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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #672F8D it is the complementary color #98D072. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #672F8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #672F8D shade: #6C2F88, #7D419B, #8E53AE, #9F65C1 and #B077D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #672F8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #672F8D shade: #672F8D, #561D7A, #450B67, #340054 and #230041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #672F8D shade: #672F8D, #802F8D, #8D2F80, #8D2F67 and #8D2F4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #672F8D shade: #672F8D, #4D2F8D, #342F8D and #2F2F8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #672F8D shade matches the following richer shades: #672F8D, #6A1F9C, #6D10AC and #7001BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #672F8D shade: #672F8D, #643E7E, #614D6E, #5E5C5F and #5B6C50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #672F8D shade: #332F8D, #4D2F8D, #662F8D, #7F2F8D and #8D2F82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #672F8D shade: #3A1A4F, #50246E, #672F8D, #7D39AC and #934BC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #672F8D shade: #672F8D, #8D2F43 and #2F8D40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #672F8D shade: #672F8D, #8D662F and #2F8D66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #672F8D shade: #672F8D, #8D2F43, #568D2F and #2F8D79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #672F8D shade: #672F8D, #8D372F, #568D2F and #2F858D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 67 / 0 / 45

HEX #672F8D

RGB 103 47 141

HSL 275.74, 0.5%, 0.37%

LAB 31.44, 42.23, -42.16

 

Complementary color

CMYK 27 / 0 / 45 / 18

HEX #98D072

RGB 152 208 114

HSL 95.74, 0.5%, 0.63%

LAB 77.88, -34.55, 40.84

 

CMYK 21 / 65 / 0 / 47

HEX #6C2F88

RGB 108 47 136

HSL 281.12, 0.49%, 0.36%

LAB 31.8, 42.28, -38.44

 

CMYK 19 / 58 / 0 / 39

HEX #7D419B

RGB 125 65 155

HSL 280, 0.41%, 0.43%

LAB 38.74, 41.65, -38.85

 

CMYK 18 / 52 / 0 / 32

HEX #8E53AE

RGB 142 83 174

HSL 278.9, 0.36%, 0.5%

LAB 45.63, 40.85, -39.09

 

CMYK 18 / 48 / 0 / 24

HEX #9F65C1

RGB 159 101 193

HSL 277.83, 0.43%, 0.58%

LAB 52.43, 40.01, -39.25

 

CMYK 17 / 44 / 0 / 17

HEX #B077D4

RGB 176 119 212

HSL 276.77, 0.52%, 0.65%

LAB 59.14, 39.18, -39.38

 

CMYK 27 / 67 / 0 / 45

HEX #672F8D

RGB 103 47 141

HSL 275.74, 0.5%, 0.37%

LAB 31.44, 42.23, -42.16

 

CMYK 30 / 76 / 0 / 52

HEX #561D7A

RGB 86 29 122

HSL 276.77, 0.62%, 0.3%

LAB 24.52, 42.53, -41.55

 

CMYK 33 / 89 / 0 / 60

HEX #450B67

RGB 69 11 103

HSL 277.83, 0.81%, 0.22%

LAB 17.85, 41.74, -40.25

 

CMYK 38 / 100 / 0 / 67

HEX #340054

RGB 52 0 84

HSL 277.14, 1%, 0.16%

LAB 11.76, 38.66, -37.6

 

CMYK 46 / 100 / 0 / 75

HEX #230041

RGB 35 0 65

HSL 272.31, 1%, 0.13%

LAB 6.68, 31.66, -32.8

 

CMYK 27 / 67 / 0 / 45

HEX #672F8D

RGB 103 47 141

HSL 275.74, 0.5%, 0.37%

LAB 31.44, 42.23, -42.16

 

CMYK 9 / 67 / 0 / 45

HEX #802F8D

RGB 128 47 141

HSL 291.7, 0.5%, 0.37%

LAB 35.09, 48.32, -36.1

 

