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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #675F51 it is the complementary color #98A0AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #675F51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #675F51 shade: #6C5F4C, #7D715F, #8E8372, #9F9585 and #B0A798

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #675F51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #675F51 shade: #675F51, #564D3E, #453B2B, #342918 and #231705

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #675F51 shade: #665E50, #665850, #665250 and #665050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #675F51 shade: #665E50, #666450, #626650, #5D6650 and #576650

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #675F51 shade matches the following richer shades: #665E50, #756241, #846633, #936A24 and #A26F15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #675F51 shade: #665E50, #575A5F, #49566E, #3A527D and #2B4E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #675F51 shade: #665250, #665850, #665E50, #666450 and #636650

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #675F51 shade: #38342C, #4F493E, #665E50, #7D7462 and #938976

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #675F51 shade: #675F51, #546650 and #555066

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #675F51 shade: #675F51, #50665E and #5E5066

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #675F51 shade: #675F51, #546650, #505866 and #635066

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #675F51 shade: #675F51, #506653, #505866 and #665063

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 21 / 60

HEX #675F51

RGB 103 95 81

HSL 38.18, 0.12%, 0.36%

LAB 40.67, 0.63, 9.17

 

Complementary color

CMYK 13 / 8 / 0 / 32

HEX #98A0AE

RGB 152 160 174

HSL 218.18, 0.12%, 0.64%

LAB 65.65, 0.05, -8.23

 

CMYK 0 / 12 / 30 / 58

HEX #6C5F4C

RGB 108 95 76

HSL 35.63, 0.17%, 0.36%

LAB 41.05, 1.98, 12.8

 

CMYK 0 / 10 / 24 / 51

HEX #7D715F

RGB 125 113 95

HSL 36, 0.14%, 0.43%

LAB 48.26, 1.55, 11.7

 

CMYK 0 / 8 / 20 / 44

HEX #8E8372

RGB 142 131 114

HSL 36.43, 0.11%, 0.5%

LAB 55.28, 1.2, 10.69

 

CMYK 0 / 6 / 16 / 38

HEX #9F9585

RGB 159 149 133

HSL 36.92, 0.12%, 0.57%

LAB 62.13, 0.9, 9.77

 

CMYK 0 / 5 / 14 / 31

HEX #B0A798

RGB 176 167 152

HSL 37.5, 0.13%, 0.64%

LAB 68.85, 0.64, 8.91

 

CMYK 0 / 8 / 21 / 60

HEX #675F51

RGB 103 95 81

HSL 38.18, 0.12%, 0.36%

LAB 40.67, 0.63, 9.17

 

CMYK 0 / 10 / 28 / 66

HEX #564D3E

RGB 86 77 62

HSL 37.5, 0.16%, 0.29%

LAB 33.21, 1.02, 10.28

 

CMYK 0 / 14 / 38 / 73

HEX #453B2B

RGB 69 59 43

HSL 36.92, 0.23%, 0.22%

LAB 25.47, 1.54, 11.54

 

CMYK 0 / 21 / 54 / 80

HEX #342918

RGB 52 41 24

HSL 36.43, 0.37%, 0.15%

LAB 17.38, 2.29, 13.05

 

CMYK 0 / 34 / 86 / 86

HEX #231705

RGB 35 23 5

HSL 36, 0.75%, 0.08%

LAB 8.83, 3.5, 11.24

 

CMYK 0 / 8 / 22 / 60

HEX #665E50

RGB 102 94 80

HSL 38.18, 0.12%, 0.36%

LAB 40.26, 0.64, 9.19

 

CMYK 0 / 14 / 22 / 60

HEX #665850

RGB 102 88 80

HSL 21.82, 0.12%, 0.36%

LAB 38.52, 4.27, 6.74

 

CMYK 0 / 20 / 22 / 60

HEX #665250

RGB 102 82 80

HSL 5.45, 0.12%, 0.36%

LAB 36.82, 7.95, 4.31

 

