

HSL 222.41, 0.24%, 0.52%

LAB 50.56, 4.14, -24.02

 

CMYK 36 / 35 / 0 / 37

HEX #6768A1

RGB 103 104 161

HSL 238.97, 0.24%, 0.52%

LAB 46.12, 13.83, -30.92

 

CMYK 27 / 36 / 0 / 37

HEX #7567A1

RGB 117 103 161

HSL 254.48, 0.24%, 0.52%

LAB 47.05, 18.63, -29.38

 

CMYK 36 / 6 / 0 / 37

HEX #6798A1

RGB 103 152 161

HSL 189.31, 0.24%, 0.52%

LAB 59.81, -14.04, -9.96

 

CMYK 36 / 16 / 0 / 37

HEX #6788A1

RGB 103 136 161

HSL 205.86, 0.24%, 0.52%

LAB 55.14, -5.18, -17

 

CMYK 36 / 25 / 0 / 37

HEX #6778A1

RGB 103 120 161

HSL 222.41, 0.24%, 0.52%

LAB 50.56, 4.14, -24.02

 

CMYK 36 / 35 / 0 / 37

HEX #6768A1

RGB 103 104 161

HSL 238.97, 0.24%, 0.52%

LAB 46.12, 13.83, -30.92

 

CMYK 36 / 36 / 0 / 37

HEX #6767A1

RGB 103 103 161

HSL 240, 0.24%, 0.52%

LAB 45.85, 14.44, -31.35

 

CMYK 36 / 6 / 0 / 37

HEX #6798A1

RGB 103 152 161

HSL 189.31, 0.24%, 0.52%

LAB 59.81, -14.04, -9.96

 

CMYK 54 / 9 / 0 / 29

HEX #53A5B5

RGB 83 165 181

HSL 189.8, 0.4%, 0.52%

LAB 63.41, -20.4, -15.9

 

CMYK 69 / 11 / 0 / 21

HEX #3FB2C9

RGB 63 178 201

HSL 190, 0.56%, 0.52%

LAB 67.36, -24.61, -21.07

 

CMYK 81 / 14 / 0 / 13

HEX #2BBFDD

RGB 43 191 221

HSL 190.11, 0.72%, 0.52%

LAB 71.55, -27.1, -25.66

 

CMYK 90 / 15 / 0 / 5

HEX #18CCF1

RGB 24 204 241

HSL 190.23, 0.89%, 0.52%

LAB 75.9, -28.29, -29.81

 

CMYK 36 / 6 / 0 / 37

HEX #6798A1

RGB 103 152 161

HSL 189.31, 0.24%, 0.52%

LAB 59.81, -14.04, -9.96

 

CMYK 13 / 3 / 0 / 44

HEX #7B8A8E

RGB 123 138 142

HSL 192.63, 0.08%, 0.52%

LAB 56.43, -4.55, -3.99

 

CMYK 0 / 12 / 14 / 44

HEX #8E7D7A

RGB 142 125 122

HSL 9, 0.08%, 0.52%

LAB 53.84, 5.97, 4.01

 

CMYK 0 / 31 / 37 / 36

HEX #A27066

RGB 162 112 102

HSL 10, 0.24%, 0.52%

LAB 52.1, 18.48, 13.52

 

CMYK 0 / 46 / 55 / 29

HEX #B66352

RGB 182 99 82

HSL 10.2, 0.41%, 0.52%

LAB 51.24, 31.7, 24.48

 

CMYK 36 / 0 / 13 / 37

HEX #67A18C

RGB 103 161 140

HSL 158.28, 0.24%, 0.52%

LAB 61.88, -23.8, 4.96

 

CMYK 36 / 0 / 3 / 37

HEX #67A19C

RGB 103 161 156

HSL 174.83, 0.24%, 0.52%

LAB 62.32, -20.06, -3.41

 

CMYK 36 / 6 / 0 / 37

HEX #6798A1

RGB 103 152 161

HSL 189.31, 0.24%, 0.52%

LAB 59.81, -14.04, -9.96

 

CMYK 36 / 16 / 0 / 37

HEX #6788A1

RGB 103 136 161

HSL 205.86, 0.24%, 0.52%

LAB 55.14, -5.18, -17

 

