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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6719C6 it is the complementary color #98E639. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6719C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6719C6 shade: #6C19C1, #7D2BD4, #8E3DE7, #9F4FFA and #B061FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6719C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6719C6 shade: #6719C6, #5607B3, #4500A0, #34008D and #23007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6719C6 shade: #6718C7, #9618C7, #C518C7, #C7189A and #C7186B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6719C6 shade: #6718C7, #3818C7 and #1818C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6719C6 shade matches the following richer shades: #6718C7 and #6506D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6719C6 shade: #6718C7, #692AB5, #6B3CA3, #6C4F91 and #6E617F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6719C6 shade: #1827C7, #3818C7, #6718C7, #9618C7 and #C418C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6719C6 shade: #410F7E, #5414A2, #6718C7, #7B25E4 and #914AE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6719C6 shade: #6719C6, #C71855 and #18C721

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6719C6 shade: #6719C6, #C76718 and #18C767

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6719C6 shade: #6719C6, #C71855, #78C718 and #18C78A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6719C6 shade: #6719C6, #C71821, #78C718 and #18C7BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 87 / 0 / 22

HEX #6719C6

RGB 103 25 198

HSL 267.05, 0.78%, 0.44%

LAB 33.26, 64.54, -73.44

 

Complementary color

CMYK 34 / 0 / 75 / 10

HEX #98E639

RGB 152 230 57

HSL 87.05, 0.78%, 0.56%

LAB 83.74, -49.12, 71.19

 

CMYK 44 / 87 / 0 / 24

HEX #6C19C1

RGB 108 25 193

HSL 269.64, 0.77%, 0.43%

LAB 33.42, 63.96, -70.21

 

CMYK 41 / 80 / 0 / 17

HEX #7D2BD4

RGB 125 43 212

HSL 269.11, 0.66%, 0.5%

LAB 39.31, 64.84, -71.52

 

CMYK 39 / 74 / 0 / 9

HEX #8E3DE7

RGB 142 61 231

HSL 268.59, 0.78%, 0.57%

LAB 45.44, 64.86, -72.28

 

CMYK 36 / 68 / 0 / 2

HEX #9F4FFA

RGB 159 79 250

HSL 268.07, 0.94%, 0.65%

LAB 51.68, 64.41, -72.7

 

CMYK 31 / 62 / 0 / 0

HEX #B061FF

RGB 176 97 255

HSL 270, 1%, 0.69%

LAB 57.07, 60.43, -66.66

 

CMYK 48 / 87 / 0 / 22

HEX #6719C6

RGB 103 25 198

HSL 267.05, 0.78%, 0.44%

LAB 33.26, 64.54, -73.44

 

CMYK 52 / 96 / 0 / 30

HEX #5607B3

RGB 86 7 179

HSL 267.56, 0.92%, 0.36%

LAB 27.8, 62.37, -71.27

 

CMYK 57 / 100 / 0 / 37

HEX #4500A0

RGB 69 0 160

HSL 265.88, 1%, 0.31%

LAB 23.01, 58.04, -67.8

 

CMYK 63 / 100 / 0 / 45

HEX #34008D

RGB 52 0 141

HSL 262.13, 1%, 0.28%

LAB 18.6, 52.4, -63.44

 

CMYK 71 / 100 / 0 / 52

HEX #23007A

RGB 35 0 122

HSL 257.21, 1%, 0.24%

LAB 14.19, 46.73, -58.79

 

CMYK 48 / 88 / 0 / 22

HEX #6718C7

RGB 103 24 199

HSL 267.09, 0.78%, 0.44%

LAB 33.27, 65.04, -74.01

 

CMYK 25 / 88 / 0 / 22

HEX #9618C7

RGB 150 24 199

HSL 283.2, 0.78%, 0.44%

LAB 40.02, 71.09, -62.68

 

CMYK 1 / 88 / 0 / 22

HEX #C518C7

RGB 197 24 199

HSL 299.31, 0.78%, 0.44%

LAB 47.81, 78.7, -49.71

 

CMYK 0 / 88 / 23 / 22

HEX #C7189A

RGB 199 24 154

HSL 315.43, 0.78%, 0.44%

LAB 45.81, 72.92, -26.3

 

CMYK 0 / 88 / 46 / 22

HEX #C7186B

RGB 199 24 107

HSL 331.54, 0.78%, 0.44%

LAB 44.03, 68.04, -0.22

 

CMYK 48 / 88 / 0 / 22

HEX #6718C7

RGB 103 24 199

HSL 267.09, 0.78%, 0.44%

LAB 33.27, 65.04, -74.01

 

CMYK 72 / 88 / 0 / 22

HEX #3818C7

RGB 56 24 199

HSL 250.97, 0.78%, 0.44%

LAB 28.43, 61.18, -82.17

 

CMYK 88 / 88 / 0 / 22

HEX #1818C7

RGB 24 24 199

HSL 240, 0.78%, 0.44%

LAB 26.65, 59.91, -85.17

 

CMYK 48 / 88 / 0 / 22

HEX #6718C7

RGB 103 24 199

HSL 267.09, 0.78%, 0.44%

LAB 33.27, 65.04, -74.01

 

CMYK 53 / 97 / 0 / 15

HEX #6506D9

RGB 101 6 217

HSL 267.01, 0.95%, 0.44%

LAB 33.79, 72.3, -83.61

 

CMYK 48 / 88 / 0 / 22

HEX #6718C7

RGB 103 24 199

HSL 267.09, 0.78%, 0.44%

LAB 33.27, 65.04, -74.01

 

