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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #671469 it is the complementary color #98EB96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #671469. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #671469 shade: #6C1464, #7D2677, #8E388A, #9F4A9D and #B05CB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #671469. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #671469 shade: #671469, #560256, #450043, #340030 and #23001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #671469 shade: #69146B, #6B1455, #6B143E, #6B1426 and #6B1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #671469 shade: #69146B, #51146B, #3A146B, #22146B and #14146B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #671469 shade matches the following richer shades: #69146B and #720A75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #671469 shade: #69146B, #5F1E60, #552956, #4B334C and #413D41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #671469 shade: #39146B, #51146B, #68146B, #6B1456 and #6B143F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #671469 shade: #250725, #470D48, #69146B, #8B1B8D and #AD21B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #671469 shade: #671469, #6B2214 and #146B45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #671469 shade: #671469, #6B6814 and #146B68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #671469 shade: #671469, #6B2214, #176B14 and #145C6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #671469 shade: #671469, #6B3C14, #176B14 and #14426B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 81 / 0 / 59

HEX #671469

RGB 103 20 105

HSL 298.59, 0.68%, 0.25%

LAB 24.96, 46.09, -29.77

 

Complementary color

CMYK 35 / 0 / 36 / 8

HEX #98EB96

RGB 152 235 150

HSL 118.59, 0.68%, 0.75%

LAB 86.15, -41.7, 33.49

 

CMYK 0 / 81 / 7 / 58

HEX #6C1464

RGB 108 20 100

HSL 305.45, 0.69%, 0.25%

LAB 25.59, 46.37, -25.46

 

CMYK 0 / 70 / 5 / 51

HEX #7D2677

RGB 125 38 119

HSL 304.14, 0.53%, 0.32%

LAB 31.98, 47.31, -27.36

 

CMYK 0 / 61 / 3 / 44

HEX #8E388A

RGB 142 56 138

HSL 302.79, 0.43%, 0.39%

LAB 38.58, 47.34, -28.62

 

CMYK 0 / 53 / 1 / 38

HEX #9F4A9D

RGB 159 74 157

HSL 301.41, 0.36%, 0.46%

LAB 45.22, 46.92, -29.5

 

CMYK 0 / 48 / 0 / 31

HEX #B05CB0

RGB 176 92 176

HSL 300, 0.35%, 0.53%

LAB 51.86, 46.3, -30.17

 

CMYK 2 / 81 / 0 / 59

HEX #671469

RGB 103 20 105

HSL 298.59, 0.68%, 0.25%

LAB 24.96, 46.09, -29.77

 

CMYK 0 / 98 / 0 / 66

HEX #560256

RGB 86 2 86

HSL 300, 0.95%, 0.17%

LAB 18.77, 43.97, -27.27

 

CMYK 0 / 100 / 3 / 73

HEX #450043

RGB 69 0 67

HSL 301.74, 1%, 0.14%

LAB 13.65, 38.01, -22.58

 

CMYK 0 / 100 / 8 / 80

HEX #340030

RGB 52 0 48

HSL 304.62, 1%, 0.1%

LAB 8.51, 31.22, -17.3

 

CMYK 0 / 100 / 17 / 86

HEX #23001D

RGB 35 0 29

HSL 310.29, 1%, 0.07%

LAB 4.03, 20.03, -9.98

 

CMYK 2 / 81 / 0 / 58

HEX #69146B

RGB 105 20 107

HSL 298.62, 0.69%, 0.25%

LAB 25.46, 46.89, -30.26

 

CMYK 0 / 81 / 21 / 58

HEX #6B1455

RGB 107 20 85

HSL 315.17, 0.69%, 0.25%

LAB 24.58, 43.77, -17.16

 

CMYK 0 / 81 / 42 / 58

HEX #6B143E

RGB 107 20 62

HSL 331.03, 0.69%, 0.25%

LAB 23.59, 40.77, -3.11

 

CMYK 0 / 81 / 64 / 58

HEX #6B1426

RGB 107 20 38

HSL 347.59, 0.69%, 0.25%

LAB 22.88, 38.57, 12.49

 

CMYK 0 / 81 / 81 / 58

HEX #6B1414

RGB 107 20 20

HSL 0, 0.69%, 0.25%

LAB 22.57, 37.58, 24.18

 

CMYK 2 / 81 / 0 / 58

HEX #69146B

RGB 105 20 107

HSL 298.62, 0.69%, 0.25%

LAB 25.46, 46.89, -30.26

 

CMYK 24 / 81 / 0 / 58

HEX #51146B

RGB 81 20 107

HSL 282.07, 0.69%, 0.25%

LAB 21.25, 41.76, -37.24

 

CMYK 46 / 81 / 0 / 58

HEX #3A146B

RGB 58 20 107

HSL 266.21, 0.69%, 0.25%

LAB 17.74, 37.41, -43.1

 

CMYK 68 / 81 / 0 / 58

HEX #22146B

RGB 34 20 107

HSL 249.66, 0.69%, 0.25%

LAB 14.96, 33.88, -47.77

 

CMYK 81 / 81 / 0 / 58

HEX #14146B

RGB 20 20 107

HSL 240, 0.69%, 0.25%

LAB 13.89, 32.49, -49.59

 

CMYK 2 / 81 / 0 / 58

HEX #69146B

RGB 105 20 107

HSL 298.62, 0.69%, 0.25%

LAB 25.46, 46.89, -30.26

 

CMYK 3 / 91 / 0 / 54

HEX #720A75

RGB 114 10 117

HSL 298.32, 0.84%, 0.25%

LAB 26.96, 52.9, -34.19

 

