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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #675085 it is the complementary color #98AF7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #675085. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #675085 shade: #6C5080, #7D6293, #8E74A6, #9F86B9 and #B098CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #675085. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #675085 shade: #675085, #563E72, #452C5F, #341A4C and #230839

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #675085 shade: #675085, #765085, #845085, #855078 and #85506A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #675085 shade: #675085, #595085 and #505085

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #675085 shade matches the following richer shades: #675085, #653E97, #622DA8, #601CB9 and #5E0BCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #675085 shade: #675085, #696174, #6C7263, #6E8451 and #709540

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #675085 shade: #505585, #595085, #675085, #755085 and #845085

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #675085 shade: #3F3152, #53406C, #675085, #7B5F9F and #9079AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #675085 shade: #675085, #855063 and #508552

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #675085 shade: #675085, #856750 and #508567

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #675085 shade: #675085, #855063, #6E8550 and #508572

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #675085 shade: #675085, #855053, #6E8550 and #508582

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 40 / 0 / 48

HEX #675085

RGB 103 80 133

HSL 266.04, 0.25%, 0.42%

LAB 38.4, 21.1, -26.19

 

Complementary color

CMYK 13 / 0 / 30 / 31

HEX #98AF7A

RGB 152 175 122

HSL 86.04, 0.25%, 0.58%

LAB 68.56, -17.42, 24.63

 

CMYK 16 / 38 / 0 / 50

HEX #6C5080

RGB 108 80 128

HSL 275, 0.23%, 0.41%

LAB 38.7, 21.52, -22.63

 

CMYK 15 / 33 / 0 / 42

HEX #7D6293

RGB 125 98 147

HSL 273.06, 0.2%, 0.48%

LAB 45.91, 20.77, -22.8

 

CMYK 14 / 30 / 0 / 35

HEX #8E74A6

RGB 142 116 166

HSL 271.2, 0.22%, 0.55%

LAB 52.94, 20.1, -22.98

 

CMYK 14 / 28 / 0 / 27

HEX #9F86B9

RGB 159 134 185

HSL 269.41, 0.27%, 0.63%

LAB 59.82, 19.5, -23.19

 

CMYK 14 / 25 / 0 / 20

HEX #B098CC

RGB 176 152 204

HSL 267.69, 0.34%, 0.7%

LAB 66.56, 18.95, -23.41

 

CMYK 23 / 40 / 0 / 48

HEX #675085

RGB 103 80 133

HSL 266.04, 0.25%, 0.42%

LAB 38.4, 21.1, -26.19

 

CMYK 25 / 46 / 0 / 55

HEX #563E72

RGB 86 62 114

HSL 267.69, 0.3%, 0.35%

LAB 30.97, 21.99, -26.18

 

CMYK 27 / 54 / 0 / 63

HEX #452C5F

RGB 69 44 95

HSL 269.41, 0.37%, 0.27%

LAB 23.31, 23, -26.18

 

CMYK 32 / 66 / 0 / 70

HEX #341A4C

RGB 52 26 76

HSL 271.2, 0.49%, 0.2%

LAB 15.44, 24.07, -26.14

 

CMYK 39 / 86 / 0 / 78

HEX #230839

RGB 35 8 57

HSL 273.06, 0.75%, 0.13%

LAB 7.46, 24.79, -25.75

 

CMYK 23 / 40 / 0 / 48

HEX #675085

RGB 103 80 133

HSL 266.04, 0.25%, 0.42%

LAB 38.4, 21.1, -26.19

 

CMYK 11 / 40 / 0 / 48

HEX #765085

RGB 118 80 133

HSL 283.02, 0.25%, 0.42%

LAB 40.05, 26.01, -23.5

 

CMYK 1 / 40 / 0 / 48

HEX #845085

RGB 132 80 133

HSL 298.87, 0.25%, 0.42%

LAB 41.75, 30.68, -20.74

 

CMYK 0 / 40 / 10 / 48

HEX #855078

RGB 133 80 120

HSL 314.72, 0.25%, 0.42%

LAB 41.34, 28.52, -13.41

 

CMYK 0 / 40 / 20 / 48

HEX #85506A

RGB 133 80 106

HSL 330.57, 0.25%, 0.42%

LAB 40.84, 26.06, -5.54

 

CMYK 23 / 40 / 0 / 48

HEX #675085

RGB 103 80 133

HSL 266.04, 0.25%, 0.42%

LAB 38.4, 21.1, -26.19

 

CMYK 33 / 40 / 0 / 48

HEX #595085

RGB 89 80 133

HSL 250.19, 0.25%, 0.42%

LAB 37.03, 16.71, -28.44

 

CMYK 40 / 40 / 0 / 48

HEX #505085

RGB 80 80 133

HSL 240, 0.25%, 0.42%

LAB 36.25, 14.03, -29.73

 

CMYK 23 / 40 / 0 / 48

HEX #675085

RGB 103 80 133

HSL 266.04, 0.25%, 0.42%

LAB 38.4, 21.1, -26.19

 

CMYK 33 / 59 / 0 / 41

HEX #653E97

RGB 101 62 151

HSL 266.29, 0.42%, 0.42%

LAB 34.9, 36.08, -42.74

 

CMYK 42 / 73 / 0 / 34

HEX #622DA8

RGB 98 45 168

HSL 265.85, 0.58%, 0.42%

LAB 32.48, 48.93, -56.93

 

CMYK 48 / 85 / 0 / 27

HEX #601CB9

RGB 96 28 185

HSL 265.99, 0.74%, 0.42%

LAB 31.39, 59.75, -68.87

 

CMYK 54 / 95 / 0 / 20

HEX #5E0BCB

RGB 94 11 203

HSL 265.94, 0.9%, 0.42%

LAB 31.65, 67.88, -79.05

 