CMYK 42 / 77 / 0 / 29

HEX #692AB5

RGB 105 42 181

HSL 267.19, 0.62%, 0.44%

LAB 33.97, 54.76, -62.23

 

CMYK 34 / 63 / 0 / 36

HEX #6B3CA3

RGB 107 60 163

HSL 267.38, 0.46%, 0.44%

LAB 35.99, 41.78, -48.19

 

CMYK 26 / 46 / 0 / 43

HEX #6C4F91

RGB 108 79 145

HSL 266.36, 0.29%, 0.44%

LAB 39.28, 26.34, -32.07

 

CMYK 13 / 24 / 0 / 50

HEX #6E617F

RGB 110 97 127

HSL 266, 0.13%, 0.44%

LAB 43.35, 11.54, -14.84

 

CMYK 88 / 80 / 0 / 22

HEX #1827C7

RGB 24 39 199

HSL 234.86, 0.78%, 0.44%

LAB 28.82, 53.46, -81.56

 

CMYK 72 / 88 / 0 / 22

HEX #3818C7

RGB 56 24 199

HSL 250.97, 0.78%, 0.44%

LAB 28.43, 61.18, -82.17

 

CMYK 48 / 88 / 0 / 22

HEX #6718C7

RGB 103 24 199

HSL 267.09, 0.78%, 0.44%

LAB 33.27, 65.04, -74.01

 

CMYK 25 / 88 / 0 / 22

HEX #9618C7

RGB 150 24 199

HSL 283.2, 0.78%, 0.44%

LAB 40.02, 71.09, -62.68

 

CMYK 2 / 88 / 0 / 22

HEX #C418C7

RGB 196 24 199

HSL 298.97, 0.78%, 0.44%

LAB 47.64, 78.53, -50

 

CMYK 48 / 88 / 0 / 51

HEX #410F7E

RGB 65 15 126

HSL 267.03, 0.79%, 0.28%

LAB 19.93, 45.49, -51.72

 

CMYK 48 / 88 / 0 / 36

HEX #5414A2

RGB 84 20 162

HSL 267.04, 0.78%, 0.36%

LAB 26.72, 55.24, -62.83

 

CMYK 48 / 88 / 0 / 22

HEX #6718C7

RGB 103 24 199

HSL 267.09, 0.78%, 0.44%

LAB 33.27, 65.04, -74.01

 

CMYK 46 / 84 / 0 / 11

HEX #7B25E4

RGB 123 37 228

HSL 267.02, 0.78%, 0.52%

LAB 39.81, 70.27, -79.89

 

CMYK 38 / 68 / 0 / 9

HEX #914AE8

RGB 145 74 232

HSL 266.96, 0.77%, 0.6%

LAB 47.94, 59.83, -68.77

 

CMYK 48 / 87 / 0 / 22

HEX #6719C6

RGB 103 25 198

HSL 267.05, 0.78%, 0.44%

LAB 33.26, 64.54, -73.44

 

CMYK 0 / 88 / 57 / 22

HEX #C71855

RGB 199 24 85

HSL 339.09, 0.78%, 0.44%

LAB 43.44, 66.38, 12.71

 

CMYK 88 / 0 / 83 / 22

HEX #18C721

RGB 24 199 33

HSL 123.09, 0.78%, 0.44%

LAB 70.28, -69.27, 64.06

 

CMYK 48 / 87 / 0 / 22

HEX #6719C6

RGB 103 25 198

HSL 267.05, 0.78%, 0.44%

LAB 33.26, 64.54, -73.44

 

CMYK 0 / 48 / 88 / 22

HEX #C76718

RGB 199 103 24

HSL 27.09, 0.78%, 0.44%

LAB 53.93, 33.51, 56.45

 

CMYK 88 / 0 / 48 / 22

HEX #18C767

RGB 24 199 103

HSL 147.09, 0.78%, 0.44%

LAB 70.88, -61.81, 36.65

 

CMYK 48 / 87 / 0 / 22

HEX #6719C6

RGB 103 25 198

HSL 267.05, 0.78%, 0.44%

LAB 33.26, 64.54, -73.44

 

CMYK 0 / 88 / 57 / 22

HEX #C71855

RGB 199 24 85

HSL 339.09, 0.78%, 0.44%

LAB 43.44, 66.38, 12.71

 

CMYK 40 / 0 / 88 / 22

HEX #78C718

RGB 120 199 24

HSL 87.09, 0.78%, 0.44%

LAB 72.83, -48.88, 69.25

 

CMYK 88 / 0 / 31 / 22

HEX #18C78A

RGB 24 199 138

HSL 159.09, 0.78%, 0.44%

LAB 71.47, -55.02, 19.26

 

CMYK 48 / 87 / 0 / 22

HEX #6719C6

RGB 103 25 198

HSL 267.05, 0.78%, 0.44%

LAB 33.26, 64.54, -73.44

 

CMYK 0 / 88 / 83 / 22

HEX #C71821

RGB 199 24 33

HSL 356.91, 0.78%, 0.44%

LAB 42.62, 64.03, 43.06

 

CMYK 40 / 0 / 88 / 22

HEX #78C718

RGB 120 199 24

HSL 87.09, 0.78%, 0.44%

LAB 72.83, -48.88, 69.25

 

CMYK 88 / 0 / 5 / 22

HEX #18C7BE

RGB 24 199 190

HSL 176.91, 0.78%, 0.44%

LAB 72.73, -41.68, -7.03

 

Description

Color code: HEX #6719C6 | qconv.com Color code: HEX #6719C6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 25 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 25 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 87 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 87% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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