CMYK 0 / 22 / 22 / 60

HEX #665050

RGB 102 80 80

HSL 0, 0.12%, 0.36%

LAB 36.25, 9.19, 3.5

 

CMYK 0 / 8 / 22 / 60

HEX #665E50

RGB 102 94 80

HSL 38.18, 0.12%, 0.36%

LAB 40.26, 0.64, 9.19

 

CMYK 0 / 2 / 22 / 60

HEX #666450

RGB 102 100 80

HSL 54.55, 0.12%, 0.36%

LAB 42.03, -2.93, 11.65

 

CMYK 4 / 0 / 22 / 60

HEX #626650

RGB 98 102 80

HSL 70.91, 0.12%, 0.36%

LAB 42.27, -5.79, 11.94

 

CMYK 9 / 0 / 22 / 60

HEX #5D6650

RGB 93 102 80

HSL 84.55, 0.12%, 0.36%

LAB 41.86, -7.86, 11.3

 

CMYK 15 / 0 / 22 / 60

HEX #576650

RGB 87 102 80

HSL 100.91, 0.12%, 0.36%

LAB 41.39, -10.3, 10.57

 

CMYK 0 / 8 / 22 / 60

HEX #665E50

RGB 102 94 80

HSL 38.18, 0.12%, 0.36%

LAB 40.26, 0.64, 9.19

 

CMYK 0 / 16 / 44 / 54

HEX #756241

RGB 117 98 65

HSL 38.08, 0.29%, 0.36%

LAB 42.61, 2.7, 21.61

 

CMYK 0 / 23 / 61 / 48

HEX #846633

RGB 132 102 51

HSL 37.78, 0.44%, 0.36%

LAB 45.15, 5.82, 32.98

 

CMYK 0 / 28 / 76 / 42

HEX #936A24

RGB 147 106 36

HSL 37.84, 0.61%, 0.36%

LAB 47.8, 9.47, 43.75

 

CMYK 0 / 31 / 87 / 36

HEX #A26F15

RGB 162 111 21

HSL 38.3, 0.77%, 0.36%

LAB 50.81, 12.95, 52.8

 

CMYK 0 / 8 / 22 / 60

HEX #665E50

RGB 102 94 80

HSL 38.18, 0.12%, 0.36%

LAB 40.26, 0.64, 9.19

 

CMYK 8 / 5 / 0 / 63

HEX #575A5F

RGB 87 90 95

HSL 217.5, 0.04%, 0.36%

LAB 38.14, -0.07, -3.29

 

CMYK 34 / 22 / 0 / 57

HEX #49566E

RGB 73 86 110

HSL 218.92, 0.2%, 0.36%

LAB 36.36, 1.26, -15.39

 

CMYK 54 / 34 / 0 / 51

HEX #3A527D

RGB 58 82 125

HSL 218.51, 0.37%, 0.36%

LAB 34.83, 4.17, -27.14

 

CMYK 69 / 44 / 0 / 45

HEX #2B4E8C

RGB 43 78 140

HSL 218.35, 0.53%, 0.36%

LAB 33.68, 9.05, -38.23

 

CMYK 0 / 20 / 22 / 60

HEX #665250

RGB 102 82 80

HSL 5.45, 0.12%, 0.36%

LAB 36.82, 7.95, 4.31

 

CMYK 0 / 14 / 22 / 60

HEX #665850

RGB 102 88 80

HSL 21.82, 0.12%, 0.36%

LAB 38.52, 4.27, 6.74

 

CMYK 0 / 8 / 22 / 60

HEX #665E50

RGB 102 94 80

HSL 38.18, 0.12%, 0.36%

LAB 40.26, 0.64, 9.19

 

CMYK 0 / 2 / 22 / 60

HEX #666450

RGB 102 100 80

HSL 54.55, 0.12%, 0.36%

LAB 42.03, -2.93, 11.65

 