CMYK 23 / 40 / 0 / 48

HEX #675085

RGB 103 80 133

HSL 266.04, 0.25%, 0.42%

LAB 38.4, 21.1, -26.19

 

CMYK 9 / 16 / 0 / 55

HEX #696174

RGB 105 97 116

HSL 265.26, 0.09%, 0.42%

LAB 42.48, 7.2, -9.54

 

CMYK 5 / 0 / 13 / 55

HEX #6C7263

RGB 108 114 99

HSL 84, 0.07%, 0.42%

LAB 47.14, -5.26, 7.54

 

CMYK 17 / 0 / 39 / 48

HEX #6E8451

RGB 110 132 81

HSL 85.88, 0.24%, 0.42%

LAB 52.3, -17.36, 24.97

 

CMYK 25 / 0 / 57 / 42

HEX #709540

RGB 112 149 64

HSL 86.12, 0.4%, 0.42%

LAB 57.38, -27.27, 40.14

 

CMYK 40 / 36 / 0 / 48

HEX #505585

RGB 80 85 133

HSL 234.34, 0.25%, 0.42%

LAB 37.65, 10.83, -27.51

 

CMYK 33 / 40 / 0 / 48

HEX #595085

RGB 89 80 133

HSL 250.19, 0.25%, 0.42%

LAB 37.03, 16.71, -28.44

 

CMYK 23 / 40 / 0 / 48

HEX #675085

RGB 103 80 133

HSL 266.04, 0.25%, 0.42%

LAB 38.4, 21.1, -26.19

 

CMYK 12 / 40 / 0 / 48

HEX #755085

RGB 117 80 133

HSL 281.89, 0.25%, 0.42%

LAB 39.94, 25.68, -23.69

 

CMYK 1 / 40 / 0 / 48

HEX #845085

RGB 132 80 133

HSL 298.87, 0.25%, 0.42%

LAB 41.75, 30.68, -20.74

 

CMYK 23 / 40 / 0 / 68

HEX #3F3152

RGB 63 49 82

HSL 265.45, 0.25%, 0.26%

LAB 23.21, 14.13, -17.81

 

CMYK 23 / 41 / 0 / 58

HEX #53406C

RGB 83 64 108

HSL 265.91, 0.26%, 0.34%

LAB 30.85, 18.15, -22.59

 

CMYK 23 / 40 / 0 / 48

HEX #675085

RGB 103 80 133

HSL 266.04, 0.25%, 0.42%

LAB 38.4, 21.1, -26.19

 

CMYK 23 / 40 / 0 / 38

HEX #7B5F9F

RGB 123 95 159

HSL 266.25, 0.25%, 0.5%

LAB 45.49, 24.8, -30.59

 

CMYK 18 / 31 / 0 / 31

HEX #9079AF

RGB 144 121 175

HSL 265.56, 0.25%, 0.58%

LAB 54.76, 19.89, -25.37

 

CMYK 23 / 40 / 0 / 48

HEX #675085

RGB 103 80 133

HSL 266.04, 0.25%, 0.42%

LAB 38.4, 21.1, -26.19

 

CMYK 0 / 40 / 26 / 48

HEX #855063

RGB 133 80 99

HSL 338.49, 0.25%, 0.42%

LAB 40.61, 24.93, -1.55

 

CMYK 40 / 0 / 38 / 48

HEX #508552

RGB 80 133 82

HSL 122.26, 0.25%, 0.42%

LAB 50.79, -28.84, 22.09

 

CMYK 23 / 40 / 0 / 48

HEX #675085

RGB 103 80 133

HSL 266.04, 0.25%, 0.42%

LAB 38.4, 21.1, -26.19

 

CMYK 0 / 23 / 40 / 48

HEX #856750

RGB 133 103 80

HSL 26.04, 0.25%, 0.42%

LAB 46, 8.68, 17.58

 

CMYK 40 / 0 / 23 / 48

HEX #508567

RGB 80 133 103

HSL 146.04, 0.25%, 0.42%

LAB 51.22, -24.78, 10.71

 

CMYK 23 / 40 / 0 / 48

HEX #675085

RGB 103 80 133

HSL 266.04, 0.25%, 0.42%

LAB 38.4, 21.1, -26.19

 

CMYK 0 / 40 / 26 / 48

HEX #855063

RGB 133 80 99

HSL 338.49, 0.25%, 0.42%

LAB 40.61, 24.93, -1.55

 

CMYK 17 / 0 / 40 / 48

HEX #6E8550

RGB 110 133 80

HSL 86.04, 0.25%, 0.42%

LAB 52.59, -18.03, 25.9

 

CMYK 40 / 0 / 14 / 48

HEX #508572

RGB 80 133 114

HSL 158.49, 0.25%, 0.42%

LAB 51.49, -22.32, 4.71

 

CMYK 23 / 40 / 0 / 48

HEX #675085

RGB 103 80 133

HSL 266.04, 0.25%, 0.42%

LAB 38.4, 21.1, -26.19

 

CMYK 0 / 40 / 38 / 48

HEX #855053

RGB 133 80 83

HSL 356.6, 0.25%, 0.42%

LAB 40.16, 22.63, 7.72

 

CMYK 17 / 0 / 40 / 48

HEX #6E8550

RGB 110 133 80

HSL 86.04, 0.25%, 0.42%

LAB 52.59, -18.03, 25.9

 

CMYK 40 / 0 / 2 / 48

HEX #508582

RGB 80 133 130

HSL 176.6, 0.25%, 0.42%

LAB 51.94, -18.36, -3.95

 

Description

Color code: HEX #675085 | qconv.com Color code: HEX #675085 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 80 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 80 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 40 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 40% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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