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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #671280 it is the complementary color #98ED7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #671280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #671280 shade: #6C127B, #7D248E, #8E36A1, #9F48B4 and #B05AC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #671280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #671280 shade: #671280, #56006D, #45005A, #340047 and #230034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #671280 shade: #681281, #81127C, #81125E, #811240 and #811222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #671280 shade: #681281, #4A1281, #2C1281 and #121281

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #671280 shade matches the following richer shades: #681281 and #6E068D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #671280 shade: #681281, #611E75, #5B2A69, #54365D and #4E4251

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #671280 shade: #2C1281, #491281, #671281, #81127D and #811260

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #671280 shade: #2E0839, #4B0D5D, #681281, #8517A5 and #A21CC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #671280 shade: #671280, #811216 and #12813B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #671280 shade: #671280, #816712 and #128167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #671280 shade: #671280, #811216, #2C8112 and #12817D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #671280 shade: #671280, #813012, #2C8112 and #126381

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 86 / 0 / 50

HEX #671280

RGB 103 18 128

HSL 286.36, 0.75%, 0.29%

LAB 26.37, 51.06, -42.22

 

Complementary color

CMYK 36 / 0 / 46 / 7

HEX #98ED7F

RGB 152 237 127

HSL 106.36, 0.75%, 0.71%

LAB 86.39, -45.78, 45.15

 

CMYK 12 / 85 / 0 / 52

HEX #6C127B

RGB 108 18 123

HSL 291.43, 0.74%, 0.28%

LAB 26.88, 51.03, -38.2

 

CMYK 12 / 75 / 0 / 44

HEX #7D248E

RGB 125 36 142

HSL 290.38, 0.6%, 0.35%

LAB 33.08, 52.32, -39.96

 

CMYK 12 / 66 / 0 / 37

HEX #8E36A1

RGB 142 54 161

HSL 289.35, 0.5%, 0.42%

LAB 39.52, 52.58, -41.07

 

CMYK 12 / 60 / 0 / 29

HEX #9F48B4

RGB 159 72 180

HSL 288.33, 0.43%, 0.49%

LAB 46.04, 52.3, -41.81

 

CMYK 12 / 55 / 0 / 22

HEX #B05AC7

RGB 176 90 199

HSL 287.34, 0.49%, 0.57%

LAB 52.58, 51.75, -42.32

 

CMYK 20 / 86 / 0 / 50

HEX #671280

RGB 103 18 128

HSL 286.36, 0.75%, 0.29%

LAB 26.37, 51.06, -42.22

 

CMYK 21 / 100 / 0 / 57

HEX #56006D

RGB 86 0 109

HSL 287.34, 1%, 0.21%

LAB 20.37, 48.72, -39.93

 

CMYK 23 / 100 / 0 / 65

HEX #45005A

RGB 69 0 90

HSL 286, 1%, 0.18%

LAB 15.51, 42.36, -35.41

 

CMYK 27 / 100 / 0 / 72

HEX #340047

RGB 52 0 71

HSL 283.94, 1%, 0.14%

LAB 10.45, 35.76, -30.74

 

CMYK 33 / 100 / 0 / 80

HEX #230034

RGB 35 0 52

HSL 280.38, 1%, 0.1%

LAB 5.47, 27.44, -25.32

 

CMYK 19 / 86 / 0 / 49

HEX #681281

RGB 104 18 129

HSL 286.49, 0.76%, 0.29%

LAB 26.62, 51.44, -42.44

 

CMYK 0 / 86 / 4 / 49

HEX #81127C

RGB 129 18 124

HSL 302.7, 0.76%, 0.29%

LAB 30.77, 55.4, -32.39

 

CMYK 0 / 86 / 27 / 49

HEX #81125E

RGB 129 18 94

HSL 318.92, 0.76%, 0.29%

LAB 29.18, 51.05, -15.63

 

CMYK 0 / 86 / 50 / 49

HEX #811240

RGB 129 18 64

HSL 335.14, 0.76%, 0.29%

LAB 28.03, 47.77, 2.58

 

CMYK 0 / 86 / 74 / 49

HEX #811222

RGB 129 18 34

HSL 351.35, 0.76%, 0.29%

LAB 27.34, 45.71, 21.81

 

CMYK 19 / 86 / 0 / 49

HEX #681281

RGB 104 18 129

HSL 286.49, 0.76%, 0.29%

LAB 26.62, 51.44, -42.44

 

CMYK 43 / 86 / 0 / 49

HEX #4A1281

RGB 74 18 129

HSL 270.27, 0.76%, 0.29%

LAB 21.85, 46.47, -50.43

 

CMYK 66 / 86 / 0 / 49

HEX #2C1281

RGB 44 18 129

HSL 254.05, 0.76%, 0.29%

LAB 18.16, 42.8, -56.64

 

CMYK 86 / 86 / 0 / 49

HEX #121281

RGB 18 18 129

HSL 240, 0.76%, 0.29%

LAB 16.24, 40.96, -59.88

 

CMYK 19 / 86 / 0 / 49

HEX #681281

RGB 104 18 129

HSL 286.49, 0.76%, 0.29%

LAB 26.62, 51.44, -42.44

 

CMYK 22 / 96 / 0 / 45

HEX #6E068D

RGB 110 6 141

HSL 286.22, 0.92%, 0.29%

LAB 27.76, 57.26, -48.06

 

CMYK 19 / 86 / 0 / 49

HEX #681281

RGB 104 18 129

HSL 286.49, 0.76%, 0.29%

LAB 26.62, 51.44, -42.44

 