CMYK 2 / 81 / 0 / 58

HEX #69146B

RGB 105 20 107

HSL 298.62, 0.69%, 0.25%

LAB 25.46, 46.89, -30.26

 

CMYK 1 / 69 / 0 / 62

HEX #5F1E60

RGB 95 30 96

HSL 299.09, 0.52%, 0.25%

LAB 24.34, 38.6, -24.97

 

CMYK 1 / 52 / 0 / 66

HEX #552956

RGB 85 41 86

HSL 298.67, 0.35%, 0.25%

LAB 24.29, 27.83, -18.57

 

CMYK 1 / 33 / 0 / 70

HEX #4B334C

RGB 75 51 76

HSL 297.6, 0.2%, 0.25%

LAB 24.91, 15.78, -11.09

 

CMYK 0 / 6 / 0 / 75

HEX #413D41

RGB 65 61 65

HSL 300, 0.03%, 0.25%

LAB 26.28, 2.6, -1.84

 

CMYK 47 / 81 / 0 / 58

HEX #39146B

RGB 57 20 107

HSL 265.52, 0.69%, 0.25%

LAB 17.61, 37.24, -43.33

 

CMYK 24 / 81 / 0 / 58

HEX #51146B

RGB 81 20 107

HSL 282.07, 0.69%, 0.25%

LAB 21.25, 41.76, -37.24

 

CMYK 3 / 81 / 0 / 58

HEX #68146B

RGB 104 20 107

HSL 297.93, 0.69%, 0.25%

LAB 25.27, 46.67, -30.56

 

CMYK 0 / 81 / 20 / 58

HEX #6B1456

RGB 107 20 86

HSL 314.48, 0.69%, 0.25%

LAB 24.63, 43.92, -17.74

 

CMYK 0 / 81 / 41 / 58

HEX #6B143F

RGB 107 20 63

HSL 330.34, 0.69%, 0.25%

LAB 23.62, 40.88, -3.74

 

CMYK 0 / 81 / 0 / 85

HEX #250725

RGB 37 7 37

HSL 300, 0.68%, 0.09%

LAB 6.13, 20.15, -12.97

 

CMYK 1 / 82 / 0 / 72

HEX #470D48

RGB 71 13 72

HSL 298.98, 0.69%, 0.17%

LAB 15.98, 34.79, -22.34

 

CMYK 2 / 81 / 0 / 58

HEX #69146B

RGB 105 20 107

HSL 298.62, 0.69%, 0.25%

LAB 25.46, 46.89, -30.26

 

CMYK 1 / 81 / 0 / 45

HEX #8B1B8D

RGB 139 27 141

HSL 298.95, 0.68%, 0.33%

LAB 34.39, 58.01, -37.12

 

CMYK 2 / 81 / 0 / 31

HEX #AD21B0

RGB 173 33 176

HSL 298.74, 0.68%, 0.41%

LAB 42.92, 68.98, -44.29

 

CMYK 2 / 81 / 0 / 59

HEX #671469

RGB 103 20 105

HSL 298.59, 0.68%, 0.25%

LAB 24.96, 46.09, -29.77

 

CMYK 0 / 68 / 81 / 58

HEX #6B2214

RGB 107 34 20

HSL 9.66, 0.69%, 0.25%

LAB 24.7, 31.73, 26.43

 

CMYK 81 / 0 / 36 / 58

HEX #146B45

RGB 20 107 69

HSL 153.79, 0.69%, 0.25%

LAB 39.74, -34.53, 14.4

 

CMYK 2 / 81 / 0 / 59

HEX #671469

RGB 103 20 105

HSL 298.59, 0.68%, 0.25%

LAB 24.96, 46.09, -29.77

 

CMYK 0 / 3 / 81 / 58

HEX #6B6814

RGB 107 104 20

HSL 57.93, 0.69%, 0.25%

LAB 42.88, -9.1, 43.93

 

CMYK 81 / 0 / 3 / 58

HEX #146B68

RGB 20 107 104

HSL 177.93, 0.69%, 0.25%

LAB 40.68, -24.76, -5.4

 

CMYK 2 / 81 / 0 / 59

HEX #671469

RGB 103 20 105

HSL 298.59, 0.68%, 0.25%

LAB 24.96, 46.09, -29.77

 

CMYK 0 / 68 / 81 / 58

HEX #6B2214

RGB 107 34 20

HSL 9.66, 0.69%, 0.25%

LAB 24.7, 31.73, 26.43

 

CMYK 79 / 0 / 81 / 58

HEX #176B14

RGB 23 107 20

HSL 117.93, 0.69%, 0.25%

LAB 39.15, -41.59, 38.75

 

CMYK 81 / 14 / 0 / 58

HEX #145C6B

RGB 20 92 107

HSL 190.34, 0.69%, 0.25%

LAB 35.72, -15.68, -14.72

 

CMYK 2 / 81 / 0 / 59

HEX #671469

RGB 103 20 105

HSL 298.59, 0.68%, 0.25%

LAB 24.96, 46.09, -29.77

 

CMYK 0 / 44 / 81 / 58

HEX #6B3C14

RGB 107 60 20

HSL 27.59, 0.69%, 0.25%

LAB 30.42, 17.25, 32.22

 

CMYK 79 / 0 / 81 / 58

HEX #176B14

RGB 23 107 20

HSL 117.93, 0.69%, 0.25%

LAB 39.15, -41.59, 38.75

 

CMYK 81 / 38 / 0 / 58

HEX #14426B

RGB 20 66 107

HSL 208.28, 0.69%, 0.25%

LAB 27.04, 0.47, -28.25

 

Description

Color code: HEX #671469 | qconv.com Color code: HEX #671469 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 20 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 20 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 81 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 81% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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