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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66A5DA it is the complementary color #995A25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66A5DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66A5DA shade: #6BA5D5, #7CB7E8, #8DC9FB, #9EDBFF and #AFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66A5DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66A5DA shade: #66A5DA, #5593C7, #4481B4, #336FA1 and #225D8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66A5DA shade: #67A5DA, #6786DA, #6767DA, #8567DA and #A467DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66A5DA shade: #67A5DA, #6786DA, #6767DA and #6767DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66A5DA shade matches the following richer shades: #67A5DA, #57A6E9 and #48A8F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66A5DA shade: #67A5DA, #76A4CA, #85A2BB, #94A1AC and #A4A09D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66A5DA shade: #67DAD0, #67C5DA, #67A6DA, #6787DA and #6769DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66A5DA shade: #2E7DC0, #4592D2, #67A5DA, #88B9E2 and #A9CCEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66A5DA shade: #66A5DA, #B167DA and #D4DA67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66A5DA shade: #66A5DA, #DA67A6 and #A6DA67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66A5DA shade: #66A5DA, #B167DA, #DA9A67 and #8FDA67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66A5DA shade: #66A5DA, #D467DA, #DA9A67 and #6CDA67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 24 / 0 / 15

HEX #66A5DA

RGB 102 165 218

HSL 207.41, 0.61%, 0.63%

LAB 65.59, -5.34, -33.07

 

Complementary color

CMYK 0 / 41 / 76 / 40

HEX #995A25

RGB 153 90 37

HSL 27.41, 0.61%, 0.37%

LAB 44.54, 21.45, 40.24

 

CMYK 50 / 23 / 0 / 16

HEX #6BA5D5

RGB 107 165 213

HSL 207.17, 0.56%, 0.63%

LAB 65.62, -5.71, -30.23

 

CMYK 47 / 21 / 0 / 9

HEX #7CB7E8

RGB 124 183 232

HSL 207.22, 0.7%, 0.7%

LAB 72.21, -6.13, -30.41

 

CMYK 44 / 20 / 0 / 2

HEX #8DC9FB

RGB 141 201 251

HSL 207.27, 0.93%, 0.77%

LAB 78.7, -6.48, -30.6

 

CMYK 38 / 14 / 0 / 0

HEX #9EDBFF

RGB 158 219 255

HSL 202.27, 1%, 0.81%

LAB 84.56, -10.63, -23.68

 

CMYK 31 / 7 / 0 / 0

HEX #AFEDFF

RGB 175 237 255

HSL 193.5, 1%, 0.84%

LAB 90.28, -15.3, -14.97

 

CMYK 53 / 24 / 0 / 15

HEX #66A5DA

RGB 102 165 218

HSL 207.41, 0.61%, 0.63%

LAB 65.59, -5.34, -33.07

 

CMYK 57 / 26 / 0 / 22

HEX #5593C7

RGB 85 147 199

HSL 207.37, 0.5%, 0.56%

LAB 58.9, -4.69, -32.93

 

CMYK 62 / 28 / 0 / 29

HEX #4481B4

RGB 68 129 180

HSL 207.32, 0.45%, 0.49%

LAB 52.09, -3.87, -32.79

 

CMYK 68 / 31 / 0 / 37

HEX #336FA1

RGB 51 111 161

HSL 207.27, 0.52%, 0.42%

LAB 45.15, -2.79, -32.66

 

CMYK 76 / 35 / 0 / 44

HEX #225D8E

RGB 34 93 142

HSL 207.22, 0.61%, 0.35%

LAB 38.06, -1.33, -32.52

 

CMYK 53 / 24 / 0 / 15

HEX #67A5DA

RGB 103 165 218

HSL 207.65, 0.61%, 0.63%

LAB 65.64, -5.12, -32.99

 

CMYK 53 / 39 / 0 / 15

HEX #6786DA

RGB 103 134 218

HSL 223.83, 0.61%, 0.63%

LAB 57.07, 12.8, -46.42

 