CMYK 0 / 67 / 9 / 45

HEX #8D2F80

RGB 141 47 128

HSL 308.3, 0.5%, 0.37%

LAB 36.47, 49.32, -25.76

 

CMYK 0 / 67 / 27 / 45

HEX #8D2F67

RGB 141 47 103

HSL 324.26, 0.5%, 0.37%

LAB 35.35, 45.51, -11.79

 

CMYK 0 / 67 / 45 / 45

HEX #8D2F4D

RGB 141 47 77

HSL 340.85, 0.5%, 0.37%

LAB 34.46, 42.34, 3.56

 

CMYK 27 / 67 / 0 / 45

HEX #672F8D

RGB 103 47 141

HSL 275.74, 0.5%, 0.37%

LAB 31.44, 42.23, -42.16

 

CMYK 45 / 67 / 0 / 45

HEX #4D2F8D

RGB 77 47 141

HSL 259.15, 0.5%, 0.37%

LAB 28.2, 36.38, -47.54

 

CMYK 63 / 67 / 0 / 45

HEX #342F8D

RGB 52 47 141

HSL 243.19, 0.5%, 0.37%

LAB 25.82, 31.69, -51.53

 

CMYK 67 / 67 / 0 / 45

HEX #2F2F8D

RGB 47 47 141

HSL 240, 0.5%, 0.37%

LAB 25.44, 30.91, -52.16

 

CMYK 27 / 67 / 0 / 45

HEX #672F8D

RGB 103 47 141

HSL 275.74, 0.5%, 0.37%

LAB 31.44, 42.23, -42.16

 

CMYK 32 / 80 / 0 / 39

HEX #6A1F9C

RGB 106 31 156

HSL 276, 0.67%, 0.37%

LAB 30.51, 53.36, -52.84

 

CMYK 37 / 91 / 0 / 33

HEX #6D10AC

RGB 109 16 172

HSL 275.77, 0.83%, 0.37%

LAB 30.88, 61.6, -61.9

 

CMYK 40 / 99 / 0 / 27

HEX #7001BB

RGB 112 1 187

HSL 275.81, 0.99%, 0.37%

LAB 31.93, 67.53, -69.1

 

CMYK 27 / 67 / 0 / 45

HEX #672F8D

RGB 103 47 141

HSL 275.74, 0.5%, 0.37%

LAB 31.44, 42.23, -42.16

 

CMYK 21 / 51 / 0 / 51

HEX #643E7E

RGB 100 62 126

HSL 275.63, 0.34%, 0.37%

LAB 33.27, 29.4, -29.97

 

CMYK 12 / 30 / 0 / 57

HEX #614D6E

RGB 97 77 110

HSL 276.36, 0.18%, 0.37%

LAB 35.94, 15.27, -15.85

 

CMYK 1 / 3 / 0 / 63

HEX #5E5C5F

RGB 94 92 95

HSL 280, 0.02%, 0.37%

LAB 39.34, 1.43, -1.44

 

CMYK 16 / 0 / 26 / 58

HEX #5B6C50

RGB 91 108 80

HSL 96.43, 0.15%, 0.37%

LAB 43.55, -12.1, 13.61

 

CMYK 64 / 67 / 0 / 45

HEX #332F8D

RGB 51 47 141

HSL 242.55, 0.5%, 0.37%

LAB 25.74, 31.53, -51.66

 

CMYK 45 / 67 / 0 / 45

HEX #4D2F8D

RGB 77 47 141

HSL 259.15, 0.5%, 0.37%

LAB 28.2, 36.38, -47.54

 

CMYK 28 / 67 / 0 / 45

HEX #662F8D

RGB 102 47 141

HSL 275.11, 0.5%, 0.37%

LAB 31.3, 41.99, -42.38

 

CMYK 10 / 67 / 0 / 45

HEX #7F2F8D

RGB 127 47 141

HSL 291.06, 0.5%, 0.37%

LAB 34.94, 48.07, -36.36

 