CMYK 3 / 0 / 22 / 60

HEX #636650

RGB 99 102 80

HSL 68.18, 0.12%, 0.36%

LAB 42.36, -5.37, 12.07

 

CMYK 0 / 7 / 21 / 78

HEX #38342C

RGB 56 52 44

HSL 40, 0.12%, 0.2%

LAB 21.87, 0.12, 5.7

 

CMYK 0 / 8 / 22 / 69

HEX #4F493E

RGB 79 73 62

HSL 38.82, 0.12%, 0.28%

LAB 31.29, 0.39, 7.5

 

CMYK 0 / 8 / 22 / 60

HEX #665E50

RGB 102 94 80

HSL 38.18, 0.12%, 0.36%

LAB 40.26, 0.64, 9.19

 

CMYK 0 / 7 / 22 / 51

HEX #7D7462

RGB 125 116 98

HSL 40, 0.12%, 0.44%

LAB 49.17, 0.29, 11.21

 

CMYK 0 / 7 / 20 / 42

HEX #938976

RGB 147 137 118

HSL 39.31, 0.12%, 0.52%

LAB 57.47, 0.45, 11.54

 

CMYK 0 / 8 / 21 / 60

HEX #675F51

RGB 103 95 81

HSL 38.18, 0.12%, 0.36%

LAB 40.67, 0.63, 9.17

 

CMYK 18 / 0 / 22 / 60

HEX #546650

RGB 84 102 80

HSL 109.09, 0.12%, 0.36%

LAB 41.16, -11.49, 10.23

 

CMYK 17 / 22 / 0 / 60

HEX #555066

RGB 85 80 102

HSL 253.64, 0.12%, 0.36%

LAB 35.26, 7.07, -11.99

 

CMYK 0 / 8 / 21 / 60

HEX #675F51

RGB 103 95 81

HSL 38.18, 0.12%, 0.36%

LAB 40.67, 0.63, 9.17

 

CMYK 22 / 0 / 8 / 60

HEX #50665E

RGB 80 102 94

HSL 158.18, 0.12%, 0.36%

LAB 41.24, -10.06, 1.81

 

CMYK 8 / 22 / 0 / 60

HEX #5E5066

RGB 94 80 102

HSL 278.18, 0.12%, 0.36%

LAB 36.13, 10.42, -10.58

 

CMYK 0 / 8 / 21 / 60

HEX #675F51

RGB 103 95 81

HSL 38.18, 0.12%, 0.36%

LAB 40.67, 0.63, 9.17

 

CMYK 18 / 0 / 22 / 60

HEX #546650

RGB 84 102 80

HSL 109.09, 0.12%, 0.36%

LAB 41.16, -11.49, 10.23

 

CMYK 22 / 14 / 0 / 60

HEX #505866

RGB 80 88 102

HSL 218.18, 0.12%, 0.36%

LAB 37.2, 0.25, -9.1

 

CMYK 3 / 22 / 0 / 60

HEX #635066

RGB 99 80 102

HSL 291.82, 0.12%, 0.36%

LAB 36.65, 12.31, -9.75

 

CMYK 0 / 8 / 21 / 60

HEX #675F51

RGB 103 95 81

HSL 38.18, 0.12%, 0.36%

LAB 40.67, 0.63, 9.17

 

CMYK 22 / 0 / 19 / 60

HEX #506653

RGB 80 102 83

HSL 128.18, 0.12%, 0.36%

LAB 40.95, -12.45, 8.07

 

CMYK 22 / 14 / 0 / 60

HEX #505866

RGB 80 88 102

HSL 218.18, 0.12%, 0.36%

LAB 37.2, 0.25, -9.1

 

CMYK 0 / 22 / 3 / 60

HEX #665063

RGB 102 80 99

HSL 308.18, 0.12%, 0.36%

LAB 36.86, 12.83, -7.52

 

Description

Color code: HEX #675F51 | qconv.com Color code: HEX #675F51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 95 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 95 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 21 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 21% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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