CMYK 53 / 53 / 0 / 15

HEX #6767DA

RGB 103 103 218

HSL 240, 0.61%, 0.63%

LAB 49.06, 31.57, -59.21

 

CMYK 39 / 53 / 0 / 15

HEX #8567DA

RGB 133 103 218

HSL 255.65, 0.61%, 0.63%

LAB 51.55, 38.23, -55.08

 

CMYK 25 / 53 / 0 / 15

HEX #A467DA

RGB 164 103 218

HSL 271.83, 0.61%, 0.63%

LAB 54.72, 45.96, -49.84

 

CMYK 53 / 24 / 0 / 15

HEX #67A5DA

RGB 103 165 218

HSL 207.65, 0.61%, 0.63%

LAB 65.64, -5.12, -32.99

 

CMYK 53 / 39 / 0 / 15

HEX #6786DA

RGB 103 134 218

HSL 223.83, 0.61%, 0.63%

LAB 57.07, 12.8, -46.42

 

CMYK 53 / 53 / 0 / 15

HEX #6767DA

RGB 103 103 218

HSL 240, 0.61%, 0.63%

LAB 49.06, 31.57, -59.21

 

CMYK 53 / 53 / 0 / 15

HEX #6767DA

RGB 103 103 218

HSL 240, 0.61%, 0.63%

LAB 49.06, 31.57, -59.21

 

CMYK 53 / 24 / 0 / 15

HEX #67A5DA

RGB 103 165 218

HSL 207.65, 0.61%, 0.63%

LAB 65.64, -5.12, -32.99

 

CMYK 63 / 29 / 0 / 9

HEX #57A6E9

RGB 87 166 233

HSL 207.53, 0.77%, 0.63%

LAB 65.89, -4.15, -40.91

 

CMYK 71 / 32 / 0 / 3

HEX #48A8F8

RGB 72 168 248

HSL 207.27, 0.93%, 0.63%

LAB 66.64, -2.61, -47.96

 

CMYK 53 / 24 / 0 / 15

HEX #67A5DA

RGB 103 165 218

HSL 207.65, 0.61%, 0.63%

LAB 65.64, -5.12, -32.99

 

CMYK 42 / 19 / 0 / 21

HEX #76A4CA

RGB 118 164 202

HSL 207.14, 0.44%, 0.63%

LAB 65.49, -5.57, -24.3

 

CMYK 29 / 13 / 0 / 27

HEX #85A2BB

RGB 133 162 187

HSL 207.78, 0.28%, 0.63%

LAB 65.29, -4.15, -16.17

 

CMYK 14 / 6 / 0 / 33

HEX #94A1AC

RGB 148 161 172

HSL 207.5, 0.13%, 0.63%

LAB 65.56, -2.28, -7.27

 

CMYK 0 / 2 / 4 / 36

HEX #A4A09D

RGB 164 160 157

HSL 25.71, 0.04%, 0.63%

LAB 66.11, 0.89, 2.06

 

CMYK 53 / 0 / 5 / 15

HEX #67DAD0

RGB 103 218 208

HSL 174.78, 0.61%, 0.63%

LAB 80.5, -34.98, -5.04

 

CMYK 53 / 10 / 0 / 15

HEX #67C5DA

RGB 103 197 218

HSL 190.96, 0.61%, 0.63%

LAB 74.75, -22.12, -19.03

 

CMYK 53 / 24 / 0 / 15

HEX #67A6DA

RGB 103 166 218

HSL 207.13, 0.61%, 0.63%

LAB 65.92, -5.68, -32.56

 

CMYK 53 / 38 / 0 / 15

HEX #6787DA

RGB 103 135 218

HSL 223.3, 0.61%, 0.63%

LAB 57.34, 12.2, -45.99

 

CMYK 53 / 52 / 0 / 15

HEX #6769DA

RGB 103 105 218

HSL 238.96, 0.61%, 0.63%

LAB 49.56, 30.36, -58.42

 

CMYK 76 / 35 / 0 / 25

HEX #2E7DC0

RGB 46 125 192

HSL 207.53, 0.61%, 0.47%

LAB 50.75, -0.72, -41.84

 

