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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #675B13 it is the complementary color #98A4EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #675B13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #675B13 shade: #6C5B0E, #7D6D21, #8E7F34, #9F9147 and #B0A35A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #675B13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #675B13 shade: #675B13, #564900, #453700, #342500 and #231300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #675B13 shade: #675B12, #674412, #672D12, #671712 and #671212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #675B13 shade: #675B12, #5C6712, #456712, #2F6712 and #186712

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #675B13 shade matches the following richer shades: #675B12 and #716209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #675B13 shade: #675B12, #5D541C, #534D26, #494630 and #3F3F3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #675B13 shade: #672D12, #674412, #675A12, #5D6712 and #476712

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #675B13 shade: #211D06, #443C0C, #675B12, #8A7A19 and #AD981F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #675B13 shade: #675B13, #126717 and #381267

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #675B13 shade: #675B13, #12675A and #5A1267

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #675B13 shade: #675B13, #126717, #121F67 and #671263

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #675B13 shade: #675B13, #126730, #121F67 and #671249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 82 / 60

HEX #675B13

RGB 103 91 19

HSL 51.43, 0.69%, 0.24%

LAB 38.57, -3.58, 40.22

 

Complementary color

CMYK 36 / 31 / 0 / 7

HEX #98A4EC

RGB 152 164 236

HSL 231.43, 0.69%, 0.76%

LAB 68.96, 12.72, -37.51

 

CMYK 0 / 16 / 87 / 58

HEX #6C5B0E

RGB 108 91 14

HSL 49.15, 0.77%, 0.24%

LAB 39.07, -1.31, 42.59

 

CMYK 0 / 13 / 74 / 51

HEX #7D6D21

RGB 125 109 33

HSL 49.57, 0.58%, 0.31%

LAB 46.19, -2.73, 42.65

 

CMYK 0 / 11 / 63 / 44

HEX #8E7F34

RGB 142 127 52

HSL 50, 0.46%, 0.38%

LAB 53.14, -3.82, 41.79

 

CMYK 0 / 9 / 55 / 38

HEX #9F9147

RGB 159 145 71

HSL 50.45, 0.38%, 0.45%

LAB 59.96, -4.67, 40.63

 

CMYK 0 / 7 / 49 / 31

HEX #B0A35A

RGB 176 163 90

HSL 50.93, 0.35%, 0.52%

LAB 66.64, -5.35, 39.38

 

CMYK 0 / 12 / 82 / 60

HEX #675B13

RGB 103 91 19

HSL 51.43, 0.69%, 0.24%

LAB 38.57, -3.58, 40.22

 

CMYK 0 / 15 / 100 / 66

HEX #564900

RGB 86 73 0

HSL 50.93, 1%, 0.17%

LAB 31.22, -2.02, 39.89

 

CMYK 0 / 20 / 100 / 73

HEX #453700

RGB 69 55 0

HSL 47.83, 1%, 0.14%

LAB 23.66, 0.31, 32.64

 

CMYK 0 / 29 / 100 / 80

HEX #342500

RGB 52 37 0

HSL 42.69, 1%, 0.1%

LAB 15.76, 2.89, 23.08

 

CMYK 0 / 46 / 100 / 86

HEX #231300

RGB 35 19 0

HSL 32.57, 1%, 0.07%

LAB 7.43, 5.78, 11.24

 

CMYK 0 / 12 / 83 / 60

HEX #675B12

RGB 103 91 18

HSL 51.53, 0.7%, 0.24%

LAB 38.57, -3.62, 40.59

 

CMYK 0 / 34 / 83 / 60

HEX #674412

RGB 103 68 18

HSL 35.29, 0.7%, 0.24%

LAB 31.95, 10.33, 34.45

 

CMYK 0 / 56 / 83 / 60

HEX #672D12

RGB 103 45 18

HSL 19.06, 0.7%, 0.24%

LAB 26.17, 24.18, 28.83

 

CMYK 0 / 78 / 83 / 60

HEX #671712

RGB 103 23 18

HSL 3.53, 0.7%, 0.24%

LAB 22.09, 35.01, 24.65

 

CMYK 0 / 83 / 83 / 60

HEX #671212

RGB 103 18 18

HSL 0, 0.7%, 0.24%

LAB 21.43, 36.85, 23.95

 

CMYK 0 / 12 / 83 / 60

HEX #675B12

RGB 103 91 18

HSL 51.53, 0.7%, 0.24%

LAB 38.57, -3.62, 40.59

 

CMYK 11 / 0 / 83 / 60

HEX #5C6712

RGB 92 103 18

HSL 67.76, 0.7%, 0.24%

LAB 41.25, -15.75, 42.64

 

CMYK 33 / 0 / 83 / 60

HEX #456712

RGB 69 103 18

HSL 84, 0.7%, 0.24%

LAB 39.6, -26.01, 40.52

 

CMYK 54 / 0 / 83 / 60

HEX #2F6712

RGB 47 103 18

HSL 99.53, 0.7%, 0.24%

LAB 38.46, -34.21, 39.04

 

CMYK 77 / 0 / 83 / 60

HEX #186712

RGB 24 103 18

HSL 115.76, 0.7%, 0.24%

LAB 37.73, -40.15, 38.09

 

CMYK 0 / 12 / 83 / 60

HEX #675B12

RGB 103 91 18

HSL 51.53, 0.7%, 0.24%

LAB 38.57, -3.62, 40.59

 

CMYK 0 / 13 / 92 / 56

HEX #716209

RGB 113 98 9

HSL 51.35, 0.85%, 0.24%

LAB 41.64, -3.1, 46.3

 