CMYK 17 / 74 / 0 / 54

HEX #611E75

RGB 97 30 117

HSL 286.21, 0.59%, 0.29%

LAB 26.02, 43.38, -35.86

 

CMYK 13 / 60 / 0 / 59

HEX #5B2A69

RGB 91 42 105

HSL 286.67, 0.43%, 0.29%

LAB 26.45, 33.31, -27.53

 

CMYK 10 / 42 / 0 / 64

HEX #54365D

RGB 84 54 93

HSL 286.15, 0.27%, 0.29%

LAB 27.61, 21.12, -18

 

CMYK 4 / 19 / 0 / 68

HEX #4E4251

RGB 78 66 81

HSL 288, 0.1%, 0.29%

LAB 29.69, 8.32, -7.09

 

CMYK 66 / 86 / 0 / 49

HEX #2C1281

RGB 44 18 129

HSL 254.05, 0.76%, 0.29%

LAB 18.16, 42.8, -56.64

 

CMYK 43 / 86 / 0 / 49

HEX #491281

RGB 73 18 129

HSL 269.73, 0.76%, 0.29%

LAB 21.7, 46.33, -50.67

 

CMYK 20 / 86 / 0 / 49

HEX #671281

RGB 103 18 129

HSL 285.95, 0.76%, 0.29%

LAB 26.45, 51.26, -42.73

 

CMYK 0 / 86 / 3 / 49

HEX #81127D

RGB 129 18 125

HSL 302.16, 0.76%, 0.29%

LAB 30.83, 55.56, -32.92

 

CMYK 0 / 86 / 26 / 49

HEX #811260

RGB 129 18 96

HSL 317.84, 0.76%, 0.29%

LAB 29.27, 51.31, -16.8

 

CMYK 19 / 86 / 0 / 78

HEX #2E0839

RGB 46 8 57

HSL 286.53, 0.75%, 0.13%

LAB 9.4, 27.44, -22.53

 

CMYK 19 / 86 / 0 / 64

HEX #4B0D5D

RGB 75 13 93

HSL 286.5, 0.75%, 0.21%

LAB 18.25, 39.98, -32.92

 

CMYK 19 / 86 / 0 / 49

HEX #681281

RGB 104 18 129

HSL 286.49, 0.76%, 0.29%

LAB 26.62, 51.44, -42.44

 

CMYK 19 / 86 / 0 / 35

HEX #8517A5

RGB 133 23 165

HSL 286.48, 0.76%, 0.37%

LAB 34.63, 62.2, -51.41

 

CMYK 19 / 86 / 0 / 21

HEX #A21CC9

RGB 162 28 201

HSL 286.47, 0.76%, 0.45%

LAB 42.35, 72.47, -59.97

 

CMYK 20 / 86 / 0 / 50

HEX #671280

RGB 103 18 128

HSL 286.36, 0.75%, 0.29%

LAB 26.37, 51.06, -42.22

 

CMYK 0 / 86 / 83 / 49

HEX #811216

RGB 129 18 22

HSL 357.84, 0.76%, 0.29%

LAB 27.18, 45.22, 29.23

 

CMYK 86 / 0 / 54 / 49

HEX #12813B

RGB 18 129 59

HSL 142.16, 0.76%, 0.29%

LAB 47.16, -45.3, 29.61

 

CMYK 20 / 86 / 0 / 50

HEX #671280

RGB 103 18 128

HSL 286.36, 0.75%, 0.29%

LAB 26.37, 51.06, -42.22

 

CMYK 0 / 20 / 86 / 49

HEX #816712

RGB 129 103 18

HSL 45.95, 0.76%, 0.29%

LAB 44.82, 2, 47.15

 

CMYK 86 / 0 / 20 / 49

HEX #128167

RGB 18 129 103

HSL 165.95, 0.76%, 0.29%

LAB 48.02, -35.66, 5.9

 

CMYK 20 / 86 / 0 / 50

HEX #671280

RGB 103 18 128

HSL 286.36, 0.75%, 0.29%

LAB 26.37, 51.06, -42.22

 

CMYK 0 / 86 / 83 / 49

HEX #811216

RGB 129 18 22

HSL 357.84, 0.76%, 0.29%

LAB 27.18, 45.22, 29.23

 

CMYK 66 / 0 / 86 / 49

HEX #2C8112

RGB 44 129 18

HSL 105.95, 0.76%, 0.29%

LAB 47.34, -45.13, 47.23

 

CMYK 86 / 0 / 3 / 49

HEX #12817D

RGB 18 129 125

HSL 177.84, 0.76%, 0.29%

LAB 48.65, -29.21, -6.11

 

CMYK 20 / 86 / 0 / 50

HEX #671280

RGB 103 18 128

HSL 286.36, 0.75%, 0.29%

LAB 26.37, 51.06, -42.22

 

CMYK 0 / 63 / 86 / 49

HEX #813012

RGB 129 48 18

HSL 16.22, 0.76%, 0.29%

LAB 31.4, 33.43, 35.43

 

CMYK 66 / 0 / 86 / 49

HEX #2C8112

RGB 44 129 18

HSL 105.95, 0.76%, 0.29%

LAB 47.34, -45.13, 47.23

 

CMYK 86 / 23 / 0 / 49

HEX #126381

RGB 18 99 129

HSL 196.22, 0.76%, 0.29%

LAB 38.96, -11.8, -23.24

 

Description

Color code: HEX #671280 | qconv.com Color code: HEX #671280 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 18 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 18 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 86 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 86% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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