CMYK 67 / 30 / 0 / 18

HEX #4592D2

RGB 69 146 210

HSL 207.23, 0.61%, 0.55%

LAB 58.49, -3.43, -39.8

 

CMYK 53 / 24 / 0 / 15

HEX #67A5DA

RGB 103 165 218

HSL 207.65, 0.61%, 0.63%

LAB 65.64, -5.12, -32.99

 

CMYK 40 / 18 / 0 / 11

HEX #88B9E2

RGB 136 185 226

HSL 207.33, 0.61%, 0.71%

LAB 73.17, -5.86, -25.63

 

CMYK 28 / 13 / 0 / 8

HEX #A9CCEA

RGB 169 204 234

HSL 207.69, 0.61%, 0.79%

LAB 80.49, -4.88, -18.63

 

CMYK 53 / 24 / 0 / 15

HEX #66A5DA

RGB 102 165 218

HSL 207.41, 0.61%, 0.63%

LAB 65.59, -5.34, -33.07

 

CMYK 19 / 53 / 0 / 15

HEX #B167DA

RGB 177 103 218

HSL 278.61, 0.61%, 0.63%

LAB 56.2, 49.35, -47.4

 

CMYK 3 / 0 / 53 / 15

HEX #D4DA67

RGB 212 218 103

HSL 63.13, 0.61%, 0.63%

LAB 84.55, -17.56, 55.08

 

CMYK 53 / 24 / 0 / 15

HEX #66A5DA

RGB 102 165 218

HSL 207.41, 0.61%, 0.63%

LAB 65.59, -5.34, -33.07

 

CMYK 0 / 53 / 24 / 15

HEX #DA67A6

RGB 218 103 166

HSL 327.13, 0.61%, 0.63%

LAB 59.31, 52.11, -12.46

 

CMYK 24 / 0 / 53 / 15

HEX #A6DA67

RGB 166 218 103

HSL 87.13, 0.61%, 0.63%

LAB 81.42, -35.34, 50.63

 

CMYK 53 / 24 / 0 / 15

HEX #66A5DA

RGB 102 165 218

HSL 207.41, 0.61%, 0.63%

LAB 65.59, -5.34, -33.07

 

CMYK 19 / 53 / 0 / 15

HEX #B167DA

RGB 177 103 218

HSL 278.61, 0.61%, 0.63%

LAB 56.2, 49.35, -47.4

 

CMYK 0 / 29 / 53 / 15

HEX #DA9A67

RGB 218 154 103

HSL 26.61, 0.61%, 0.63%

LAB 68.75, 18.3, 36.16

 

CMYK 34 / 0 / 53 / 15

HEX #8FDA67

RGB 143 218 103

HSL 99.13, 0.61%, 0.63%

LAB 80.16, -43.41, 48.82

 

CMYK 53 / 24 / 0 / 15

HEX #66A5DA

RGB 102 165 218

HSL 207.41, 0.61%, 0.63%

LAB 65.59, -5.34, -33.07

 

CMYK 3 / 53 / 0 / 15

HEX #D467DA

RGB 212 103 218

HSL 296.87, 0.61%, 0.63%

LAB 60.57, 58.67, -40.21

 

CMYK 0 / 29 / 53 / 15

HEX #DA9A67

RGB 218 154 103

HSL 26.61, 0.61%, 0.63%

LAB 68.75, 18.3, 36.16

 

CMYK 50 / 0 / 53 / 15

HEX #6CDA67

RGB 108 218 103

HSL 117.39, 0.61%, 0.63%

LAB 78.64, -54.04, 46.64

 

Description

Color code: HEX #66A5DA | qconv.com Color code: HEX #66A5DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 165 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 165 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 24 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 24% 0% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

43% - 内蒙古资源网_中国最大最权威的综合性资源...
Link: http://www.nrnet.cn

44% - きかんしゃトーマスチャンネル
Link: http://www.thomasandfriends.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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