CMYK 0 / 12 / 83 / 60

HEX #675B12

RGB 103 91 18

HSL 51.53, 0.7%, 0.24%

LAB 38.57, -3.62, 40.59

 

CMYK 0 / 10 / 70 / 64

HEX #5D541C

RGB 93 84 28

HSL 51.69, 0.54%, 0.24%

LAB 35.5, -3.84, 32.94

 

CMYK 0 / 7 / 54 / 67

HEX #534D26

RGB 83 77 38

HSL 52, 0.37%, 0.24%

LAB 32.45, -3.63, 23.85

 

CMYK 0 / 4 / 34 / 71

HEX #494630

RGB 73 70 48

HSL 52.8, 0.21%, 0.24%

LAB 29.44, -2.8, 13.75

 

CMYK 0 / 0 / 8 / 75

HEX #3F3F3A

RGB 63 63 58

HSL 60, 0.04%, 0.24%

LAB 26.5, -1.09, 3.06

 

CMYK 0 / 56 / 83 / 60

HEX #672D12

RGB 103 45 18

HSL 19.06, 0.7%, 0.24%

LAB 26.17, 24.18, 28.83

 

CMYK 0 / 34 / 83 / 60

HEX #674412

RGB 103 68 18

HSL 35.29, 0.7%, 0.24%

LAB 31.95, 10.33, 34.45

 

CMYK 0 / 13 / 83 / 60

HEX #675A12

RGB 103 90 18

HSL 50.82, 0.7%, 0.24%

LAB 38.27, -3.03, 40.31

 

CMYK 10 / 0 / 83 / 60

HEX #5D6712

RGB 93 103 18

HSL 67.06, 0.7%, 0.24%

LAB 41.33, -15.28, 42.74

 

CMYK 31 / 0 / 83 / 60

HEX #476712

RGB 71 103 18

HSL 82.59, 0.7%, 0.24%

LAB 39.72, -25.17, 40.68

 

CMYK 0 / 12 / 82 / 87

HEX #211D06

RGB 33 29 6

HSL 51.11, 0.69%, 0.08%

LAB 10.67, -1.87, 13.4

 

CMYK 0 / 12 / 82 / 73

HEX #443C0C

RGB 68 60 12

HSL 51.43, 0.7%, 0.16%

LAB 25.22, -2.81, 29.19

 

CMYK 0 / 12 / 83 / 60

HEX #675B12

RGB 103 91 18

HSL 51.53, 0.7%, 0.24%

LAB 38.57, -3.62, 40.59

 

CMYK 0 / 12 / 82 / 46

HEX #8A7A19

RGB 138 122 25

HSL 51.5, 0.69%, 0.32%

LAB 51.14, -4.33, 50.78

 

CMYK 0 / 12 / 82 / 32

HEX #AD981F

RGB 173 152 31

HSL 51.13, 0.7%, 0.4%

LAB 62.88, -4.51, 60.52

 

CMYK 0 / 12 / 82 / 60

HEX #675B13

RGB 103 91 19

HSL 51.43, 0.69%, 0.24%

LAB 38.57, -3.58, 40.22

 

CMYK 83 / 0 / 78 / 60

HEX #126717

RGB 18 103 23

HSL 123.53, 0.7%, 0.24%

LAB 37.65, -40.76, 36.09

 

CMYK 46 / 83 / 0 / 60

HEX #381267

RGB 56 18 103

HSL 266.82, 0.7%, 0.24%

LAB 16.76, 36.89, -42.1

 

CMYK 0 / 12 / 82 / 60

HEX #675B13

RGB 103 91 19

HSL 51.43, 0.69%, 0.24%

LAB 38.57, -3.58, 40.22

 

CMYK 83 / 0 / 13 / 60

HEX #12675A

RGB 18 103 90

HSL 170.82, 0.7%, 0.24%

LAB 38.84, -27.35, 0.44

 

CMYK 13 / 83 / 0 / 60

HEX #5A1267

RGB 90 18 103

HSL 290.82, 0.7%, 0.24%

LAB 22.25, 43.51, -32.94

 

CMYK 0 / 12 / 82 / 60

HEX #675B13

RGB 103 91 19

HSL 51.43, 0.69%, 0.24%

LAB 38.57, -3.58, 40.22

 

CMYK 83 / 0 / 78 / 60

HEX #126717

RGB 18 103 23

HSL 123.53, 0.7%, 0.24%

LAB 37.65, -40.76, 36.09

 

CMYK 83 / 70 / 0 / 60

HEX #121F67

RGB 18 31 103

HSL 230.82, 0.7%, 0.24%

LAB 15.94, 23.56, -43.58

 

CMYK 0 / 83 / 4 / 60

HEX #671263

RGB 103 18 99

HSL 302.82, 0.7%, 0.24%

LAB 24.38, 45.65, -26.79

 

CMYK 0 / 12 / 82 / 60

HEX #675B13

RGB 103 91 19

HSL 51.43, 0.69%, 0.24%

LAB 38.57, -3.58, 40.22

 

CMYK 83 / 0 / 53 / 60

HEX #126730

RGB 18 103 48

HSL 141.18, 0.7%, 0.24%

LAB 37.92, -37.46, 24.13

 

CMYK 83 / 70 / 0 / 60

HEX #121F67

RGB 18 31 103

HSL 230.82, 0.7%, 0.24%

LAB 15.94, 23.56, -43.58

 

CMYK 0 / 83 / 29 / 60

HEX #671249

RGB 103 18 73

HSL 321.18, 0.7%, 0.24%

LAB 22.99, 41.65, -11.6

 

Description

Color code: HEX #675B13 | qconv.com Color code: HEX #675B13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 91 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 91 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 82 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 82% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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