CMYK 0 / 67 / 8 / 45

HEX #8D2F82

RGB 141 47 130

HSL 307.02, 0.5%, 0.37%

LAB 36.57, 49.66, -26.85

 

CMYK 27 / 67 / 0 / 69

HEX #3A1A4F

RGB 58 26 79

HSL 276.23, 0.5%, 0.21%

LAB 16.52, 26.59, -26.41

 

CMYK 27 / 67 / 0 / 57

HEX #50246E

RGB 80 36 110

HSL 275.68, 0.51%, 0.29%

LAB 23.98, 34.78, -34.79

 

CMYK 27 / 67 / 0 / 45

HEX #672F8D

RGB 103 47 141

HSL 275.74, 0.5%, 0.37%

LAB 31.44, 42.23, -42.16

 

CMYK 27 / 67 / 0 / 33

HEX #7D39AC

RGB 125 57 172

HSL 275.48, 0.5%, 0.45%

LAB 38.31, 49.62, -49.71

 

CMYK 25 / 62 / 0 / 24

HEX #934BC3

RGB 147 75 195

HSL 276, 0.5%, 0.53%

LAB 45.87, 51.08, -50.92

 

CMYK 27 / 67 / 0 / 45

HEX #672F8D

RGB 103 47 141

HSL 275.74, 0.5%, 0.37%

LAB 31.44, 42.23, -42.16

 

CMYK 0 / 67 / 52 / 45

HEX #8D2F43

RGB 141 47 67

HSL 347.23, 0.5%, 0.37%

LAB 34.19, 41.36, 9.64

 

CMYK 67 / 0 / 55 / 45

HEX #2F8D40

RGB 47 141 64

HSL 130.85, 0.5%, 0.37%

LAB 51.86, -44.34, 32.88

 

CMYK 27 / 67 / 0 / 45

HEX #672F8D

RGB 103 47 141

HSL 275.74, 0.5%, 0.37%

LAB 31.44, 42.23, -42.16

 

CMYK 0 / 28 / 67 / 45

HEX #8D662F

RGB 141 102 47

HSL 35.11, 0.5%, 0.37%

LAB 46.14, 9.67, 36.48

 

CMYK 67 / 0 / 28 / 45

HEX #2F8D66

RGB 47 141 102

HSL 155.11, 0.5%, 0.37%

LAB 52.52, -37.12, 12.92

 

CMYK 27 / 67 / 0 / 45

HEX #672F8D

RGB 103 47 141

HSL 275.74, 0.5%, 0.37%

LAB 31.44, 42.23, -42.16

 

CMYK 0 / 67 / 52 / 45

HEX #8D2F43

RGB 141 47 67

HSL 347.23, 0.5%, 0.37%

LAB 34.19, 41.36, 9.64

 

CMYK 39 / 0 / 67 / 45

HEX #568D2F

RGB 86 141 47

HSL 95.11, 0.5%, 0.37%

LAB 53.2, -35.02, 42.97

 

CMYK 67 / 0 / 14 / 45

HEX #2F8D79

RGB 47 141 121

HSL 167.23, 0.5%, 0.37%

LAB 52.99, -32.37, 2.65

 

CMYK 27 / 67 / 0 / 45

HEX #672F8D

RGB 103 47 141

HSL 275.74, 0.5%, 0.37%

LAB 31.44, 42.23, -42.16

 

CMYK 0 / 61 / 67 / 45

HEX #8D372F

RGB 141 55 47

HSL 5.11, 0.5%, 0.37%

LAB 35.2, 36.01, 23.67

 

CMYK 39 / 0 / 67 / 45

HEX #568D2F

RGB 86 141 47

HSL 95.11, 0.5%, 0.37%

LAB 53.2, -35.02, 42.97

 

CMYK 67 / 6 / 0 / 45

HEX #2F858D

RGB 47 133 141

HSL 185.11, 0.5%, 0.37%

LAB 51.04, -22.61, -11.85

 

Description

Color code: HEX #672F8D | qconv.com Color code: HEX #672F8D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 47 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 47 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 67 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 67% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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