CMYK 36 / 25 / 0 / 37

HEX #6778A1

RGB 103 120 161

HSL 222.41, 0.24%, 0.52%

LAB 50.56, 4.14, -24.02

 

CMYK 39 / 7 / 0 / 56

HEX #456971

RGB 69 105 113

HSL 190.91, 0.24%, 0.36%

LAB 42.09, -10.59, -8.57

 

CMYK 38 / 7 / 0 / 46

HEX #55818A

RGB 85 129 138

HSL 190.19, 0.24%, 0.44%

LAB 51.23, -12.65, -9.66

 

CMYK 36 / 6 / 0 / 37

HEX #6798A1

RGB 103 152 161

HSL 189.31, 0.24%, 0.52%

LAB 59.81, -14.04, -9.96

 

CMYK 28 / 5 / 0 / 31

HEX #80A9B1

RGB 128 169 177

HSL 189.8, 0.24%, 0.6%

LAB 66.63, -11.88, -8.62

 

CMYK 20 / 4 / 0 / 24

HEX #9ABAC1

RGB 154 186 193

HSL 190.77, 0.24%, 0.68%

LAB 73.44, -9.24, -7.14

 

CMYK 37 / 6 / 0 / 36

HEX #6698A2

RGB 102 152 162

HSL 190, 0.24%, 0.52%

LAB 59.79, -14.07, -10.56

 

CMYK 23 / 36 / 0 / 37

HEX #7C67A1

RGB 124 103 161

HSL 261.72, 0.24%, 0.52%

LAB 47.7, 20.81, -28.32

 

CMYK 0 / 8 / 36 / 37

HEX #A19467

RGB 161 148 103

HSL 46.55, 0.24%, 0.52%

LAB 61.43, -2.09, 25.57

 

CMYK 37 / 6 / 0 / 36

HEX #6698A2

RGB 102 152 162

HSL 190, 0.24%, 0.52%

LAB 59.79, -14.07, -10.56

 

CMYK 0 / 36 / 6 / 37

HEX #A16798

RGB 161 103 152

HSL 309.31, 0.24%, 0.52%

LAB 51.32, 31.11, -17.11

 

CMYK 6 / 0 / 36 / 37

HEX #98A167

RGB 152 161 103

HSL 69.31, 0.24%, 0.52%

LAB 64.28, -12.77, 29.16

 

CMYK 37 / 6 / 0 / 36

HEX #6698A2

RGB 102 152 162

HSL 190, 0.24%, 0.52%

LAB 59.79, -14.07, -10.56

 

CMYK 23 / 36 / 0 / 37

HEX #7C67A1

RGB 124 103 161

HSL 261.72, 0.24%, 0.52%

LAB 47.7, 20.81, -28.32

 

CMYK 0 / 30 / 36 / 37

HEX #A17167

RGB 161 113 103

HSL 10.34, 0.24%, 0.52%

LAB 52.25, 17.63, 13.13

 

CMYK 13 / 0 / 36 / 37

HEX #8CA167

RGB 140 161 103

HSL 81.72, 0.24%, 0.52%

LAB 63.38, -17.54, 27.82

 

CMYK 37 / 6 / 0 / 36

HEX #6698A2

RGB 102 152 162

HSL 190, 0.24%, 0.52%

LAB 59.79, -14.07, -10.56

 

CMYK 12 / 36 / 0 / 37

HEX #8E67A1

RGB 142 103 161

HSL 280.34, 0.24%, 0.52%

LAB 49.53, 26.58, -25.34

 

CMYK 0 / 30 / 36 / 37

HEX #A17167

RGB 161 113 103

HSL 10.34, 0.24%, 0.52%

LAB 52.25, 17.63, 13.13

 

CMYK 24 / 0 / 36 / 37

HEX #7AA167

RGB 122 161 103

HSL 100.34, 0.24%, 0.52%

LAB 62.17, -24.39, 26.01

 

Description

Color code: HEX #6698A2 | qconv.com Color code: HEX #6698A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 152 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 152 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 6 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 6% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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